Directed by Brian Henson
Written by Richard Christian Matheson
If you don’t know by now, I’m a HUGE Stephen King fan. Beyond huge. Nearly obsessive. So every time there’s a mention of another King adaptation or project, I am filled with a mixture of such delight and dread I could nearly explode. Delight because I always hope it will turn out as well in fact as it does in my head, and dread because it almost never does.
When I heard that TNT was going to be doing a King mini-series this summer, I leaned almost most heavily on the down side of the see-saw, because the TV adaptations of King’s work have, for the most part, always missed the mark for me; some by a little (IT and The Stand) and some by a lot (The Shining and Salem’s Lot) for one reason or another.
I had a sliver of hope, however, since these adaptations would be several hour-long pieces based on various short stories, so at least the filmmakers have a smaller window to screw up in. The first episode that aired this Wednesday was “Battleground”, based on the story of the same name (which actually appears in the Night Shiftcollection, not Nightmares & Dreamscapes). This installment was done from a teleplay written by Richard Christian Matheson, son of genre titan Richard Matheson and a horror name in his own right, and directed by Brian Henson, who also a famous father: Muppet master Jim Henson.
Once there, Renshaw received a mysterious package from the Morris Toy Company: an authentic looking army footlocker full of miniature soldiers, jeeps and helicopters. Plus, a sticker promises, extra surprises! Well, it doesn’t take a brain surgeon to figure out what happens next. The tiny combatants attack Renshaw with all the precision of a well-trained battalion. Renshaw fights back, but how do you shoot a man who’s 1.5 inches tall with a regular gun?
The FX here are really quite wonderful with each diminutive soldier being an actual actor in latex mask filmed against a blue screen. On close inspection, the soldiers look just like the little green men so many of us played with as children, but their somewhat featureless faces are extremely unnerving. There’s a lot to commend here, apart from the FX. Matheson’s script is strong despite, some might say, the total lack of dialogue. I thought that was one of its strengths. It was ballsy of Matheson to write it that way — and even more ballsy of the director and execs at TNT to carry it out that way.
Still, given some of the terrible adaptations that I as a fan have had to stomach over the years, I was pleasantly surprised at the quality of this offering. I don’t know if all the installments of TNT’s Nightmares & Dreamscapes will deliver as well as this one did; I suspect that will depend on the talent behind the scenes. But based on this episode, I think that I will definitely be tuning in next week, hoping that the men and women behind this project hold fast to the ballsy line they’ve drawn with their first piece.
4 out of 5
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