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!['Big Baby' Holds Big Promise [Panic Fest Review]](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=90,gravity=auto,sharpen=1,metadata=none,format=auto,onerror=redirect/wp-content/uploads/2026/04/image_1776302356398.jpg)
Big Baby's meta-riff on tortured artists and big, uh, killer babies packs a mean and uncharacteristically mature punch.
![‘Frogman Returns’: Living in a Cryptid’s Paradise [Panic Fest Review]](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=240,fit=crop,quality=90,gravity=auto,sharpen=1,metadata=none,format=auto,onerror=redirect/wp-content/uploads/2026/04/Screenshot-2026-04-12-at-7.35.29-AM.png)
'Frogman Returns' is a riotous masterclass of cryptid horror. All hail the Frogman. Read our Panic Fest review here.
'The Barn: Part III' is all carnage, little story. With gore this exceptional, Justin M. Seaman’s trilogy-capper succeeds nonetheless.
'Hunting Matthew Nichols' is a terrifying love letter to the early-oughts found-footage horror craze. It's seriously scary.
'Thrash' has the makings of an exploitative good time, but its incongruous goodwill never bloodies the waters quite as well…
John Valley's 'American Dollhouse' is gruesome Christmas carnage candy well worth unwrapping. A true slasher gift.
Between now and June, here are the must-see 2026 horror movies hitting streaming and theaters. Prepare to be scared.
The Yeti's paint-by-numbers monster mayhem isn't hot enough to thaw out a B-movie worth its sauce. Read our review...
The anti-capitalist bent of 'Grind' adds some nightmarish flavor to the fun yet somewhat uneven modern horror anthology. Our SXSW…
'Never After Dark' has a promise, but its haunted house shenanigans soon feel too unoriginal to leave a lasting impact.…
Oliver Bernsen’s 'Bagworm' is a gooey, sublime portrait of contemporary meltdowns with a body horror edge. Our SXSW review:
Emily Robinson's 'Ugly Cry' is a grounded, dysphoric body horror about the very real cost of fame and success.