Arrow Video Details Dead End Drive-In, The Hills Have Eyes, and Slugs Blu-ray Releases - Dread Central
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Arrow Video Details Dead End Drive-In, The Hills Have Eyes, and Slugs Blu-ray Releases

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Slugs

Arrow Video takes aim and brings a trio of madness and ooze to your home video shelf! Read on for the full details!

From the Press Release:
MVD Entertainment Group furthers the distribution of Arrow Video in the US with several new titles in September…

Dead-End Drive-In [Blu-ray] (September 20th)

THE PRICE OF ADMISSION IS THE REST OF YOUR LIFE!

One of Quentin Tarantino’s favourite directors, Brian Trenchard-Smith was a key figure in the Ozploitation movement, responsible for The Man from Hong Kong, Stunt Rock, Turkey Shoot, BMX Bandits… and dystopian cult classic Dead-End Drive-In!

Set in a near-future where the economy has crumbled and violent gangs play havoc in the streets, the powers-that-be have decided to lure the delinquent youth into drive-in cinemas and keep them there. No longer just a place to watch trashy movies and make out, these outdoor picture shows have become concentration camps for the unruly and unwanted.

With its day-glo colour scheme, new wave soundtrack, and extraordinary stunt work, Dead-End Drive-In is in the tradition of Ozploitation milestones Mad Max and The Cars That Ate Paris – only very, very Eighties.

Special Features:

  • Brand new 2K restoration from original film materials
  • High Definition Blu-ray (1080p) Presentation
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary by director Brian Trenchard-Smith
  • The Stuntmen, Trenchard Smith’s classic television documentary on Grant Page (Mad Max, Road Games) and other Australian stunt performers
  • Hospitals Don’t Burn Down, Trenchard-Smith’s 1978 public information film told in pure Ozploitation fashion
  • Behind-the-scenes gallery by graffiti artist Vladimir Cherepanoff
  • Theatrical Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon

Dead End Drive In

The Hills Have Eyes [Blu-ray] (September 27th)

THE LUCKY ONES DIED FIRST!

Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street – but for many genre fans, the director’s seminal 1977 effort The Hills Have Eyes remains his masterpiece.

Taking a detour whilst on route to Los Angeles, the Carter family run into trouble when their camper van breaks down in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threat, the Carters are forced to fight back by any means necessary.

As grueling a viewing experience today as it was upon initial release, The Hills Have Eyes stands alongside the likes of The Texas Chain Saw Massacre and Night of the Living Dead as one of the defining moments in American horror cinema.

Special Features:

  • Brand new 4K restoration of the film, supervised by producer Peter Locke and viewable with both original and alternate endings
  • High Definition Blu-ray (1080p) Presentation
  • Original Uncompressed PCM Mono Audio
  • Optional English subtitles for the deaf and hard of hearing
  • 6 Postcards
  • Reversible Fold-out Poster
  • Limited Edition 40-page booklet featuring new writing on the film by critic Brad Stevens and a consideration of the Hills franchise by disc producer Ewan Cant, illustrated with original archive stills and posters
  • Brand new audio commentary with actors Michael Berryman, Janus Blythe, Susan Lanier, and Martin Speer
  • Brand new audio commentary by academic Mikel J. Koven
  • Audio commentary with Wes Craven and Peter Locke
  • Looking Back on The Hills Have Eyes – making-of documentary featuring interviews with Wes Craven, Peter Locke, actors Michael Berryman, Janus Blythe, Robert Houston, Susan Lanier, Dee Wallace, and director of photography Eric Saarinen
  • Brand new interview with actor Martin Speer
  • The Desert Sessions – brand new interview with composer Don Peake
  • Never-before-seen Outtakes
  • Alternate Ending, in HD for the first time
  • Trailers and TV Spots
  • Image Gallery
  • Original Screenplay (BD-ROM Content)
  • Reversible sleeve featuring original and newly commissioned artwork by Paul Shipper

Hills Have Eyes

Slugs [Blu-ray] (September 27th)

THEY SLIME. THEY OOZE. THEY KILL.

From celebrated Spanish director Juan Piquer Simon, the man behind the truly demented slasher flick Pieces (1982), comes a terrifying tale of mutant slugs on the rampage in small-town America. The townsfolk of a rural community are dying in strange and gruesome circumstances. Following the trail of horrifically mutilated cadavers, resident health inspector Mike Brady is on the case to piece together the mystery. He soon comes to a terrifying conclusion – giant slugs are breeding in the sewers beneath the town, and they’re making a meal of the locals!

Based on the novel by acclaimed British horror author Shaun Hutson, Slugs outdoes its creature feature peers by adding an extra dose of gross-out gore into the equation, culminating in one of the most squirm-inducing animal attack movies ever to slither its way across screens.

Special Features:

  • Brand new restoration from original film elements
  • High Definition Blu-ray (1080p) Presentation
  • Original Uncompressed PCM Mono Audio
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary with Slugs author Shaun Hutson
  • Audio commentary with writer and filmmaker Chris Alexander
  • Here’s Slugs in Your Eye – an interview with actor Emilio Linder
  • They Slime, They Ooze, They Kill: The Effects of Slugs – an interview with special effects artist Carlo De Marchis
  • Invasion USA – an interview with art director Gonzalo Gonzalo
  • The Lyons Den – an interview and locations tour with production manager Larry Ann Evans
  • 1988 Goya Awards promo reel
  • Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Wes Benscoter

Slugs

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Ash Faces His Greatest Challenge Yet in the Ash vs Evil Dead Season 3 Trailer: Parenthood!

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The first trailer for the third season of STARZ’s incredible horror comedy series “Ash vs Evil Dead” has been released and it’s full of balls to the wall Evil Dead goodness! You’ve got creepy dolls, obscene amounts of gore, vicious iPhone cases, and a Deadite that just so happens to be as tall as a building! Oh, and you’re also introduced to Ash’s daughter, Sandy? Mandy? Oh, yeah! Brandy! You can watch the trailer below. Thanks IGN!

“Ash vs Evil Dead” season three premieres on Starz on Sunday, February 25th.

Synopsis:
Ash, having gone from murderous urban legend to humanity-saving hometown hero, discovering that he has a long-lost daughter who’s been entrusted to his care. When Kelly witnesses a televised massacre with Ruby’s fingerprints all over it, she returns with a new friend to warn Ash and Pablo that evil isn’t done with them yet. But evil will learn to never get in between a papa bear and his cub.

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Brennan Went to Film School: Unlocking the Hidden Meaning in Insidious: The Last Key

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“Brennan Went to Film School” is a column that proves that horror has just as much to say about the world as your average Oscar nominee. Probably more, if we’re being honest.

WARNING: THIS ARTICLE CONTAINS DETAILED SPOILERS FOR INSIDIOUS: THE LAST KEY. READER DISCRETION IS ADVISED.

Blumhouse had quite a year last year, didn’t they? In addition to having three number one hits on their hands, the racial satire Get Out is their first horror entry to get awards traction thanks to its deeper themes. Now that everyone is starting to take the company and its work a little more seriously, it’s time to bring out the big guns and dive right into some deeper analysis into a much more unlikely subject: Insidious: The Last Key. The fourth entry in their tentpole haunted house franchise might not seem like it at first glance, but it’s the Get Out of the Me Too era, telling a story of women’s struggles while predicting the downfall of powerful, abusive men that started to occur during its production process with eerie accuracy.

No, seriously. Let’s start by taking a look at the villain. Unusually for this franchise, the baddies are both paranormal and human: halfway through the film it is revealed that the haunting victim who has called Lin Shaye’s Elise and her crew is also a sadistic killer who has chained up a woman in his basement. This is also revealed to be the very same thing Elise’s father did many decades before. The film implies that both men are being influenced by the key-wielding demon that inhabits the house.

Key imagery is very important to the film as a whole (I mean come on, it’s literally in the freakin’ title), and its themes of Elise arriving to her childhood home to unlock the secrets of her past. But there’s more than one meaning to that imagery, and understanding those meanings is the key to unlocking the subtext of the film, if you’ll allow me a really obvious pun.


The demon KeyFace might be influencing the men, but they’re still receptive to the idea. That’s because he’s awakening something that was already inside them. Keyface represents the pure male id; the unconscious, animalistic desires and drives that lay buried in the psyche. He’s not forcing them to behave in this way, he’s just unlocking their darker impulses.

It’s no coincidence that the demon’s lair is the bomb shelter basement. The house has now become a road map of her father’s mind, with his strongest emotions (and the literal place where he keeps his abused women secreted away) hidden in a sublevel that isn’t visible from the surface. This is the very same basement where he locked up Elise while punishing her for insisting that her visions were real. He wanted her to keep her psychic gifts locked away, probably so she wouldn’t discover his own submerged secrets.

Elise encounters a variety of keys during her journey that allow her to penetrate deeper and deeper into The Further, the house, her past, and the hideous truth about the men in her life. These keys unlock doors, suitcases, chains, and cages, but the most important unlocks the truth… and turns the attention of the evil upon her and her two nieces.

The probing of these women ignites the fury of Keyface and he takes her niece Melissa into the basement (another buried sublevel that must be unlocked), inserting a key into her neck and rendering her mute, then stealing her soul with a second key plunged into her heart. He is only vanquished when Elise and her other niece Imogen team together and use a family heirloom – a whistle – to summon Elise’s mother’s spirit.

On the surface, this seems like an inspiring story of three generations of women helping each other to face a great evil. This is certainly true, but now we have the key to understanding exactly what’s happening here. When a young woman discovers the abuse being perpetrated in her house, the figure of pure, wicked male desire literally steals her voice, silencing her. In order to restore that voice, another woman who knows the truth must very literally become a whistleblower.

…Did I just blow your mind?

At its heart, Insidious: The Last Key presents a world where women must rely on other women to provide them a voice and their very survival in a world dominated by powerful men and their ugly, dirty secrets. Secrets that they will do anything to keep locked away. There may be slightly more ghosts in Insidious than in real life, but that’s a frighteningly close parallel with the ugliness currently being revealed in Hollywood – as well as the world at large. It probably won’t tear up the Golden Globes next year, but this film is just the next important stepping-stone after Get Out in Blumhouse’s use of the genre to dig deep into the real life horrors plaguing our society.


Brennan Klein is a writer and podcaster who talks horror movies every chance he gets. And when you’re talking to him about something else, he’s probably thinking about horror movies. On his blog, Popcorn Culture, he is running through reviews of every slasher film of the 1980’s, and on his podcast, Scream 101, he and a non-horror nerd co-host tackle horror reviews with a new sub-genre every month!


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The Evil Dead Trilogy Cuts a 72-Minute Super Cut in Black and White

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Evil Dead Ash

While we wait on pins and needles for the third season of STARZ’s “Ash vs Evil Dead” to hit airwaves in February, we can take a moment to appreciate the original trilogy that led us to this incredible show. Starting in 1981, Sam Raimi’s Evil Dead, which Stephen King hailed as, “The most ferociously original horror film of the year,” began the journey of Bruce Campbell’s Ash Williams, an everyday kinda guy who gets caught up in a battle with demonic entities known as Deadites. Packed with humor, gore, and scares, the Evil Dead series has since become a cult classic and is a gem in the horror community.

Jorge Torres-Torres decided to pay his respects to the Evil Dead trilogy by creating Evil Dead Revision, where he took the first films and revised them, “…into a 72 minute, black & white ballet of gore.

If you need to catch up on the foundations of the Evil Dead universe before the return of “Ash vs Evil Dead”, this seems like a great place to start! Oh, and then make sure to binge the show on Netflix.

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