Get Out Director Talks Alternate Darker Ending

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Jordan Peele’s suspense thriller Get Out (review) has been riding high since its release last weekend, and – SPOILER ALERT – the film has “sort of” a happy ending.

It wasn’t always that way, though, as Peele explained to the Another Round Podcast… there was an alternate and far darker ending…

There is an alternate ending in which the cops actually come at the end. He gets locked up and taken away for slaughtering an entire family of white people, and you know he’s never getting out, if he doesn’t get shot there on the spot.

In the beginning when I was first making this movie, the idea was, ‘OK, we’re in this post-racial world, apparently.’ That was the whole idea. People were saying, ‘We’ve got Obama so racism is over; let’s not talk about it.’ That’s what the movie was meant to address. Like look, you recognize this interaction. These are all clues, if you don’t already know, that racism isn’t over. So the ending in that era was meant to say, look, ‘You think race isn’t an issue? Well at the end, we all know this is how this movie would end right here.’

Peele continues, “It was very clear that the ending needed to transform into something that gives us a hero, that gives us an escape, gives us a positive feeling when we leave this movie. There’s nothing more satisfying than seeing the audience go crazy when Rod shows up.

Get Out Details:
In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.

Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, “Girls”), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).

At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.

Equal parts gripping thriller and provocative commentary, Get Out is written and directed by Peele (Key and Peele) and produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie Darko, The Box), Peele and Edward H. Hamm, Jr. (The Box, Bad Words). The film also stars Caleb Landry Jones (X-Men series), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Keith Stanfield (Straight Outta Compton).

Get Out

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