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Ratline (DVD)

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Ratline (DVD)Starring Emily Haack, Jason Christ, Alex Del Monacco, Sarah Swofford

Directed by Eric Stanze

Distributed by Wicked Pixel Cinema


Movies like Ratline are what makes the independent horror scene so great. Whereas a studio might shy away from an oddball story that blends Nazi occultism and a lesbian love story alongside a crime thriller, writer/director Eric Stanze dives right into all these themes with reckless abandon and delivers a rather solid flick that should manage to keep even the hardened horror fans out there on their toes from start to finish.

What’s pretty remarkable is that Ratline starts off in some standard thriller territory with the film opening on Crystal (Haack) and her half-sister, Kim (Del Monacco), as they rip off a drug dealer and then flee after killing him during a violent showdown. The pair decide to take refuge in a small Midwestern town and rent a room from the unsuspecting Penny (Swofford), who has no idea what kind of trouble just moved in with her.

And just when it seems like Crystal is able to distance herself from her violent past and spark up a relationship with Penny, she crosses paths with a mysterious man named Frank Logan (Christ), and once Frank’s on the scene in Ratline, that’s when the flick takes a delightful right turn and everything we thought we knew about the movie suddenly unravels before us. We soon find out Frank’s searching for a missing Nazi relic that wields the power to resurrect the Master Race, and as it turns out, it’s somewhere in this small Midwestern town in which Crystal and Kim are seeking refuge.

So how do all these themes and characters weave together in Ratline exactly? To reveal that would give away a lot of the fun of the flick, but suffice to say, Stanze pulls off the blending of all these subgenres incredibly well and delivers a powerful and unforgettable tale that is an effective slice of visceral indie filmmaking.

Stanze is no stranger to the world of exploitation-esque films, with previous credits including films like Ice from the Sun, Deadwood Park and I Spit on Your Corpse, I Piss on Your Grave; however, Ratline is by far the filmmaker’s most “reserved” work to date and demonstrates that with each film Stanze is only getting better as a director and making up his own exploitation playbook as he goes along by playing along with, and in some cases against, conventions generally used within the subgenre.

Case in point: There’s a scene between our leading bad girl Crystal and Penny that could have gone into full blown Reform School Girls territory (and rightfully so) with the passion heating up between the two ladies. However, rather than let the scene play out the way we expect it to, Stanze quietly reels the story in, and we’re left with a quiet moment between two potential lovers that plays it more sweet than naughty. Talk about a curveball! And that’s just one of many Stanze has ready to throw at us throughout the movie.

And for you exploitation fans out there who may feel a bit let down after reading that, don’t worry- there’s still plenty of ‘naughty’ stuff to go around in Ratline. There are naked chicks (and a dude) aplenty, tons of gore and some great shocking visuals thrown in during a few Nazi flashback moments as well that will definitely leave an indelible mark on your psyche once the story is over.

The DVD presentation of Ratline, released independently by Stanze production banner Wicked Pixel Cinema, offers up some bonus features as well for those of you out there who want to know more about what went into getting this genre-bending flick made. There are two commentary tracks – one with Stanze chatting solo and one with the filmmaker being joined by Ratline stars Haack and Christ – as well as a behind-the-scenes featurette, a handful of deleted scenes, a gag reel and a trailer. And while the commentary track with the trio was definitely enjoyable, checking out Ratline with just Stanze’s commentary is something I’d recommend for any up-and-coming independent horror filmmakers out there because it seems like this guy has seen (and overcome) it all to get his films made on his own terms for the last 16 years, and he shares a wealth of knowledge here that’s informative and entertaining.

Ratline is definitely something beyond your average low-budget exploitation flick. It’s a shocking and engaging movie that has Stanze taking some calculated risks as a director and thereby proving that you don’t need millions of dollars to tell unique and ambitious stories these days. Sure, there are some hokey performances (with co-stars Haack and Christ being the exception-; both deliver knockout performances in Ratline) and there are a couple of logic flaws in the story, but overall Ratline is the kind of movie that gets me excited for the world of independent horror all over again. The story sneaks up on you and wallops you out of nowhere with a few gut punches, all the while embracing its exploitation roots without using them as an excuse to make a crappy flick (which is a trap a lot of filmmakers fall into).

After seeing Ratline, I would absolutely love to see what kind of madness Stanze – as well as his frequent partners in crime Haack and Christ – can come up with next time around.

Special Features

  • Two commentary tracks
  • Behind-the-scenes featurette
  • Deleted scenes
  • Gag reel
  • Trailer

    Film

    4 out of 5

    Special Features

    4 out of 5

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    Friends Don’t Let Friends Review – A Haunting Mixture of Psychological Turmoil and Brutal Supernatural Horror

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    Starring Brittany Anne Woodford, Jenny Curtis, Kanin Guntzelman, Brendan McGowan, Jake White

    Directed by James S. Brown

    We all like to think of ourselves as being surrounded by friends, but let’s face it, if we were to ever truly hit hard times, there are probably very few, if any, people we could truly rely on. So on some level, Friends Don’t Let Friends is a film we can all relate too, as it deals with this very issue.

    Stephanie is an emotionally unstable young woman who strangles her boyfriend to death after he insults and breaks up with her. She calls her friends to help her dispose the body out in the Joshua Tree National Part area, and instead of reporting her to the police, they reluctantly comply. As their car breaks down, the four friends find themselves alone at night in the Californian wilderness with the rotting corpse in need of disposal. Given their dire circumstances, they begin to become more and more aggressive towards each other, and this was where the film was really at its best. I was on the edge of my seat, wondering how far the limits of their friendship could be stretched, and who would be the first to crack and turn on the others.

    Anyway, their body disposal endeavor soon proves to be a mistake, as Stephanie’s ex rises from the grave as vengeful zombie demon thing with claws as long as knives. I’ll admit, I first I thought Friends Don’t Let Friends was going to be a movie purely about the limits of trust, so I was pretty surprised when the supernatural elements came into play. And when they did, the trust and friendship elements of the plot were somewhat downplayed in favor of a more traditional horror approach, and while it was still entertaining, I still would have preferred for the film not to have strayed from its initial path. At least the ending came as a shocker. I won’t go into spoilers, but let’s just say the even the most attentive viewers probably won’t see it coming.

    As you can probably guess from a psychologically-driven film of this kind, the performances were top notch, with Brittany Anne Woodford being on particularly top form as the manipulative and unstable Stephanie, a character who revels in the revels in the power she felt when ending another human life.

    With its mixture of psychological turmoil and brutal supernatural horror, Friends Don’t Let Friends is a film I would certainly recommend, but keep in mind that it may make you think twice when confiding in people who you think of as being your friends.

    8 out of 10.

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    Coulrophobia Review – One of the Most Entertaining Killer Clown Films in Quite Some Time

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    Starring Pete Bennett, Warren Speed, Daniella D’Ville, Roxy Bordeaux

    Directed by Warren Speed


    The word ‘Coulrophobia’ refers to the fear of clowns, and if you happen to suffer from it, you might want to avoid director Warren Speed’s film of the same name. However, if you can stand the sight of clowns with gaping wounds in their manly parts, then you’re in for one heck of a fun time.

    An all-female hockey team get lost deep in the Scottish woods on their way to a match (don’t ask), and are captured and forced to participate in a series of horrific games by the Grock family of clowns. All of the members of said family are absolutely fucking insane, but the one that really stood out was Twitch (Pete Bennett), who wears jester cloths and it said to have a short attention span. He longs to be a violin player and wishes he could blend in with normal society like the other members of his family. And you almost feel sorry for him, even though he’s a mad killer with bells on his head.

    Director Warren Speed also appeared as Milo, a grunting mute who had his tongue cut out when he was a boy. As mentioned above, we see a close-up shot of a open wound in his penis being stitched up, which is not an image that will be leaving your mind anytime soon. Speed is clearly fearless when it comes to his art.

    Inter-spliced with all the torture and mayhem, we also see documentary-style telling the sad history of the family involved, and this was where the film unfortunately faltered, because these scenes seemed out of place and just didn’t flow with the rest of the plot.

    Ultimately, however, Coulrophobia almost seems like a film Rob Zombie might have made before he lost his way and started churning out trash like 31. Comparisons to House of 1000 Corpses are inevitable, and I absolutely mean that as a compliment. This is one of the most entertaining killer clown films in quite some time.

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    User Rating 2.94 (17 votes)
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    The Gatehouse Review – What Is Found in the Woods Should Be Left in the Woods

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    Starring Scarlett Rayner, Simeon Willis, Linal Haft

    Directed by Martin Gooch


    Now while no one will sneeze at the prospect of bringing up a bit of a rebellious child alone, it’s those damned kids that like to tempt fate by pissing off creatures in the woods…oh kids, they do the funniest things, don’t they?

    In Martin Gooch’s moderately spooky presentation, The Gatehouse, a struggling writer named Jack (Willis) finds himself behind the 8-ball following the tragic drowning death of his beloved wife, and if that isn’t enough to torque your drawers, his young daughter, Eternity (Rayner) is becoming quite the salty soul herself. Unfortunately the little one has been finding herself bullied at school, and her recourse of sorts is to simply toss attitude around as if it was pleasantly acceptable. Her pastime has become lonely wanderings in the deep woods, digging for hopeful treasures…and we all know what problems reside in the woods, don’t we, horror fans? Well, Eternity’s father is attempting to re-start his writing career with a frightening backstory – taking the reigns on a novel that was abruptly ended when the author committed suicide, and supposedly the tome is quite the dark piece of literature.

    Eternity’s never-ending quest for fortune and glory in the forest leads her to a most interesting (and ultimately) dangerous discovery (don’t sweat it – I won’t spill it for you). Bottom line here is this: the little girl has taken possession of something that should have been left in the friggin’ woods, and now someone (or something) wants it back PRONTO. What follows is a lackluster series of “spooky” events, and far be it from me to say, I’ve seen creepier stuff watching the evening news. Gooch then tries to bombard the audience with a plethora of instances and swerving plot direction – it’s fun at the beginning but can grow a bit tiresome over a duration.

    Performance-wise, both Rayner and Willis play the perfect combination of mentally-shot dad and determined-to-be-independent daughter – their scenes are ripe with subtle contempt, and the right amount of indecision. Overall, the film is best suited for those fans of fantasy/fable-like horror, and while it might not scare the pants off of you, it definitely will give us all another reason to stay the hell out of the woods once and for all.

    • Film
    3.0

    Summary

    Children in a forest-setting don’t always add up to cutesy-pie encounters with furry creatures – this one’s got a few scares to keep fans of coppice-horror appeased.

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    User Rating 3.56 (18 votes)
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