Shark is Still Working, The (2007) - Dread Central
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Shark is Still Working, The (2007)



The Shark is Still Working review!Starring the cast and crew of Jaws

Directed by Erik Hollander

Like man landing on the moon or John F. Kennedy being assassinated, anyone who has seen Jaws remembers the exact time and place and how they felt when they first saw it. I myself remember sitting on a waterbed close to the floor in my mother’s small apartment 100 miles away from any beach. From that point onward I was that kid who would run away screaming when a wave would wash onto the shore and then go chasing it back down until another wave crashed in its place, forcing me to run away screaming again.

I was not alone. Jaws did to the oceans what Psycho did to motel showers and what Silent Night Deadly Night 2 did for garbage day. Very few films have had such a phenomenal impact on people’s lives. Anyone familiar with Jaws knows that it has gone down in history as not only one of the greatest films ever made, but also possibly the hardest ever to make. What the filmmakers behind Jaws did not anticipate was that their mechanical star, known as Bruce, would not work on set. However, this factor and Steven Spielberg’s spot on direction made Jaws one of the most terrifying and entertaining films ever created. It has spawned merchandise, a theme park ride, video games, rip offs, a legacy of fans, and inspiration to many filmmakers. It is this impact and legacy that proves The Shark is Still Working.

This is the subject matter of the documentary The Shark is Still Working: The Impact and Legacy of Jaws. First off, let me state that I’ve read Carl Gottlieb’s Jaws Log, own four different editions of the film including the laser disc and VHS versions along with the DVD special editions, and have seen countless making-of documentaries and interviews with the filmmakers about the struggle that was creating Jaws. I even own an original vinyl of the soundtrack. Needless to say I love Jaws and consider myself a relative expert on the subject matter. Going into The Shark is Still Working, I was not expecting to learn anything new. This, however, was not the case.

The Shark is Still Working review!The documentary goes through not only the tremendous hardships that faced the filmmakers on set but also the humble beginnings of the book, the marketing of the film, its initial release, its inspiration to other filmmakers, and its journey into the pop culture psyche. No other documentary on Jaws has ever come close to covering all the bases that The Shark is Still Working does. It is easily one of the most extensive and enlightening documentaries about a film ever created.

Here we have brand-new interviews with Spielberg, Gottlieb, Richard Dreyfuss, Roy Scheider (who also narrates), John Williams, Joe Alves, Bill Butler, Richard Zanuck and David Brown, and Peter Benchley. They all repeat what has already been said about the making of the film; however, what makes these interviews interesting is their description of what came after the movie’s release. One example is Gottlieb, who tells the story of how he and Spielberg would go and sit in the back of the theatre during the Ben Gardner head scene to watch the audience’s own heads bob up in unison. They even feature footage that I didn’t know existed of audiences reacting to the classic scare. Another is Spielberg’s account of what happened to the original Orca boat.

Along with the usual suspects, they feature new interviews with a multitude of different people from Percy Rodriguez, the voice actor for the Jaws trailers, to a long lost interview with Craig Kingsbury, the man who played Ben Gardner and taught Robert Shaw his salty fisherman accent. This just goes to show how indepth this documentary is. All of the players in the film’s success come forward and give their unique perspectives on what it was like for them on their own side of the island.

There is also a great portion of the doc that deals specifically with Robert Shaw. The most interesting bits of this section come from Dreyfuss, who admits that there really was a “working class hero crap” rivalry between the two. It is a great look into the man, and I’ll admit that I teared up a bit during its conclusion.

The Shark is Still Working review!Along with the filmmakers of Jaws, The Shark is Still Working also features interviews with filmmakers who have been inspired by the film. Bryan Singer, Kevin Smith, Robert Rodriguez, Eli Roth, and many more go into great detail about how the film continues to influence their work and career today. Greg Nicotero also goes into his recreation of Bruce the shark for Jaws-Fest ‘05. The documentary also features interviews with many of the film’s fans including our very own Sean Clark. Every angle and base is covered.

One of the greatest aspects of the whole doc is that it features behind-the-scenes footage and stills that have never been seen before. How they found such items is beyond me because I didn’t realize that they even existed. The documentary carries right through the making of Jaws to the night the Academy Award nominations were announced and video of Spielberg’s reaction to him not getting the Best Director nod. This is only the tip of the iceberg of the kinds of things The Shark is Still Working digs into.

My only complaint is that they spend a little bit too much time than they should at Jaws-Fest in Martha’s Vineyard. The interviews they got there of fans and all the filming location stuff is fantastic, but there is a lot of fluff that follows around everything that goes on with Jaws-Fest that would work much better as a DVD special feature. Cutting some of this portion would also greatly help the flow and time of the documentary since it runs about three hours long. Now, as a rabid Jaws fan, I found three hours of Jaws stuff pure bliss; however, there are a good 20 minutes spent at Jaws-Fest that could be better spent elsewhere. It’s also in the middle of the documentary and would probably work better towards the end. This is, however, my only complaint, and it is a very minor one.

The creators, James Gelet, Jake Gove, Erik Hollander, and Michael Roddy, are all in love with Jaws; and their contagious affection leaks through with the amount of effort and respect they have put into this documentary. It’s made for fans by fans. Watching The Shark is Still Working made me fall in love with Jaws all over again. Through all the blood, sweat, and tears that was put into making Jaws, the guys behind this prove without a shadow of a doubt that indeed, The Shark is Still Working.

Now, if you’ll excuse me, I’m going to go watch Jaws. Again.

4 1/2 out of 5

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The Shape of Water Review: A Quirky Mix of Whimsy and Horror That Does Not Disappoint



Starring Sally Hawkins, Michael Shannon, Richard Jenkins, Michael Stulbarg, Doug Jones

Directed by Guillermo del Toro

“True Blood,” Beauty and the Beast, and Twilight aside, the notion of romantic love between humans and otherworldly creatures has been a popular theme throughout storytelling history. The ancient Greeks told tales of Leda and the swan, while stories of mermaids luring sailors to the lusty demise where met with wonder worldwide, stemming from Assyria c. 1000 BC. To this day, there’s Creature From the Black Lagoon fanfic that’s quite racy… for whatever reason, some people are fascinated by this fantasy taboo.

The new period film from cowriter/director Guillermo del Toro, The Shape of Water, dives right into the erotic motif with the tale of how Elisa (Sally Hawkins) and Amphibian Man (Doug Jones) fell in love. (While I personally could have done without the bestiality angle, I do applaud del Toro for having the balls to show what’s usually implied.) Having said that, The Shape of Water is about more than just interspecies passion.

The Shape of Water is a voluptuous, sumptuous, grand and melodramatic gothic fable at times (there’s even a lavish 1940s style dance routine!), but mostly it’s an exciting and gripping adventure, pitting the good guys against one very bad buy – played with mustache-twirling (minus the mustache), bug-eyed glee by Michael Shannon. Shannon is Strickland, a sinister and spiteful Cold War government operative who is put in charge of a mysterious monster captured in the Amazon and shipped to his Baltimore facility for study. When using cruel and abusive methods to crack the creature’s secrets doesn’t work, Strickland decides to cut him open to see what’s ticking inside.

Elisa, a lowly cleaning lady at the facility, has meanwhile grown fond of “the Asset,” as he’s called. She’s been spending time with him on the sly, not even telling her two best friends about her budding tenderness for the mute and isolated alien. She relates to him because not only is she lonesome, she’s unable to speak (an abusive childhood is alluded to – which includes water-torture). Using sign language, she first tells her out-of-work commercial illustrator Giles (Richard Jenkins), then her coworker Zelda (Octavia Spencer), about the need to rescue her waterlogged Romeo from Strickland’s scalpel. Needless to say, it won’t be easy sneaking a classified government experiment out of the high security building.

The Shape of Water is vintage del Toro in terms of visuals and accoutrement. The set-pieces are stunning to say the least. Elisa and Giles live in cozy, cluttered, age-patinaed apartments above a timeworn Art Deco moving-pictures palace; Strickland’s teal Cadillac is a collection of curves and chrome; and the creature’s tank is a steampunk nightmare of iron, glass, and sturdy padlocks. DP Dan Laustsen (Crimson Peak) does justice to each and every detail. Costumes (Luis Sequeira) and Creature (Legacy Effects) are appropriately stunning. The velvety score by Alexandre Desplat (“Trollhunters”) is both subdued and stirring.

While the film is a fantasy-fueled feast for the senses, it’s really the actors who keep you caring about the players in such an unrealistic, too-pat story. Jones, entombed in iridescent latex and with GC eyes, still manages to emote and evoke sympathy as the misfit monster. Jenkins is endearingly morose as a closeted gay man surrounded by his beloved cats and bolstered by the belief his hand-painted artwork is still relevant in an ever-more technical world. Spencer is the comic relief as a sassy lady who’s hobbled by her station in life but leaps into action when the chips are down.

Del Toro cowrote the screenplay with Vanessa Taylor, whose credits in the television world are numerous – but she’s probably best-known for her work on “Game of Thrones” – which adds an interesting and feminine perspective. The story definitely feels more comic-book than anything, which is OK I guess, but I prefer del Toro’s deeper delves into history and character (The Devil’s Backbone is still my fave). But, for those who love del Toro’s quirky mix of whimsy and horror, you will not be disappointed.

The Shape of Water is a dreamlike, pulpy adult fairytale that dances on the surface of reality while remaining true to the auteur’s vision.

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Secretions Short Film Review – Anyone For Some Blood and Guts a la Carte?



Starring Zia Electric, David Macrae, Chris Savva

Directed by Goran Spoljaric

Only a select few know the true horrors of one’s basement (hell, I’ve got one that floods regularly) – but in director Goran Spoljaric’s extremely “juicy” short film, Secretions – we see just what lives in a grimy cellar…and what it craves in order to sustain. Anyone have any sanitizer? We’re gonna need it for this one.

Alone and held captive in a dirty-subterranean room, a woman is literally fighting for her life, and due to her being chained at the ankle, it’s painfully obvious that she’s here for the long haul. On the first floor of this residence, a deal is being made, and it’s one that will either help or harm a hopeless addict.

It involves a little handy-work down in the basement, and although it might seem like a light job considering the circumstances…nothing is as easy as it initially looks – anyone for some blood and guts a la carte? The imprisoned woman contains something inside of her that is particularly satiating to the habituated, but it comes at a painful price, which begs the question: what would you risk to scratch an itch?

Spoljaric’s direction here focuses on the victim – and while you’ll probably be wondering exactly who that is during this quickie’s 11-minute duration, it doesn’t detract from its powerful display. Gritty, grimy and ultimately gruesome – these Secretions are the ones that simply cannot be washed off – maybe I’ll give a little turpentine a shot, as something’s got to get these damned stains out – YUCK.

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Mindhunter Review: The Best Netflix Original Series to Date



Starring Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross, Sonny Valicenti, and Cameron Britton.

Directed by David Fincher, Andrew Douglas, Asif Kapadia, and Tobias Lindholm.

A few weeks back Netflix premiered all ten episodes of David Fincher’s new serial killer series “Mindhunter” on their streaming service. Being that Fincher is one of our favorite directors we added the series to our queues as soon as possible. And this past week – after recapping and reviewing all 9 episodes of “Stranger Things 2” – we were finally able to sit down and enjoy the (much) more adult thriller series.

What did we think? Find out below…

First off we should get a few things like plot and background out of the way. “Mindhunter” is based on the best-selling non-fiction novel of the same name by John E. Douglas and Mark Olshaker. The book was optioned by none other than David Fincher and Charlize Theron and quickly thereafter snatched up by Netflix. The series is executive produced and (mostly) written by Joe Penhall.

The plot follows a young FBI agent played by Jonathan Groff who, after an incident in the field, is set to be a teacher at Quantico. Kinda boring. Especially for a guy under thirty. Quickly, however, the young agent joins forces with a seasoned pro, played by Holt McCallany (Fight Club) in a star-making performance, and together the two tour the country educating local police on the proper protocols established by the FBI.

That is, until the day that our young agent gets it in his head that he wants to interview Ed Kemper. Yes, That Ed Kemper. From there the series becomes the story of the FBI and its very beginnings of psychological profiling. The series even goes so far as to lay out the tale of how the term “serial killer” was first coined.

In the hands of any other filmmaker, this semi-procedural thriller would have, most likely, not been our cup of tea. But in the hands of master director David Fincher, “Mindhunter” is quite possibly the most riveting police procedural to ever hit the small screen. Hyperbole, we know. But come on, have you seen Fincher’s Zodiac?

Yeah, now picture that motion picture spread out over the course of ten glorious hours and you’ll have somewhat of an idea of how much fun(?) it was to spend the better part of our free time last week in the grips of such as series.

First off special mentioned needs to be thrown at the killer cast of “Mindhunter.” Each actor is phenomenal. From our hero agents played by Groff, Holt McCallany, and Anna Torv, the series only gets better with powerhouse after powerhouse performance hitting us from the likes of Jack Erdie as Richard Speck, Adam Zastrow as a lonely (possible) rapist, and Joseph Cross and Jesse C. Boyd as a pair of (possible) ladykillers.

Oh, and Cameron Britton as Ed Kemper. Oh, boy. Cameron Britton as Ed Kemper.

I could spend this entry review telling you guys about how chilling, disturbing and utterly riveting Cameron Britton’s performance as Ed Kemper (aka The Co-Ed Killer) is, but you really need to see it for yourself to get the full picture. The series has more than it’s fair share of spine-chilling moments, to be sure. But none are so chilling as any and ever given scene which features Britton as Kemper. Give this man all the awards. Today.

Given the tight performances by the entire cast – including solid turns by the lowest day player – “Mindhunter” would be a crowning achievement for Netflix. But add in some of the top directors working today (including, in addition to Fincher, Andrew Douglas, Asif Kapadia, and Tobias Lindholm) and beautiful 2:35 cinematography by Erik Messerschmidt and Christopher Probst, and you have a series so jaw-droppingly cinematic, you’ll be amazed this never played in theaters. And was never meant to.

Overall I cannot think of one negative thing to say about this new Netflix original series.

Well, maybe one thing: Hannah Gross as Debbie Mitford is a dull character. This is not a jab at Gross as an actress. But her mostly one-note, under-developed character is forced to spend the majority of her screentime merely portraying “the girlfriend.” Which in a series like this means she merely functions, for a majority of her screentime, a receptacle of exposition once our hero returns home after a long day.

But other than that one aspect, this Netflix original series is top quality from end to end. From the spooky pre-credits insights into the growing storm that is Dennis Rader aka the BTK killer to the season’s finale sequence set in Kemper’s ICU room, “Mindhunter” is a chilling – and frankly scary series that you won’t be able to shake for months.

And most, if not all of the scares, come courtesy of long dialogue scenes – which are anything other than boring.

In the end, Mindhunters is a series that we cannot wait to see continue forward come season two. Fincher has reportedly stated that Charles Manson will play a pivotal role in the second season, and we are actively counting down the days until we can visit that character… From the comfort of our Netflix account.

“Mindhunter” is a must-see. Get ahead of the game. Watch the series tonight.

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