Starring Andy Serkis, Reece Shearsmith, Dave Legeno, Jennifer Ellison, Steve O’Donnell
Directed by Paul Andrew Williams
Distributed by Sony Pictures Home Entertainment
The first time I went to see From Dusk Till Dawn in the theatre, I had no clue what it was about. For half the film’s runtime I’m diggin’ on a great crime drama, and then *BOOM* full-blown limb-flying vampire action! I was in a state of nirvana! The words “taken aback” had found new meaning. Since then the crime and horror genres have never really successfully mixed again. There were a few attempts, but they each fell way short of the 1996 (can you believe it’s been that long?) Robert Rodriguez established benchmark. Until now. The Cottage proves that the crime/horror recipe can still pack one hell of a punch!
Sit back, kids! It’s time to sing the praises of one of the best examples of horror done right courtesy of the good folks from across the pond.
Hot damn! Simply put, The Cottage rocks on every conceivable level. From its Elfman-esque score to its incredible gore gags, you will more than just dig it. It’s a true genre bender that is packing something for everyone. Usually comedy in horror can spoil the pot, but here it works perfectly because director Williams understands that, no matter what, the big bad has to remain scary by playing it straight. Believe me when I tell you, the Farmer delivers. Not only is his disfigurement a sight to see, but he’s oozing violence every time that he’s onscreen. You may be able to tug a bit at his human side, but that won’t get you very far at all. Like a shark, there’s no bargaining with him. If you’re in his way, you’re getting killed. No if’s, and’s, or buts about it. Speaking of the kills … I’m amongst the most jaded horror fans out there, and even I was howling at some of the gags.
My only beef with this package? The special features on the disc are truly skimpy. All that we get are four minutes of outtakes that aren’t as funny as you think they would be, two storyboard galleries, and nine deleted scenes that clock in at around twelve minutes combined. The scenes do contain some cool stuff, though, including an excised character named Smokin’ Joe and a running theme about dead pheasants. But it’s the last deleted scene that really shines. It’s straight out of The Texas Chainsaw Massacre series, and I can’t help but wonder if it was removed because it was just too on the nose. A commentary would have helped, but it’s nowhere to be found. To hear from the film’s maker, click here for our interview with director Paul Andrew Williams.
Don’t hesitate another second. Click the link below and order yourself a copy of The Cottage ASAP! It delivers on everything that it should and even goes a bit above and beyond. Plus, there’s a cameo by a genre vet that’s sure to please many fans of puzzles and chains. Do yourself a favor and check in for a bloody good visit!
Special Features
4 out of 5
Special Features:
2 1/2 out of 5
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