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Horror History: More Doctor Who Sightings in Horror Movies

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Sighting “Doctor Who” actors appearing in horror movie roles has opened floodgates of discussion on social media! Yes, the films I mentioned in my last Dread Central article are not the only horror movie appearances of Doctor Who.

In my last article we saw Patrick Troughton as the priest in 1976’s The Omen, as Inspector Kanof in The Gorgon (1964), and in 1970’s Scars of Dracula. We reviewed Jon Pertwee in The House that Dripped Blood (1971). We recognized Tom Baker in The Golden Voyage of Sinbad (1973).

As working actors, these three pop up in movies and TV shows throughout the decades, and there are many more Doctor Who sightings, like the uncredited Patrick Troughton police inspector role in Season One of “The Saint.” While we once again time travel in this article, I’m going to continue to concentrate on the first four actors who played the good Doctor.

Since I left the first Doctor out of my previous article, we’ll start with William Hartnell. His comedic performance in the thriller Midnight at the Wax Museum (1936), 30 years before setting the standard for Doctor Who, proves this actor was well known and well seasoned when picked for the then-new BBC kid’s program.

Midnight at the Wax Museum, also called Midnight at Madame Tussaud’s, is about an explorer spending the night in Madame Tussauds Chamber of Horrors. The film was actually shot in Madame Tussauds; I remember it to be spooky, but when I saw it, I was very young.

Good luck finding this film to watch now. Even harder to find is Hartnell’s I’m an Explosive (1933), in which he starred (I assume) as the son of an inventor who accidentally drinks an explosive liquid. Sounds like horror to me.

Vault of Horror (1973) is much easier to get hold of and features the fourth Doctor, Tom Baker. An anthology film based on EC comic book tales written by Al Feldstein and Bill Gaines, Vault of Horror delivers like any of the Amicus horror movies: similar to Hammer in that you know you will be entertained.

Vault of Horror is a follow-up to Amicus’ Tales From the Crypt (1972), also based on EC comic stories. Both are directed by Roy Ward Baker and contrive ways to string together separate tales.

In the fifth segment of Vault of Horror, Tom Baker portrays a poor artist who finds a way to exact revenge on those who wronged him. Baker plays this character with a low-key subtlety, giving depth and sympathy to a character that could have come across whiny, cruel, or witless.

We’d be here all day if we counted Peter Cushing as a Doctor, due to his horror work with Hammer Film Productions and more.

Cushing portrayed the Doctor in two mid-’60s movies, Dr. Who and the Daleks and Daleks’ Invasion Earth 2150 A.D., films generally regarded as outside the mythos, although explaining their existence is a fun fanboy exercise. Feel free to post your explanation below!

Cushing’s Who was less crotchety than Hartnell’s portrayal of the character, and Hartnell’s was the only Doctor at the time. You could say Peter Cushing was the first actor to take Doctor Who in a different direction.

It has been fun time traveling with you! Your comments below are encouraged and appreciated.

Gary Scott Beatty’s graphic novel Wounds is available on Amazon and Comixology. Is madness a way to survive the zombie apocalypse? The strangest zombie story ever written, Wounds throws us into a world where nothing is beyond doubt, except a father’s concern for his wife and daughter. If you enjoy that “What th-?” factor in graphic novels, you’ll enjoy Wounds. For more from Gary Scott Beatty, visit him on Twitter and Facebook.

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Funko Giving Jurassic Park the Pop! Treatment as Only They Can

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It is no secret we’re BIG fans of Funko’s Pop! Vinyl line here at DC HQ, and now they’ve announced a new series that has made our hearts just about burst… read on for a look at Pop! Movies: Jurassic Park, heading our way in February. The regular figures are awesome on their own, but wait until you see the exclusives!

From the Funko Blog:
Jurassic Park fans, get excited! To celebrate the 25th anniversary of the iconic film’s appearance on the silver screen, Jurassic Park is coming to Pop!

This series of Pop! features paleontologist Dr. Grant, Jurassic Park CEO John Hammond, mathematician Dr. Malcolm, and embryo-smuggler Dennis Nedry. (Keep an eye out for Dr. Ellie Sattler in Pop! Rides coming soon.)

We couldn’t forget the Jurassic Park dinosaurs! Featured in this line are the great T. rex, Velociraptor, and Dilophsaurus. Look for the Dilophosaurus chase, a rarity of 1-in-6.

Be on the lookout for exclusives. At Target you can find a wounded Dr. Malcolm, and the Dennis Nedry and Dilophosaurus 2-pack is available only at Entertainment Earth.

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American Psycho Meets Creep – Strawberry Flavored Plastic Review

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Starring Aidan Bristow, Nicholas Urda, Andres Montejo

Directed by Colin Bemis


Recently I wrote up an article here on Dread Central which was basically an open letter to anyone who was listening called “I Miss Found Footage.” Well, it seems like someone WAS listening, as I was then sent the link to an all-new found footage film called Strawberry Flavored Plastic from first-time writer-director Colin Bemis.

The film follows the “still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.” Basically, you could think of the flick as American Psycho meets Mark Duplass and Partick Brice’s Creep. That, or you could think of it as “Man Bites Dog in color!” However you choose to label Colin Bemis’ psychological thriller, just make sure you check out the film once it hits in the future.

As I alluded to above, the film is basically a found footage version of American Psycho. But that said, the film sports a twist on the charming serial killer subgenre that I have yet to see play out in any of the above-mentioned classics. I’m not going to go into spoiler territory here, but I will say that the film introduces an element to the tale that spins it into much more of a character drama than a straight horror film. Not that there is anything wrong with that!

Truth be told, the film’s turn from serial killer flick into a layered character study might have been its kiss of death, but this slight genre switch is rendered a minor issue as the film’s central narcissistic antagonist is played by Aidan Bristow. Bristow is an actor you may not have heard of before this review, but you will hear his name more and more over the years to come, I promise. The guy gives (no pun intended) a killer performance as the film’s resident serial killer Noel Rose, and time after time surprised me with how chilling, charming, or downright vulnerable he chose to play any given scene.

Bristow’s performance is, in the end, the major element the film has going for it. But that said, as a fan of found footage, I was smiling ear to ear at first-time director Colin Bemis’ understanding of what makes a found footage suspense sequence work.

In Strawberry Flavored Plastic director Colin Bemis is confident and content to allow full emotional scenes to play out with the camera directed at nothing more than a character’s knees. Why is this so important? Because it keeps the reality of the film going. Too many found footage directors would focus on the actors’ faces during such emotional scenes – no matter how contrived the camera angle was. In this film, however, Bemis favors the reality that says, “If you were really in this emotional state and holding a camera, you would let it drop to your side.” I agree, and it is small touches like that which make the film feel authentic and thus – once the shite hits the fan – all the scarier.

On the dull side of the kitchen knife, the film does feel a bit long even given it’s short running time, and there doesn’t seem too much in the way of visceral horror to be found within. Again, graphic blood and gore aren’t a must in a fright flick, but a tad more of the old ultra-violence would have gone a long way in selling our main psychopath’s insanity and unpredictability. But all the same, the film does feature a rather shocking sequence where our main baddie performs a brutal home invasion/murder that puts this film firmly in the realm of horror. In fact, the particular POV home invasion scene I’m talking about holds about as much horror as you’ll ever wish to witness.

In the end, Colin Bemis’ Strawberry Flavored Plastic is a must-see for fans of found footage and serial killer studies such as American Pyscho, Creep, and Man Bites Dog. I recommend giving it a watch once it premieres. If only to be able to point to Aidan Bristow in the near future and tell all your friends that you watched (one of) his first movies.

Until then, check out the film’s trailer HERE, and follow the movie on Facebook.

  • Strawberry Flavored Plastic
3.5

Summary

Lead actor Aidan Bristow turns in a star-making performance in Colin Bemis’ Strawberry Flavored Plastic, a found footage film that plays out like Man Bites Dog in Color before introducing a new element to the charming-serial-killer subgenre and becoming more character study than a straight horror. Think American Psycho meets Creep.

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Who Goes There Podcast: Ep 148 – Inside (2017 Remake)

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We’ve all heard the old saying, “in this world nothing can be said to be certain, except death and taxes.” Well, I’m here to tell you that’s only partially true. It seems there is a third certainty that had been omitted from the original quote, “It is certain, if you enjoy a movie, at some point someone will remake that movie.” Now is the time when one of my favorite movies gets reimagined, “for an American audience”.

In the late 2000’s an explosion of “French extreme” horror films was released. Martyrs and or High Tension can often be found on any number of lists of the “most fucked up horror movies ever”. Unfortunately, the vastly superior Inside is often forgotten (as well as Frontier(s), but that’s a whole ‘nother rant). Now, ten years after it’s initial release, Inside has been Americanized. Don’t worry, we watched it so you don’t have to. You’re welcome.

Mommy says you’re not dead. Is that true? It’s the Who Goes There Podcast episode 148!

If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.

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