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Hostel (2005)

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Starring Jay Hernandez, Derek Richardson, Eythor Gudjonsson, Jennifer Lim

Directed by Eli Roth


To everyone out there that loves real horror movies, I have some good news. When Hostel comes out for its wide release, it is going to kick your ass, and you’re going to fucking love it.

Hostel is a film about two Americans who just graduated college and decide to go backpacking in Europe before they have to go on to the next serious stage of their lives. Somewhere along their journey, the Americans meet Oli, a crazy European that just likes to have some fun. As far as these three characters know, Amsterdam is the most insane place to visit, so they go there to smoke a lot of weed and see a lot of breasts. While in Amsterdam they meet a fellow who tells them that Slovakia is the place to go to have a real wild time, so off to Slovakia these travel to experience something they would definitely not find anywhere else.

I don’t want to leak any spoilers on this film, so that’s where my plot synopsis will end. Not that this film is The Usual Suspects in the plot department, but for me to give anything more away would just cheapen your experience when you finally get to see the movie. Just as an aside, part of the reason the plot is so fucked up is that it’s based on something that truly exists.

What I will tell you is that you are going to be seeing something that is going to go down as a classic in horror cinema. Although this flick pays homage to older movies (the introduction sequence will remind you more than a little of the original Nightmare on Elm Street intro), this movie is original, exciting, and offers enough that’s new to make it stand out beyond your typical remake and copycat fare.

When I viewed this movie at the Toronto International Film Festival, the room shrieked and cheered some of the most disgusting, vile, and enjoyable things to hit the screen in ages. Land of the Dead was gory, but this movie is sick. Devil’s Rejects was a shocker you say? Well, I’m here to tell you that the big guns haven’t even made it to the box office yet. Hopefully the MPAA doesn’t cheapen this film too much because if you’ve ever seen Pet Semtary or Kill Bill, you can add another great ankle slash to the list (and no, the House of Wax remake isn’t on that list). In particular, gore fans will get to see the best eye violence since Lucio Fulci, who probably wishes he had Greg Nicotero working for him on his movies.

The casting in the movie was done exceptionally well, the acting was great, and there were a lot of women with incredible breasts to make the men happy (and don’t worry ladies, my girlfriend didn’t shut up about Jay Hernandez, so you get something too). I would try to pick out the actor who did the best job in the film, but they were all equally impressive, and everyone meshed to really immerse the viewer into believing what we were seeing could actually take place.

For those of you who ask, “How does it compare to Cabin Fever?”, the answer is simple: Hostel is a much better film in almost every aspect. Both of these films have elements of humor, but unlike Cabin Fever, Hostel is actually quite scary. Also, the humor in Cabin Fever came separate from the scares, and although it was a really fun film, it didn’t come together like Hostel manages to do. Whereas Cabin Fever really divided audiences with such ridiculous moments as Denis’ slow-mo karate kick, this movie seems much more cohesive, and Roth appears to have learned how to create a better movie overall. Oh yeah, when it comes to gore, Hostel makes Cabin Fever its bitch, hands down. You will, however, notice a very similar sequence in the plot; humorous set-up, horror, then horror/humor ending, which I guess is Roth’s style.

So the only question anyone reading this review should have is, “When will I get to see it?” not “Should I go see it?” Although Roth described the movie as not 100 percent complete, other than one special effect, it looked pretty much done to me. He did mention the music would likely change, so that’s why I didn’t mention this aspect of the film in the rest of my review. My guess is this film is going to do well when it hits wide release, and now that Quentin Tarantino is a producer, that will surely increase its audience (much like the Peter Jackson quote undoubtedly got more than a few confused Lord of the Rings fans to go see Cabin Fever and walk away disgusted).

I walked into Hostel hoping that Eli Roth wasn’t just a one-trick pony, and I walked out thinking that he may just be the savior of our genre. The first time I heard of Roth was when he did a Bloodsucking Freaks commentary track that was one of the stupidest things ever recorded (although rather funny), and now a couple years later I find it odd that I will go as far as to say this: It’s been a while since we’ve had a director’s name to put next to the likes of Romero, Argento, Carpenter, and Craven…but now is the time to make room on that list for Roth.


5 out of 5


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THE STRANGERS Blu-ray Review – Let This Stellar Release From Scream Factory Sneak Into Your Home

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Starring Liv Tyler, Scott Speedman, Man in the Mask, Dollface, Pin-up

Directed by Bryan Bertino

Distributed by Scream Factory


It’s a bit odd – though somewhat fitting, given the number of waited-too-long sequels being produced these days – The Strangers (2008) finally got a follow-up after a lengthy ten-year gap. The original is a fine example of a home invasion picture done right, or at least well enough, but, as anyone who has seen the film knows, the leads probably won’t be returning and the killers have the personalities of dime store Halloween masks. The Strangers is a disturbing film in the sense the events seem like they “could happen to you” – it is, after all, “based on a true story” (not really). Plus, the situations our leads find themselves in are exactly the sort people still freak themselves out, like whenever someone enters a room with large windows at night – let’s all be honest here. The only thing scarier than things that go bump in the night is the thought those things are just out of eyesight, waiting to scare you. With the exception of a few “wait, why are you doing that?” moments The Strangers manages to activate certain primal responses to being stalked and frightened. It’s creepy.

Not-newly-engaged couple James (Scott Speedman) and Kristen (Liv Tyler) have returned to James’ childhood summer home after a day spent at a wedding, where James’ proposal to Kristen was sadly declined. They go through some awkward motions back at home, trying to figure out where their relationship stands, when there’s a sudden KNOCK at the door. James answers and finds a young girl asking for a person who has never lived there. She leaves, cryptically mumbling she’ll “see them later”. She does, along with two other “friends” – the Man in the Mask and another girl in a pin-up mask – who proceed to stalk, taunt, tease, and terrorize both Kristen and James until the morning light breaks.

There aren’t many huge surprises in this film but the less you know about how the night plays out, the better. This isn’t to suggest the main characters make smart decisions viewers aren’t expecting, though. James is initially dismissive of a series of terrorizing occurrences Kirsten experiences when he goes out to get her a pack of smokes, brushing all of it off like she has an overactive imagination; this after the weird situation with the girl moments before. And expectedly, once James is finally on board with believing something sinister is afoot it’s already too late to do much about it. Past that point he and Kristen do act like rational people (mostly) and their plight gains a little more sympathy because of their noble efforts.

I hate the scene where James’ friend, Mike (Glenn Howerton), shows up, though. Spoiler alert: any viewer can see his accidental death coming from a mile away. Since it’s established early on James has called Mike to pick him up, what would have worked better would be if all the footage of Mike’s arrival and inspection of the house was cut. That way, his reveal at James and Kristen’s makeshift stronghold in the back bedroom would have been a major surprise. Instead, it plays out so obviously the intended impact is completely muted.

While the film falters in a few areas, it manages to make up for those gaffes by stepping outside the norm. One thing is does incredibly right is refusing to give the trio of terrorizers any personality or backstory or motivation. Viewers are left just as cold once the credits roll as they were upon being introduced to these faceless miscreants. This feels especially refreshing when watching the movie today because lately it seems so many horror films have been yanking the mystique out of things; between prequels and reboots and lengthy exposition it’s rare when a film chooses to eschew all of that. The film is also dire and dour, leaving little room for hope aside from a tiny tidbit that occurs at the very end. There are no white knights; the cavalry isn’t coming – and when you are staying at a house with weak security, near the woods, with no neighbors close by, don’t expect a deus ex machina to save the day.

Universal previously issued The Strangers on Blu-ray, though it featured both cuts on a single BD-25 and used an outdated codec. This new release from Scream Factory spreads the goods out onto two discs, giving each cut a full BD-50 to maximize bit rate. As a result, the 2.35:1 1080p image looks much more refined, smoothing out past compression issues and tightening up both contrast and definition. The lion’s share of this film was shot at night and black levels maintain a rich consistency throughout, while still allowing for details to remain apparent. Nothing is lost to the shadows, which frequently bathe the actors and environments. Scream Factory touts a new 2K scan of the intermediate and the results are nearly flawless.

As viewers might expect, sound design plays a crucial role in this film and the audio options ensure they’ll be immersed in subtle and not-so-subtle sounds from every direction. Both cuts feature an English DTS-HD Master Audio track in both 2.0 and 5.1 options. As expected, the multi-channel track offers a more discreet experience, spreading out the spooky sound design to fully envelope listeners. Thuds, knocks, voices, and footsteps creep from unexpected corners of the room, placing viewers right in the action and heightening the tension. The soundtrack goes a bit overboard on the jump scares stingers but since the whole point of this film is a couple being jolt scared over and over they seem fitting. Subtitles are included in English SDH.

Just as buyers should rightfully expect, Scream Factory has included all of the previous extra features found on Universal’s release and then some.

DISC ONE: Theatrical Cut

“The Element of Terror” – This is a routine EPK, filled with behind-the-scenes footage and interviews with the cast & crew.

“Strangers at the Door” – This piece covers the film’s initial concept and shows off some of the cast & crew working on set, with a few being interviewed, too.

A reel of deleted scenes, three TV spots, and a theatrical trailer, which is quite effective, can also be found on this disc.

DISC TWO: Unrated Cut

“Defining Moments – Interview with writer/director Bryan Bertino” – This is a newly recorded chat with the director, who discusses not only the making of the film but its legacy now that so much time has passed since release.

“All the Right Movies – Interview with actor Kip Weeks (Man in the Mask) – Here, the actor discusses how he got the role and what kind of direction was given to him for the character.

“Brains and Brawn – Interview with actress Laura Margolis (Pin-up Girl) – Just as with Kip Weeks, Margolis talks about playing such a quiet character as well as discussing some changes to the trio that were made during production.

“Deep Cuts – Interview with editor Kevin Greutert” – Learn about how the film took shape, the reasoning behind cuts and sequencing, and what changes were made right up until the theatrical release date.

A still gallery is also included.

The cover art is reversible and there is a slipcover included on first pressings featuring newly commissioned artwork.

Special Features:

  • NEW 2K REMASTER of the Theatrical Version of the film
  • NEW 2K REMASTER of the Unrated Version of the film
  • NEW Defining Moments – An Interview With Writer/Director Bryan Bertino
  • NEW All The Right Moves – An Interview With Actor Kip Weeks (Man In The Mask)
  • NEW Brains And Brawn – An Interview With Actress Laura Margolis (Pin Up Girl)
  • NEW Deep Cuts – An Interview With Editor Kevin Greutert
  • The Element of Terror – Interviews With The Cast And Crew
  • Strangers At The Door – Interviews With Writer/Director Bryan Bertino And The Cast
  • Deleted Scenes
  • TV Spots
  • The Strangers
  • Special Features
3.8

Summary

Still effective only with only a modicum of true stupidity, “The Strangers” might not be the classic it’s been called in more than a few recent retrospective pieces but it does occupy a cushy spot near the top of the contemporary home invasion film list. Scream Factory’s release offers up excellent A/V quality and all the bonus features anyone could want (barring an audio commentary).

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7 GUARDIANS OF THE TOMB Review – Rest Easy, Indiana Jones, There’s Not Much To See Here

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Starring Kellan Lutz, Bingbing Li, Kelsey Grammar

Directed by Kimble Rendall


If it only weren’t for those friggin’ spiders. Kimble Rendall’s adventurous flick, 7 Guardians Of The Tomb is one of those “wanted to be, yet couldn’t quite hit the mark” action-films that will probably entertain those looking for some cave-dwelling escapades caught on celluloid, but for the more picky aficionado of said slam-bang pics, this one might be viewed as a bit stagnant. Let’s strap on our mining helmets and pick around this one, shall we?

Acting as a bit of a search-and-rescue formation, the movie tails alongside Dr. Jia Lee (Li) as she hunts down the whereabouts of her missing brother after losing contact with him while he was on expedition in Western China. Apparently he was looking for a secretive Emperor’s tomb that supposedly holds a potion that can reanimate, or re-invigorate…or rehabilitate – anyway you slice it, the juice has got some pretty potent powers. So a search team is assembled, led by Mason (Grammar – glad someone got Frasier off of the barstool), and he’s latched onto all-American fella Jack (Lutz) to assist this operation. As it turns out, the initial journey is cut off fairly quick when a violent electrical storm forces the group to head underground, and that’s when things get creepy and crawly…like 8-legged style. The film is ripe with some feverish action and a few decent performances, but it’s the overall framework that acts as the big bully, tauntingly kicking sand in the little guy’s face at the beach.

We’ve got love interests, a flurry of backstories, and oh my lord, those spiders! Yep, even the heartiest of CGI can effectively ruin a good case of the willies when it comes to arachnids and their powers of sucking humans and animals dry of their lifeforce. It’s an intently goofy movie, and even the dialogue seems a bit showy at times, leaving plausibility and intelligence at the entrance to the caves. Lutz is fun to watch as the burly rescuer, and he looks as the type who is just waiting for his cinematic moment to step into the spotlight. What pains me is that this movie really could have been something much bigger, and apparently it looks as if the majority of the film’s budget was wasted on those hokey-looking computerized spiders.

All in all, 7 Guardians Of The Tomb is spotty entertainment, even if you despise those little skittering aphids racing towards you, programmed or not. Give it a peek if Raiders Of The Lost Ark isn’t readily available at your disposal…even that crappy Crystal Skull one.

  • Film
2.5

Summary

A film that could have been so much more adventure-wise instead comes off looking like a lesson in how not to waste too much time on computer imagery.

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Who Goes There Podcast: Ep 160 – A QUIET PLACE

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Lately, it seems as though comedy actors are cutting their teeth as horror directors and absolutely killing it! This year’s indie horror darling comes in the form of John Krasinki’s A Quiet Place. Chris has been sick as a dog, so the haomie Christine from Horrible Imaginings Film Fest is filling in to discuss whether A Quiet Place is 2018’s horror heavyweight, or just a lot of noise.

What Bruno took was what changed me; it only amplifies your essence. It simply makes you more of what you already are. It’s the Who Goes There Podcast episode 160!

If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.

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