Back in 2014, the world was introduced to the great white North’s small, rural community of Woodhaven, when alcoholic cop Lou Garou sprouted a few hairs on his chest and saved the locals from a gang of evil reptilian shapeshifters. Given the unanimous positive buzz for the film, Cinecoup couldn’t resist green-lighting a sequel before the first film even released. And now, two years on, Another WolfCop will be making its world premiere at Austin’s Fantastic Fest.
With Lou Garou (Leo Fafard) back on the streets of Woodhaven, gleefully and violently disposing of criminals and causing all manner of problems for his former-partner-turned-Chief of Police Tina (Amy Matysio), we caught up with director Lowell Dean to find out just how bigger, badder, dirtier, and hairier his loopy lupine sequel really is…
Dread Central: The first time round, WolfCop became a feature as a result of winning the Cinecoup prize money of one million dollars. How has the financing differed this time, and what have been the advantages and problems you’ve experienced as a result of the financing route taken?
Lowell Dean: Actually, both the first and second WolfCop were financed through conventional methods. What was unique about the first film was – like you mentioned – that it was chosen for production by Cinecoup after competing with 90 others for selection. The big advantage for the sequel, Another WolfCop, is that we didn’t have to spend 3 months pitching it! Cinecoup wanted to make it as soon as we finished the first one. The hard part with the sequel was that our budget needed to be bigger – just over two million dollars. So it took longer to raise the financing before we could go and make the film.
DC: With the title being Another WolfCop, is that just a tip of the hat to titles like TeenWolf Too or is there a teasing hint relating to the plot there?
LD: Yeah, the title is more just for fun and to indicate the tone of the film. It doesn’t hint at anything plot related. Or… DOES it?
DC: The first film is definitely one of the zanier werewolf horror/comedies out there. I imagine you were super conscious about whether or not people would appreciate just how the off the wall the comedy was when you were writing. Now that the first film has been a success, did that allow you to just let your creative juices flow and really let the comedy go as wild and weird as you wanted, or exactly the opposite?
LD: I was overjoyed that people responded to the first film, especially to all the really weird stuff that I loved putting in there – like the first transformation and the sex scene. Based on the reaction, I felt obliged to go even weirder and just let my freak flag fly with this next go-round. Many sequels focus on going bigger, and while we couldn’t really go smaller than the first film, my focus for the sequel was more on the characters and going crazier instead of bigger. Mark my words, Another WolfCop will make WolfCop seems tame by comparison. There’s a lot you can’t “unsee” in this film.
DC: Last time we spoke, I remember you telling me that for the first film you didn’t want to do an origins story at first but then you realised you really had to. Having got the origin bit out of the way, has that made the writing process easier or did you find it a tough challenge to remain true to the mythology and the characters you created in the original?
LD: Another WolfCop was tougher than the first film in every respect. In terms of writing, I knew I wanted to tell a story about Lou being really cocky at first – emboldened by his new werewolf powers – and then being humbled into realizing he still has a long way to go to becoming a true hero. If the first film was “WolfCop Begins” this is certainly “WolfCop Continues” or “WolfCop still has a lot to learn.” As for the mythology, that was just the fun part – the icing on the cake that grows the universe and serves the story and the characters. For me, the characters come first. Like the first film, the core and the heart of WolfCop is Lou’s relationships with Tina and Willie.
DC: And what about Leo Fafard and Amy Matysio returning for the sequel? Has it been easy for them to slip back into character after two years and have you changed much in terms of their characters, particularly the fact that Lou’s secret is no secret now? Has that fact changed him much or, as it’s a comedy, is it just taken as a normal thing that there’s a WolfCop patrolling the streets?
LD: I don’t know how easy it was for Amy and Leo to slip back into being Tina and Lou, but I will say they made it look easy. One of the big joys of making Another WolfCop was getting to spend time with my friends again. And not just Amy and Leo, but Tina and Lou as well! I love those characters. Lou is far more confident in the sequel, but he’s still a bit of a screw up. Tina is still a force to be reckoned with, but now she’s the Chief of the Woodhaven Police Department. So now both Lou and Tina have power behind them – and they’re in direct conflict with one another. As for if WolfCop is just casually patrolling the streets in the sequel, I’ll let you see the film and find out…
DC: As Lou tried concealing his secret in the first film, now that his secret’s out, will this be more of a buddy cop movie with him and Tina patrolling the streets?
LD: IS his secret out? Do the citizens of Woodhaven know about WolfCop? Again, you will need to see Another WolfCop to find out. And yes, there is certainly a buddy cop aspect to this film with Lou and Tina. I’m heavily inspired by ’80s action films like Lethal Weapon for their relationship.
DC: All that’s really been revealed about the sequel is that we’ll be introduced to a billionaire businessman who reopens the local brewery to produce Chicken Milk Stout, and also gifts the town with its very own hockey team, the Darkstars. Does that mean we can expect some sharp satire with the corporate world bearing the brunt of much of the humor?
LD: I think that’s a safe bet. We try to do it all in a playful way – but there are certainly some messages under the surface if you want to dig around.
DC: When WolfCop screened at 2014’s FrightFest it won the award for Best Penis Trauma for the “Transformation from cock to wolfcock.” Has Emersen Ziffle and the effects department upped the ante this time with even more “traumatic” transformations and bloodshed?
LD: New awards will have to be created for Emersen Ziffle after this film! He and his team did wonderful work and created some truly bizarre cinematic moments. I can’t wait to watch people watching them. Side note: I’m just really happy that a “best penis trauma” award exists… and that we won it!
DC: A sequel was confirmed just before the first was even released. Do you have plans for more WolfCop or are you hoping to focus on something else before continuing Lou Garou’s story?
LD: I do feel like I’ve been “living the life of WolfCop” for the past 4 years, so it would be nice to try something new. I’d like to direct more horror and films of other genres. I’m also developing some pretty cool TV show concepts. That being said, I genuinely love the world of WolfCop and I have outlines for at least two more WolfCop films, so I guess time will tell!
Another WolfCop will screen at this year’s Fantastic Fest on Sunday, September 25 and Wednesday, September 28. You’d be howling mad to miss it…
After saving Woodhaven from a gang of evil reptilian shapeshifters, alcoholic werewolf cop Lou Garou is finding it hard to keep a low profile. Instead, he roams the street at night, gleefully and violently disposing of criminals and stealing boxes of Liquor Donuts causing all sorts of problems for his former-partner-turned-chief Tina.
Things begin to look up for the loser residents of Woodhaven when a billionaire businessman announces he’s reopening the local brewery to produce Chicken Milk Stout, as well as gifting the town with its very own hockey team, the Darkstars. However, the unexpected return of an old friend (who now sports a large foul-mouthed mustachioed phallus) and a strip joint bloodbath alert Wolfcop to the rise of something evil to the town.
Dario Argento Is Coming To HorrorCon UK 2018
Hold your machetes, wipe your tears and pick your jaw up from the floor because the one and only Italian master of the horror film, Dario Argento will be making a rare visit to the UK to take part in HorrorCon UK. The greatest Horror convention in England is now in its 4th year and getting Argento to appear is a real coup. Argento who is perhaps one of the greatest ever horror director’s to get behind a lens will be appearing over the weekend of May 19th-20th to meet with fans and join in a Q and A session and there will even be a chance to get a photo with him.
HorrorCon UK will be pulling out all of the stops as the guests don’t stop there. Also scheduled to appear will be the legendary David Warner who has starred in everything from The Omen to Waxwork. Warner was supposed to make an appearance last year but sadly had to pull out at the 11th hour due to filming commitments.
The one and only Jeff Combs who is most famous amongst horror fans as playing Herbert West in the 1985 classic Re-Animator will be making an appearance and it is always an honor to share his company. In fact it will be a somewhat Re-Animator reunion as Barbara Crampton will also be at HorrorCon UK, marking her first ever European convention appearance!
The legendary Dee Wallace who is a bona fide scream queen with a resume that includes The Howling, The Hills Have Eyes, Cujo and The Lords of Salem and let’s not forget she survived the Critters so no messin’ with this gal is also here and she will be warmly welcomed that’s for sure. Other guests include Claudio Simonetti the legendary performer, basically if you have a giallo movie in your collection- which we know you do- then you have heard Simonetti’s incredible work. He has worked closely with Argento and other Italian masters such as Lucio Fulci and Umberto Lenzi. The icing on the cake is that Simonetti will also perform some of his original movie scores on the day.
Billy Wirth who played Dwayne as part of the gang of vampires in one of the greatest 80s horror movies ever in The Lost Boys will also be here, just make sure you don’t get bitten by him! Rounding up the guests will be Graham Humphrey’s a man who needs no introduction but will get one anyway. Humphrey’ s artistic talent knows no boundaries and he has been behind the iconic UK VHS artwork from The Evil Dead to A Nightmare on Elm Street.
Apart from the guests will be the various traders selling everything from replica props, t-shirts, rare memorabilia, movies, magazines and model kits. Hosts will include Ben Wilkinson, Tony Earnshaw, Darrell Buxton and the majestic Bunny Galore! Simply put if you’re a horror fan and can get to the UK for this May you cannot miss the event of the year!
HorrorCon UK takes place the weekend of May 19th-2oth at Magna Science Adventure Center in Sheffield, England
You can purchase tickets and photo ops right here.
Here’s Why We Suspect Jason Voorhees is a Pot Farmer
I’m not a Rastafarian or a Dead Head, but I still consider April 20th (4/20) a bona fide counter-cultural holiday worthy of celebration. The date has become synonymous with marijuana and coincides with concerts, “smoke-outs”, and even academic retrospectives worldwide. Indeed, societal mores have softened since the paranoid days of Reefer Madness, making “The Devil’s Herb” an appropriate topic for exploration.
In the spirit of 4/20, I’m highlighting a theory I’ve been considering over the past few years, one that connects the scourge of Camp Crystal Lake to a large-scale guerilla grow operation. It’s my assertion that Jason Voorhees is a pot farmer.
Jason’s relationship with marijuana (and those who partake) seems contrary to this theory, as stoners in Friday the 13th movies almost inevitably meet with the business end of a machete. There seems to be a moralistic agenda at play, one that punishes those who participate in illegal consumption of drugs—especially when they should be watching young campers who might be drowning in the lake.
This seems to be the case in the 2009 reboot, as well. Directed by Marcus Nispel from a script penned by Damian Shannon and Mark Swift, Jason makes short work of several eager weed tokers (among others). This specific chapter of the Friday franchise, however, breaks with tradition in several ways; one could be Jason’s relationship with marijuana.
I invite all Friday fans and 4/20 enthusiasts to take this challenge: Re-watch 2009’s Friday the 13th accepting the premise that Jason is a weed farmer. As outlandish as it may sound at first, everything falls into place with surprising validity. Let’s review:
The opening act of Friday the 13th sees a group of hikers looking for a rumored field of marijuana, somewhere in the vicinity of Camp Crystal Lake. They tromp noisily through the woods, making them easy for Jason to notice. But he doesn’t make his first kill until a camper stumbles into the weed patch. If we accept that this is Jason’s crop, we see he only resorts to murder when someone’s caught in the act of theft. Jason’s decision to kill the rest of the campers (except for Whitney) may certainly have been an over-reaction, but he could have been acting under the assumption that they were all a potential threat to his business. The world of drugs can be ruthless after all.
Related Article: 4/20 Massacre Review – Puff, Puff, Slash!
The next obvious question involves how the following group of victims ran afoul of Jason; while the film’s main batch of horny teen definitely includes stoners, none of them invaded the Voorhees “farm”. If Jason’s only motivation is protecting his crop from interlopers, why hack and slash the rich kids at the cabin? It all comes back to weed.
After the First Act, Jason’s next victim is the redneck working on a machine in the dilapidated barn. Immediately preceding his dispatch, he offers to sell Jenna and Clay some weed, some really good stuff that he claims he “found”. He’s obviously another thief (at least in Jason’s mind) which is why he was slaughtered. The fact that Clay and Jenna were seen with the marijuana burglar, unfortunately, made them guilty by association.
Jason’s not the sharpest tool in the shed but still, we can understand how he assumed these new arrivals were all after his crop (which was obviously just about ready to harvest). The kids wakeboarding on the lake: They had to go. Everyone else associated with Jenna: Assumed intruders who needed to be dealt with accordingly. Again, I agree Jason’s actions are extreme, but those operating guerilla grow operations aren’t your stereotypical happy hippies; even in real life, those attempting to infiltrate secret fields are likely to face physical danger.
So who are Jason’s clients? They obviously aren’t the tourists who briefly come and go. I propose they’re the elderly residents of Crystal Lake County: The woman who warned Clay “He just wants to be left alone,” for example. And the old man with the oxygen mask who almost rescued one of the teens: As soon as he saw Jason was on his trail, he sped off. This wasn’t because he was scared, necessarily; rather, he realized it was “business related”. Jason clearly supplied this fellow with marijuana to alleviate the pain of his lung cancer. The unseen, bedridden owner of the farm where Jason killed the redneck is also a client.
When you look at the life Jason lives in 2009’s Friday the 13th, you realize a source of income is necessary. Since he probably doesn’t deal with money, Jason most-likely barters with his customers. That’s how he has gasoline in his generator, light bulbs in his lair, food on his table, and how he landed that wicked machete sharpener.
Furthermore, Jason’s entire underground labyrinth wasn’t revealed and he certainly has enough room for an entire grow operation. The tunnels and rooms were surprisingly dry, making them the perfect place to dry and cure freshly-cultivated crops. Once dried and sealed, he could store stashes in a variety of locations. He could make clones, hybrids, and cultivate seeds in the offseason.
And while Jason would probably benefit from the calming, medicinal qualities of marijuana, he abides by the rules laid out by N.W.A in 1986: A dope man never gets high off his own supply.
I hope Shannon and Swift will be brave enough to one day reveal the truth. In the meantime, raise a bong to Mrs. Voorhees’ Baby Boy! And remember if you stumble across a wild marijuana field while hiking, leave that shit alone!
Brennan Went to Film School: The Surprisingly Inspiring Message in Nightmare on Elm Street 4
“Brennan Went to Film School” is a column that proves that horror has just as much to say about the world as your average Oscar nominee. Probably more, if we’re being honest.
WARNING: THIS ARTICLE CONTAINS SPOILERS FOR A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER. READER DISCRETION IS ADVISED.
The Elm Street franchise has a reputation for going downhill after Freddy gets funny, with most people fearing to venture past the high-water mark of the third film, Dream Warriors. But if there’s one Freddy film that sticks in my craw and makes me think about it more than any other, it’s A Nightmare on Elm Street 4: The Dream Master.
Yes, the movie with the karate dude. The movie with the soul pizza. The movie that has multiple Dramarama needle drops. Let me explain.
If you’re not familiar, The Dream Master tells the story of Alice Johnson, as played by Lisa Wilcox, who is part of a new group of friends (there’s always a new group of friends) that surround the three survivors of the previous installment. She’s a sweet, shy girl who has a tendency for daydreaming in order to escape the mundane, awful realities of life with her abusive, alcoholic father.
When Freddy Krueger returns to continue his reign of terror (this involves a fire-pissing dog named Jason, don’t ask), Alice discovers that not only do people possess special powers in the dream world, but her particular power is to absorb the skills and abilities of her friends once they are killed. After they’re all dead, she becomes the Dream Master, the only person who has a chance of conquering Freddy once and for all. Or at least until they made three more sequels and a spin-off.
It might not seem like it at first, but Alice Johnson’s character arc is probably the most powerful in the franchise. In between the cockroach weight lifting and the time loops and the movie theater vortex is a genuinely powerful story of a young woman’s self-actualization in the face of trauma.
Alice starts the movie as a beaten-down, mousy wallflower who lets her more outgoing friends lead her thoughts and actions. In fact, she’s so bland and boring that you might even start to wonder why the movie even decided to have her as the protagonist. Her whole life seems to entail going to school, going to work at the local diner, and doing her best not to stand out.
But there’s one thing that already implies her potential to be a worthy adversary to the unstoppable dream demon: she already lives in a world of daydreams, so she and Freddy share the same domain. She’s only truly at home in the dream world, as it is the place that gives her the power to carry on with her day.
As the story progresses, we see Alice literally draw strength from her friends and eventually learn to cope with the hand she’s been dealt, until she is accomplished and powerful in her own right. Not only does she defeat Freddy, but she gains her own agency, fights back against her dad, and wins the heart of the hunky guy she’s been crushing on. It’s a radical, inspiring change worthy of any high school movie, even one where a man with a charred face drowns a kid in his own waterbed.
Now that’s all well and good, but there’s a visual metaphor at the center of this that drives everything home so powerfully that it’ll never detach its vise grip on my mind. In Alice’s room, she has a mirror that’s so covered with photos of her friends there’s hardly space to check the bags under her eyes. She has literally hidden herself behind the faces and personalities of those she loves.
But as they start to die off one by one, Alice removes their pictures from her mirror. Friend by friend, power by power, Freddy’s murder spree chips away the photo collage until all she’s left with is her own reflection. Once she has become complete and ready to face her demons on her own, she is finally able to look herself full in the face and find her own identity.
It’s a powerful image, and maybe the most subtle in director Renny Harlin’s entire career. And that’s why The Dream Master never strikes me as one of the worse entries of the franchise. Not only is it a fun, cheesy supernatural slasher, it’s an uplifting tale of a girl who deserves more finally learning to respect herself and using that very respect to change the world around her for the better. I think that’s a message we could all use, even if you have to dig a little bit to get it.
Brennan Klein is a writer and podcaster who talks horror movies every chance he gets. And when you’re talking to him about something else, he’s probably thinking about horror movies. On his blog, Popcorn Culture, he is running through reviews of every slasher film of the 1980’s, and on his podcast, Scream 101, he and a non-horror nerd co-host tackle horror reviews with a new sub-genre every month!
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