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'Camp' is a quietly magical, lo-fi coming-of-age story whose supernatural undertones augment its big, beating heart.
'The Saviors' has lofty political ideals, though its 'The Twilight Zone' lite genre antics run astray in an uneven sci-fi…
'Night After Night's' surreal, hypnotic horror might risk confusion, but Josh Lobo's feature remains a heady trip worth taking.
Russell Goldman's 'Sender' is a patient, disorienting watch about the horrors of consumerism and its insidious links to the self.
Catherine Zeta-Jones' portrayal of Theo in Jan de Bont's remake of 'The Haunting' is an enduring (and queer) horror crush.
Joshua Millican's 'Dopefoot' is a gnarly, pot-fuelled descent into rural madness and cryptid terror– and it's a must-read.
Dean Alioto's 'The Experiencers: Full Disclosure' is a fascinating, if uneven, documentary on people abducted by aliens.
Norwegian creature feature 'Kraken' delivers a few Kaiju-sized thrills, but it's too indebted to yesterday's blockbusters to soar.
Hugo Ruíz's 'Dante' is an unflinching, seedy odyssey of crime, carnage, and desperation. Read our Tribeca review here.
'Mutter: The Diary of a Mother' is a harrowing, subversive creature feature out of this year's Tribeca Film Festival.
'Chum,' the latest killer shark flick, lacks identity, taste, tension, and really everything that signals a horror movie as a…
Filmmaker Thomas Edward Hindy is turning his must-see short 'Mimic' into a feature film. We have the details here.