Starring Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, and Kevin Dunn
Directed by Roland Emmerich
Distributed by Sony Pictures Home Entertainment
In 1997 when the news first broke that Godzilla would be surfacing again for American audiences, I was stoked beyond words. When it was announced that the team behind the hit invasion film Independence Day were the people making it, I was in a state of nirvana! These guys knew how to do destruction in a big way, so their pairing with Big G himself seemed like a match made in Kaiju heaven. The ads started peppering the United States. The tagline Size Does Matter was plastered across every city bus, billboard, and movie theatre marquee. It was a good time to be a Godzilla fan, and audiences were literally chomping at the bit. We got some casting news first. Matthew Broderick. Ferris Bueller? He’s no Raymond Burr, that’s for sure, but hey, the steely Jean Reno is also in it. Maybe he can fill that dramatic void. More time passed, and it was announced that Godzilla would be getting an updated look as well. This worried fans a bit, but we were excited. Nothing was gonna put a damper on our monster mash. Finally it was time. Godzilla was invading theatres. Fast forward one hundred and thirty-nine minutes later, and there was outrage within the fanbase — and for good reason.
This was not Godzilla. In fact, that’s the name that managed to stick with fans: Notzilla. Everything we loved about the big guy had been changed. His trademark roar was replaced with a shrill shriek, his bulky body now resembled that of an iguana-chicken hybrid, and to add insult to injury, the friggin’ thing did not even breathe fire! How can you have a Godzilla film and not have the title character breathe fire?!? It turns out the tagline was one hundred percent correct. Size does matter, and this cinematic blunder was HUGE and completely unforgivable.
Now let’s talk a bit about the film’s climax. Apparently Afro-Americans are not the only ones that have a problem catching a cab in New York City as Godzilla’s arch nemesis in this film is a four-wheeled taxi that no matter how big or fast he is, he just can’t seem to nail. I felt a genuine sense of embarrassment for the creature as he would fall flat on his Jay Leno-sized chin every time he got near it. Who okayed this shit? Jesus!
For this Blu-ray release the question beckons: to double dip or not to double dip? There are already two DVD release of this movie. The Blu-ray has most of the extras that its DVD cousins did, but now the ante is upped slightly by the inclusion of a nifty Blu-ray exclusive trivia game in which players (single or multi) are hit with either 10, 15, or 20 multiple choice Godzilla-based questions with a 15-second time limit for each answer. Neat.
Also included is the Best of Godzilla Fight Scenes featurette, which is a bit of a cheat in and of itself. I was expecting an assembled featurette of maybe a top ten or something. Instead we basically get a ten-minute long commercial for the rest of the Godzilla DVD’s that are available. Talk about a missed opportunity. The rest of the extras are comprised of your standard making-of featurette, a special visual F/X commentary, and a music video by The Wallflowers. Yay.
As a standalone piece having nothing at all to do with the Godzilla franchise, this film is an okay little monster flick. The creature is kind of cool, but again, it’s just not Godzilla. When this re-imagining of the franchise was released, almost immediately fans began to cry for an all-out brawl between Notzilla and the real Godzilla. Who would win? In Godzilla: Final Wars we got our answer, and this KFC mutant got dumped on its stupid head in a matter of seconds.
If you’ve never picked this film up on DVD or if you simply must own it in high-def, go ahead and get it. If you already have it on your shelf, leave it there. It doesn’t need to be replaced. Just ignored.
Special Features
2 1/2 out of 5
Special Features:
3 out of 5
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