BIFAN 2018: Full Slate of Nearly 300+ Films Announced!
A huge amount of news is coming out of South Korea’s BIFAN film festival, which is the one of the largest genre film festival’s in the world, and we’ve gathered it all in one massive post so that your brains can be inundated with all things exciting coming out of Bucheon! With over 160 features and nearly 130 shorts, BIFAN is going to be the home to 60 world premieres, 30 international premieres, 58 Asian premieres, and 80 Korean premieres. You can see the list of all films – yes, I formatted and put in every single one of the films, features and shorts both – below.
BIFAN 2018 takes place July 12-22. More information can be found on their official website.
Trailer:
First of all, they’ve released a stunningly awesome trailer, which you can watch below. Directed by Kim Kangmin, the trailer takes place in the home of A Nightmare on Elm Street‘s Freddy Krueger and uses stop-motion animation to show the Springwood Slasher donning a new head. It’s brilliant realized and a ton of fun, so don’t skip on giving it a view.
NAFF:
Additionally, the Network of Asian Fantastic Films (NAFF) have confirmed their guest speakers for their 2018 Fantastic Film School, the world’s first educational program for fantastic films. The program is being headed by Alexandre O. Phillipe, the director of last year’s 78/52.
The lecturers for this event will be Tom Davia, founder and CEO of Cinemaven and producer; John Heinsen, owner and executive director of Bunnygraph Entertainment and previous transmedia producer/showrunner of the Academy Awards; and Chang Sanling, a prominent producer from Taiwan and expert on marketing, PR, and overseas sales. Also speaking will be Annick Mahnert, who is the acquisitions consultant and festival programmer of Screen Division as well as a programmer of Fantastic Fest.
Running July 13 to July 18 at the Koryo Hotel in Bucheon, a total of 28 participants from 19 countries have been selected to take part in the program. Over six days, the participants will take part in a class on script doctoring, a master class, and workshops. They will also participate in lectures that cover a wide range of topics such as transmedia, co-producing packaging, and OTT/SNS marketing. Through the various lectures and programs, the aim is to help create an effective global network that will allow the participants – who are composed of promising filmmakers – to go out into the global film market.
Jury Members:
The 22nd BIFAN festival has a staggering amount of films, so they’re splitting up things up into different categories and they’ve got jurors assigned to each block.
Bucheon Choice: Features
Barbara Crampton – Barbara Crampton has had a long career in genre films. From cult classics such as Re-Animator to From Beyond and new favorites like You’re Next, We Are Still Here and Beyond the Gates, Barbara has 35 years plus, devoted to the horror community. Moving beyond acting recently to producing, Ms. Crampton is devoted to helping other film makers realize their dreams in the landscape of scary tales told with heart and humanity. She is often asked to speak and write about the genre.
Takahashi Hiroshi – Takahashi Hiroshi was born in 1959. In 1985 he graduated from Waseda University with a degree in Russian Literature. While at university, he started producing 8mm films. His debut as scriptwriter came in 1990 with a TV production helmed by Morisaki Azuma. In 1998 he wrote the script for the international surprise hit The Ring by Nakata Hideo. Sodom The Killer (2004) is his first film as a director.
Mark Adams – Mark Adams is Artistic Director of the Edinburgh Film Festival. He was Chief Film Critic for film trade paper Screen International and was also film critic for The Sunday Mirror in the UK. For more than 25 years he has written for Variety, The Hollywood Reporter and Moving Pictures International, as well as many national newspapers in the UK. He was Head of Programming at the National Film Theatre in London for six years; was Director of Cinema at the Institute of Contemporary Arts (ICA) in London.
Byun Young-joo – Byun Young-joo made her name with the documentary Woman Being in Asia (1993). She directed the documentary series about Korean comfort women The Murmuring (1993), Habitual Sadness (1997), My Own Breathing (1999) and received Ogawa Shinsuke Prize from Yamagata Documentary Film Festival for The Murmuring. After moving into fiction films, she directed critically acclaimed features Deep Loves (2002), Flying Boys (2004), Helpless (2012). She won Best Director award from Baeksang Arts Awards 2012 with Helpless.
Kim Kang-woo – Born in 1978, Seoul, Kim Kang-woo studied acting at Chung-Ang Univerisity, debuted with Kim Ki-Duk’s The Coast Guard (2002), and achieved a rapid growth in his career by taking a protagonist at TV series Breathless.
He won the Best New Male Actor award from Busan Film Critics Association Awards for The Aggressives (2005) and the Best Actor award for The Railroad (2007) from Torino IFF. He has been extending his spectrum of acting in playing diverse genre titles: Le Grand Chef (2005), The Taste of Money (2012), Cart (2014), The Treacherous (2015), and The Vanished (2018).
Korean Fantastic: Features
Hayashi Kanako – Born in Tokyo, Hayashi Kanako was Festival Director of Tokyo FILMeX from 2001 to March 2018 and was Chairperson of Talents Tokyo project for supporting Asian promising filmmakers. As general coordinator of Kawakita Memorial Film Institute(1986 to 1997), she helped to introduce Japanese films to international film festivals and cinematheques. She has served on the juries of many festivals including Berlin, Locano, Hong Kong, Karlovy Vary. In 2012 she was the recipient of the Busan Film Festival Korean Cinema Award.
Park Hye-young – Park Hye-young is one of the renowned drama/film writers of Korea. She first made her name with the comedy TV series Old Miss Diary (2003) which was made into a movie in 2006 with the same title. She wrote the TV series I Live in Cheongdam-dong (2012), Another Miss Oh (2015) and the feature film Two Weddings and a Funeral (2012). Recently she finished TV drama My Mister (2018) which attracted a lot of attention.
Evrim Ersoy – Ersoy was born in Istanbul but has spent most of his life in London. His study of criminal psychology had a marked influence on his decision to work in film. After first earning a living as a journalist, he moved on to festival programming. He is currently the creative director of the largest festival of genre movies in the United States, Fantastic Fest in Austin, but is also a programmer for Beyond Fest, MotelX, the Boston Underground FF, and more. He has written and directed a number of award-winning shorts, including Abdullah, and he is currently working on his first feature.
Bucheon Choice: Shorts / Korean Fantastic: Shorts
Boo Ji-young – Boo Ji-young attended Korean Academy of Film Arts and debuted with the award-winning feature film Sisters on the Road (2009). She directed the feature documentary project Myselves: The Actress No Makeup Project (2011), selected for the opening film of 2011 Seoul Independent Film Festival. In 2014 she directed her second fiction film Cart, invited to numerous festivals including Toronto Film Festival, is also the winner of the 10 Best Films of the Year of the 35th Korean Critics Choice Awards.
Kim Jae-uck – Kim Jae-uck first gained recognition for his work in MBC drama series Do It Your Way (2002). He performed in many television drama series and feature films, including the TV dramas Coffee Prince (2007), Marry Stayed Out All Night (2010) The Voice (2017), the films Antique (2008), Planck Constant (2014), Another Way (2015), The Last Princess (2016). Recently he starred in the Korea-Japan co-production feature film Butterfly Sleep (2017) and musical Amadeus.
Peter Kuplowksy – Peter Kuplowsky is a film curator, content producer, writer and hat enthusiast based in Toronto. Since 2005, he has established a career championing genre cinema and outsider art at various film festivals, including Toronto After Dark, Fantastic Fest in Austin, Texas, and the Toronto Film Festival’s Midnight Madness programme. Over the past few years, Kuplowsky has helped develop and produce a number of critically acclaimed feature films such as Manborg (2011), the concluding segment “Z is for Zygote” in The ABCs of Death: Part 2 (2014), The Interior (2015), The Void (2016).
NETPAC Award
Philip Cheah – Philip Cheah is a film critic and is the editor of BigO, Singapore’s only independent pop culture publication. He is currently program consultant for the Jogja-NETPAC Asian Film Festival, the Eurasia Film Festival, and Shanghai Film Festival. He was given numerous awards for his dedication to Asian Film Industry from the Kyrgyzstan Film Critics, the Vietnam Cinema Association, the 8th Cinemanila Film Festival, and the Korean Cinema Award at the 9th Busan Film Festival.
Wang Yao – Wang Yao is a film critic, fantasy and sci-fi editor and critic. He holds a Ph.D of Film Studies and currently works as assistant researcher of Film Studies Department, Beijing Film Academy where he has a course on Sci-Fi Film Studies. He was editor for a fantasy novel journal Novoland Fantasy and several other fantasy journals of China. He works as a curator for Beijing Film Festival and an upcoming sci-fi film festival in Zhongshan, as a curating consultant of Shanghai Film Festival.
Hwang Hee-yeon – Hwang Hee-yeon is current editor-in-chief of KoBiz,
the Korea Film Council(KOFIC)’s official English-language website and editorial committee member for the Korean Film Archive’s official magazine. She is former editor-in-chief of Screen magazine and many other publications, including KOFIC’s industry magazine Cino, Korean Cinema Today and Hyundai Card’s newspaper The Modern Times. She has written several books on cinema and travel journals. Her publication includes How to Live Like Parisian, Women in Kamome Diner, The Cartoon History of the Cinema (translated titles).
EFFFF Asian Award
Lorenzo Bertuzzi – Born in Trieste 1967, he is one the founder of Trieste Science + Fiction festival that revived the heritage of the Trieste Science-Fiction Film Festival, one of the oldest European genre film events. He collaborated as a journalist with Noctruno Cinema, the main Italian genre film magazine. He is now the festival coordinator of the Science + Fiction Festival and secretary of La Cappella Underground the Trieste media library who organize the event from 2000.
Dianne Leenders – Dianne Leenders is financial director of the Brussels Fantastic Film Festival. She’s also the current representative of the BIFFF with the European Federation of Fantastic Film Festivals, to which she participated at its creation some 20 years ago. She attended the very first edition of BIFAN and will be back this year as a member of the EFFFF Jury.
Program Trends:
Looking Back at Korean Cinema by Highlighting a Special Actor and Genre Films:
For this year’s Korean cinema special program, the 22nd BIFAN presents “JUNG Woo-sung: The Star, the Actor, the Artist”. As seen from his role in Beat – a movie that had far more depth than one would expect from a “teen film” – to his role as a villain in Cold Eyes, JUNG Woo-sung showed that he was willing to take on any genre, and in the process, he developed into a distinguished veteran actor. By looking back at the history of JUNG Woo-sung – the man who is as charming as ever and is spreading his gracious influence onto society to grow from being a star to a celebrated actor, and then to an artist – audiences will able to understand the progression of Korean genre films.
“Special Screening to Celebrate INDIESTORY’s 20 Years Just Turned 20! Fantastic at Full Speed” is a special program that will be retracing the history of INDIESTORY, a central figure in the world of Korean independent and low-budget films that has firmly withstood the test of time. There will also be a special screening section that shows all of the films by the man who directed Gonjiam: Haunted Asylum, JEONG Beong-sik, and a special screening of The Merciless – a film that gave birth to new possibilities and a new fandom last year amid the fervent responses it was met with.
A Special Program for Horror and Sci-Fi Films Featuring Genre Film Masters and Masterpieces:
Wes Craven, George A. Romero, and Tobe Hooper – renowned directors who passed away between the years of 2015 and 2017 – are masters of film that will not only be remembered by the horror film industry; the names of these directors will forever go down in cinematic history. In order to examine the impact these three directors had on the horror genre, three of their early films have been selected for “3X3 EYES: A Special Program Featuring, Three Horror Masters And Their Eyes”. This special program will give audiences a chance to appreciate cinematic masterpieces that would be difficult to catch on the big screen otherwise.
As a continuation of last year’s special program titled “Terrible Women: Monsters and Villainess”, which looked at the depiction of women in horror films, the 22nd BIFAN presents “The Women Who Leapt Through Time: The Representation of Women in Sci-Fi Films” to examine how women are portrayed and have developed in sci-fi films, and how they have come to stand tall as autonomous characters. By featuring classics such as The Stepford Wives and Alien, as well as John Carpenter’s remarkable cult classic Ghost of Mars and George Miller’s recent masterpiece Mad Max: Fury Road – Black and Chrome, this special program will introduce you to strong and phenomenal women who transcend time.
This Year’s Spotlight, Indian Films:
The 22nd BIFAN will be shining the spotlight on Indian films. We know that more films are made in Bollywood than in Hollywood. However, there’s much more to Indian films than that fact alone. The face of Indian films – which are primarily made in three regions, including Tamil Nadu and Hyderabad – are extremely vast and diverse. From the types of films that feature song-and-dance sequences that come to many people’s minds when they think of Indian movies, to experimental films, Indian films cover a wide range of genres.
Secret Superstar, a film produced by one of the biggest stars in Indian cinema, Aamir KHAN, is the closing film of the 22nd BIFAN. In a film that recently opened in Korea titled Dangal, Aamir KHAN plays a character who trains his two daughters to become wrestlers. Dangal is a sophisticated film with emotional resonance that presents a progressive view of women and is a movie that shows the outstanding quality of Indian films. Secret Superstar takes it a step further and clearly portrays female solidarity.
Mom – a female revenge movie starring Sridevi, one of the most influential actresses of Indian cinema who sadly passed away at the beginning of the year – tells the story of a woman who seeks to avenge her daughter, who is a victim of assault. A film about a superhero who resists social evils titled Bhavesh Joshi Superhero and horror film Ezra have been included in the lineup for the World Fantastic section. In a film by a witty and promising director known as Q titled Garbage, a woman who has been humiliated by revenge porn finds herself committing torture and murder in the process of getting revenge on a man. Also, three films that became big hits in three regions in India, Zapped, Jai Lava Kusa, and Tiger is Alive, will be screened in the Best of Asia section. Zapped is a film that launches a scathing and exhilarating attack on the corruption in India’s healthcare industry.
In addition, four Indian films will be selected for the NAFF It Project genre film project market based on their originality, on how true they stay to their genre, and for their potential of going on to completion. On July 16, while the B.I.G NAFF is in session, there will be a special pitching event for the four projects and a reception highlighting Indian projects and films.
Genre Films Made by Women, the Gender Awareness of Genre Films:
One thing that will stand out at the 22nd BIFAN is the remarkable breakthroughs made by female directors. A considerable number of films by rising female directors will be featured. There’s French director Coralie Fargeat’s debut film titled Revenge, which shows gratifying scenes of revenge against men who try to cover up their crimes of sexual violence; and Tigers are Not Afraid, which tells a beautiful and sad story of children struggling to survive in Mexico City – a city that has become dilapidated from the war on drugs. Tower. A Bright Day is a mysterious and chilling study of mankind by budding Polish director, Jagoda SZELC. In A Vigilante, Olivia WILDE plays a woman who survives domestic violence and seeks revenge, and YU Eun-jeong’s debut feature film Ghost Walk tells a story of the horror of disappearance by depicting the time of ghosts, which flows in reverse.
Changes in perspectives that are found in genre films is a worldwide trend. The Misandrists – which will be screened in the Forbidden Zone along with Indian film Garbage – is about the commotion that ensues when a radial leftist young man clandestinely enters a secret society called the “Misandrists” which aims to overthrow the patriarchy and establish a new order of female dominance. Masterpieces that paint a picture of the growth and inner world of women like Thelma, which connects religious oppression to supernatural experiences; Blue My Mind, which is a coming-of-age film that uses transformation as a motif; When Margaux Meets Margaux, which talks about what happens when the ego of a young woman and the ego of a middle-aged woman meet; and Virus Tropical, which is the screen adaptation of Power Paola’s autobiographical graphic novel, will also be screened. From the outlandish musical that will be screened in the World Fantastic section titled Anna and the Apocalypse that portrays a duel that goes down on Christmas Eve between a young girl and a zombie, to a touching film scheduled to be shown in the Family Zone section titled Supa Modo that shows how an entire village bands together to help a young girl with cancer see her dream come true, and Maquia: When the Promised Flower Blooms, which is a poignant tale of growth about a young immortal girl, there are noteworthy films that cover a wide range of genres and audiences that show the changes in gender perspectives.
Experiencing the New Wave of Japanese Films:
The recent crop of major films that have been coming out of Korea, China, and Japan have been showy but boring. Looking at the main lineup in theaters reveals films that seem to have been produced based on a formula that guarantees ticket sales. KOREEDA Hirokazu and KUROSAWA Kiyoshi are still making films, but it’s not enough. MIIKE Takashi can no longer bring out interesting major films. Ventures that are fresh and different need to be undertaken.
Our House, which won the Grand Prix at the PIA Film Festival last year; The Limit of Sleeping Beauty, which is the full-length commercial film version of the mid-length film of the same title which won the Jury’s Special Award at the 2016 Yubari Fantastic Film Festival; The Hungry Lion, which portrays how women are victimized by secret filming; I’m Crazy, which weaves together music and images in a sophisticated way; The Sacrament, which brilliantly shows the cinematic imagination of the YouTube generation; and One Cut of the Dead, which creatively makes use of the clichés found in zombie flicks, are movies filmed by young Japanese directors, and they all feel new and different. The visual representation and the viewpoints of the films could easily be looked at as being part of a new wave in Japanese cinema.
Once known as one of the “Four Heavenly Kings of Pink”, ZEZE Takahisa struck gold with his 64 series last year after having spent his career making major movies. In his film The Lowlife, ZEZE Takahisa reached the peak of the erotic drama genre. We recommend that you pay attention to The Lowlife, which is an adaption of the 2016 novel by Japanese AV star and best-selling author of a collection of essays and two novels, Mana SAKURA. SHIRAISHI Kazuya – who will be presenting two films, The Blood of Wolves, which could be called the 21st century version of the classic Yakuza film Battles Without Honour and Humanity, and Sunny, which follows the reality of the internet generation – is currently the most fascinating director in Japan. SHIRAISHI Kazuya was acknowledged for his work in The Devil’s Path, and he received a great deal of attention for his Roman Porno Reboot Project Dawn of the Felines, which is a remake of TANAKA Noboru’s Night of the Felines. Dynamite Graffiti, which will be screened in the Forbidden Zone section, is the film adaptation of an autobiographical essay that was written by an editor who led the erotic magazine syndrome in Japan in the 1970s. The film will give you a look at the erotic landscape of that time period.
Opening Film: The Underdog
Directed by OH Sung-yun, LEE Chun-baek
“Abandoned dog Moongchi runs into a dog called Jjang-ah and his pack, which hide in a derelict re-development area. Moongchi wants to believe his owner’s last words to him, “Wait for me!” but finally accepts the reality of being abandoned and gets used to living with Jjang-ah and his pack. One day he comes across another lead dog called Bami and his pack, which live wild in the woods. Jjang-ah’s pack are used to the convenience of the city but Bami and his lot try to stay wild; both are dogs with different lifestyles and they go on adventures to ‘The Place’ where every dog can live happily away from the demolition and brutal dog hunters. Crossing busy roads, jumping barbed wire fences and hiding from the tenacious dog hunters, they slowly head north. Will they arrive in ‘The Place’ which is full of beautiful fields and fireflies without any danger?
Closing Film: Secret Superstar
Directed by Advait CHANDAN
“14-year-old Insia dreams of becoming a singer. Her mother wants to help her achieve this, but her father is an extremely patriarchal and violent man: he wants her to get married soon and live an ordinary life as another man’s possession. Insia uploads a video clip of her singing with her face covered. Her video goes viral and it looks like her dream is going to come true, but her father will not change his mind; he even tries to destroy the lives of Insia and her mother.”
Bucheon Choice: Features
The selection criteria are the views subverting the values and the talents creating new styles. An effort has been made to find the movies that are based on an independent production system in this industry dominated by commercial films, and that challenge the conventional genre conventions, and as a result, 12 feature films from 11 countries have been selected for the competition.
Beast
Michael PEARCE
UK | 2018 | 107min
The Dark
Justin P. LANGE
Austria | 2018 | 95min
Ghost Walk
YUE un-jeong
Korea | 2018 | 90min
The Limit of Sleeping Beauty
NINOMIYA Ken
Japan | 2017 | 89min
Look Up
Fulvio RISULEO
Italy | 2017 | 90min
Reposto
Alberto MONTERASII
Philippines | 2017 | 96min
Revenge
Coralie FARGEAT
France, UK | 2017 | 108min
The Sacrament
IWAKIRII sora
Japan | 2017 | 90min
Sad Beauty
Bongkod BENCHARONGKUL
Thailand | 2018 | 92min
Tigers Are Not Afraid
Issa LÓPEZ
Mexico | 2017 | 83min
Tower A Bright Day
Jagoda SZELC
Poland | 2017 | 106min
A Vigilante
Sarah DAGGAR-NICKSON
USA | 2018 | 91min
Bucheon Choice: Shorts
Bucheon Choice: Shorts invites 12 short films full of the charm of short films, which puts a powerful story in compressed time and space. In addition to Hair Wolf, the winner of the Sundance Film Festival Short Film Jury Award, Helsinki Mansplaining Massacre, which sharply twists the customs of the horror genre and social conventions, and RIP, a bloody black comedy about a wife and a mother who try to kill the husband who has returned alive because of the way others look at them, are the films that tell the recent interests in an impressive way, such as race, gender and human relations, in a strong combination of comedy and gore. While Deer boy, The Girl in the Snow and Hunger are impressive for their brutal yet beautiful scenes and fantastic styles, Pan, a comedy about the secret of an underground factory of an ordinary bakery, and No Line, whose variation of sophisticated styles rises above, are special in that they present energy of new Japanese directors. Moreover, a Korean short movie Soh is noteworthy for its style as unique as its title. These 12 films of different countries present styles and themes as various as the number of nations and offer the pleasure specific to the genre or new interpretation beyond genre stereotypes. They are a must for the audience who loves genre films.
Deer boy
Katarzyna GONDEK
Poland, Belgium, Croatia | 2017 | 15min
Guanzillum
Frédérick Neegan TRUDEL
Canada | 2017 | 15min
Hair Wolf
Mariama DIALLO
USA | 2018 | 12min
Helsinki Mansplaining Massacre
Ilja RAUTSI
Finland | 2018 | 15min
Hunger
Thomas CADOUX
France | 2017 | 5min
Mama Pingpong Social Club
CHUANG Shiang-An
Taiwan | 2018 | 30min
No Line
Rick KAWANAKA
Japan | 2017 | 20min
Pan
SAKAMOTO Yuugo, TSUJI Nagiko
Japan | 2017 | 15min
RIP
Albert PINTÓ, Caye CASAS
Spain | 2017 | 16min
Soh
SEO Bo-hyung
Korea | 2018 | 16min
The Girl in the Snow
Dennis LEDERGERBER
Switzerland | 2017 | 7min
Walking Meat
SUGAI Shinya
Japan | 2018 | 20min
Korean Fantastic: Features and Shorts
Korean Fantastic: Features have expanded the scale of screening dramatically to broaden the base of Korean genre films and discover new ones. This year is no exception. It hopes to introduce a wider spectrum of Korean genre movies by presenting more diversified works in both quantity and quality.
For Korean Fantastic: Shorts, 1,006 Korean short films were submitted. The three jurors for preliminary competition are film director CHANG Hyun-sang, film producer JE Jeong-ju and film journalist Rhana JANG. They carefully reviewed all the submissions, and six films have been selected after competition more intense than ever: Transfusion, deals with the issue of life and death from the perspectives of religious beliefs and medical senses, and So Sorry begins as a cheerful comedy but shows an unpredictable tragedy, which is life’s ironies. Six short yet intense films are waiting to be selected as the best at BIFAN.
Korean Fantastic: Features – Competition
Deep
CHO Sung-kyu
Korea | 2018 | 86min
The DMZ
OH In-chun
Korea | 2018 | 93min
Dogs in the House
SHIN Hae-gang
Korea | 2018 | 93min
The Goose Goes South
BAEK Jae-ho, LEE Hee-seop
Korea, Japan | 2018 | 120min
Land of Happiness
JUNG Min-kyu
Korea | 2018 | 86min
Live Hard
Hwang Wook
Korea | 2018 | 100min
The Uncle
KIM Hyoung-jin
Korea | 2017 | 100min
Bad Boss
BAEK Jong-seok
Korea | 2018
Closed Word
PARK Gyu-tek
Korea | 2017 | 119min
Korean Fantastic: Features
Beautiful Vengeance
Jude JUNG
Korea | 2018 | 72min
Epitaph
JEONG Sik, JUNG Bum-sik
Korea | 2007 | 98min
Gonjiam: Haunted Asylum
JUNG Bum-sik
Korea | 2018 | 94min
Hakuna Matata Pole Pole
KIM Sunung
Korea | 2017 | 102min
The Merciless
BYUN Sung-hyun
Korea | 2016 | 120min
Psychokinesis
YEON Sang-ho
Korea | 2017 | 101min
Super Margin
BACK Seung-kee
Korea | 2017 | 90min
Korean Fantastic: Shorts
Ship of Fools
LEE Sang-hak
Korea | 2018 | 15min
Sigh of Sighs
GIM Bo-seong
Korea | 2018 | 5min
So Sorry
YOON Jun-hee
Korea | 2018 | 16min
The Favor
Jason YU
Korea | 2018 | 17min
The World of Mimi
YOON Dong-ki
Korea | 2018 | 21min
Transfusion
LEE Seong-man
Korea | 2018 | 20min
World Fantastic Red
World Fantastic Cinema which shows the panorama of world fantastic films was divided into two sections titled Red and Blue from the 20th year. World Fantastic Red is for genre film fanatics and is packed with action films gushing with blood, chilling horror films and exciting thrillers.
3am Part 3
Phawat PANANGKASIRI, Thammanoon SAKULBOONTHANOM, Nitivat CHOLVANICHSIRI
Thailand | 2018 | 101min
The Axiom
Nicholas WOODS
USA | 2018 | 98min
The Blood of Wolves
SHIRAISHI Kazuya
Japan | 2018 | 126min
The Blue Choker
Hsun-Wei David CHANG
Taiwan | 2018 | 104min
Boar
Chris SUN
Australia | 2018 | 96min
Braid
Mitzi PEIRONE
USA | 2018 | 93min
The Butcher, The Whore, and the One-Eyed Man
János SZÁSZ
Hungary | 2017 | 105min
Buy Bust
Erik MATTI
Philippines | 2017 | 123min
The Cannibal Club
Guto PARENTE
Brazil | 2018 | 81min
Dead Night
Brad BARUH
USA | 2017 | 145min
Double Date
Benjamin BARFOOT
UK | 2017 | 90min
The End?
Daniele MISISCHIA
Italy | 2017 | 98min
Euthanizer
Teemu NIKKI
Finland | 2017 | 85min
Ezra
Jay K
India | 2017 | 145min
Firstborn
Aik KARAPETIAN
Latvia | 2017 | 90min
The Inhabitant
Guillermo AMOEDO
Mexico, Chile | 2018 | 93min
Killer Mosquitos
Riccardo PAOLETTI
Italy | 2017 | 90min
Killing God
Albert PINTÓ, Caye CASAS
Spain | 2017 | 92min
The Liquidator
XU Jizhou
China, Hong Kong | 2017 | 124min
The Lowlife
ZEZE Takahisa
Japan | 2017 | 120min
Mom
Ravi UDYAWAR
India | 2017 | 146min
Mom & Dad
Brian TAYLOR
USA | 2017 | 83min
Mutafukaz
NISHIMI Shojiro, Guillaume RENARD
France, Japan | 2017 | 93min
The Mysterious Family
PARK Yoo-hwan
China | 2017 | 93min
The Night Eats the World
Dominique ROCHER
France | 2018 | 93min
One Cut of the Dead
UEDA Shinichirou
Japan | 2017 | 95min
The Ranger
Jenn WEXLER
USA | 2017 | 80min
Ravenous
Robin AUBERT
Canada | 2017 | 100min
Ruin Me
Preston DEFRANCIS
USA | 2017 | 87min
Satan’s Slaves
Joko ANWAR
Indonesia | 2017 | 106min
St. Agatha
Darren LYNN BOUSMAN
USA | 2017 | 98min
Summer of ’84
François SIMARD, Anouk WHISSELL, Yoann-Karl WHISSELL CHOLVANICHSIRI
USA, Canada | 2017 | 105min
Sunny
SHIRAISHI Kazuya
Japan | 2018 | 110min
Terrified
Demian RUGNA
Argentina | 2017 | 87min
Upgrade
Leigh WHANNELL
USA | 2018 | 100min
What the Waters Left Behind
Luciano ONETTI, Nicolás ONETTI
Argentina, New Zealand | 2017 | 98min
Yaru Onna – She’s a Killer
MIYANO Keiji
Japan | 2018 | 84min
Yurigokoro
KUMAZAWA Naoto
Japan | 2017 | 128min
World Fantastic Blue
World Fantastic Blue presents a wide range of genre films including sci-fi, fantasy, comedy, romance and music films that even those with an aversion to the sight of blood can enjoy. Here are films that you can enjoy with more ease and will gently soften your heart after it’s been wound up tight by Red movies.
Anna and the Apocalypse
John McPHAIL
UK | 2017 | 107min
Bhavesh Joshi Superhero
Vikramaditya MOTWANE
India | 2018 | 153min
Blue My Mind
Lisa BRUHLMANN
Switzerland | 2017 | 97min
Boys Cry
Damiano D’INNOCENZO, Fabio D’INNOCENZO
Italy | 2018 | 96min
Brother’s Nest
Clayton JACOBSON
Australia | 2018 | 98min
The Changeover
Miranda HARCOURT, Stuart MCKENZIE
New Zealand | 2017 | 95min
Damascus Time
Ebrahim HATAMIKIA
Iran | 2018 | 108min
Diary of my Mind
Ursula MEIER
Switzerland | 2017 | 70min
Don’t Leave Home
Michael TULLY
USA, Ireland | 2018 | 87min
Eullenia
Paul SPURRIER
Thailand | 2018 | 127min
Flea-picking Samurai
TSURUHASHI Yasuo
Japan | 2018 | 110min
Goodbye, Grandpa!
MORIGAKI Yukihiro
Japan | 2017 | 104min
The Hungry Lion
OGATA Takaomi
Japan | 2017 | 78min
Hyouka: Forbidden Secrets
ASATO Mari
Japan | 2017 | 114min
I’m Crazy
KUDO Masaaki
Japan | 2017 | 86min
Just a Breath Away
Daniel ROBY
France | 2018 | 89min
Last Winter, We Parted
TAKIMOTO Tomoyuki
Japan | 2018 | 118min
Looking for Rohmer
WANG Chao
China | 2017 | 83min
Mayfair
Sara BLECHER
South Africa | 2018 | 90min
My Little Monster
TSUKIKAWA Sho
Japan | 2018 | 105min
November
Rainer SARNET
Estonia, Netherlands, Poland | 2017 | 115min
Our House
KIYOHARA Yui
Japan | 2017 | 80min
Pin Cushion
Deborah HAYWOOD
UK | 2017 | 89min
The Real Estate
Axel PETERSÉN, Mans MANSSON
Sweden | 2018 | 88min
RocKabul
Travis BEARD
Afghanistan, Australia, Norway, Bosnia, India | 2018 | 90min
Secrets in the Hot Spring
LIN Kuan Hui
Taiwan | 2017 | 110min
Sultry
Marina MELIANDE
Brazil | 2018 | 96min
Thelma
Joachim TRIER
Norway, France, Denmark, Sweden | 2017 | 116min
Thoroughbreds
Cory FINLEY
USA | 2017 | 92min
The Tokoloshe
Jerome PIKWANE
South Africa | 2017 | 91min
Tombiruo
Seth LARNEY
Malaysia | 2017 | 115min
Virus Tropical
Santiago CAICEDO
Colombia | 2017 | 96min
When Margaux Meets Margaux
Sophie FILLIÈRES
France | 2018 | 97min
White Chamber
Paul RASCHID
UK | 2017 | 89min
Wizard
Kagiso LEDIGA
South Africa | 2017 | 81min
Youth
FENG Xiaogang
China | 2017 | 135min
The Bastard and the Beautiful World
GONPA Naruhiro, KODAMA Yuichi, SANO Kenjiro, SONO Sion, TADA Taku, YAMAUCHI Kenji, YAMAZAKI Takaaki, OTA Hikari
Japan | 2018 | 105min
Family Zone:
Family Zone consists of fantastic films for families with children and teenagers, who will be the audience of the future, to watch together. A Group of Children Jury composed of children from the Bucheon area chosen through a selection process will choose the best film among those screened in Family Zone as the winner of the BIFAN Children’s Jury Award.
Legend of the Demon Cat
CHEN Kaige
China, Japan | 2017 | 129min
Maquia: When the Promised Flowers Bloom
OKADA Mari
Japan | 2018 | 115min
Marnie’s World
Christoph LAUENSTEIN, Wolfgang LAUENSTEIN
Germany | 2018 | 87min
Supa Modo
Likarion WAINAINA
Germany, Kenya | 2018 | 74min
Young Detectives
Bujin SOYOLBAATAR
Mongolia | 2017 | 95min
ZOOks
Kristoff LEUE, Dimitri LEUE
Belgium | 2018 | 90min
The Journey of the 12 Cats
PARK Beom-jun
Korea | 2018 | 70min
Forbidden Zone:
A section that exemplifies what true hardcore fans of BIFAN are after, Forbidden Zone introduces the films that challenge the audience’s senses to the maximum limit. Every July, the faithful manias from all over the world gather in masses to witness the most vulgar, offensive, gory and challenging titles of the year. This year is no exception as BIFAN presents seven films that will entices and tests the endurance level of those in attendance.
Brawl in Cell Block 99
S. Craig ZAHLER
USA | 2017 | 132min
Caniba
Verena PARAVEL, Lucien CASTAING-TAYLOR
France | 2017 | 90min
Dynamite Graffiti
TOMINAGA Masanori
Japan | 2018 | 138min
Garbage
Q Q
India | 2018 | 105min
Mandy
Panos COSMATOS
USA | 2017 | 121min
The Misandrists
Bruce LABRUCE
Germany | 2017 | 91min
Kinfe + Heart
Yann Gonzalez
France, Mexico, Switzerland | 2018 | 110min
Fantastic Short Films:
Fantastic Short Films, for which BIFAN enthusiasts sends absolute support, screen a careful selection of pieces that show extraordinary imagination unique to short films, based on original ideas and free sensibility hardly seen in feature films. This year’s Fantastic Short Films feature 95 short films, ranging from pieces boasting of the diversity and pleasure of genre cinema to controversial works that demonstrate the director’s extreme personality and abominable taste, awaiting the audiences.
2001: A space odysSEX
TSUKUDA Hikaru
Japan | 2018 | 4min
A Son
KIM Bong-ju
Korea | 2018 | 13min
A White Dog Over the Fog
JUNG Seung-hee
Korea | 2018 | 14min
Active Shooter
Jacob J. TANENBAUM
USA | 2017 | 15min
An Absurd Thing
JUNG Jae-yong
Korea | 2018 | 26min
An Ant
CHI Ye-won
Korea | 2017 | 5min
And the Moon Stands Still
Yulia RUDITSKAYA
Belarus, Germany, USA | 2017 | 11min
Besoin Dead
Aurélien DIGARD
France | 2017 | 18min
Beyond Money
Kike MAILLO
Spain | 2018 | 18min
Blowfish
LEE Seung-wook
Korea | 2017 | 15min
Breeze
HONG Hae-won
Korea | 2017 | 14min
Circle Teeth
Christian EVERHARD
USA | 2017 | 5min
Closing Date
GOONG Yu-jeong
Korea | 2018 | 27min
Cocolors
YOKOSHIMA Toshihisa
Japan | 2017 | 46min
Creeper
Drew MACDONALD
Australia | 2017 | 12min
Dawn to Dawn
LIM Jung-eun
Korea | 2018 | 28min
Delectable You
Axel COURTIÈRE
France | 2017 | 15min
Eir’s Breath
Karlos ALASTRUEY
Spain | 2018 | 28min
Existence Proof
KIM Tae-yun
Korea | 2017 | 33min
Film Again
LIM Hyun-hee
Korea | 2018 | 29min
For Elise
LIM Sueng-hyeun
Korea | 2018 | 29min
Fox Boy
TAK Do-yeon
Korea | 2018 | 11min
Freak the FXxxk Out
Kanso OGBOLU
Nigeria | 2017 | 4min
Fry Day
Laura MOSS
USA | 2017 | 16min
Hana
NAKANISHI Mai
Korea, Japan | 2018 | 13min
Her Bath
PARK Che-won
Korea | 2018 | 19min
Horse’s Stone
Cynthia Fernández Trejo
Mexico | 2017 | 20min
Ignorance
KIM Hyun-do
Korea | 2018 | 24min
Intimate Strangers
LEE Jai-il
Korea | 2017 | 27min
Jeom
KIM Kang-min
Korea | 2017 | 4min
Knock
BAE Hui-kyeong
Korea | 2017 | 17min
Lunch Ladies
J.M. LOGAN, Clarissa JACOBSON
USA | 2017 | 19min
Mechanika
Nikolay LUPANOV
Russia | 2017 | 16min
My Priavate Blue Bird
KIM Seon-kuk
Korea | 2018 | 21min
NeckFace
Llanbobl Vision Ltd, Rustle Up Productions
UK | 2018 | 10min
Ninjinsky is Coming to Town
FUJIWARA Riho
Japan | 2018 | 29min
Otaku Miru
KANG Ji-hye
Korea | 2017 | 12min
Passing Over The Hill
BANG Sung-j
Korea | 2018 | 23min
Pinki
KIM Hyun-suk
Korea | 2018 | 11min
Popcorn
Mohsen FARAJOLLAHI
Iran | 2017 | 12min
Post Mortem Mary
Joshua LONG
Australia | 2017 | 10min
Rare
LEE Gwang-jin
Korea | 2018 | 16min
Return of Ninja-Check
Mio SEKIGUCHI
Japan | 2017 | 19min
Robot & Scarecrow
Kibwe TAVARES
UK, South Africa | 2017 | 15min
Saturday’s Apartment
JEON Seung-bae
Korea | 2018 | 7min
Say Hello to Winter
JEON Chan-u
Korea | 2017 | 14min
Scent
KIM Eun-Jeane
Korea | 2018 | 6min
Shadower
KWAK Ki-bong
Korea | 2018 | 20min
Skin and Mind
PARK Jee-youn
Korea | 2018 | 11min
Sleep Paralysis: A Demonic Visitation
Amriy RAMADHAN
Indonesia | 2017 | 15min
Sonia
FUCHIGAMI Satorino
Japan | 2017 | 12min
The Blissful Accidental Death
Sergiu NEGULICI
Romania | 2017 | 15min
Standby
Daumoun KHAKPOUR, Travis PULCHINSKI
Canada | 2017 | 16min
Supine
Nicole GOODE
Czech Republic | 2018 | 25min
Survival Guide
JUNG Chul-min
Korea | 2017 | 30min
Taboo
Chris CHAN, Jacky HEUNG
Hong Kong | 2017 | 11min
Teddy Bears Picnic
Thomas HODGE
UK | 2017 | 5min
Tell Me Vision
LIM Jong-min
Korea | 2018 | 27min
The Beetle at the End of the Street
Joan VIVES
Spain | 2017 | 19min
The Craft
Monira Al QADIRI
Kuwait, Lebanon | 2017 | 16min
The End of Decay
Chris TODD
USA | 2017 | 11min
The Fridge
WANG Er
China | 2017 | 11min
The Itch
Timothy Ryan DRISCOLL
USA | 2017 | 6min
The Moonshiners
Juho KUOSMANEN
Finland | 2017 | 15min
The Night Before
HAN Dong-seok
Korea | 2018 | 37min
The PUB
MOON Jae-woong
Korea | 2017 | 27min
The World Over
Heath C. MICHAELS
USA | 2018 | 18min
Threads
Torill KOVE
Norway, Canada | 2017 | 9min
Touch
LEE Mi-ji
Korea | 2018 | 19min
Turn Your Fan Off in Winter
SHIN Ga-yeon
Korea | 2017 | 23min
Veranda
SOHN Ji-soo
Korea | 2017 | 14min
Voyager
Kjersti Helen RASMUSSEN
Norway | 2017 | 8min
Wanda’s Nightmare
Baptiste DRAPEAU
France | 2017 | 22min
When
Tarumbwa TAFADZWA
Zimbabwe | 2017 | 4min
Why Are You Staring At Me?
BANG Hyeon-su
Korea | 2017 | 12min
Lotte that Silhouette Girl
Elizabeth BEECHERL, Carla PATULLO
USA | 2018 | 10min
A/S/L
Benjamin SWICKER
USA | 2018 | 8min
Fantastic Short Films – YIFF Shorts Collection:
Crying Free Sex
IWASAKI Tomohiko
Japan | 2018 | 15min
Escape
AOKI Yukinobu
Japan | 2017 | 4min
Night of the Dead Geisha
NARUSE Kiyoto
Japan | 2018 | 45min
Reach
KIMURA Shuichi
Japan | 2018 | 4min
Scissors Penis
TOMOMATSU Naoyuki
Japan | 2018 | 4min
Tokinky Story
NOBI Akira
Japan | 2018 | 4min
Fantastic Short Films – Off the Screen:
The Lady From 406
LEE Kyoungmi
Korea | 2017 | 14min
The Nest
YIM Phil-sung
Korea | 2017 | 21min
Lala Land
LEE Won-suk
Korea | 2017 | 19min
Unknown Woman
KIM Jong-kwan
Korea | 2018 | 11min
The Other Day
KIM Jong-kwan
Korea | 2018 | 5min
The 8th BIFAN Youth Film Academy Collection:
The BIFAN Youth Film Academy is an education program focusing on film-production with the aim of nurturing young film talent. A variety of Korean film-making professionals who are active in the field will be invited to give in-depth classes, and it will lead into a short film-production workshop in which students can experience the entire film-making process. The 8th BIFAN Youth Film Academy was held from January 2018, with participation of 34 students.
I Am Me
Team. PhoenixYOO
LEE Gyeong-hwan, JANG In-seo, HAN Seo-oung, CHOI Tae-seoung, JO Eun-bi
Korea | 2018 | 9min
Pastel Crayon
Team. Hanlabong
SHIM Da-ha, HAN Seo-hwa, JOO Eun-suk, OH Ye-lin, BAE Eun-chae
Korea | 2017 | 16min
Amor Fati
Team. Yellow
LEE Hae-yeon, JIN Do-yeon, PARK Eun-min, KIM Song-hee, JUNG Da-eun
Korea | 2018 | 11min
10 Ways to Revenge on Mom
Team. Green
PARK Jun-seo, BAEK Ha-jeong, LEE Da-yoen, LEE You-jin, HWANG Seung-hyeok
Korea | 2018 | 13min
How to Catch a Fly
Team. Blue
CHOI ji-min, JUN Si-hoo, SONG na-yeong, LIM su-min, BONG jung-hyun
Korea | 2018 | 13min
My First Death
Team. Navi
PARK Seong-wook, BAE Min-kyung, LEE Seung-yeon, RIM Ga-hyun, HAN Yea-june
Korea | 2018 | 13min
Open the Window
Team. Look Out the Window
YOO Ji-yeon, LEE Ga-young, LEE Seo-bin, LEE Won-joon
Korea | 2018 | 14min
JUNG Woo-sung: The Star, The Actor, the Artist:
He has been the star and the symbol of eternal youth from the moment he made his first appearance. His heavenly looks have always shined in the center of the screen but his beautiful yet sad eyes, filled with loneliness that cannot go with the mainstream cinema by nature, have touched the audience’s emotions. From the beginning, JUNG Woo-sung has been the very “youth” that everybody in the Korean movie scene has dreamt of, and been literally like “the star in the Heavens.” However, he stepped out of such a prejudiced image of his, which seemed too persistent to break, and began speaking to the world in his own voice.
Beat
KIM Sung-su
Korea | 1997 | 113min
City of the Rising Sun
KIM Sung-su
Korea | 1998 | 108min
Phantom, the Submarine
MIN Byung-cheon
Korea | 1999 | 103min
The Warriors
KIM Sung-su
Korea | 2001 | 155min
Mutt Boy
KWAK Kyung-taek
Korea | 2003 | 101min
A Moment to Remember
John H. LEE
Korea | 2004 | 117min
The Good, The Bad, and the Weird
KIM Jee-woon
Korea | 2008 | 139min
Cold Eyes
OH Ui-seok, KIM Byeong-seo
Korea | 2013 | 118min
Scarlet Innocence
IM Phil-sung
Korea | 2014 | 112min
Asura: The City of Madness
KIM Sung-su
Korea | 2016 | 132min
Steel Rain
YANG Woo-suk
Korea | 2017 | 139min
Intention
KIM Ji-young
Korea | 2018 | 110min
3×3 Eyes: A Special Program Featuring Three Horror Masters and Their Eyes:
Wes Craven in 2015, George A. Romero and Tobe Hooper in 2017. The three masters of horror were born and died around the same time. Their horror movies made many people shocked and tremble with fear. They were the directors who tried to put human’s oldest and strongest nightmares on the screen.
The Last House on the Left
Wes CRAVEN
USA | 1972 | 84min
The Hills Have Eyes
Wes CRAVEN
USA | 1977 | 89min
A Nightmare on Elm Street
Wes CRAVEN
USA | 1984 | 91min
Martin
George A. ROMERO
USA | 1978 | 91min
Dawn of the Dead
George A. ROMERO
USA, Italy | 1978 | 127min
Monkey Shines: An Experiment in Fear
George A. ROMERO
USA | 1988 | 115min
Eaten Alive
Tobe HOOPER
USA | 1976 | 91min
Lifeforce
Tobe HOOPER
UK, USA | 1985 | 101min
Invaders From Mars
Tobe HOOPER
USA | 1986 | 120min
The Woman Who Leapt Through Time: The Representation of Women in Sci-Fi Films:
This is the second series of exploration into the representation of women in genre films. Following “Terrible Women: Monsters and Villainess”, the topic this time is “The Representation of Women in Sci-fi Films”. Let’s meet up with Utopian women who have the ability to preserve a species on their own, dystopian women who have become the perfect slave, and Amazon warriors that charge through the world of chaos.
The Stepford Wives
Bryan FORBES
USA | 1975 | 110min
Alien
Ridley SCOTT
USA | 1979 | 117min
Sex Mission
Juliusz MACHULSKI
Poland | 1984 | 116min
Ghosts of Mars
John CARPENTER
USA | 2001 | 98min
Mad Max: Fury Road – Black and Chrome
George MILLER
Australia | 2015 | 115min
White Chamber
Paul RASCHID
UK | 2017 | 89min
Best of Asia:
Best of Asia is a program that screens the movies from “Made In Asia,” a film industry program of BIFAN. It is connected to Made In Asia program, which seeks to diagnose the Asian mainstream film industry and strengthen the network of the Asian film industry. Best of Asia introduces the best movies from 11 Asian countries, namely Korea, China, Hong Kong, Taiwan, Japan, Thailand, the Philippines, Vietnam, Indonesia, Malaysia and India by taking into consideration the overall preferences and trends of the Asian mainstream films of the previous years. The films worth noting in this year’s BIFAN are Korea’s most popular movie in 2017 Along With the Gods: The Two Worlds, China’s top box office hit Wolf Warriors II by Director Wu Jing, Satan’s Slaves, an Indonesian movie completed with Korean investment to reach number one on its domestic box office, and a hero movie Mersal, a No. 1 Tamil box-office champion from 2017.
Along With the Gods: The Two Worlds
KIM Yong-hwa
Korea | 2017 | 139min
Wolf Warriors II
WU Jing
China | 2017 | 123min
Journey to the West: The Demon Strikes Back
TSUI Hark
Hong Kong, China | 2017 | 109min
The Tag-Along 2
Wei-hao CHENG
Taiwan | 2017 | 107min
Bad Genius
Nattawut POONPIRIYA
Thailand | 2017 | 130min
The Revenger Squad
Joyce BERNAL
Philippines | 2017 | 110min
Jailbait
Le Thanh SON
Vietnam | 2017 | 96min
Satan’s
JokoANWAR
Indonesia | 2017 | 106min
Big Brother Fadil 2
Syamsul YUSOF
Malaysia | 2017 | 95min
Tigeris Alive
Ali Abbas ZAFAR
India (Hindi) | 2017 | 116min
Jai Lava Kusa
K.S. RAVINDRA
India (Telugu) | 2017 | 158min
Zapped
Atlee KUMAR
India (Tamil) | 2018 | 163min
Special Screening to Celebrate INDIESTORY’s 20 Years Just Turned 20! Fantastic at Full Speed:
This year’s BIFAN organizes a small event to celebrate 20 years of INDIESTORY, which has held a long-standing position as the hub of production and distribution of independent films. Back in the days when there were few opportunities to screen independent movies, INDIESTORY would contemplate on various ways to show the movies, including film festivals and theaters. It even moved forward to the production of new independent films, thereby creating a venue to bring them with the audience closer. It has not stopped running for the past two decades. Now, we would like to take this opportunity to look back on its past and accomplishments with its major works.
A Midsummer’s Fantasia
JANG Kun-jae
Korea | 2014 | 97min
PADAK
LEE Dae-hee
Korea | 2012 | 78min
The Neighbor Zombie
OH Young-doo, RYU Hoon, YEONG-Geon, JANG Yoon-jung
Korea | 2009 | 89min
Turn it Up to 11
BAEK Seung-hwa
Korea | 2010 | 93min
Written
KIM Byung-woo
Korea | 2007 | 87min
For the Peace of All Mankind
LEE Seok-hoon
Korea | 1999 | 7min
How to Operate a Poloroid Camera
KIM Jong-kwan
Korea | 2004 | 6min
Life in the Park
MOON So-hyun
Korea | 2016 | 14min
Living in the New Town
HONG Doo-hyun
Korea | 2002 | 14min
Modern Family
KIM Kwang-bin
Korea | 2011 | 18min
Morning of the Dead
LEE Seung-ju
Korea | 2018 | 29min
A Perm
LEE Ran-hee
Korea | 2009 | 18min
Plan 19 From Outer Space
MIN Dong-hyun
Korea | 2001 | 15min
The Things She Can’t Avoid in the City
PARK Ji-yeon
Korea | 2008 | 12min
Wolf Daddy
JANG Hyung-yun
Korea | 2005 | 10min
Invitation
YOO Ji-tae
Korea | 2009 | 9min
The Madonna
KOO Hye-sun
Korea | 2012 | 8min
MYSTERY PINK
KOO Hye-sun
Korea | 2018 | 9min
Out of my Intention
YOO Ji-tae
Korea | 2007 | 24min
Special Screening:
Special screenings for this year include a film starring Barbara CRAMPTON – actress and jury member for the 22nd Bucheon Choice: Features section – and one of the major works by director TAKAHASHI Hiroshi.
From Beyond
Stuart GORDON
USA | 1986 | 86min
Occult Bolshevis
TAKAHASHI Hiroshi
Japan | 2017 | 72min
Categorized:News
