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Injustice: Gods Among Us (Video Game)



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Injustice: Gods Among Us (Video Game)Developed by NetherRealm Studios

Published by WB Interactive

Rated (T) for Teen

Available for Xbox 360 (reviewed), Wii U and PS3

You and your friends may have had the superhero argument many times. Discussions that often arise in these geek battles boil down to one question, “Which hero would win in a fight?” NetherRealm Studios has given gamers a chance to answer these important questions in Injustice: Gods Among Us. The team behind the Mortal Kombat series has brought together some of the elements you loved from games like Mortal Kombat vs DC Universe and combined it with one of the most compelling storylines to date.

The story of Injustice: Gods Among Us centers around another universe in which Superman has lost his mind. The devious Joker manages to trick the hero into murdering Lois Lane and his child that she carries within her womb. If this isn’t bleak enough, we also find out that Metropolis has been nuked which causes complete chaos. These two moments in time triggers not only the Joker’s death but a future in which the government is ran by superheroes. Batman doesn’t quite agree with these new changes and decides to bring in the DC superheroes from an alternate universe in order to set things right.

Injustice: Gods Among Us contains a user-family play style with countless game modes to jump into. All of the game’s characters are cleverly unique and come with a special ability that can be deployed during battle. For even more fun, the levels in the game are interactive and highly destructible, with players being able to use items around them against their opponent.

Injustice: Gods Among Us has tight controls alongside a very interesting storyline that manages to keep you fully immersed with in the world’s action-packed gameplay for hours on end. Gamers will battle across 12 chapters that contain tons of mini-games and epic scenarios. The gameplay always feels fresh since everything is always changing from the characters in the story to the enemies you are going up against. This keeps the game from becoming repetitive and stale.

As with any title there are moments within the game that could have been just a little better. Injustice: Gods Among Us is not as balanced as it should be and matches can often feel overwhelming. There is also very little replay value with the game’s main Story mode but this is made up for in the Battle and S.T.A.R.S. Labs missions.

Battle starts out with five unlocked modes which include Classic (defeat a series of randomly chosen heroes and villains set at your desired difficulty level), Heroes Only (stand against the world’s most powerful heroes), Villains Only (test your skill against the most dangerous villains), Poisoned (poison courses through your veins, constantly draining your health) and Survivor (health meter carries over from match to match with performing feats of exceptional skill to obtain bonus health). Once you have completed these modes then you can unlock many more throughout the game which adds a ton of replay value to the single player section of the game.

S.T.A.R. Labs Missions come with 240 character specific missions that reproduce a series of exigent circumstances to conquer. Players who get three stars in all of the missions get a special prize to brag to all of the other superhero friends about. S.T.A.R. Labs Missions are the most rewarding of all the single-player options within the game. To prepare for all of these challenges then gamers can practice within the single fight and training options that are available to them.

Those who want to play with friends can head over to multiplayer were they can try out Versus or connect to Xbox Live to join in ranked, player or private matches. Daily challenges are available here that allow players to gain extra XP. An example of a daily challenge would be to connect a total of 5 super moves with Wonder Woman. A timer is displayed for the daily challenges and once they reach zero then the opportunity is no longer available. This added feature keeps gamers logging in each day for a unique and fun challenge.

Injustice: Gods Among Us has a massive deal of potential with great mechanics and a fun play style that can be enjoyed by all levels of players from beginner to advanced. Fans of DC and fighting games will find that Injustice: Gods Among Us delivers on its promises and is worth picking up.

Injustice: Gods Among Us is now available for the Xbox 360, PS3 and Nintendo Wii U for $59.99. To learn more visit the official Injustice: Gods Among Us website.

Game Features

  • Single Player
  • Variety of Multiplayer Modes
  • DLC Support
  • Trophy/Achievement Support

    4 out of 5

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    Totem Review – It’s Not Always A Bad Thing To Look Up From The Bottom Level, If You Like That View



    Starring Kerris Dorsey, James Tupper, Ahna O’Reilly

    Directed by Marcel Sarmiento

    Following the untimely death of a family’s matriarchal figure, a young woman finds out that managing to hold all of the pieces in place becomes increasingly more difficult when otherworldly infiltrators make their presence felt. We’re going to have to work our way up this Totem, as

    17 year old Kellie is the leading lady of the home following the passing of her mother Lexy, and with a needy father and tiny tot of a baby sister, she still keeps things in working order, regardless of the rather large hole that’s been left in the dynamic due to the death. Kellie’s dad after a while decides to ask his lady-friend to move in with the family, so that everyone can move onto a more peaceful existence…yeah, because those types of instances always seem to work seamlessly. As fate would have it, Kellie’s sense of pride is now taking a beating with the new woman in the mix, and her little sister’s new “visitor” is even more disturbed by this intruder – only question is, exactly who is this supernatural pal of sorts? Is it the spirit of their dead mother standing by to keep watch over the family, or is it something that’s found its way to this group, and has much more evil intentions at hand?

    What works here is the context of something innately malicious that has found its way into the home – there are only a couple moments that come off as unsettling, but the notion of having to weave through more than half the film acting as a sullen-teen drama is rather painful. The presentation of the “broken family” is one that’s been done to death, and with better results overall, and that’s not to say that the movie is a complete loss, it just takes far too much weeding through at times stale performances and even more stagnant pacing to get to a moderately decent late-stage conclusion to the film. Under the direction of Marcel Sarmiento (Deadgirl), I’d truly hoped for something a bit more along the lines of a disturbing project such as that one, but the only thing disturbing was the time I’d invested in checking this one out. My best advice is to tune into the Lifetime channel if you want a sulky teen-melodrama with a tinge of horror, or you could simply jump into this one and work your way up…but it’s a LONG way to the top.

    • Film


    Sulky, moody, and ridden with teen-angst buried in the middle of a supernatural mystery – SOUNDS like a decent premise, doesn’t it?

    User Rating 0 (0 votes)
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    IAMX’s Alive in New Light Review – A Dark, Hypnotic, and Stunning Musical Endeavor



    Recording eight albums is an achievement no matter the artist, group, or band. This is especially true for Chris Corner’s IAMX, his solo project after the trip hop group Sneaker Pimps, which has enchanted listeners since 2004’s Kiss + Swallow with its dark electronic aesthetic. There’s something fascinating about the music Corner puts out as IAMX. Perhaps it’s the underlying melancholy that seems to pervade the music, almost certainly a result of the musician’s battle with depression and chronic insomnia [Source]. Perhaps it’s the unexpected melodies that reveal themselves with each new measure. Whatever it is, IAMX’s music is a constant delight.

    On Alive in New Light, Corner reveals that his eighth album was a product he created as a way of “…breaking free from demons that have long plagued him,” per an official press release. Strangely enough, this uplifting attitude may easily be overlooked but repeat listens unveil a sense of hope and wonder that are simply breathtaking. The title track echoes with almost angelic choir pads that positively shine as Corner exultingly cries in a shimmering falsetto, “I’m alive in new light!” This comes after the Depeche Mode-esque “Stardust”, which offers the first collaboration with Kat Von D, whose pure voice is a beautiful addition to the pulsating track.

    The third track, “Break The Chains”, has an opening that immediately called to mind Birds of Tokyo’s “Discoloured”, which is meant as a compliment. It’s followed by the Nine Inch Nails influenced “Body Politics”, which meshes Corner’s crooning vocals with a 90’s industrial backdrop. “Exit” has an almost sinister progression lurking in the background that builds to an aggressive, in-your-face third act. The cinematic Middle Eastern flairs of “Stalker” mutate effortlessly into a heartbeat pulse that features back-and-forth vocals between Corner and Von D. The haunted circus vibe that permeates through “Big Man” is mirrored by its playful gothic aura, ghostly “oohs” and “aahs” sprinkled carefully here and there.

    While the album has been a delight up to this point, it’s the final two tracks that took my breath away and left me stunned. “Mile Deep Hollow” builds layer after layer while Corner passionately cries out, “So thank you/you need to know/that you dragged me out/of a mile deep hollow/and I love you/you brought me home/because you dragged me out/of a mile deep hollow.” The way the song’s melodies back these wonderfully uplifting lyrics feels grand and epic, as though a journey is coming to an end, which is where “The Power and the Glory” comes in. Far more subdued, it’s a beautiful song that feels almost like a religious experience, a hymn of a soul that is desperate to claw its way to salvation and escape a life of pain and darkness.

    What makes Alive in New Light so wonderful is how much there is to experience. I got the album and listened to it no less than five times in a row without pause. I simply couldn’t turn it off because each return revealed something new in the music. Corner also makes fantastic use of Von D’s vocals, carefully placing them so as to make them a treat and not a commonplace certainty.

    While some may be disappointed that there are only nine tracks, each of the songs is carefully and meticulously crafted to be as powerful and meaningful as possible. It really is a stunning accomplishment and I’m nothing short of blown away by how masterfully Alive in New Light plays out.

    • Alive in New Light


    IAMX’s Alive in New Light is a triumph of music. Full of beauty and confidence, it doesn’t forget the foundation that fans have come to know and love for over a decade but instead embraces that comfortable darkness with open arms. Corner states that this album was a way to break free from his demons. It certainly feels like he’s made peace with them.

    User Rating 5 (2 votes)
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    The Hatred Review – A History Lesson Dug Up From The Depths Of Hell



    Starring Zelda Adams, Lulu Adams, John Law

    Directed by John Law

    I don’t know about the scholastic interests the masses had (or have) that read all of the killer nuggets that get cranked out on this site, but when I was an academic turd, one of my true passions was history, and it was one of the only subjects that managed to hold my interest, and when the opportunity arose to check out John Law’s ultra-nightmarish feature, The Hatred – I was ready to crack the books once again.

    The setting is the Blackfoot Territory in the late 1800s, and the pains of a lengthy conflict have taken their toll on the remaining soldiers as food has become scarce, and the film picks up with soldiers on the march in the brutal cold and snow covered mountainside. In tow is a P.O.W. (Law), and the decision is made by the soldiers to execute him in earnest instead of having to shorten their rations by feeding him, so he is then hung (pretty harshly done), and left to rot as the uniformed men trudge along. A short time later the group encounters a small family on the fringes of the territory, and when the demands for food are rebuked, the slaughter is on and the only survivor is a young girl (Adams) who prays to an oblivious god that she can one day reap the seeds of revenge upon those who’ve murdered her family. We all know that there are usually two sides to any story, and when the good ear isn’t listening, the evil one turns its direction towards those who need it most, and that’s when the Devil obliges.

    The answer to the young girl’s prayers comes in the resurrection of the prisoner that was hung a short time ago, and he has been dubbed “Vengeance” – together their goal will be achieved by harshly dishing out some retribution, and the way it’s presented is drawn-out, almost like you’re strapped into the front-row pew of a hellfire-cathedral and force-fed the sermon of an evil voice from the South side of the tracks. It’s vicious and beautiful all at once, Law’s direction gives this visually-striking presentation all the bells and whistles to please even the harshest of critics (hell, you’re reading the words of one right now). The performances, while a bit stoic in nature, still convey that overall perception of a wrong that demands to be righted, no matter how morally mishandled it might be. Overall, I can absolutely recommend The Hatred for not only those wanting a period-piece with ferocious-artistry, but for others who continue to pray with no response, and are curious to see what the other side can offer.

    • Film


    The Hatred is a visually-appealing look into the eyes of animus, and all of the beauty of returning the harm to those who have awarded it to others.

    User Rating 0 (0 votes)
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