The Foywonder’s Ten Worst Horror Films of the Decade

The first decade of the new millennium has come to an end, and that means it is now time for film sites all over the web to begin posting their various retrospectives and lists recalling the decade that was. I generally as a rule dislike such lists because they are always so subjective. Then I said screw it and took it upon myself to do one of my own naming the ten worst horror movies of the past decade. Besides, people love bitching on the Internet about lists like this, and who am I to deny readers yet another excuse to get into pointless flame wars over personal opinions.

Of course, this list is just my personal opinion which is not legally binding … unless Proposition 304 passes. And we all pray that it will.

The Foywonder's Ten Worst Horror Films of the Decade

I set two rules when putting this list together: Only horror movies that received fairly wide theatrical releases in the United States were eligible, and no direct-to-DVD or made-for-cable films were allowed. Otherwise, I would have had a list full of cheap garbage from Thailand or it would have consisted of six Ulli Lommel serial killer flicks, two Sci-Fi Channel turds, and some no-budget pieces of crap Lionsgate and The Asylum dumped onto DVD. I chose to focus my attention on the more deserving big screen bombs, the horrors that only horrified in the sense that major Hollywood studios spent millions making and marketing them. I spent weeks looking back upon the Hollywood horrors released to multiplexes from 2000-2009, often reevaluating my own opinions on many a film until I finally narrowed the list down to what I felt were the ten most deserving of the distinction of being labeled the worst horror movies of the past ten years.

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Before diving headfirst into the worst list, it is time to unveil the HONORABLE MENTIONS. You might be wondering what constitutes an honorable mention when listing the worst horror movies? These are the fright flicks that definitely deserved to be ranked amongst the decade’s worst but I just could not bring myself to put them on the list because their undeniable badness proved a laugh riot. The following four honorable mentions are granted a stay of execution for being so bad they’re funny.

The Foywonder's Ten Worst Horror Films of the Decade


A motion picture that will live in infamy. The movie that effectively introduced the movie-watching world to a mad German named Uwe Boll and we’ve never been the same since. Trash talking before the release about how his film was going to kick Resident Evil‘s ass – way to set the bar high there, Uwe; trash talking Internet fanboys after the release for decrying his magnum opus as an incompetent and incoherent debacle that has only the faintest ties to the plotless video game on which it is based. At least it’s lively, something that cannot be said of a few other Boll-infused snoozers. This deliriously insane mess verges so sharply into Edward D. Wood, Jr., territory on so many occasions House of the Dead may very well be Plan 9 from Outer Space for the 21st Century. Boll tried putting out a “funny version” of this film that wasn’t even 1/100th as intentionally funny as his crowning achievement was unintentionally so.


Four words: non-religious identical twin stigmata. A high concept movie in the sense that everyone involved with the making of it had to have been high. In Lindsay Lohan’s case, that’s a given. What’s everyone else’s excuse? This level of jaw-dropping WTF-ness requires serious effort. You simply cannot make a movie that achieves the levels of badness that this surreal schlock does without having started out with loftier goals and without question I Know Who Killed Me was clearly a Herculean effort on the part of its makers. A perfect storm of cinema gone wrong: a tabloid fodder actress trying to change her on-screen image even though it’s her off-screen image that needs changing and an off-the-charts preposterous screenplay that not even a director created by Dr. Frankenstein from the parts of Alfred Hitchcock, David Lynch, Lamberto Bava, Tod Browning, and Brian De Palma could make into a workable film. Simply has to be seen to be believed!


Mark Wahlberg giving the best performance in the history of cinema by an actor behaving like a man suffering from a concussion not actually playing a character suffering from a concussion; Zooey Deschanel doing the most uncanny impression of a perpetually startled lemur you will ever see; philosophical arguments in defense of the hot dog; people trying to outrun and even outsmart the wind. A loopy ecological thriller about pissed-off plants that cause people to commit suicide in the most preposterous manner possible; to think when the decade began M. Night Shyamalan was being compared to the likes of Alfred Hitchcock and Steven Spielberg.


If you need me to tell you why then you either haven’t seen the remake of The Wicker Man or you haven’t watched this highlight video.

This leads us to a very special DISHONORABLE MENTION. This one did not quite make the final cut but it remains worthy of special consideration. If for any reason any of the following ten worst horror movies of the decade are unable to fulfill their obligations as one of the ten worst horror movies of the past ten years, this first runner-up will be asked to step in and complete the list.


The Foywonder's Ten Worst Horror Films of the DecadeVampires. Cyberpunk. Anime aesthetics. Kung fu. Gun fu. Flaming sword fights. Milla Jovovich in spandex. What’s not to love? EVERYTHING! What was meant to be a visual tour-de-force ended up being an unwatchable mess made all the more intolerable by its insufferably smug look-how-cool-I-am attitude. Of all the movies listed here that I saw in a theater, Kurt Wimmer’s masturbatory case study in putting style over all the stuff that makes a movie watchable was the only one that led to the most walkouts – over two thirds of the audience were long gone before the closing credits rolled. So why isn’t Ultraviolet one of the top ten instead of a runner-up? Ultimately, that characters are these mutant vampires called “hemophages” was more an excuse to explain why everyone fights with superhuman abilities than it adds a horrorific vibe to this Skittles-colored world of tomorrow. Therefore, a dishonorable mention is in the cards. Rest assured, though, Ultraviolet is one of the worst films of the past decade of any genre.

This brings us to the reason you are reading this in the first place. In compiling my list I chose not to bother with a numerical countdown. Personally, I see no point in trying to put these dreadful little films in some sort of numbered list except when it comes to my choice for the single worst horror movie of the decade. Nine horrible horrors presented in no particular order leading to the one cinematic abomination that stands above and beyond all others in terms of epic fail. Without further ado…

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Number 10


The Foywonder's Ten Worst Horror Films of the DecadeA screenplay so indecipherable Dan Brown could pen a new novel about the world’s greatest screenwriter setting off on a mystery quest to piece together the clues trying to make sense of it all. A film so confounding Uwe Boll had to add an opening text crawl longer than the closing credits of some movies explaining what the hell was going and this text still marked the first, last, and only time Alone in the Dark bordered on coherent. So illogical a film even Dragon Wars could make fun of how nonsensical it was – that’s saying something.

Christian Slater’s character kept telling us in dialogue and voiceover that he was searching for answers. Anyone that watches Uwe Boll’s second shot at botching a video game movie will sympathize because they too will be looking for answers that will never come. Where as House of the Dead had an Ed Wood vibe in its favor, Alone in the Dark was more like the worst movie Bruno Mattei never made. You would expect even a truly bad movie boasting monsters from another dimension, zombies, centipede-like parasites, sand worms, paranormal commando units, Christian Slater doing Matrix-style kung fu, and Stephen Dorf getting blown to kingdom come would still find a way to be entertaining to some degree, but Dr. Boll manages to bore even as he piles convolution on top of convolution on top of convolution and not even Tara Reid comically miscast as an allegedly brilliant anthropologist who cannot even correctly pronounce “New Foundland” could salvage it.

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Number 9


The Foywonder's Ten Worst Horror Films of the DecadeA harmonic convergence of everything wrong with the horror remake mentality that swept Hollywood the past decade; everything creepy and moody and atmospheric that made the original work was scuttled in favor of a PG-13 rating, lame digital ghosts that primarily kill by throwing victims through windows, the addition of an unrequited love story between a female cast member and one of the ghosts, and a cast comprised almost entirely of good-looking uncharismatic actors under the age of 30 that talk like uncharismatic actors over the age of 40. Where was this youth-dominated island anyway – off the coast of Logan’s Run?

All you can do is watch and shake your head in disgust. Is there anyone that watches John Carpenter’s original and says to themself, “If only this movie had a wisecracking black guy?” Has anyone ever watched John Carpenter’s original and thought, “Forget the ghost pirates; I want to watch a woman fall in the water and fight for her life to break free from the seaweed that entangles her?” Do you think if Debra Hill had lived to see this remake she would have leaned over to Carpenter and told him how that ghost hand coming out of the sink was so much cooler than anything he did in his version? Sadly, the producers of this remake seemed to think so.

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Number 8


The Foywonder's Ten Worst Horror Films of the DecadeHey, horror comedies need love too. Or in this case, hate, scorn, ridicule, and disdain. I suppose I could have just as easily flipped a coin and put Scary Movie 3 here. Scary Movie 2 gets the nod because I can attest to having seen it in a packed dollar theater that sat in stone cold silence for 80-minutes and for the sad fact that this sequel pretty much marked the moment the Wayans Brothers finally stopped giving a damn.

Scary Movie 2 was such a last-minute rush job to get a sequel into theaters to make a quick summer movie buck that you could forgive the Wayans somewhat if not for the fact that they’ve spent the decade since punishing audiences with White Chicks, Little Man, and other alleged comedies that have even prompted to do a spoof story asking if America is prepared for another Wayans Brothers movie.

The art of the spoof movie officially died with Scary Movie 2 and its special brand of lazy movie spoofings and piss, puke, and poo jokes that would soon give rise to Jason Friedberg and Aaron Seltzer, the duo that spent the second half of the decade gifting mankind with Date Movie, Epic Movie, Meet the Spartans, and Disaster Movie.

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Number 7


The Foywonder's Ten Worst Horror Films of the DecadeWhat’s more frightening for a teenage babysitter who might as well have been alone in the house she pays so little attention to the kid she’s babysitting? Being terrorized by a maniac in the house crank calling her or a Foley artist out of control? The Foley artist had to have been the true maniac of the remake of When a Stranger Calls given a cat jumps out to the sound of three-ton pieces of steel clanging together, a refrigerator ice-maker rumbles likes an earthquake, the simple sound of birds fluttering blare at unnaturally loud octaves, and so on. The booms generated by even the most mundane things are so loud and so frequent you halfway expect the Jurassic Park T-Rex to walk into the scene. Reacting to all this alone on the screen for 85% of the film is Camille Belle with her vacant stare and child-like simplicity that might lead you to suspect that she’s the one really in need of a babysitter.

The cliche-o-rama script trots out the cat-jumping-out scare twice, adds a thunderstorm raging outside, includes the old car that won’t start routine, and still finds room to toss in a completely pointless dream sequence for good measure. Pretty pathetic that the opening five minutes of Scream made for a better remake of When a Stranger Calls than the actual 90-minute remake.

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Number 6


The Foywonder's Ten Worst Horror Films of the DecadeIt takes a certain degree of filmmaking genius to make a movie based on a video game that only has one single plot point – a space station on Mars opens a portal to hell unleashing monstrous hellbeasts – and then completely changes that one and only plot point – a Martian chromosome that turns naughty people into monsters and good-hearted people into Wolverine. Even more amazing when you consider the film version of the grand daddy of all first-person shooter video games languished in development hell for so many years that by the time it finally made its way to the big screen it was long past being relevant. Doom cost $70 million dollars to make but looks more like an expensive Sci-Fi Channel original movie, and it plays like one too.

Doom should have been a relentless, non-stop, heart-pounding action horrorfest about a lone soldier battling demons within the cramped confines of a Martian space station. Instead all we got was boring Aliens rip-off #769 with monsters that pale in comparison to their game counterparts and a script sprinkled with theological conceits that might have been interesting in the hands of a less brain dead movie, and, no, the fact that it was R-rated does not salvage it. The only person frightened by Doom was The Rock; he got so scared off appearing in R-rated action movies after this epic fail he ran screaming to Disney begging to put on pink tutus in family comedies. It takes a certain degree of filmmaking genius to make a movie based on a first-person shooter video game and end that film with a fist fight.

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Number 5


The Foywonder's Ten Worst Horror Films of the DecadeChristmas, 2006: Religious groups are up in arms that Hollywood would dare open a slasher movie on Christmas day. They weren’t nearly as offended as most horror movie fans were after viewing the rancid remake of Black Christmas. Forget a lump of coal, Santa just took a big ol’ dump in our stockings**. As appealing as watching the “Two Girls, One Cup” episode of “Iron Chef”, Black Christmas is the only film on this list that truly came across as a motion picture made with a sense of absolute contempt for its viewers. As ugly as it was insulting to your intelligence, and yet I know there are gore-hounds out there that will defend this as a solid slasher flick. To you I say that tells me I could dangle my car keys in front of your face for an hour-and-a-half and you would be just as easily entertained so long as I was dripping in blood while doing so.

Movies like Black Christmas are the reason why the horror genre gets a bad rap, why many non-genre directors will go out of their way to keep their movies from being labeled as horror, why horror movie fans get labeled as being nothing but a bunch of bloodthirsty malcontents, and why slasher films are generally perceived as being one step up from pornography in terms of social value. The 1974 original practically gave birth to the slasher movie. The 2006 remake kind of makes you wish the original had never been made because of it.

** If Paul WS Anderson had written that line it would have been “Fuck with Santa and we’ll see who shits in the stocking.”

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Number 4


The Foywonder's Ten Worst Horror Films of the DecadeIf Black Christmas represents the sort of slasher movie that gives slasher movies a bad name then Premonition represents the kind of supernatural thriller that gives supernatural thrillers a bad name. Sandra Bullock finds herself stuck in a boring, confusing, frustrating, and monumentally stupid Groundhog Day-style supernatural thriller tailored for the Lifetime Network crowd about a fishwife awakening each morning to find it is a different day of the week before or after the Wednesday on which her husband is killed in a car crash. Is she having premonitions? Is she going insane? Is she time traveling? Is it all because she’s spiritually empty inside and possibly demonic forces are toying with her? Is it that she’s lost her faith in everything and is receiving a second chance at spiritual redemption by being given this opportunity to save her husband and their troubled marriage? Or is it all just a lethargically directed slice of pseudo-spiritual claptrap suffering from major delusions of being a mind-bending “Twilight Zone”-ish thriller that only succeeds in aggravating viewers with its irrationality before leaving the audience feeling cheated.

I could spend a week of dissecting everything wrong about a movie like this that works so hard at being twisty it even outsmarts itself periodically, and I nearly did in my spoiler-filled review of Premonition here. Go back and give my review a read if you truly want to know why Premonition earned its spot on this list.

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Number 3


The Foywonder's Ten Worst Horror Films of the DecadeThe sequel that fucked more fans than Gene Simmons and Wilt Chamberlain combined. We finally got our R-rated Aliens vs. Predator flick yet all the action was either filmed too dark, too tight, or edited too rapidly to actually comprehend what the hell was going on. All I could discern from the final battle between the Predator and the Predalien hybrid was a whole bunch of dreadlocks whipping around while fists flew; could have just as easily been two really ugly Rastafarian chicks having a catfight in the rain for all I knew. Requiem was a perfect subtitle for this sequel; Aliens vs. Predator: Requiem was just that: a requiem for two once great franchises reduced to the level of a glorified Sci-Fi Channel production.

On Earth everyone can hear you scream, “Am I really watching teenagers getting chased through their high school by an Alien?” You can’t even blame all the problems on the studio gutting the film before its release because the gaping gaps in logic are still there. If that Predator is trying to remove all evidence of the Aliens then why is it the moment he’s spotted by a human he not only kills the guy, he leaves his skinned body hanging upside down from a tree for everyone to find? Maybe the Predator just realized nobody would notice since this was clearly the least observant town on the planet: a spaceship crashes in the woods and nobody sees or hears a thing, that spaceship is blown up in a mini-nuclear explosion and nobody saw or heard that either. You want to know the real reason why AVP-R is on this list? Because it actually made us reevaluate whether we had been too hard on Paul WS Anderson.

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Number 2


The Foywonder's Ten Worst Horror Films of the DecadeYou have no idea how badly I wanted to put Rob Zombie’s Halloween remake on this list. You cannot believe how much I wanted to. But I couldn’t. At least there are people out there that will defend Zombie’s remake. It never ceases to amaze me when I read or hear someone do so, but there they are, these fans that insist Zombie not only made a good movie, they’ll even argue he bested the original. My mind is blown every single time I come across these people, some of whom are even friends of mine that I know are not just mindless gore-hounds or hardcore Rob Zombie fans. But do you know anyone that actually likes Halloween: Resurrection? I sure as hell don’t. I’ve never met anyone that gives the film a pass.

More importantly, Halloween: Resurrection was the sequel that successfully did what druid cults failed to do two times over: kill the Halloween franchise so dead that producers decided there was no recourse but to start over with a straight-up remake of a horror masterpiece. Bitch and moan about Rob Zombie’s remake all you want – and I want to; without Michael Myers getting un-decapitated and then murdering Jamie Lee Curtis’ iconic character in the most unceremonious manner possible before setting off to terrorize reality internet show contestants and getting his ass handed to him by Busta Rhymes, chances are slim Rob Zombie would have been given the opportunity to skull-fuck a classic. Sure, we might have gotten more lame stabs at milking the dehydrated cow that is this franchise, like perhaps maybe Halloween vs. Hellraiser or Halloween 8: Trek or Treat with Michael Myers in space terrorizing a starship, and while they may have sucked too, odds are outright remaking John Carpenter’s classic would never have been in the cards. Who am I kidding? Platinum Dunes would have gotten their mitts on the franchise sooner or later for a reboot.

Nine down, one to go.

But before I reveal my overall choice for the decade’s biggest debacle, for every good or great horror movie that came along there were at least three that helped stink up the silver screen. Any number of which could have found their way on the ten worst list. Let’s take a moment to reflect upon some of the scary stinkers that stunk up theaters over the course of the past ten years.

  • Blair Witch 2: Book of Shadows (2000)
  • Dracula 2000 (2000)
  • Urban Legends: Final Cut (2000)
  • Soul Survivors (2001)
  • The Forsaken (2001)
  • Thir13een Ghosts (2001)
  • Valentine (2001)
  • FearDotCom (2002)
  • Ghost Ship (2002)
  • Queen of the Damned (2002)
  • Swimfan (2002)
  • They (2002)
  • Darkness Falls (2003)
  • Dreamcatcher (2003)
  • Scary Movie 3 (2003)
  • Anacondas: The Hunt for the Blood Orchid (2004)
  • Exorcist: The Beginning (2004)
  • A Sound of Thunder (2005)
  • Cursed (2005)
  • The Cave (2005)
  • The Ring Two (2005)
  • White Noise (2005)
  • An American Haunting (2006)
  • BloodRayne (2006)
  • Dark Ride (2006)
  • Pulse (2006)
  • The Covenant (2006)
  • The Grudge 2 (2006)
  • The Omen (2006)
  • The Return (2006)
  • See No Evil (2006)
  • Stay Alive (2006)
  • Blood & Chocolate (2007)
  • Captivity (2007)
  • Ghost Rider (2007)
  • Halloween (2007)
  • Lake Dead (2007)
  • Primeval (2007)
  • Sarah Landon & the Paranormal Hour (2007)
  • The Hills Have Eyes 2 (2007)
  • The Hitcher (2007)
  • One Missed Call (2008)
  • Prom Night (2008)
  • Saw V (2008)
  • Shutter (2008)
  • The Eye (2008)
  • Halloween 2 (2009)
  • Transylmania (2009)
  • The Twilight Saga: New Moon (2009)
  • Whiteout (2009)
  • Ah, the memories… So many bad memories.

    And now it is time for my pick for the single worst horror movie of the past decade. I am sure it will be a controversial choice for some. I am sure there will be many that nod their head in total agreement. I thought about this list long and hard but I did not have to think too hard about this choice. Who really went into The Fog remake or Halloween: Resurrection anticipating a good movie? How could anyone you really have high expectations for Doom or When a Stranger Calls? Who actually went into any of the previous nine selections with lofty expectations (save for AVP-R, you poor misguided fanboys)? The more I thought about it the motion picture I selected for the worst horror movie of the past decade came with high expectations. It came with a mega-budget. It came with mega-hype. Its failure to deliver cannot be blamed on studio interference or lack of budget or any other excuse the previous nine choices could argue for why they turned out so bad.
    My choice for the single worst horror movie of the first decade of the 21st century is…

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    Number 1


    The Foywonder's Ten Worst Horror Films of the DecadeI know Van Helsing has its defenders – denial runs deeps. Van Helsing should have been a runaway blockbuster, a guaranteed franchise, a home run for horror and non-horror fans alike. We should all be collecting Van Helsing action figures, model kits, novels, comic books, you name it. By now we should be anxiously anticipating the release of Van Helsing 3. Hugh Jackman as Van Helsing from Bram Stoker’s Dracula reinvented as a swashbuckling Indiana Jones/Solomon Kane/Blade/James Bond Victorian Era globetrotting adventurer hunting down creatures based on the classic Universal Monsters; a $160 million wet dream guaranteed to excite the inner child of every monster movie fan reduced to a tale told by an idiot full of sound and fury signifying nothing. That idiot: Stephen Sommers. As soulless a summer blockbuster as you’ll ever see, Sommers killed the franchise right out of the gate, did nothing to boost interest or sales in the old Universal monster movies (one of the main reasons Universal backed the film), and the plan to keep the film sets and recycle them for a proposed NBC spin-off television series to be called “Transylvania”, NBC put a stake through the heart of that idea two weeks after the stench of Van Helsing began permeating theaters. One of the best premises for a blockbuster movie of the past ten years squandered unforgivably in a wretched bomb that beats you down with one empty exercise in excessive CGI after another failing at every turn to give you one single reason why should care about anything going on before your eyes let alone generate any thrills or chills, all the while stripping iconic characters of everything and anything that made them so, often refusing to play by its own rules in a plot that never rises above the level of third-rate Saturday morning cartoon gibberish. Garth Franklin of Dark Horizons wrote in his review what may have been the most astute line summarizing what went wrong with Van Helsing: “Sommers is like a kid who’s just discovered masturbation, he just cannot control himself and has to keep doing things bigger, wilder and ultimately dumber – long past the point of reason or madness.” If you ever want to truly understand just how miserably Van Helsing failed just watch a Hellboy movie.

    Still not convinced? Then here are ten more reasons why Van Helsing is the worst horror movie of the past ten years.

    Van Helsing’s first name is now Gabriel instead of Abraham. Sure, Abraham was a good enough name for one of our greatest Presidents and the patriarch of the Jews and Arabs, but to Sommers it was all about what sounded cool to him and Abraham just didn’t have a good enough ring to it despite being the name of the character from Bram Stoker’s novel that he based the whole god damn movie around. It’s cool though because Gabriel Van Helsing turns out to be the earthly amnesiac incarnation of the angel Gabriel. Say what?

    Dracula’s offspring are born dead – not undead, actually dead. Dracula keeps his born yet unborn offspring stuffed in wasp sacks hanging around his castle until he can find the correct electrical wattage needed to bring them to life. Or would that be to make them undead? The wrong wattage either fails to reanimate them or reanimates them for only a short period of time after which they begin bursting into piles of goo like the Martians’ heads at end of Mars Attacks. Dracula commissioned the construction of Frankenstein’s Monster because the energy used to bring him to life is the perfect voltage for giving his gazillion kids life – or would that be undeath? If Dracula ever gets his hands on Frankenstein’s Monster he’s going to use the power supply contained in Frank’s Ultraman “Color Timer” of a mechanical heart to revive all of his babies that look like winged frogs with an uncanny resemblance to Dingbat from the old “Batman” cartoon series and unleash them upon mankind. This, ladies and gentlemen, is the basis for the film’s very plot.

    Comprehend for a moment that Richard Roxburgh was doing all this appallingly bad overacting as the worst Dracula in recent screen memory while Stephen Sommers sat in the director’s chair nodding his head in approval. Sommers’ version of Count Dracula really is like a lame version of a vampire villain from the 1960’s Batman live-action series, while the Brides of Dracula all played by supermodels that do more silly posing than the “Power Rangers”. Multiple brides and a million kids … I never realized Dracula was Mormon.

    Frankenstein’s Monster suffers from some serious mood swings depending on Stephen Sommers own mood that particular scene. “I just want to live!” “You must destroy me!” “I want to live!” “Destroy me!” “Live!” Can we get Frank some Zoloft?

    The full moon causes one to transform into a werewolf yet the first werewolf seen in the movie attacks in broad daylight. If clouds cover the moon then the werewolf will turn back into a human only to turn back into a werewolf as soon as the full moon is exposed again. Using Stephen Sommers laws of lycanthropy it must really suck to be a werewolf because unless it’s a 100% clear sky you’re going to be constantly changing back and forth at a moment’s notice. On the bright side, according to Stephen Sommers version of the lunar cycle, there’s a full moon every 48 hours.

    Vampires can run around in broad daylight as long as there are clouds blocking the sun. The moment the clouds move allowing the sunlight to break-thru the vampires must flee back to their castle in a matter of seconds. Fortunately, these vampires seem to be able to do about Mach 3 when flying away to escape the light of day.

    A point is made to tell us that werewolves are not fast enough to catch Transylvanian horses. Mere moments later, werewolves are shown successfully outrunning Transylvanian horses.

    Everyone swings from a rope at some point in this movie. Even Frankenstein’s monster comes swinging in at one point. Tarzan flicks have less rope swinging than Van Helsing. You get the sense that if Stephen Sommers ever made a movie based on Dragon’s Lair it would be two-and-a-half hours of Dirk the Daring swinging across those flaming ropes.

    Stake through the heart, decapitation, sunlight, holy water, fire, and all those other ways we’ve been told for ages were how you kill Dracula are all crap. According to Stephen Sommers, the one and only way to kill Dracula is the bite of a werewolf. Why exactly is never explained, but then we’re also never given a really good explanation as to why Dracula spends so much time cavorting around with the very creatures that can kill him with a single bite. Apparently he isn’t afraid of one of his werewolf minions turning on him and biting him because he’s developed a werewolf anti-venom. He keeps that lycan antidote in a syringe stashed inside of a glass orb filled with acid up in a far off hard to reach tower of his castle – you know, for convenience. Van Helsing then quite conveniently gets transformed into a werewolf bigger than Sasquatch for the climactic CGI sumo wrestling contest with “Beast Wars” Dracula. At no time during this struggle does Drac ever attempt to fly at Mach 3 up to the tower to get his life-saving serum nor does he bother ordering one of his Oompah Loompahs dressed like Jawas on their way to a Quiet Riot concert to go fetch it for him.

    And finally, after having spent the past two hours watching Kate Beckinsale barely escape encounters with werewolves and vampires, narrowly survive all manner of leaps and falls and multi-story rope swinging, what finally leads to the death of her character? Beckinsale is killed when werewolf Van Helsing in an uncontrollable frenzy tackles her onto a psychiatrist’s couch. I do believe this marks the first time in cinematic history that getting sacked on a sofa killed a major character in a motion picture. Let me repeat this one last time just to put the exclamation point on why Van Helsing is the worst horror movie of the past decade:


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    • DaveBauchery

      This may be my all time favorite list. I have recommended it to anyone who says the words Van Helsing in my presence…which is way more often than I’d like to admit. kudos on that epic last line. Way to drive that final nail in the coffin. No one will EVER be a better Dracula than Gary Oldman.

    • dwesthatesyou


      I had to immediately put your 4 honorary mentions/hilarious pieces of cinematic shit in my Netflix queque and move them to the top.

    • Axeslinger0u812

      Happy to not see the Texas remake on the list. Take away the original, and watched with an open mind, it wasn’t terrible.

      However, the unborn was fucking AWFUL. Honestly, never in my life did I watch anything that was taking itself seriously that was that terrible. Van helsing was definitely crap, but I’m not sure it was taking itself 100% seriously. I completely agree with everything you’ve said in your lists, but would have added the unborn…probably at #1. it doesn’t even suck by virtue of being a bad remake. At least we are predisposed to dislike remakes.

      Also…where’s the first twilight? I had to sit through opening night in a college town theater…talk about horror. The only movie I ever fell asleep to in a theater.

    • jesstro

      I think your list is right on… however, Van Helsing… #1? Its more of a comedic action movie, the only “horror” themes that exist in the movie, is its vagrant use of classic horror monsters. To compare it to movies that actually had the intention of being scary (in which they failed miserably) is not really fair. Sure it sucked, but it did have its moments as an action movie, which it should be seen as.

    • TheVictorian

      There’s no way in hell AVPR was worse than AVP.

      Death Race should be in there as well. And that slasher film Uwe Boll made, seed, the only film where i was envious of the victims fate as they’d got off easy.

      All the world will be you enemy

    • Didn’t See It Coming

      Black Xmas and Van Helsing are not only the 2 worst horror movies of the decade but are the worst I have ever seen in theatres.

      Halloween Resurrection is awful but so was Zombie’s Halloween. I’ll never watch either again to give a fair comparison but either way, bad is bad.

    • Blue Eyed Demon

      The Wicker Man highlight video is fuckin’ great! I never get tired of watching it

    • Count Zartro

      I can’t argue with too much on that list. I’m in the camp that would have had Zombie’s Halloween II on there, but I don’t know what I would have taken off to get it on there.

      As far as Rob Zombie hate, as a horror director he is debatably 1 for 4 as far as good movies go and lives off the reputation of his music. I think he is capable of making horror films I would want to see, but he needs to be working with properties that fit his style. Stuff like Motel Hell, Eaten Alive, Blood Salvage, Hunters Blood.

      And you know what RZ’s Halloween II had that John Carpenter’s didn’t? A white horse. I didn’t care for Zombie’s take on the first Halloween, but I know horror fans who did, so I get that, but Zombie’s Halloween II was pure shit.

      • jayspray

        its just sad seeing all these remakes. NONE of these damn films need to be remade. The 70’s was the RULING period for QUALITY horror with great STORY LINES!

    • Sirand

      Having re-watched about 15 minutes of Halloween Resurrection on a recent TV airing, I have to say Foy is 100% correct: It’s worse than Zombie’s two films.

      Zombie’s Halloweens were misguided self-indulgent shit but at least the man cared about the misguided self-indulgent shit he was making…even if he was the only one who liked it. Resurrection is just a disgrace on all levels. It’s nothing more than an MTV-special manufactured for the dumbest fucking teens on the planet.

      Even the worst trailer trash line in Zombie’s films sounds Oscar-calibur compared to the shit Busta Rhymes spews in that movie.

    • Floydian Trip

      So the Rob Zombie haters aren’t just satisfied with hating him but that also extends to people that like him too? Mental midgets.

      • DavidFullam

        Yeah, it got old about 100 years ago.

        • Foywonder

          I beg to differ. The mere fact that half the comments to this article has revolved around the merits or lack thereof Rob Zombie’s Halloween flicks tells me it is and will continue to be a hotly debated subject matter a long time to come.

          I don’t look down on the people that like Zombie’s remake – I’m genuinely baffled as to what it is they like. Yet they defend it vehemently even though it does so little to earn that loyalty. Rob Zombie’s Halloween is like the Sarah Palin of horror cinema.

          • DavidFullam

            When did anyone in the Rz Halloween films claim to know all about Russia as it lies next door? 🙂

          • Terminal

            It’s also funny that people will smash Platinum Dunes for being hacks remaking great horror in to bad horror for purely cash purposes yet people defend Zombie for doing the exact same thing. People act like he’s some auteur or misunderstood genius who hasn’t found his niche yet. The man had five fucking chances and failed four times. Wow.

    • Floydian Trip

      The Zombie hate is really fucking old and tired. Get over it. I can’t wait until he makes another excellent horror film like House or Devil’s and I better not see one of these people commenting about it.

      • Terminal

        Yeah! Then we can get more movies about psychotic hillbillies and a bearded Michael Meyers! Well, I had my say about people who defend Zombie.

        • robertmundy

          Granted the redneck subplots are repetitive, but you are saying that the Curse of the Thorn and occultists were much better? I mean, truthfully, Carpenter hasn’t directed a decent picture since his Prince of Darkness trilogy. I mean, I am surprised “Ghost of Mars” isn’t on the list. Just saying…

          • Terminal

            I’d eat that mark of thorn crap any day over Zombie’s shitty redneck hillbilly bullsht.

    • tedge1979

      Great list, Foy. I completely agree with your pick for VAN HELSING, but I’ve gotta admit… I kinda dig DOOM. Its what would have happened if Roger Corman directed ALIENS, but once he was done giving birth to it, dropped it on its head a few times. Its got a terrible charm that I can’t quite ignore.

      But, as always, you do a fine job of kickin’ ass, Foy. Kudos, good sir.

    • kiddcapone

      I don’t agree about Resurrection being worse than Rob Zombie’s bullshit. At least it still had MICHAEL MYERS, the Halloween theme music, and decent kills. Delete the kung-fu bullshit, and eliminate the hatred about rappers turned actors, and it’s a different movie. Still, not good, but not nearly the worst of the decade.

      I also don’t consider a lot of films to be “horror”. Yes, Scary Movie 2, Premonition, Ultraviolet, and Doom sucked balls, but I wouldn’t put them on a horror list. There’s still a bunch of films that fall into the “gray” area, but I’ll continue..

      My ten would include:

      10 – House of 1000 Corpses
      9 – Black Christmas
      8 – Halloween
      7 – Feardotcom
      6 – The Fog
      5 – Alone in the Dark
      4 – Friday the 13th
      3 – The Ring 2
      2 – Funny Games
      1 – Van Helsing

      Dishonorable Mention: Jason X, White Noise, Dracula 2000, House of the Dead, The Wicker Man, and When a Stranger Calls.

      Kiddcapone – “Breaking the 4th wall since 1974”

      • kiddcapone

        Oh, and for the record, I never saw all of Halloween 2 yet. That’s the only reason why it didn’t make my list. I refuse to help it make one extra cent. I watched 20 minutes of a downloaded copy but it was way too dark. I’ll rent it from Netflix and then shit all over it.

    • Floydian Trip

      Well said Mundy. Couldn’t agree more. Very thoughtful.

    • robertmundy

      I agree with everything in the article and the majority of the comments. Except for the ones regarding the Halloween remakes. You see, as much as I agree with some of the criticisms of “H2”, I don’t believe that Carpenter’s sequel, “Halloween II” is as good as everybody proclaims it to be. I think just because it was the original sequel, it automatically gets exempt from criticism. Truthfully, if one really examines Carpenter’s sequel, they will discover that that the majority of the complaints for Zombie’s sequel are also prevalent in Carpenter’s film. Take for instance the acting, which seems to be a major issue. In Halloween II, Donald Pleasance’s Loomis spends the majority of his time running around, yelling “He’s evil” or the eternal, “I shot him six times in the heart!” Whatever arc of development the character went through did not continue. Or, Jamie Lee Curtis’ performance: she spent the majority of the film in a drugged haze…which eliminates any development and is…not complex acting. Characters aside, let’s talk about the violence. “Halloween II”‘s violence is almost on the same level as Zombie’s: two people–Dr. Mixter and the nurse, whose name eludes me– have syringes jammed in their eyes; the security guard at the hospital has head split open, and is then hung; and do I need to mention what happened to Mrs. Alves?

      My point in all of this is, yes, the Zombie sequel will never meet the expectations of the fans of the original series; as Bob Dylan once said, “the times are a-changin'”. The studio system as well as the audiences have changed drastically…so, instead of original vision, we have remakes and prequels….if anything could be said positively of Zombie, it’s that he created his own vision, for better or for worse (in fact, it has a better narrative weight–it’s an allegory of how crime writers, such as Vincent Bugliosi, exploit murder and destroy lives, while they better their own.)

      Before I leave, I want to mention something that has been ignored on the boards: “Halloween II” was not well-received during its time, either. Roger Ebert wrote a review focusing on the idiot plot that drives the film, and many reviewers found it to be primarily “violence-driven” with a flimsy narrative.

      Sound familiar?

      • Terminal

        Sounds like a lot of excuses, mundy. And if you’re implying that Zombie’s monstrosities are ahead of their time, then you sir are of questionable sanity.

        • LifeMi

          I agree that Pleasance and Curtis are shortchanged in the original H2, but you can’t even remotely compare Rosenthal’s H2 to Zombie’s H2. Furthermore, you can’t really take anything Ebert says about slasher films seriously. I can see why some people might not like the original H2 (I personally dig it); I can’t understand how anyone in their right mind can like Zombie’s film.

        • AngryChairr

          This is a bit ridiculous because we have no way of knowing if a film is a ahead of its time until said time passes. So Zombie’s films could be ahead of their time. Most horror movies get trashed by critics of their era but go on to eventually receive the accolades they deserve. The Thing was received poorly by critics and audiences. Most critics hated the original TCM and NOTLD, as passed them off as akin to porn in the same way the so-called torture porn horror films (which Zombie gets lumped in with) get ignored. I’m not saying this will happen, but it could. And to claim it can’t is ignorant because we have no way of knowing how these movies will influence the next generation of horror films.

    • fceurich39

      agreed on all films well almost the black christmas remake was bad but i loved the awfulness factor kinda reminded me of silent night deadly night which is my favorite x-mas and black x-mas is so bad it’s fun

      also AVPR I liked a whole hell of alot better than AVP i mean come on how could we stand the PG-13 alien vs predator film and the unrated director’s cut wasn’t much better now granted the AVPR worse thing about it was the lighting but aside from that i thought it was miles above AVP.

      now granted i have really bad things about Halloween H20 mainly for the cgi mask and the whole scream elements which i actually hate more than resurrection which too me was alright with the exception of busta rhymes kung fu’ing michael myers

    • AngryChairr

      I’ll only defend Zombie’s remake in as far as the first half of the movie, which would have made an okay origin story. Sure, it abandoned everything that made the original kid Myers scary — the good, young, white, middle class suburban kid suddenly snapping and killing someone for no reason — but it had some merit from at least the direction on Zombie’s part. It showed he knew what he was doing behind the camera, if not on the page. Would I have preferred a better origin story? Sure. It could’ve been a great satire on the “people from the suburbs don’t just kill people” notion that permeates this country, but it also could’ve been a lot worse. The only part of the movie I took real exception with was Zombie continuing his offensive stereotypes of “white trash.” The rest either looked great, or was boring at worst. Nothing quite like the mindfuck insanity of Resurrection where you had them going off on tangents like Laurie’s murder having no bearing on anything in the movie after it happened or Kung Fu Busta Rhymes. That was just awful.

    • i3ullseye

      Fantastic list! Sure, there are 2 or 3 I disagree with (loved 13 Ghosts myself), but the top 10 are spot on. And yes, Van helsing had me amped for potential greatness also, only to have my hopes and dreams dashed upon the harsh jagged rocks of all too real disappointment.

      Shit like this is the reason I compulsively come back to this site.

      Not sure how Jennifers Body wasn’t in the top 10 however. To me, that is worse than half your top 10 listed.

    • jayspray

      My f’n GOD is this the most refreshing accounting I have read in a while…. I agree w every single one of these movie reviews! I was VERY EXCITED to hear the denouncing of Halloween. It doesn’t even deserve to be on this shit list. I am a longtime music fan of Rob but I am disgusted that ANYONE would remake such a classic. SIDENOTE: Why is Hollywood doing remakes? Why are they butchering them in the process???

      Don’t we ALL feel this ? Who are these companies making movies for? The beauty of any genre is to be creative and passionate… I don’t even know how i stumbled upon this article but it makes me feel like theres hope.

      btw for the record I’m watching the original Black Xmas as i write this and I hope you were only denouncing the remake cuz this original is one of my absolute favorites! anyhoo…

      • Uncle Creepy

        The original Black Christmas is a milestone in the slasher genre. Hell, we wouldn’t of had the original Halloween if not for Black Christmas.

        Hollywood is making these remakes for clueless kids that don’t know any better. Hopefully if they dig on these new shitty versions they will go back and find the original to see how it’s done.

        Still, not all remakes are horrible and some have been surprisingly good. I think it all boils down to who is behind what.

        • jayspray

          Such a mysterious story behind Bob Clarke and John Carpenter. And yes I actually really liked the Texas Remake… so there are a few.

          The younger kids definitely need to know where this genre came from. I just really lost it after the Zombie remake of Halloween. I’ve been in his musical circle and have alot of respect for him. What bothered me about the film was how he opens up the childhood of Myers,,,,, DOESNT EVERYONE KNOW horror is about NOT KNOWING all the details? lol

          Cheers to you Uncle Creepy. I appreciate the intelligent response.

        • krawlingkhaos

          Glad to hear a continued attempt to not dismiss anything out of hand; just because most of the remakes that have come along recently have sucked doesn’t mean that remaking a film will ultimately result in suckage. A lot of folks seem to forget that both “The Thing” and “The Fly” are remakes as well as being two of the greatest movies of all time. As for the modern craze, I’m surprised that more blame and hate don’t fall on the remake of “The Haunting”: aside from being a big-budget summer block-failure that got everything wrong, it was also one of the first high-profile remakes of horror classics. As for me I will defend “The Hills Have Eyes” and (a little less actively) the new TCM as decent contributions. I think the saddest part about the trend is that the films that should be remade are not because they aren’t high-profile enough, why? Because they failed the first time which is why they should be remade!

          Anyway, I like the list but, like others, I have to question the number one pick. While I am not an active defender of “Van Helsing,” I do wonder why anyone had any expectations going into it. I expected to see a big, loud movie with the IQ of toast, and low and behold that’s what I got. I can understand the disappointment at something “Planet of the Apes” or (shutter…) AVP, but…Stephen Sommer people! Has the man made anything actually good? Not fun–he’s made fun–but good? Really? Although I’m sure people will take away that I love “Van Helsing” and it’s my favorite movie, but in truth I just don’t think it’s any worse than the Mummy Movies (although I haven’t seen three).

          Also, I think AVP should rank above AVPR because if the original hadn’t fucked up the formula, then the second wouldn’t have fucked it up even further. Whereas I could dismiss AVPR’s failure as a film as the inevitable result of the first one’s inexplicable financial success, there is no salve for the pain and betrayal of a first viewing of AVP. None. Ever. Its been six years, and my ass still hurts…

    • Floydian Trip

      Yeah, that’s it. Tough to find but well worth the effort. I’ve always wondered how they got those costumes which were the real deal. Sorry, back to bad movies?

      Why no Unborn? That poor little kid is gonna go away for the rest of his life for murder ’cause I don’t think the “Your honor, I was possessed by a demon.” defense works.

    • Floydian Trip

      Hah, you know what was awesome though was that Batman vs Predator fan film. Fucking amazing.

      • Uncle Creepy

        Dead End? Yeah, great Joker too.

    • Floydian Trip

      There is no defending either AvP movie. Requiem definitely takes the cake as the biggest abomination. I think I made it about 20 minutes into the movie and it made me feel like a kid again when I would turn ONTV on and try to watch porn through all the static. Was that a nipple? I hope this is a woman I’m looking at 5 inches from the screen.

      • Uncle Creepy

        LOL! Exactly!

    • The Woman In Black

      I’m down with just about all of Foy’s picks with the exception of Doom. No film with Karl Urban could be the worst of anything.

      • Foywonder

        Spoken like a woman who has obviously never seen Pathfinder.

    • Terminal

      Oh yeah and I enjoyed the list. I agree with every choice.

    • Shambling_in_Bandages

      Good list, Foy, but I still think you should have gone with Zombie’s ‘Halloween’ remake instead of ‘Resurrection’. The reason why people don’t defend ‘Resurrection’ isn’t because it’s bad, it’s because it’s bland. It’s so by-the-numbers there isn’t anything worth saying about it. Honestly, if it wasn’t for the stupidity of the Busta Rhymes kung fu stuff, nobody would have anything to say about the entire film. It’s banal rather than bad.

      On the other hand, Zombie’s script for ‘Halloween’ reads like a bullet-pointed list of sheer fucking drooling idiocy masquerading as something “brutal” and “real”. And the less said about ‘Halloween 2’ the better. Magical fucking ponies and a “descent into madness” that is conveyed by some effeminate-looking long-haired guy(?) screeching “Fuck you, Annie!” and “Fuck you, Mrs. Psychiatrist!” a couple of times.

      • LifeMi

        Resurrection was worse than Zombie’s Remake in my opinion; at least the remake didn’t have Busta Rhymes. That being said, Zombie’s Halloween II is far worse than Resurrection.

        • Shambling_in_Bandages

          You just made my point about ‘Resurrection’. 😉

          True, the remake didn’t have 20 seconds of Busta Rhymes doing kung fu, but it did have two hours of Rob Zombie’s adolescent “brutality” and lobotomised scriptwriting. Of those two options, I know which is far, far worse.

          • LifeMi

            We’ll agree to disagree. Either way, both movies are terrible.

      • Terminal

        Hear hear.

    • Sirand

      Replace AVP-R with the original AVP and you’d have a perfect list.

    • gorebath


      Why the hate on Scary Movie 2. Chis Elliot and that HAND…..I can understand part 3 and 4 being as dumb as they come….but an R rated spoof movie and Chris Elliot singing that Poltergeist 2 song had me in stitches….not to mention the cripples ripping on each other.

      And the exorcism scene in the beginning? James Woods? Nothing made you laugh?

    • Jim_McD

      Great list Foy but I don’t see how AvP 2 could possibly be worse than AvP 1. It defies all logic. But most importantly where is Friday the 13th 2009 on your list? A glaring omission you otherwise MAGNIFICENT son of a bitch.

      “…shit in your stocking…” COMEDY GOLD!

      • Uncle Creepy

        I think AVPr was worse than AVP by virtue of the fact that at least you could see what was going on. Not that you’d want to mind you, but still!

      • Terminal

        Are you kidding? F13 may have sucked, but Jennifer’s Body was ten times worse. My god what a piece of dog shit that movie was.

    • Terminal

      I question the intelligence of anyone who defends Zombie’s remakes of Halloween and Halloween 2. Those movies are horrible, period.

      • Jim_McD

        Defending Zombies remakes kind of answers any questions you might have about their intelligence, doesn’t it?

      • jayspray

        I thank anyone who realizes how shitty Zombies remakes are. No one should redo ANY carpenter classics. Cheers to you Terminal

    • Cash Bailey

      Dead-on, Foy! VAN HELSING is a movie so staggeringly stupid and incomprehensible I grew genuinely angry while I watched it.

      Not since BATMAN AND ROBIN has a director and a studio taken such a monumental shit on an audience at such massive monetary expense.

      And I’m pretty sure the real reason they changed the character’s first name is so that they could copyright it for, no doubt, the deluge of spin-offs, tie-ins and merchandising a sure-fire masterpiece like this was bound to create.

      You can’t copyright ‘Abraham Van Helsing’ no more than you can copyright ‘Count Dracula’.

    • Masked Slasher

      I actually like some of the film’s on Foy’s list – for varying reasons. Black X-mas, When a Stranger Calls and AVP-R all sit in my collection.

      But he’s right about one thing: nobody defends Halloween Resurrection.

      That said, Zombie’s movie is far, far worse, but I’ll save the ‘why’ for my own list.

      And really, good list, man. A very fun read.

      • Foywonder

        As vehemently as I would disagree I can at least comprehend what aspects of Black Christmas and AVP-R one might find go for. But the remake of When a Stranger Calls…? Really? Explain to me what it is about that film appeals to you. I really want to know.

    • Blwn2bts

      This is by far the best list that I have read this year. Not because of the films you picked or the reasoning behind the choices (even though I agree with all of them), but because of the following line:

      “If Paul WS Anderson had written that line it would have been ‘Fuck with Santa and we’ll see who shits in the stocking.'”


      • The Woman In Black

        Agreed. When I first saw it, I about fell out of my chair laughing. Truly a classic!

    • Beaverking

      Agree with 80%. Although AVP Requiem isn’t very good, it definately needs to be replaced by the original piece of shit AVP. Also, Black Chirstmas wasn’t the best either, but it was entertaining enough, I would replace that one with Boogeyman.

      • RingoJ

        In AVP’s defense, at least you could see the bad shit that was happening.

        • Chainsaw


          I think the biggest failing of Van Helsing was that there was some hope for it. It did seem like the kind of awesome, big screen monster movie that everyone was waiting for…and then they actually made it. Personally, The Fog will always be the Worse Movie Of The Decade for me because of what it represented: the cynical, In It For A Buck Remake attitude that that turd RU-Pert and the rest of the plastic cast who didn’t know a damn thing about the original projected in their interview with this site, and how that basically became the benchmark for almost every horror movie in a movie theater over the last 5 years. It pisses on all of us, and is single-handedly what’s wrong with this genre right now.