North Bend Film Fest 2018: Final Slate of Films Confirmed For Inaugural Edition
This year will see the inaugural edition of the North Bend Film Fest in North Bend, WA, which was once the original shooting location for David Lynch’s iconic television series Twin Peaks. From August 23 through 26, the town, located just outside of Seattle, will host a film festival that sees genre fare from around the world. Confirmed today is the full line-up, which will see the fest bring festival darlings such as Anna and the Apocalypse, Don’t Leave Home, and Braid to the screen.
Below is the full lineup. If you want to snag tickets, they go on sale this Friday at North Bend’s website.
Shirkers (Washington Premiere)
USA | 2018 | 96 Min | Dir. Sandi Tan
Cinema-loving teenager Sandi Tan and two friends had a big idea in 1992: They’d shoot their own super-low-budget assassin thriller on their native streets of Singapore, along with help from an American mentor named Georges. Then, one day, Georges disappeared along with all of their work. Twenty-five years later, Tan has turned her investigation into Georges’ motives, using newly recovered footage and firsthand accounts, into one of 2018’s best documentaries, an autobiography turned love letter to filmmaking dreams, especially those that have gone unfulfilled.
My Name is Myeisha
USA | 2018 | 84 Min | Dir. Gus Krieger
A bold and visionary musical unlike anything on screen today, Gus Krieger’s MY NAME IS MYEISHA blends hip-hop, beat-boxing, dance and spoken word lyricism to tell the heartbreaking story of a teenage girl killed by police while she sat unconscious in a locked car. It’s essential filmmaking in a dynamic and energetic combination of storytelling methods precisely executed from beginning to end.
Sarah Plays A Werewolf (West Coast Premiere)
Switzerland/Germany | 2017 | 86 Min | Dir. Katharina Wyss
Off the stage, 17-year-old Sarah drifts through her community in anonymity. But on her high school’s theater’s stage? The shy girl unleashes torrents of fiery passion, stemming from personal secrets mostly involving her unpleasant home life. As Sarah falls deeper into her performances, though, her loneliness intensifies, causing the troubled teenager to lose herself in multiple ways. Drenched in an overriding sense of despair, Swiss filmmaker Katharina Wyss’ devastating feature-length debut is a coming-of-age stunner.
My Own Private Idaho (1991)
USA | 1991 | 104 Min | Dir. Gus Van Sant
Set in the 1990’s runaway-dominated streets of the Pacific Northwest and loosely based on Shakespeare’s Henry IV, this seminal film by Gus Van Sant (GOOD WILL HUNTING, MILK) tells the tale of a narcoleptic street kid named Mike (River Phoenix) who befriends a fellow hustler (Keanu Reeves) on his journey to find his estranged mother. Film presented in collaboration with Three Dollar Bill Cinema
Previously announced films in this section include Profile, dir. Timur Bekmambetov, Black Mother, dir. Khalik Allah and Braid, dir. Mitzi Peirone.
Anna and the Apocalypse (West Coast Premiere)
United Kingdom | 2018 | 92 Min | Dir. John McPhail
For Anna and her friends, high school graduation can’t come soon enough. Unfortunately for them, they must face a horde of yuletide undead creatures before passing on to adulthood. A zombie apocalypse-Christmas-comedy-musical (yes, you read that right), “Anna” is a salute to a genre you didn’t think you needed, while keeping you on the edge of your seat with its hilarity and heart.
Piercing (Pacific Northwest Premiere)
USA | 2018 | 81 Min | Dir. Nicolas Pesce
After kissing his wife and baby goodbye for a seemingly normal business trip, Reed (Christopher Abbott) checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie (Mia Wasikowska).
Relaxer (Washington Premiere)
USA | 2018 | 91 Minutes | Dir. Joel Potrykus
Joel Potrykus’ latest film follows an obsessive couch potato slacker taking on his most epic challenge yet: to beat the impossible final level of PAC-MAN without ever leaving the couch. His desperate quest is fraught with gross-out humor and darkly comedic perils as all sense of time is lost and takes a turn towards downright mania in a satisfyingly exhilarating conclusion.
Don’t Leave Home (Pacific Northwest Premiere)
USA | 2018 | 86 Min | Dir. Michael Tully
For her latest exhibition, American artist Melanie Thomas is focused on an old Irish myth surrounding Father Alistair Burke, whose portrait of an 8-year-old Siobhan led to the little girl’s unexplained disappearance. After receiving an invite from the enigmatic Burke to visit him in Ireland, Melanie finds that reality and myth aren’t mutually exclusive. Drenched in classical Euro-horror dread and other strange flourishes, writer-director Michael Tully’s genre hybrid is a delightfully unnerving head trip. Director Michael Tully in attendance. Screening presented by Snoqualmie Valley Real Estate.
Time Share (Washington Premiere)
Mexico/Netherlands | 2018 | 96 Minutes | Dir. Sebastian Hoffman
A father’s holiday from Hell begins when a clerical mix-up forces his family to share their vacation home with another family. But lurking beneath the paradise resort is a shady organization with designs far worse than double bookings. Director Sebastian Hoffman’s psychological thriller expertly juxtaposes terror and surrealist comedy through weaving stories of the family man and a beaten down employee setting out for revenge from within. Screening presented by Snoqualmie Valley Real Estate.
Billy (North American Premiere)
Netherlands | 2018 | 90 Min | Dir. Theo Maassen
Ventriloquist Gerard de Groot and his puppet Billy have been inseparable for the last ten years. Until the moment they fall in love with different women and Gerard decides to take a break from his wild dummy. Easier said than done. Theo Maassen’s promising debut is a sharp tragic comedy mixing raunchy humor and deep thoughts about a career as an artist.
Don’t miss the previously announced film in this section, the world premiere of Model Home with the director and producer in attendance!
Cinema Vista Shorts Block
MOBIUS, dir. Sam Kuhn
In the wake of her lover’s death, a high school student comes to terms with her suburban malaise in this dreamlike and TWIN-PEAKS-esque dose of small-town oddness.
BIOPHILIA, dir. Marina Michelson
Rachel and her boyfriend, a pair of Brooklynites, decide to try their hand at farming. But when a sheep dies on their watch, Rachel must make a tough decision.
EUPHORIA, dir. Wynter Rhys
Too focused on his adoring followers and eager paparazzi, a famous artist constantly neglects his 6-year-old daughter. His rabid fan base is ready to change that.
JOUSKA, dir. Wynter Rhys
A man’s dark past and guilt-ridden thoughts come to a head as he navigates a nightmare land that’s like ALICE IN WONDERLAND laced with PCP.
BAILAORA, dir. Rubin Stein
Clearing out bodies on the streets of a war-torn Spain, a group of soldiers encounter a young dancer whose moves have an effect beyond explanation.
THE DAY MUM BECAME A MONSTER, dir. Joséphine Hopkins
Divorces are extremely tough on all children, but especially for young Candice. As if being abandoned by her father isn’t hard enough, her mother begins exhibiting some very troubling new behavior.
Something Strange Shorts Block
END TIMES, dir. Bobby Miller
After randomly stumbling across a dying squirrel in a public park, a man’s day goes from odd to WTF in this delightfully morbid comedy from the director of THE CLEANSE.
LOVELY LEGS, dir. Abby Thompson
In an isolated forest, a young man is ready to finally part ways with his female sex robot. As they say, though, it’s always hard to say goodbye.
OVUM, dir. Cidney Hue
Undergoing a mind-altering medical procedure, a woman is forced to make the toughest decision of her life.
A FOREST, dir. Thomas Geffrier
Ready to keep the good times going, Marie leaves a party with a couple en route to a hot threesome. She’ll soon wish that she’d have just gone home alone.
CIRCLE, dir. Martin Melnick
Loosely based on the myth of Eurydice, this off-kilter, genre-bending allegory follows a woman whose past traumas send on a fateful and dangerous trip through Purgatory.
ALLEN ANDERS: LIVE AT THE COMEDY CASTLE – CIRCA 1987, dir. Laura Moss
During an infamous on-stage performance in 1987 at New York City’s Comedy Castle, stand-up comic Allen Anders lost his mind. This is the uncovered footage.
BFF GIRLS, dir. Brian Lonano
A trio of nerdy American girls transform into powerful and fearless Japanese superheroes in order to take down a villainous tampon monster. A coming-of-age tale like none other.