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Black Light (Book)



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Black Light (Book)Written by Patrick Melton, Marcus Dunstan and Stephen Romano

Published by Mulholland Books

Having recently celebrated my year anniversary with Amazon’s Kindle, I’ve read more over this last twelve months than I had in the three years prior. Not exactly sure when I got away from reading, but the Kindle has put me back in touch with the written word in a way that I find seriously exciting. And while I’ve had a blast catching up on works I should’ve read years back (I just completed “The Shining” for the first time this summer), one of my constant, recurring grievances is over-length. Maybe it was just poor choosing on my end, but nearly every book I read in the last three months has felt bloated and in desperate need of edits. King’s mostly great “Duma Key” and Lee Child’s “Killing Floor” are just two examples of stories that might’ve been masterpieces had they been shaved into something tighter. So when a physical copy of “Black Light” landed on my doorstep, I instantly breathed a sigh of relief. At least it was short.

It’s also a lot of fun. The brainchild of three authors, all of whom are no stranger to the genre, Patrick Melton, Marcus Dunstan and Stephen Romano, “Black Light” is a genre-bending mixture of hard boiled noir tropes, classic creature feature and fast-paced chase thriller. It’s all wrapped around the personality of our resident hero, Buck Carlsbad (love that name), a supernatural exorcist of sorts who traps malevolent spirits thanks to an otherworldly power he acquired during childhood. Carlsbad is the tough-talking noir archetype. His words and thoughts are hard as nails, baked in the most colorful analogies these authors can muster, and the end result creates a wonderfully fun and brisk genre experience.

Carlsbad reluctantly boards a new experimental train called the Jaegar Laser, a rail that rockets its passengers from Los Angeles to Las Vegas in record time. Buck reluctantly accepts the assignment which, coincidentally, takes him over the spot which saw his parents brutally killed years earlier. The story is fast and furious, and the balance between noir and horror is masterfully struck. There isn’t a dull moment on display, from the opening exorcism to the violent and brutal confrontations with some real wicked villains. This was some of the most fun I’ve had all year, and it’s over before you know it.

That’s actually one of the minor complains I have with “Black Light” … while it certainly isn’t boring, it might’ve benefitted from a slightly slower pace. Buck’s world feels fairly dense – as if Melton, Dunstan and Romano are building a mythology to continue exploring – and it would’ve been nice to slow down a little and give us something of a better idea of who Buck Carlsbad is. We learn of his origins here, but the character’s journey doesn’t quite feel as full as I would’ve liked. Maybe subsequent adventures will grant Buck more of an opportunity to grow and evolve with the story. As it stands, it’s the one misstep in an otherwise fine novel.

I’m careful not to slight the authors too much for that detraction. Lots of publishing houses are careful with length for “unproven” authors and it’s very probable that lots of that stuff was left on the cutting room floor. Either way, it doesn’t prevent “Black Light” from being a rollicking good time. Easily digested in one sitting, it comes highly recommended for this time of year. With horror a virtual nonentity at the box office, why not light some candles, kick back in your favorite chair and join Buck Carlsbad for a ride on the Jaeger Laser? You’ll be happy you did.

4 out of 5

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Friends Don’t Let Friends Review – A Haunting Mixture of Psychological Turmoil and Brutal Supernatural Horror



Starring Brittany Anne Woodford, Jenny Curtis, Kanin Guntzelman, Brendan McGowan, Jake White

Directed by James S. Brown

We all like to think of ourselves as being surrounded by friends, but let’s face it, if we were to ever truly hit hard times, there are probably very few, if any, people we could truly rely on. So on some level, Friends Don’t Let Friends is a film we can all relate too, as it deals with this very issue.

Stephanie is an emotionally unstable young woman who strangles her boyfriend to death after he insults and breaks up with her. She calls her friends to help her dispose the body out in the Joshua Tree National Part area, and instead of reporting her to the police, they reluctantly comply. As their car breaks down, the four friends find themselves alone at night in the Californian wilderness with the rotting corpse in need of disposal. Given their dire circumstances, they begin to become more and more aggressive towards each other, and this was where the film was really at its best. I was on the edge of my seat, wondering how far the limits of their friendship could be stretched, and who would be the first to crack and turn on the others.

Anyway, their body disposal endeavor soon proves to be a mistake, as Stephanie’s ex rises from the grave as vengeful zombie demon thing with claws as long as knives. I’ll admit, I first I thought Friends Don’t Let Friends was going to be a movie purely about the limits of trust, so I was pretty surprised when the supernatural elements came into play. And when they did, the trust and friendship elements of the plot were somewhat downplayed in favor of a more traditional horror approach, and while it was still entertaining, I still would have preferred for the film not to have strayed from its initial path. At least the ending came as a shocker. I won’t go into spoilers, but let’s just say the even the most attentive viewers probably won’t see it coming.

As you can probably guess from a psychologically-driven film of this kind, the performances were top notch, with Brittany Anne Woodford being on particularly top form as the manipulative and unstable Stephanie, a character who revels in the revels in the power she felt when ending another human life.

With its mixture of psychological turmoil and brutal supernatural horror, Friends Don’t Let Friends is a film I would certainly recommend, but keep in mind that it may make you think twice when confiding in people who you think of as being your friends.

8 out of 10.

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Coulrophobia Review – One of the Most Entertaining Killer Clown Films in Quite Some Time



Starring Pete Bennett, Warren Speed, Daniella D’Ville, Roxy Bordeaux

Directed by Warren Speed

The word ‘Coulrophobia’ refers to the fear of clowns, and if you happen to suffer from it, you might want to avoid director Warren Speed’s film of the same name. However, if you can stand the sight of clowns with gaping wounds in their manly parts, then you’re in for one heck of a fun time.

An all-female hockey team get lost deep in the Scottish woods on their way to a match (don’t ask), and are captured and forced to participate in a series of horrific games by the Grock family of clowns. All of the members of said family are absolutely fucking insane, but the one that really stood out was Twitch (Pete Bennett), who wears jester cloths and it said to have a short attention span. He longs to be a violin player and wishes he could blend in with normal society like the other members of his family. And you almost feel sorry for him, even though he’s a mad killer with bells on his head.

Director Warren Speed also appeared as Milo, a grunting mute who had his tongue cut out when he was a boy. As mentioned above, we see a close-up shot of a open wound in his penis being stitched up, which is not an image that will be leaving your mind anytime soon. Speed is clearly fearless when it comes to his art.

Inter-spliced with all the torture and mayhem, we also see documentary-style telling the sad history of the family involved, and this was where the film unfortunately faltered, because these scenes seemed out of place and just didn’t flow with the rest of the plot.

Ultimately, however, Coulrophobia almost seems like a film Rob Zombie might have made before he lost his way and started churning out trash like 31. Comparisons to House of 1000 Corpses are inevitable, and I absolutely mean that as a compliment. This is one of the most entertaining killer clown films in quite some time.

  • Film
User Rating 2.95 (19 votes)
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The Gatehouse Review – What Is Found in the Woods Should Be Left in the Woods



Starring Scarlett Rayner, Simeon Willis, Linal Haft

Directed by Martin Gooch

Now while no one will sneeze at the prospect of bringing up a bit of a rebellious child alone, it’s those damned kids that like to tempt fate by pissing off creatures in the woods…oh kids, they do the funniest things, don’t they?

In Martin Gooch’s moderately spooky presentation, The Gatehouse, a struggling writer named Jack (Willis) finds himself behind the 8-ball following the tragic drowning death of his beloved wife, and if that isn’t enough to torque your drawers, his young daughter, Eternity (Rayner) is becoming quite the salty soul herself. Unfortunately the little one has been finding herself bullied at school, and her recourse of sorts is to simply toss attitude around as if it was pleasantly acceptable. Her pastime has become lonely wanderings in the deep woods, digging for hopeful treasures…and we all know what problems reside in the woods, don’t we, horror fans? Well, Eternity’s father is attempting to re-start his writing career with a frightening backstory – taking the reigns on a novel that was abruptly ended when the author committed suicide, and supposedly the tome is quite the dark piece of literature.

Eternity’s never-ending quest for fortune and glory in the forest leads her to a most interesting (and ultimately) dangerous discovery (don’t sweat it – I won’t spill it for you). Bottom line here is this: the little girl has taken possession of something that should have been left in the friggin’ woods, and now someone (or something) wants it back PRONTO. What follows is a lackluster series of “spooky” events, and far be it from me to say, I’ve seen creepier stuff watching the evening news. Gooch then tries to bombard the audience with a plethora of instances and swerving plot direction – it’s fun at the beginning but can grow a bit tiresome over a duration.

Performance-wise, both Rayner and Willis play the perfect combination of mentally-shot dad and determined-to-be-independent daughter – their scenes are ripe with subtle contempt, and the right amount of indecision. Overall, the film is best suited for those fans of fantasy/fable-like horror, and while it might not scare the pants off of you, it definitely will give us all another reason to stay the hell out of the woods once and for all.

  • Film


Children in a forest-setting don’t always add up to cutesy-pie encounters with furry creatures – this one’s got a few scares to keep fans of coppice-horror appeased.

User Rating 3.56 (18 votes)
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