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Saturday Nightmares: Invaders From Mars (1986)

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Saturday Nightmares: Invaders From Mars (1986)Tobe Hooper’s Invaders from Mars is one of those films that must’ve traumatized a good percentage of the kids who watched it upon release. Even before it hit video, I remember kids a few classes ahead of me talking about how scary it was. Catching it a year later on VHS, I recall sharing that sentiment.

The movie might’ve faded from memory over the years, but certain scenes remained in my head: The crazed look in Louise Fletcher’s eyes as frog legs dangle from her mouth, Timothy Bottoms’ creepy about-face to sinister father, and the Martian leader’s almost gleeful torment of child hero Hunter Carson at the climax. I had a feeling Invaders from Mars might not hold up to the memory of my seven-year-old self, but this damn DVD has been in my collection for years, and part of my reason for resurrecting Saturday Nightmares was to finally get around to these languishing titles.

It begins well enough: a father and son (Bottoms and Carson) looking up at the stars excitedly in a rather cute and sweet bonding moment. It’s the kind of Norman Rockwellian scene that Hooper might’ve gleaned from his earlier collaboration with Steven Spielberg. This innocuous bit of stargazing catches the earliest glimpses of an alien invasion, setting the movie into motion. Before we’ve got time to get comfortable, Bottoms falls under alien control and immediately tries indoctrinating the rest of the family. It’s a terrifying concept for a child: witnessing every institution of safety and protection (parents, police, and teachers) become something insidious.

Invaders from Mars begins to go off the rails as act two gets under way, resorting to a series of chase scenes involving disgruntled teacher Louise Fletcher’s pursuit of our ten-year-old protagonist. From serving up a school bus of Carson’s classmates for Martian processing to chasing him down the street screaming ”I’ll get you for this!”, there’s enough subversion to authority to create a fairly compelling experience for kids. For all you parents out there hoping to ease your children into the genre, Invaders from Mars is packed with enough surface scares that kids will probably really enjoy watching a young hero outwit and defeat an alien invasion.

Saturday Nightmares: Invaders From Mars (1986)

For the rest of us, though, it’s really a question of whether or not childhood nostalgia is enough to salvage it. And it certainly gets worse as it goes along. By the time James Karen is introduced as a no-nonsense general who takes it upon himself to defeat the alien army, almost all of the tension has evaporated from the story. The Martian invaders are fun and the practical effects that bring them to life are certainly enjoyable, but they’re not exactly menacing monsters. And once the boy gets the full might of the military on his side, there’s no longer any reason to fear for him. The climax finds him running alongside an entire platoon of soldiers, blasting any Martians they come across.

This was a notoriously troubled production for Tobe Hooper. The middle film in his “Cannon Trilogy” (bookended by Lifeforce and The Texas Chainsaw Massacre 2), Invaders from Mars saw its budget slashed in the wake of Lifeforce’s financial failure. Producers Menahem Golan and Yoram Globus reportedly micromanaged Hooper every step of the way, perhaps explaining why this one never manages to find the right tone. It attempts to capture the spirit of its predecessor (and follows the narrative closely) while delivering a modern-day Hollywood spectacle. Instead it gets lost somewhere in the middle, failing to deliver on either front.

The performances are pretty dismal, too. Hunter Carson (Karen Black’s son) never convinces us that he’s really scared, looking more like a kid on a playground than a young boy fighting for the survival of his town. The usually reliable Karen Black turns in one of her worst performances here, punctuating most of her dialogue with a thud. And what a criminal waste of James Karen! This guy single-handedly kept Return of the Living Dead Part II afloat, lest anyone doubt his talents. But here he seems as bored with the material as we are. Only Louise Fletcher looks to be having any fun. As silly as her role grows to be, the movie suffers a fatal blow once she’s removed from it.

Saturday Nightmares: Invaders From Mars (1986)

Technically speaking, it’s a great-looking slice of mid-80s genre filmmaking. Production design is truly impressive (the subterranean alien lair is a real stunner), Stan Winston’s aforementioned creature FX are a delight, and all of the action is captured through the impressive lens of the always-reliable Daniel Pearl (some of the disorienting cinematography helps implant the film’s ‘twist’ ending early on). Christopher Young’s score is effective when it’s not shamelessly ripping off Jerry Goldsmith’s First Blood work (reportedly, Invaders was temped to Goldsmith and the producers wanted Young to mimic it).

If nostalgia isn’t enough to salvage the experience of Invaders from Mars, it does produce fond memories for the era in which it was produced. One of the most endearing aspects of 80s horror is how often a child took center stage as the hero: Critters, The Gate, Monster Squad, Lady in White and even Halloween 5 (to name a few) offered pint-sized protagonists, peppering even the most mean-spirited movie with a degree of innocence/sweetness. It’s a trend that seemed to die out of American horror throughout the early 90s and now seems relegated almost exclusively to the domain of the animated film (as Monster House and ParaNorman might suggest).

In the span of his six-decade career, Invaders from Mars falls squarely in the middle of Tobe Hooper’s canon. Far from his best, it’s not nearly as bad as the majority of his output that followed. It’s a feeble attempt at updating a sci-fi classic for a then-fresh audience. Proof that history often can repeat itself, this sucker is every bit as forgettable as many of our modern day rehashes: Slickly done but hollow and trite. Unless, of course, you’ve got fond memories of Louise Fletcher and those frog legs. Then it’s just another movie that probably should stay in your memory banks. It’s hardly worth rediscovery now.

Saturday Nightmares

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Matt Serafini

Author (Under the Blade, Feral), slasher movie enthusiast, N7 Operative. Plays games, watches movies, reads books. Occasionally writes about them.

  • JB Demented

    Great film from a great director. Thank You for bringing this movie up. I need to get it for the collection.

  • James Coker

    you know guys I have never seen this one nor the original either. at least when I finally sit down to watch it ill know what to expect. second, you guys all sound like you have fond memories of this film while I dont…how old are you guys? im 23
    and finally….DavidFullam…THANK YOU for defending Hooper’s EATEN ALIVE. dont know why that film gets shit on by a chunk of horror fans

    • DavidFullam

      I’m 41. Yes, I love Eaten Alive. Almost like a one set, studio bound experimental film. A very underrated entry into the backwoods maniac genre I feel.

      • Terminal

        I’m lukewarm on Eaten Alive. It’s not awful, but it’s not amazing either.

        • Masked Slasher

          I should look at EATEN ALIVE again myself.

          I’m more inclined to agree with Terminal on this one, although my memory of it isn’t so hot.

          • Vanvance1

            I thought it was good fun but not a classic like some of Hooper’s work.

  • MonsterMash

    Interesting read. Looks like it has great f/x.

  • Terminal

    When I had no cable, this was always on TV on regular network television in the early nineties and I watched it all the time. It’s a guilty pleasure I fondly remember.

  • Vanvance1

    This is a great and completely fair look at the film. TCM2 and Lifeforce are amazing films (I have huge love for the latter) but this was comparatively disappointing. The highlight is definitely the wonderful creature f/x.

  • DavidFullam

    I’ll defend Funhouse, Lifeforce, Eaten Alive, and TCM 2 till the day I die. Not so this one. Truly love love the original, truly loathe the remake.