What Would THE EXORCIST Season 3 Have Looked Like?

We recently passed along the bad news that Fox canceled their neo-classic horror series The Exorcist after giving it two seasons worth of a shot. At least they tried to make it work. But sadly, it looks like season 3 is off the table, so what does showrunner Jeremy Slater think of it?

Well, he recently spoke to TVLine and dropped tons of info on just what we may have seen if the third season had come to be. Truth be told, I have not caught up on season 2 so I haven’t read any of the following info. I hope nothing bonkers comes up in the transition.

MARCUS’ DIVINE MOMENT:He got a message from God. He clearly knows something bad happened. He clearly knows Tomas is in trouble, but that doesn’t necessarily mean he knows where Tomas is and what that trouble is.”

TOMAS AND MARCUS’ REUNION:Absolutely it’d be a disservice to come back, and the opening scene of Season 3 is Marcus kicking down the door and saying, ‘Tomas, I miss you.’ We kind of set up this big shooting between the two of them, and then we have to pay that off.”

TOMAS AND MOUSE’S RELATIONSHIP:It’ll be totally interesting to see what will happen to Tomas being on the road with a brand new partner, especially knowing how different Mouse is from Marcus in terms of methodology and ruthlessness, and everything else. She’s going to train him in very different ways and use him in different ways. Where Marcus was very much constantly worried, almost to the point of obsession with protecting Tomas, Mouse doesn’t have those same nurturing instincts. In Mouse’s eyes, Tomas is a weapon to be used in this larger war. He’s an asset that she could potentially control. That’s a really fun interesting dynamic. The question is: How long can you keep those two stories separate if Marcus doesn’t necessarily know where Tomas and Mouse are.”

EXPANDING THE NETWORK:Part of the story in Season 3 would be Marcus having to use his connections to this religious underworld to track down his missing partner. If he can’t necessarily trust the Church anymore, because it’s been compromised, I think it’d be fun to see Marcus having to go outside the bounds of the Church and talk to some of the people he would have met over his last 30 years of exorcising people. [Sources] who deal in conspiracy theories, religious reliquaries and things like that… Shamans and rabbis and people from different faiths who may be fighting the same evil using different terminology and different methodology.”

FLIPPING THE SACRED SCRIPT:Having Marcus work his sources “feels like an interesting way to get Marcus back into that world, as opposed to having him just say, ‘Yes, I’m an exorcist again now!’ Let’s let Tomas carry that standard for a little while. Let’s let Tomas be the exorcist, and let’s let Marcus be the one who has to search for his friend and save his friend.”

FEAR NOT THE FLASHBACKS:That final scene [in the finale] where Marcus gets that message from God happens six months after the two of them separate. So we’re going to have six months to account for what happened to Tomas and Mouse on the road. There may even be a potential for telling stories that are happening on branching timelines and flashbacks and different things like that.”

What would you have liked to have seen in The Exorcist S3? Make sure to let us know what you think in the comments below or on Facebook, Twitter, and/or Instagram!

Season 2 Synopsis:

Season 2 picks up with Father Tomas Ortega (Alfonso Herrera) and the now-collarless Marcus Keane (Ben Daniels) out of Chicago and on the road, searching out evil. Across the Atlantic, Father Bennett (Kurt Egyiawan) attempts to weed out those within The Vatican who have turned against God. Ultimately, Tomas and Marcus are led to Andrew Kim (John Cho), a former child psychologist who runs a group home for five at-risk foster children on a secluded private island off the coast of Seattle. When one of the children under Andrew’s care is targeted by a powerful force, the two priests head west, setting themselves on a collision course with Hell.

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