Desolation Review: Campers + Lunatic = Simplicity; But That's Not Always a Better Product - Dread Central
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Desolation Review: Campers + Lunatic = Simplicity; But That’s Not Always a Better Product

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DesolationStarring Jaimi Page, Alyshia Ochse, Toby Nichols

Directed by Sam Patton


I’m usually all in when it comes to a psycho in the woods flick, but there was just something about Sam Patton’s Desolation that seemed a bit distant for me… distance… desolation… I’m sure there’s a connection in there somewhere. Either that or I’m suffering from a minor case of sleep deprivation. Either way, make sure you’ve got your backpack stuffed ’cause we’re hitting the timberlands for this one.

The film focuses on mother and son tandem Abby and Sam and the tragic notion that Abby’s love and father to her son has passed away. The absence has been a crippling one, and Abby’s idea of closure is to take her adolescent offspring to the woods where her husband used to love to run and scatter his ashes as a memorial tribute.

Abby invites her best friend, Jenn, along as emotional support; and together all three are planning on making this trip a fitting and dedicatory experience… until the mystery man shows up. Looking like a member of the Ted Kaczynski clan (The Unabomber himself), this creepy fellow seems content to simply watch the threesome; and when he ultimately decides to close the distance, it’ll be a jaunt in the forest that this close-knit group will never forget.

So there you have it – doesn’t beg a long, descriptive, bled-out dissertation. Patton tosses all of his cards on the table in plain view for the audience to scan at their leisure. While the tension is palpable at times, it’s the equivalent of watching someone stumble towards the edge of a cliff and NEVER tumble over… for a long time you literally watch them do the drunken two-step near the lip for what seems like an eternity. What I’m getting at is that the movie has the bells and whistles to give white-knucklers something to get amped about; yet, it never all seems to come into complete focus or allow itself to spread out in such a way that you can feel satisfied after the credits roll.

If I may harp on the performance aspect for a few, it basically broke down this way for me: Both Abby and Jenn’s characters were well-displayed, making you feel as if you really were watching long-time besties at play. Sam’s character was a bit tough to swallow, as he was the sadder-than-sad kid due to his father’s absence, but JEEZ this kid was a friggin’ malcontented little jerk. All I can say is “Role well-played, young man.

As we get to our leading transient, kook, outsider – whatever you want to call him: He simply shaved down into a hum-drum personality – no sizzle here, folks. Truly a disappointment for someone who was hoping for an enigmatic nutbag to terrorize our not-so-merry band of backpackers. Oh well, Santa isn’t always listening, I guess.  Simplicity has its place and time when displaying the picture-perfect lunatic, and before everyone gets a wild hair across their ass because of what I’m saying, all this is was the wish to have THIS PARTICULAR psycho be a bit more colorful – I can still appreciate face-biters like Hannibal Lecter and those of the restrained lunacy set.

Overall, Desolation is one of those films that had all the pieces meticulously set in place, like a house of cards… until that drunk friend stumbled into the table, sending everything crumbling down. A one-timer if you can’t find anything else readily available to watch.

  • Film
2.5

Summary

Looking for a little direction way out in the woods? Look elsewhere because this guide doesn’t have a whole lot to offer.

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User Rating 3.14 (21 votes)

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Us and Them Review – Fantastic Acting Bolsters a Tense Standoff

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Starring Jack Roth, Andrew Tiernan, Tim Bentinck, Sophie Colquhoun

Written by Joe Martin

Directed by Joe Martin


The age old debate of “Is this movie actually horror?” has been around for decades and will probably carry on for the rest of eternity. As Kristy Puchko recently tweeted, “Just because you think it’s also art doesn’t mean it’s not horror. It just means your definition of “horror” is too damn narrow.” Horror should be able to cast a wide net, just as films in the comedy and drama genres are able to. Where that goes awry is when a film simply doesn’t know its own identity, as is the case with Joe Martin’s feature-length directorial debut Us and Them.

The film follows Danny (Roth), a young man struggling in his lower class status and bristling with untapped rage at the 1% who use the downtrodden as footstools for their enterprises. Hatching a plan with his pals Tommy and Sean to break into the home of a wealthy banker, that scheme quickly becomes unraveled as thread after thread beings unraveling from the original tapestry. Determined but without a Plan B, Danny attempts to use the opportunity to drive home a message to the masses via social media to show that the 99% need to rise up against the 1% and create, as he says, some consistency. But as tensions arise within Danny, Tommy, and Sean, it’s questionable whether or not the night will end in triumphant rebellion or sadistic revenge.

Clocking in at a lean 83 minutes, Us and Them doesn’t waste any time getting straight to the point. Within the first few minutes, we’re already deep mix and ready to watch Danny take on the “man”, to see him wage war against the establishment. But as the film goes on, his mission begins to feel empty as his lack of a plan is mirrored by the misdirection of his anger towards a family that, for all intents and purposes, might be snobbish but haven’t been shown to hurt anyone personally.

This resulting conflict then raises questions about the greater fight that Danny has decided to undertake and champion. Who is the real villain of this story? Who is the hero? Who are we even supposed to care one bit about? While Danny spouts on and on about the injustices of the world, his tortuous methods are cruel and manipulative, undermining his own self-righteousness.

Us and Them practically screams its Ritchie, Tarantino, and de Palma influences. From split screen scenes to “hip” and “cool” licensed background music, Martin clearly wants to be seen in the same realm. The problem is that his script leaps around with reckless abandon in an attempt to overly explain the simple story instead of finding ways to break it into new and exciting territory.

Despite these issues, it must be said that the performances are fantastic across the board. Roth shines as Danny, torn by his own personal griefs that can easily draw sympathy, while Bentinck’s almost frothing, slobbering disdain splashes across the screen. Even with only a few lines each, both Colquhoun as Phillipa and Carolyn Backhouse, who plays her mother, Margaret, revel in their terror. And while I have my critiques about the violence Danny inflicts, I cannot deny that it is brutal and makes for a squeamish experience. Martin milks every drop of the family’s fear to great effect.

While Us and Them comes at a time when financial inequality is undeniably an issue, the film loses its purpose just as it fails to cement itself as a heist thriller, a horror home invasion, or even a black comedy. Its unwillingness to embrace any, or even all, of these genres makes it a lacking film experience.

  • Us and Them
2.5

Summary

Us and Them is anchored by stellar performances, Roth especially, but it can’t decide what it wants to be or whom it wants to champion.

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SockMonster Short Film Review – The Day The Laundry Fought Back

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Starring Briana Evigan, Derek Mears, Soso Bianchi

Directed by Wesley Alley


While some might detest the prospect of doing laundry, I personally find it quite therapeutic – the act of separating the whites from the colors, the perfect amount of detergent to spruce up that awkwardly funky favorite shirt of yours, and then there’s the dryer…a beast all its own. Too long a cycle will have your garments shrunken down to the point where they could become a fashion accessory for a chihuahua – too short will have them wet, wrinkled and limp to the touch, kind of like grandma tucked away in the basement – okay, forget that last part. But what if one day, your laundry had just enough of your shit and decided to strike back in blinding semblance?

Enter Wesley Alley’s short film, SockMonster – produced by Darren Lynn Bousman, this 4 minute front-row seat to “laundrycide” if you will stars Briana Evigan as a grieving woman who looks longingly into the tumbling cylinder of her cellar dryer, almost as if something of hers has gone missing. Crouched on a cold-slab cement floor, she awaits for the door to open as soon as the appliance has run its course…and the results are less than spring-fresh. Alley’s direction coupled with the horror know-how of Bousman all add up to a seriously fun few minutes, and toss in the towering, menacing form of one Derek Mears, and you’ve got yourself an insanely concocted quickie that only has one glaring negative – it’s too damn short! Overall, I can’t recommend this one enough to those wanting a little blood with their bleach…just make sure to use the appropriate amount of stain-lifter, or that shit will NEVER come out.

  • Film
4.0

Summary

Hate doing the wash? Well, maybe for one hot minute did you think about how much your wash hates you right back?

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User Rating 0 (0 votes)

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Who Goes There Podcast: Ep159 – Demons at the Door

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For the last year, Producer Shane has been bugging the shit out of us to give him a “Producer Shane Pick”. After doing everything in our power to get him to forget about “his pick” Shane got his wish. This week we’re discussing 2004’s Demons at the Door, a movie who’s entire soundtrack is provided by none other than the Insane Clown Posse. Yup, it’s gonna be one of those shows!

You think you’ve got what it takes? I’ve been guarding my gate for a long time, bitch. It’s the Who Goes There Podcast episode 159!

If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.

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