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Three New Genre Series in the Works at The CW

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Three New Genre Series in the Works at The CWWe caught wind of three new series in the works at The CW which, while not strictly horror-based, should still be of interest to genre fans. Read on for the details!

First up is an original project called “Sick” from Trey Callaway (co-executive producer of “CSI: NY”) and Sean Hood (Halloween: Resurrection, Fear Itself, and “Masters of Horror”), who wrote the script and sold it directly to The CW. “Sick” is set in a world where youths are quarantined after a mysterious virus makes adults allergic to teenagers. Described as a cross between Contagion and The Hunger Games, it centers on a band of teens who escape from their containment units and go on the run from authorities.

Next is “Jane Whitefield,” based on the Vanishing Act book series by Thomas Perry. Produced by Carol Mendelsohn (“CSI”) and written by Natalie Chaidez (“Heroes,” “Terminator: The Sarah Connor Chronicles”), “Jane Whitefield” centers on a quirky young woman in search of her biological parents and her own identity who runs a private investigation/”eraser” company in Portland. CBS TV Studios and studio-based Mendelsohn Prods. produce, with Mendelsohn, Chaidez, Perry, Bob Wunsch, and Carol Mendelsohn Prods.’ Julie Weitz exec producing.

Here’s the Vanishing Act book synopsis; looks like they’re changing it up a bit for TV:

Jane Whitefield is a Native American guide who leads people out of the wilderness–not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself. So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape…

Lastly is an adaptation of UK series “Tomorrow People.” Greg Berlanti (“Arrow”) and Julie Plec (“The Vampire Diaries”) will executive produce the project, written by Phil Klemmer (“Chuck”). In the vein of X-Men and “Heroes,” “Tomorrow People” is the story of several young people from around the world who represent the next stage in human evolution, possessing special powers, including the ability to teleport and communicate with each other telepathically. Together they work to defeat the forces of evil.

Created by Roger Price, “The Tomorrow People,” ITV’s answer to BBC’s “Dr. Who,” ran on the commercial broadcaster for eight seasons from 1973-1979. It developed a strong cult following and was a favorite of Berlanti and Plec, who are good friends from college. They had been chasing the rights to “Tomorrow People” for more than a decade, finally tracking them down to FremantleMedia, which rarely licenses its formats to other studios. But, given the level of auspices and Berlanti and Plec’s passion for the project, the company made an exception and will co-produce the adaptation with Warner Bros. TV and studio-based Berlanti Prods. Berlanti, Plec, Klemmer, and Berlanti Prods’ Melissa Berman executive produce, with SVP Scripted Programming Tony Optican overseeing for Fremantle. This is not the first attempt to reboot “The Tomorrow People.” ITV tried it in the early 1990s, with the new series running for three seasons.

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Oy! HANNUKAH THE MOVIE Aims to Get Made After Nearly a Decade

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This menorah has nothing to do with the story but, c'mon! It's a freaking T-rex menorah!

As a Jew, seeing holiday-themed horror movies is both a wonderful and bittersweet occasion. I love seeing my friends celebrate the holidays that are near and dear to their hearts but elevated with the viscera, gore, and terror that I so dearly love. But while Christians have films like Black Christmas, Santa’s Slay, Gremlins, Red Christmas, Krampus, etc…, the amount of horror films centered around Jewish holidays is slim to none. Don’t get me wrong here, okay? I’m well aware of population dynamics and, therefore, interest in a given subject/life experience. It’d just be nice to see something like that now and again.

Oh, but what’s this? Looks like writer/director Eben McGarr is ready to move forward on his near decade long project Hanukkah The Movie, a “TORAH-fying new tale of HORAH!” I get it. Sensible chuckle awarded.

Obediah Lazarus is the son of Judah Lazarus, the original Hanukkiller. In 1983 Judah terrorized NY for seven nights and was preparing to sacrifice his eight-year-old son, Obediah, on the eighth night. Judah was convinced it was God’s will, like Abraham and Isaac, to sacrifice his only son to God. Luckily for Obediah, police tracked Judah down and stopped the sacrifice, but Judah was gunned down in the process. Warped by hatred with no guidance, Obediah Lazarus becomes a religious extremist, intolerant of non-Jews, “bad Jews”, and those he perceives to be enemies of the Jewish faith. He is about to unleash eight nights of horror.

A group of Jewish teens are getting ready to party for the holidays but are in for a Festival of Frights. With the help of a wise rabbi, they deduce that the murder victims have violated Judaic law and that their only chance at survival is to embrace their faith.

The film has supposedly taken care of the majority of pre-production, so they’re now on Indiegogo with the goal to raise $100,000. Not a small amount but certainly not an unachievable goal. If a potato salad Kickstarter that wanted $10 ended up with nearly $56,000, I think this has a chance.

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Trailer: Man-Made Ghosts Invade OUR HOUSE This July

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IFC Midnight will be unleashing director Anthony Scott Burns’ feature debut Our House come July 27, 2018. The film stars Thomas Mann and Nicola Peltz and today we have the flick’s spooky trailer for your viewing pleasure.

You can check out the poster to the right and the trailer below and then make sure to hit us up and let us know what you think in the comments below or on Facebook, Twitter, and/or Instagram!

Our House is directed by Anthony Scott Burns from a script written by Nathan Parker and stars Thomas Mann and Nicola Peltz. It’s produced by Lee Kim, Martin Katz, Ulf Israel and Karen Wookey. Executive producers are John Davis, Nick Spicer, Kyle Franke, Derek Dauchy, Noah Segal, Adrian Love, David Kehrl and Reik Moller.

The film hits via IFC Midnight this July 27, 2018.

Synopsis:

The story of a young genius who accidentally invents a device that amplifies the paranormal activity within his family’s house, possibly bringing back the spirits of loved ones — and unleashing things that are far worse.

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PANTHER RIDGE Review – When Your New Job Takes You To Interesting Locations

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Starring Chenara Imrith, Kerry Hempel, Seth Goodfellow

Written by Ryan Swantek

Directed by Ryan Swantek


Director Ryan Swantek’s graphic-take on a young woman unhappy with her looks in White Willow was in my useless opinion, one of the strongest short films to hit the horror genre in quite some time. It was brutal, unflinchingly ruthless to eyeball, and best of all for a first-time directorial effort, there was no apology for what was put before us – let’s venture over to Panther Ridge.

So what comes around in the second-time in the big guy’s chair? Well, when I’d heard that it was a sadistic look into the BDSM scene, I’ll admit I was a bit intrigued (no, I’m not into that stuff, ya kooks) – I’d just honestly hoped for a bit more than what was tossed to me. This particular short film is titled Panther Ridge, and it tells the story of a young lady who is getting a fresh start in a new career – that of a dominatrix, of sorts. As this presentation begins, she’s smack dab in the middle of a dungeon with a very unlucky prisoner and the woman who will be guiding her in her “training.” I’ll tell ya, first days on the job can be stressful, but with the correct forms of relief, you can make it through the day all the while exorcising some pent up demons as well.

Commence brutality upon this poor tied-up fool and the lass roped up across from him, for they know not what lies in store for them next, but rest assured they’ll be making a blood donation whether they want to or not. Unfortunately my self-imposed hype proved to be insurmountable as Swantek’s second time up to the plate resulted (for me, anyway) in a big swing and a miss. What worked in his maiden voyage with Willow was the notion that you were going to witness the repercussions of a tortured soul as she looked in the mirror, whereas this time we’re watching some poor sap get the snot beaten out of him, and I could honestly see the same thing in a number of other productions for a longer stretch of time (if you dig that sort of thing). I’ll await Mr. Swantek’s third production when it’s time, and hopefully it’ll pack more of a sustained punch than this quickie.

  • Panther Ridge
2.5

Summary

Swantek’s sophomore directorial endeavor unfortunately isn’t much more than shock and torture-porn crammed into an abbreviated timeframe – been down this road more than a few times.

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