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Kim Soo-jin's 'Noise' is a promising debut, even if the excess of horror tropes soon drowns out its best moments.
'Hellcat' is a tense, single-location nightmare about a feral femme’s battle for bodily autonomy. Read our Fantasia 2025 review now.
‘House On Eden’ is admirable but overly ambitious, weighed down by one too many ideas and not enough connective tissue.
Pedro Martín-Calero’s 'The Wailing' is one of the scariest movies we've seen at this year's Fantasia Festival.
Bambi: The Reckoning is a shockingly thrilling ride, complete with gnarly kills and stellar cast. Read the full review on…
Matt Latham’s 'The Love Witch' from indie press DieDieBooks is a stellar ode to one of the century's most singular…
'I Know What You Did Last Summer' makes out with its history while skillfully carving out an identity of its…
M3GAN 2.0 is repackaged memes and soulless dialogue wrapped up in an exaggerated girl power aesthetic that never feels authentic.
Destry Allyn Spielberg’s feature-length debut Please Don’t Feed the Children goes awry thanks to an unpolished script that lacks focus.
'Jurassic World: Rebirth' has satisfying dino thrills, even if it regularly feels declawed from corporate oversight.
Have you seen 1974's 'The Beast Must Die'? Sharai Bohannon is here to tell you why this werewolf whodunnit deserves…
Check out our review of 'Hot Spring Shark Attack,' the latest, maybe greatest killer shark film in these here waters.
If you love slasher movies, you should consider Killer Party an essential. Matthew Jackson explains why in his review!
Alan at Night deserves to join films like Deadstream as part of the next wave of thoroughly entertaining found-footage horror…