The Axiom Review - A Stylish and Clever Slice of Independent Horror - Dread Central
Connect with us

News

The Axiom Review – A Stylish and Clever Slice of Independent Horror

Published

on

Starring Hattie Smith, Zac Titus, Nicole Dambro

Directed by Nicholas Woods


The Axiom is an ambitious, well directed, impressively acted and stunningly shot independent horror film that has just a few, teensy little flaws holding it back from greatness (and therefore will have to settle for just being really, really good, instead).

The first thing you realize when watching The Axiom is that this is a beautiful film. Everything is framed and shot in a lush and stylish manner, but one which is always tonally appropriate for the scene.

The second thing you’ll notice, and keep noticing as the film plays out, is that the movie really struck gold with this cast. Not only is there a total lack of the sort of stilted and unnatural acting seen in countless other microbudget horror affairs, but the performances are genuinely fantastic across the board. The main characters are believably chill and relatably normal in the early scenes, and the acting remains just as impressive once things start getting a bit more… intense. It’s not often that an independent horror film has so many good performances that it makes it hard to pick the movie’s acting VIP, but that is undeniably the case here. Taylor Flowers delivers what is probably the showiest performance (and does it very well, indeed), but the entire cast really is quite good.

The central premise of the film is both interesting and original, and touches upon the real life fact (given some recent attention in the ‘Missing 411’ books and documentary) that a lot more people sure seem to go missing out in the woods than seems reasonable, while simultaneously weaving all sorts of folklore, fairy tales and urban legends into the mix. It’s also clever in the way that it very naturally reveals aspects to the relationships between characters that serve to later – or sometimes retroactively – explain some of the more questionable decisions they make or attitudes they display. While that may sound like screenwriting 101, it’s surprising how many films fail to do this. The Axiom rewards the viewer’s attention in other ways as well, with many aspects of the movie that initially feel odd or unnatural receiving reasonable explanations (within the context of the movie) by the end. It’s not quite as challenging (or as rewarding) in this regard as, say, something like Session 9, but it does add a nice layer of complexity to the storytelling.

The film’s score, by Leo Kaliski, is also quite good. There may be a moment here or there where the music hits an overly familiar beat, but overall it not only fits the movie’s tone, but does quite a bit to help set that tone as well.

The only thing that I don’t feel the movie quite pulls off – and I’m trying to be vague here, because I feel like the less you know going into this film, the better – is some of the makeup effects work. The gore stuff is very well executed, but some of the other stuff feels like it was crafted with the intention of shooting it in a more… stylized manner. Instead, filmed as it is here, the result is sometimes less than impressive and can fail to make the impact that the movie seems to be implying that it should. And while some of what the makeup effects lack in execution is made up for with the ingenuity and creativity of their design, it’s still a bit of a shame when they don’t quite pull them off because, aside from a few niggles that I have with the writing, the effects are the only aspect of the film that occasionally fails to live up to the high level of technical proficiency that The Axiom otherwise demonstrates.

ADDITIONAL THOUGHTS:

  • Man, the acting in this movie is really good. The dialogue may stumble once or twice, but these actors always sell it anyway.
  • Give back Mia Sara’s DNA, Hattie Smith!
  • If you’re going to put your female lead in shorts this small, I hope you’re not sensitive to viewers unleashing a nonstop parade of “Has anyone seen my pants / OH GOD WHERE ARE MY PANTS!” jokes.
  • “You just pop this here ‘Blair Witch Stick Person / Anarchy sign’ sticker up on that there windshield of yours, and them park rangers? Well – heh heh – they won’t bother you none, no sir.” Hmmmmm…
  • The film really is shot amazingly well – better than a lot of mainstream releases. Cinematographer Sten Olson has a real future ahead of him.
  • As does writer / director Nicholas Woods, for that matter. Any director who can get this level of quality out of their cast and crew on their first ever film is someone to keep an eye on.
  • “I’ll make a run for it and get help,” says the female lead, and I’m like “Yeah, let her go – she has no pants to weigh her down.”
  • The gore effects in the movie are both realized and utilized very well.
  • Welcome back to horror movies, “I’ll be right back” dialogue spoken unironically by and/or to ill-fated characters.
  • The Axiom
4.0

Summary

In the end, The Axiom is a solid and entertaining flick that manages to wring a level of quality and originality out of the somewhat tired “Don’t Go in the Woods” horror subgenre not seen since 2012’s Cabin in the Woods. The cinematography and acting are hugely impressive, it features a nice, unnerving score, the premise is original and captivating, and the whole thing moves at a nice pace that helps keep the film’s flaws from dragging it down.

Sending
User Rating 3.95 (20 votes)
Continue Reading
Comments

News

Go Christmas Caroling with The Killing of a Sacred Deer

Published

on

Given that I personally have gone Christmas caroling with various lunatics hopped up on eggnog, what the hell… why not go Christmas caroling with The Killing of a Sacred Deer? Dig on this latest clip!

Look for the flick starring Colin Farrell (Best Actor in a Motion Picture – Musical or Comedy, In Bruges, 2009) and co-starring Oscar winner Nicole Kidman (Best Actress, The Hours, 2003) to hit Blu-ray, DVD, and digital on January 23rd. Yorgos Lanthimos directs.

Special features include “An Impossible Conundrum” featurette, and the package will be priced at $24.99 and $19.98, respectively.

Synopsis:
Dr. Steven Murphy (Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife, Anna (Kidman), and their two exemplary children, 12-year-old Bob (Sunny Suljic) and 14-year-old Kim (Raffey Cassidy). Lurking at the margins of Steven’s idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen he has covertly taken under his wing.

As Martin begins insinuating himself into the family’s life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter the Murphy family’s domestic bliss.

Continue Reading

News

Which Monsters May Be Making Their TV Debut in Junji Ito Collection?

Published

on

Studio Deen’s highly-anticipated anime anthology Junji Ito Collection has been building buzz, especially since its new teaser dropped weeks ago. Eagle-eyed fans who are well-acquainted with horror mangaka Junji Ito’s body of work will spot some familiar faces in the new trailer, brought to the small screen by showrunner Shinobu Tagashira.

So, who among Ito’s famous menagerie of monsters may be making an appearance in the show when it airs next year?

Oshikiri Toru

Oshikiri is the morally-questionable highschooler who begins to question his perception of reality in Hallucinations, a series of some loosely connected one-shots. Oshikiri’s a little on the short side, with an even shorter fuse. One thing he’s not short on is moneyas evidenced by his impressive, albeit creepy, mansion. We’ve yet to see which of his adventureswhich range from murder to parallel dimensionswill be his television debut.

Yuuko

The once-chatty Yuuko falls ill and sees her worst fears come to pass in Slug Girl, the famous one-shot whose brand of body horror is sure to feel like a distant cousin (or maybe a predecessor?) to Uzumaki‘s “The Snail” chapter. It offers little in the way of answers but is best enjoyed in all its bizarre glory.

The Intersection Bishounen

In Lovesick Dead, one of Ito’s longer standalone stories, an urban legend causes a rash of suicides when young girls begin to call upon a mysterious, black-clad spirit called the Intersection Bishounen. The custom catches on quickly among teenagers, out late and eager for him to tell them their fortune in life and love, since his advice is to die for. Literally.

Souichi Tsujii

A long-running recurring character in Ito’s manga (probably second only to Tomie herself), you’ll know Souichi by the nails he sucks on or sticks out of his moutha strange habit borne out of an iron deficiency. He’s an impish kid whose fascination with the supernatural makes him the odd man out in an otherwise normal family. The morbid pranks he likes to playfunny only to him—don’t do much to endear him to his peers or relatives, either.

Fuchi

The titular character in Fashion Model, Fuchi works as a professional model for her, shall we say, unique look and Amazonian stature. When she and another actress are hired by a crew of indie filmmakers, Fuchi shows them that she doesn’t like sharing the limelight. She also makes a cameo in a couple of Souichi’s stories, and in them he finds her genuinely attractive. Beauty, after all, is in the eye of the beholder.

Continue Reading

News

Nemo Rising Signing Happening at Dark Delicacies on December 23

Published

on

Author C. Courtney Joyner will be signing copies of his new book Nemo Rising at Burkank’s Dark Delicacies horror store on Saturday, December 23 at 4pm. You can get the full details of the event and directions on Dark Delicacies’ website.

Nemo Rising will be a sequel to Jules Verne’s 1870 masterpiece Twenty Thousand Leagues Under the Sea, and will see President Ulysses S. Grant recruiting the notorious Captain Nemo to destroy a gigantic sea monster which has been responsible for sinking ships. The gigantic eight-tentacled mollusc can be seen on the book’s cover below, and it looks like Nemo will have his work cut out for him.

Joyner also worked on the screenplays for the Full Moon films Doctor Mordrid and Puppet Master vs Demonic Toys, whilst his previous books include Hell Comes To Hollywood and the Shotgun series. If you can’t make it to the signing, Nemo Rising will be released in the US on December 26, and in the UK on January 13.

Nemo Rising Dark Delicacies Signing Details:
​Nemo Rising will be released on hardcover from Tor Books on December 26th, 2017.

JUST ANNOUNCED: On December 23rd at 4:00 PM, C. Courtney Joyner will sign copies of NEMO RISING at Dark Delicacies in Burbank, California!

C. COURTNEY JOYNER is an award-winning writer of fiction, comics, and screenplays. He has more than 25 movies to his credit, including the cult films Prison, starring Viggo Mortensen; From a Whisper to a Scream, starring Vincent Price; and Class of 1999, directed by Mark Lester. A graduate of USC, Joyner’s first produced screenplay was The Offspring, which also starred Vincent Price. Joyner’s other scripts have included TV movies for CBS, USA, and Showtime. He is the author of The Shotgun western series and Nemo Rising.

Continue Reading

Recent Comments

Advertisement

Go Ad Free!

Support Dread Central on Patreon!

Join the Box of Dread Mailing List

* indicates required

Trending