More Brains! A Return to the Living Dead (DVD) - Dread Central
Connect with us

Reviews

More Brains! A Return to the Living Dead (DVD)

Published

on

morebrains.jpg
Cover art:

/reviews2/morebrains.jpg

More Brains!Starring the cast/crew of Return of the Living Dead

Directed by Bill Philputt

Distributed by Michael Perez Entertainment


It happens often. You finish watching a ‘making-of’ documentary on a DVD and you find yourself wishing it had been about three times longer. There’s nothing more frustrating than buying a disc for a touted retrospective documentary only to find it clock in under twenty minutes. Feels like a waste, especially when they went through all the trouble of finding so many participants for what equates sometimes to a glorified sound bite.

More Brains! A Return to the Living Dead feels like it was culled directly from those frustrations. A 119 minute retrospective on Dan O’Bannon’s revered punk zombie masterpiece that provides fans with everything they could ever want to know and then some. No stone goes unturned in showing how this project came to fruition, how it originally started as something quite different (dig up a copy of John Russo’s original novel, and not the novelization he later wrote as a companion to the film) and why shooting it was a hellish experience for much of the cast/crew.

Any good retrospective knows the way to a fan’s heart is to get as many people involved as humanly possible. As such, virtually everyone from the film’s cast is featured: Clu Gulager, Don Calfa, James Karen, all surviving punks (the late Mark Venturini is given his own little remembrance piece) and a wealth of crew members. Everyone is wonderfully candid: from conflicts between Gulager and Karen, shoddy FX work that didn’t make the cut, tension between O’Bannon and producer Tom Fox and, of course, the controversy around Linnea Quigley’s immortal cemetery strip dance.

Some of this information may be redundant for those who’ve consumed the special features on both Return of the Living Dead DVDs as well as in Plexus Publishing’s excellent “The Complete History of the Return of the Living Dead” book. But this documentary piece wouldn’t be as comprehensive without it, so you can hardly fault the filmmakers for covering ROTLD from start to finish. Besides, this one delivers on the minutia in the form of some truly great anecdotes from the participants; content that would’ve been stricken from a brisk featurette, but really helps this piece stand out. That they took the time to sit down and chat with the casting director (who tells some really great stories) is a testament to how deep this goes.

More Brains! doesn’t end when the documentary does, however. This set includes a wealth of extra features which enliven the experience. My favorite bonus features are the retrospectives on parts II and III. Running thirty minutes and twenty minutes, respectively, these are done in the same style as the main feature, with some of the film’s participants reminiscing on what it was like to make these sequels. Both subjects are covered with the same frankness as More Brains! meaning that there’s lots of theorizing as to why Return of the Living Dead part II simply did not work (though I loved it as a kid, I’m less inclined to agree now) and why part 3 was such a departure for the series. Interestingly, there was more of a push to connect these films than I’d initially suspected as all the participants from the first were invited back to the sequel, and a few were even asked to do Return of the Living Dead 3.

Beyond that there’s a solid interview with Dan O’Bannon (apparently, the last interview he gave before he passed away), a live performance of “Tonight” by Stacey Q, a nice collection of deleted scenes, ROTLD in 3 minutes and, a look at the filming locations today. I LOVE stuff like this, so this was an extra special treat to see.

More Brains! is a must have for any fan of ROTLD. It’s funny, informative and a perfect companion piece to the best zombie film of the 1980s. The DVD comes loaded with delightful supplementary features that compliment the feature nicely. Why not board your windows, load your luger, crank the incinerator and settle in for this near-perfect retrospective on the living dead?

Special Features

  • A Conversation with Dan O’Bannon: The Final Interview
  • They Won’t Stay Dead: A Look at Return of the Living Dead Part II
  • Love Beyond the Grave: A Look at Return of the Living Dead 3
  • Stacey Q Live! Exclusive “Tonight” Music Video
  • Even More Brains: Deleted Documentary Interviews
  • Return of the Living Dead in 3 Minutes
  • Resurrected Settings: The Filming Locations Today

    Film

    4 out of 5

    Special Features

    4 out of 5

    Discuss More Brains! A Return to the Living Dead in the section below!

  • Continue Reading
    Comments

    Reviews

    Desolation Review – The Joy of Being Rescued and All the Surprises That Come With It

    Published

    on

    Starring Raymond J. Barry, Brock Kelly, Dominik Garcia-Lorido

    Directed by David Moscow


    It’s those random, once-in-a-lifetime encounters that only a select few get the chance to experience: when we as regular participants in this wonderful thing known as The Rat Race, stumble across a soul that we’ve only witnessed on the big screen. I’m talking about a celebrity encounter, and while some of the masses will chalk the experience up as nothing more than a passing moment, others hold it to a much larger interior scale…then you REALLY get to know the person, and that’s when things get interesting.

    Director David Moscow’s thriller, Desolation follows shy hotel employee Katie (Lorido) and her “fortuitous” brush with Hollywood pretty-boy Jay (Kelly) during one of his stops – the two hit it off, and together they begin a sort of whirlwind-romance that takes her away from her job and drops her in the heart of Los Angeles at the apartment building he resides in. You can clearly see that she has been a woman who’s suffered some emotional trauma in her past, and this golden boy just happens to gallop in on his steed and sweep her off of her feet, essentially rescuing her from a life of mundane activity. She gets the full-blown treatment: a revamped wardrobe, plenty of lovin’, and generally the life she’s wanted for some time.

    Things return to a bit of normalcy when Jay has to return to work, leaving Katie to spread out at his place, but something clearly isn’t kosher with this joint. With its odd inhabitants (a very creepy priest played by Raymond J. Barry), even more bizarre occurrences, and when one scared young woman cannot even rely on the protection from the local police, it all adds up to a series of red flags that would have even the strongest of psyches crying for their mothers. What Moscow does with this movie is give it just enough swerves so that it keeps your skull churning, but doesn’t overdo its potential to conclusively surprise you, and that’s what makes the film an entertaining watch.

    While Lorido more than holds her ground with her portrayal of a woman who has been hurt in the past, and is attempting to place her faith in a new relationship, it’s Barry that comes out on top here. His performance as Father Bill is the kind of stuff that wouldn’t exactly chill you to the bone, but he’s definitely not a man of the cloth that you’d want to be stuck behind closed doors with – generally unsettling. As I mentioned earlier, the plot twists are well-placed, and keep things fresh just when you think you’ve got your junior private investigator badge all shined up. Desolation is well-worth a look, and really has kicked off 2018 in a promising fashion – let’s see what the other 11 months will feed us beasts.

    • Film
    3.0

    Summary

    Got your eye on that shining movie star or starlet? Better make sure it’s what you really want in life – you know what they say about curiosity.

    Sending
    User Rating 0 (0 votes)
    Continue Reading

    Reviews

    Wolf Guy Blu-ray Review – Sonny Chiba As A Werewolf Cop In ’70s Japan

    Published

    on

    Wolf Guy UK SleeveStarring Sonny Chiba, Etsuko Nami, Kyosuke Machida

    Directed by Kazuhiko Yamaguchi

    Distributed by Arrow Video


    As virtually every American adaptation has proven, translating manga to the big screen is a job best left to Japanese filmmakers. There is an inherent weirdness – for lack of a better term – to their cultural media that should be kept “in house” if there is to be any hope for success. Ironically, the stories are often so fantastical and wildly creative that a big American studio budget would be necessary to fully realize such a live-action vision. But I digress. Back in 1975, Toei Studios (home of Gamera) adapted the 1970 manga series Wolf Guy into a feature of the same name. Starring the legendary Shin’ichi Chiba (a.k.a. Sonny Chiba), who at that time was in his prime, the film combines elements of crime and psychedelic cinema, delivering less of a werewolf film (despite the title suggesting otherwise) and more of a boilerplate crime caper with a cop who has a few tricks up his hairy sleeve. I should stress it is the story that plays fairly straightforward, while the film itself is a wild kaleidoscope of strange characters and confounding situations… mostly.

    An unseen killer, known only as “The Tiger”, prowls the streets at night slashing victims to death and leaving behind no trace. Beat cop Akira Inugami (Sonny Chiba) is on the case, and he has an advantage over his fellow brothers in blue: being a werewolf. As the opening credits flashback shows, Akira is the sole survivor of the Inugami clan of werewolves after a slaughter wiped out the rest of his kind. Now, as the last of his brethren, he uses his acute lycanthropic skills, under the auspices of the moon, to track down underworld thugs and solve cases uniquely tailored to his abilities. As the lunar cycle of the moon sees it growing fuller Akira’s powers, too, increase to superhuman levels.

    Searching for this mysterious “Tiger”, Akira is led into a subterranean world of clandestine government organizations, nightclub antics, and corrupt politicians. One night, Akira is attacked and taken prisoner by a government research lab that wants to use his blood to create werewolves they can control. Only problem is – which they don’t realize – Akira’s blood cannot be mixed with that of a human; the only end result is death. Miki (Etsuko Nami), a drug user with syphilis, comes to Akira’s aid and proves to be quite useful. She holds a secret that has the potential to vastly change Akira’s world but, first, a showdown with the criminal underbelly looms on the horizon… as does the fifteenth day of the Lunar Cycle, when Akira will be made nearly invincible.

    First, some bad news: Sonny Chiba never attains full werewolf status. This is not that movie. Sure, he growls and snarls and sneers and possesses many of the traits of a werewolf but in terms of physical characteristics he more or less remains “human” the entire time. Yes, even during “Lunar Cycle Day 15”, a.k.a. the moment every viewer is waiting for, to see him turn into a wolf. Instead, he just winds up kicking a lot of ass and taking very little damage. To be fair, a grizzled Sonny Chiba is still enough of a formidable presence, but, man, to see him decked out as a full-on kung-fu fighting werewolf would’ve been badass. The film could have done better at tempering expectations because it builds up “Day 15” like viewers are going to see an explosion of fur and flesh, instead it’s just plenty of the latter. Aw, well.

    Lack of werewolf-ing aside, the film plays out a bit uneven. The opening offers up a strong start, with The Tiger attack, wily underworld characters being introduced, and a tripped-out acid garage rock soundtrack (which I’d kill for a copy of). But Second Act Lag is a real thing here and many of the elements that may have piqued viewer curiosity in the first act are scuttled, and although the third act and climax bring forth fresh action and a solution to the mystery it also feels a bit restrained. Then again, this is Toei, often seen as a cheaper Toho. Wolf Guy serves as a good introduction to Akira Inugami and his way of life, which makes it a greater shame no sequels were produced.

    Presented with a 2.35:1 1080p image, Wolf Guy hits Blu-ray with a master supplied by Toei, meaning Arrow did no restorative work of their own on the picture – and it shows. Japanese film elements, especially those of older films, are often notorious for being poorly housed and feebly restored. This transfer is emblematic of those issues, with hazy black levels, average-to-poor definition, minimal shadow detail, and film grain that gets awfully noisy at times. The best compliment I can give is daylight close-up scenes exhibit a pleasing level of fine detail, though nothing too eye-popping. This is a decidedly mediocre transfer across the board.

    The score fares a bit better, not because the Japanese LPCM 1.0 mono mix is a beast but because the soundtrack is so wildly kinetic, exploding with wild garage rock and fuzzy riffs right from the get-go. Dialogue has a slight hiss on the letter “s” but is otherwise nicely balanced within the mix. Subtitles are available in English.

    “Kazuhiko Yamaguchi: Movies with Guts” is a September 2016 sit-down with the film’s director, who reflects on his career and working with an icon like Sonny Chiba.

    “Toru Yoshida: B-Movie Master” is an interview with Yoshida, a former producer at Toei who oversaw this film and many others.

    “Sonny Chiba: A Life in Action, Vol. 1” covers the man’s career up to a point, with the remainder finished on Arrow’s other 2017 Chiba release, Doberman Cop.

    A theatrical trailer is also included, as is a DVD copy of the feature.

    Special Features:

    • Kazuhiko Yamaguchi: Movies with Guts
    • Toru Yoshida: B-Movie Master
    • Sonny Chiba: A Life in Action, Vol. 1
    • Theatrical trailer
    • Wolf Guy
    • Special Features
    2.8

    Summary

    While the film might be a bit of a letdown given what is suggested, fans of bizarre Japanese ’70s cinema – and certainly fans of Chiba’s work – should, at the least, have fun with this title.

    Sending
    User Rating 0 (0 votes)
    Comments Rating 0 (0 reviews)
    Continue Reading

    News

    Inside (Remake) Review – Is It as Brutal as the Original?

    Published

    on

    Starring Rachel Nichols Laura Harring

    Directed by Miguel Ángel Vivas


    While the directing duo of the cringe-inducing and original 2007 French grand guignol thriller Inside have gone on to refurbishments of their own—Julien Maury and Alexandre Bustillo recently helmed a retread of Leatherface’s origin story—their flick now has an American stamp on it with the release of the remake, also titled Inside.

    A cheerless Christmas eve sets the stage for heavily-pregnant widow Sarah’s (Rachel Nichols) oncoming ordeal. It’s a frigid and snowy night. She’s got a huge house to herself, following the accidental and violent death of her husband. She wants to sell the home that was meant to hold a family, to forget the nascent memories it once held. But she’s got to ride it out until the baby is born. While Sarah is lonesome, she won’t be alone. She’s got her genial gay neighbor nearby, and her mum is going to come and stay with her for a few days. Oh, and there will be an unexpected visitor too.

    When a shadowy, seemingly stranded stranger (Laura Harring) knocks on the door pleading to be let inside, Sarah instinctively balks. She even calls the cops. But the woman leaves and all seems well. Crisis averted. Sarah puts the housekeys in the mailbox outside for Mom, and goes to bed. Big mistake.

    Mystery Lady shows up at Sarah’s bedside armed with chloroform, an IV bag, and a case full of sharp-and-pointies (sorry, ’07 fans… those implements do not include a pair of scissors). The horror unfolds and the expected yet lively game of gory cat-and-mouse ensues. Then the tete-a-tete becomes a body-count chiller featuring one shocking moment after another.

    Nichols is fantastic in the role, giving it her all. When the original Inside came out eleven years ago, she was starring in another French-helmed horror, P2—also set on Christmas eve—and she stole the show. She does the same here but with a less-intense adversary. Harring’s killer character, unlike her European counterpart, has a lot to say—which takes away from her initially mysterious manner as the minutes tick off. Still, the girl-on-girl action is a welcome change from the usual gender dynamic one sees in these things. Both deserve kudos for their performances.

    While Inside isn’t a died-in-the-wool “Hollywood” remake (Miguel Ángel Vivas directs, while [REC] co-creator Jaume Balagueró wrote it) it feels like one. For those who’ve seen the original, there will be mild disappointment (which turns to major letdown at the very end). However, Inside is still a serviceable thriller that’s well-acted, beautifully shot, and effectively scored. Folks coming in fresh, and casual horror fans, will more than likely enjoy it.

    • Inside (Remake)
    3.0

    Summary

    Inside is a serviceable thriller that’s well-acted, beautifully shot, and effectively scored. Folks coming in fresh, and casual horror fans, will more than likely enjoy it. For those who’ve seen the original, there will be mild disappointment (which turns to major letdown at the very end).

    Sending
    User Rating 1.67 (3 votes)
    Continue Reading

    Recent Comments

    Advertisement

    Join the Box of Dread Mailing List

    * indicates required

    Go Ad Free!

    Support Dread Central on Patreon!

    Trending

    Copyright © 2017 Dread Central Media LLC