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Pre-Order Spectacular Optical’s Lost Girls: The Phantasmagorical Cinema of Jean Rollin Now

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Last month, our own Debi Moore reported on the upcoming release of Spectacular Optical’s upcoming book, Lost Girls: The Phantasmagorical Cinema of Jean Rollin.  The project, which has been edited by Diabolique Magazine’s associate editor Samm Deighan, features a collection of essays on the titular filmmaker by a host of female film critics and historians.

Spectacular Optical’s releases have become essential collector’s items in genre circles, and the quality of their books is as good as it gets.  The assembled team female writers for this release is of a very high standard, and if you’re familiar with their work elsewhere you’ll know that they bring unique perspective and analysis to the table.  The fact they have chosen to tackle the work of a filmmaker who isn’t exactly synonymous with respect makes the project even more worthwhile.

The book is now available to pre-order, but in order to be released in time for summer festival season, it needs our help.  Not only will this bring a highly-anticipated book to us sooner, but there are some additional perks that will appeal to fans of Rollin and Spectacular Optical alike.

From the Press Release:

LOST GIRLS is the third book in Spectacular Optical’s ongoing series of limited run film and pop culture books, which includes KID POWER! (2014) and SATANIC PANIC: POP CULTURAL PARANOIA IN THE 1980s (2015) and will precede the previously announced YULETIDE TERROR: CHRISTMAS HORROR IN FILM AND TELEVISION, which will be released in fall of 2017.

Curated and edited by Samm Deighan (DIABOLIQUE), contributors to LOST GIRLS include some of the most important critical voices to emerge over the last decade of genre journalism: Alexandra Heller-Nicholas (SENSES OF CINEMA), Kat Ellinger (DIABOLIQUE), Virginie Selavy (ELECTRIC SHEEP), Alison Nastasi (SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s), Marcelline Block (ART DECADES), Rebecca Booth (DIABOLIQUE), Michelle Alexander (CINEMADROME), Lisa Cunningham (THE LAUGHING DEAD: THE HORROR-COMEDY FILM FROM BRIDE OF FRANKENSTEIN TO ZOMBIELAND), Heather Drain (DANGEROUS MINDS), Erin Miskell (THAT’S NOT CURRENT), Gianna D’Emilio (DIABOLIQUE) and Kier-La Janisse (HOUSE OF PSYCHOTIC WOMEN), as well as veteran horror journalist Marcelle Perks (SHIVERS, EYEBALL).

FULL LIST OF CONTENTS:

Le viol du vampire and the Last Surrealist Riot
By Gianna D’Emilio

Cults of Decadence, Cults of Rebellion: La vampire nue and Fascination
By Kat Ellinger

Les paumées du petit matin: A View of Female Violence
By Lisa Cunningham

Blood Sisters: Female Intimacy in Jean Rollin’s Conte de fée
By Samm Deighan

Poète maudit and cinéaste paria: Tristan Corbière as Inspiration for Jean Rollin’s films Les Amours jaunes and La Rose de fer
By Marcelline Block

Disgracing the Family Name: Vampirism as Societal Rebellion in Le frisson des vampires
By Heather Drain

‘Castles of Subversion’ Continued: From the roman noir and surrealism to Jean Rollin
By Virginie Selavy

Les démoniaques: Politics, Poetry, and the Supernatural Rape-Revenge Film
By Alexandra Heller-Nicholas

Manifestations In The Physical Plane: Rollin, Rape, and the Effects of Sexual Assault
By Erin Miskell

Phantasmes: Jean Rollin’s Hardcore Reveries and Work for Hire
By Samm Deighan

“Final Girl” Strategies in Les raisins de la mort, La nuit des traquées, and Les paumées du petit matin
By Marcelle Perks

The Zombie-Gore-Disaster Film…Jean Rollin Style
By Michelle Alexander

Love Among the Iron Roses: The Cemetery as a Romantic Nexus in the Films of Jean Rollin
By Alison Nastasi

Les trottoirs de Bangkok and Killing Car: Serials in Soulless Cities
By Gianna D’Emilio

Ostension, Orality, and the Ogress: The (Material) Feminist Fairy Tales of La fiancée de Dracula, La nuit des horloges, and Le masque de la Méduse
By Rebecca Booth

Afterword
By Kier-La Janisse

The funds raised here will go specifically toward printing costs and artist fees – not only designer fees, but all contributors to the book receive royalties on every copy sold. Part of our goal with Spectacular Optical is to create a small but sustainable business that is able to pay artist fees to the many awesome (and often underpaid) writers and graphic artists working in our field, and to give them books they are proud of. Any writers who contributed to our last books, KID POWER! and SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s can vouch for us on this count.

If we don’t reach our goal, the book will still be printed and perks will still be delivered – the book is completely written and copy-edited, contracts have been signed, photographs have been sourced and the book is being laid out. We’re well on our way! But pre-sales through Indiegogo ensure the necessary cash flow to keep everything in the allotted timeline so that we can take advantage of promotional opportunities through the busy upcoming festival season. Our goal is to debut the book at the Fantasia International Film Festival in July 2017.

LOST GIRLS will be a beautiful 6X9″, perfect-bound book, roughly 400 pages and heavily illustrated throughout with stills, posters, ads and other visual ephemera related to Rollin’s films. If we meet our goal, the book will be printed in full colour. If we don’t meet our goal, it will be in B+W with an extensive full-colour section. So if you want your book to be in full colour, please help us spread the word about the campaign so we can get the number of pre-orders we need to make that happen.

You can pre-order your copy here along with the host of available perks.

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Alien: Covenant’s Carmen Ejogo Joins True Detective Season 3

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“From the dusty mesa her looming shadow grows…”

The first season of HBO’s “True Detective” was one of the best seasons ever put on a TV screen. Hands down. The second season was another story altogether. While not a complete waste of time (Colin Farrell owed) the season was basically merely ‘meh’.

But what about “True Detective” season 3?

Well, a few months back it was announced that the third season had been greenlit by HBO, with creator Nic Pizzolatto returning to pen the series and director Jeremy Saulnier (Green Room) taking the helm of the episodes.

Today we have news that Carmen Ejogo – who you may recognize Ejogo from such recent fright flicks as It Comes at Night, Alien: Covenant, and The Purge: Anarchy – will be joining the previously announced Mahershala Ali (Moonlight) for Season 3.

Ejogo will play the female lead, Amelia Reardon, who THR describes as “an Arkansas schoolteacher with a connection to two missing children in 1980.”

Nice Pizzolatto will serve as showrunner and direct alongside Jeremy Saulnier. Executive producers include Pizzolatto, Saulnier, Scott Stephens and season one stars Woody Harrelson and Matthew McConaughey as well as original director Cary Joji Fukunaga. Steve Golin, Bard Dorros and Richard Brown are also credited as exec producers.

Synopsis:

A macabre crime in the heart of the Ozarks and a mystery that deepens over decades and plays out in three separate time periods.

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Danielle Harris Tried to Get Jamie Lloyd into New Halloween Movie

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One of the top films all of us are looking forward to the most here at Dread Central is Blumhouse’s upcoming sequel/reboot thing to John Carpenter’s Halloween.

The new Halloween (2018) film is written by Danny McBride and David Gordon Green and is all set to be directed by Green this year. Recently we learned that original Halloween star Jamie Lee Curtis was going to be returning to the new film.

Not only that, but Curtis’ classic character Laurie Strode would have a daughter… played by Judy Greer. But what about Danielle Harris?

After all, Harris was the star of Halloween 4: The Return of Michael Myers and Halloween 5: The Curse of Michael Myers. Let alone, she had a starring role in both Rob Zombie’s remake and it’s sequel. So how about the new film?

Turns out Harris tried to get her character Jamie Llyod (aka the daughter of Jamie Lee Curtis’ Laurie Strode) from Halloween 4 and 5 into the new film… but she was turned down by Blumhouse and the new creative team. That sucks.

Harris was pretty bummed about the whole deal and took to Facebook recently to clear the air. You can check out quotes from her video, along with the video itself, below.

After that make sure to hit us up and let us know how much you would have liked to see Harris return to Halloween in the comments below or on social media!

“What I am bummed about is… [Laurie] has a daughter,” Harris says. “I was okay with it when she had a son… but they’re saying it’s the last one and… she has a daughter. And it’s not Jamie. It’s just kind of a bummer, I guess. I think somebody had said, it wouldn’t have hurt the movie to have Jamie reunited with [Laurie]. But that didn’t happen.”

“We did put in a call, thought it’d be kinda cool even just to have a little flashback…” She continues. “They were not interested. So. I tried.”

Blumhouse’s Halloween hits theaters October 19, 2018.

halloween and germany

Posted by Danielle Harris on Monday, November 6, 2017

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Jordan Peele Is Open to the Idea of Get Out Sequel

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Recently we shared the baffling news that this year, the Golden Globes were considering writer-director Jordan Peele’s psychological horror-thriller Get Out a comedy.

Hurm. While that bit of news still doesn’t make a bit of sense to me, today we have an update on Jordan Peele’s possible sequel Get Out 2. Which is always welcome.

Deadline was recently speaking with the filmmaker and Peele told them that although he still hasn’t cracked the sequel, if he comes up with a fresh spin he would have no problem revisiting the first film.

“I haven’t decided anything yet,” Peele told the site. “I am allowing the creative part to bubble up, and not force it. I know if a follow-up is meant to happen, it will. I’m open to figuring out what it is. But I also don’t want to let down the original and its fans. I simply would not do something like that for the cash.”

Good to hear!

I don’t know about you, but if Jordan Peele does decide to revisit the world of Get Out again in the future, I will be there. After reading these comments, I have faith the man will not return unless the story deserves it. Money be damned!

Unless… the sequel is called Sell Out… Ooohh. Snap. All jokes aside, in this world of sequels and remakes, it feels pretty damn good to hear a filmmaker talk this way.

What do you think of a Get Out sequel? Do you think the first film needs a continuation? Make sure to hit us up and let us know in the comments below or on social media!

You can buy Get Out on Blu-ray HERE.

Synopsis:

Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

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