Fantasia 2014: New Artwork; First Wave Titles Include Among the Living, Monsterz, Predestination, Cybernatural, The Harvest, Suburban Gothic, Killers, and More! - Dread Central
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Fantasia 2014: New Artwork; First Wave Titles Include Among the Living, Monsterz, Predestination, Cybernatural, The Harvest, Suburban Gothic, Killers, and More!

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Fantasia 2014: New Artwork; First Wave Titles Include Among the Living, Monsterz, Predestination, Cybernatural, The Harvest, Suburban Gothic, Killers, and More!The grandaddy of all film fests, Fantasia 2014, is set to kick off on July 17th, and we have this year’s artwork to share along with the first wave of event and film announcements.

From the Press Release:
The 18th annual Fantasia International Film Festival is gearing up to take Montreal by storm with three weeks of inspiration and excitement starting July 17 until August 5, 2014. Our full 2014 lineup of programming and special events will be revealed shortly, but in the meantime here’s an early First Wave Announcement of several selected highlights and info to whet your appetite.

For this year’s edition and onwards, Fantasia will be returning to the freshly renovated Concordia Hall Cinema as its main base, which now features an even larger screen, new seating, and upgraded projection and sound.

UNVEILING OUR 2014 POSTER ART: FANTASIA PAYS TRIBUTE TO THREE LEGENDARY FIGURES OF THE FANTASTIC
On May 7 of last year, Ray Harryhausen, filmmaker and stop-motion special effects pioneer, passed away at the age of 92. Mr. Harryhausen created some of the most beloved and innovative fantastic film imagery of all time in such classics as THE 7th VOYAGE OF SINBAD and JASON AND THE ARGONAUTS. He was the last surviving member of a trio of equally famous friends who met in the late 1930s at a science-fiction association and went on to become the founding fathers of modern-day genre invention and appreciation. The other two figures were renowned author Ray Bradbury (FARENHEIT 451, THE ILLUSTRATED MAN, SOMETHING WICKED THIS WAY COMES) and journalist Forrest J Ackerman, editor and principal writer of the groundbreaking American genre film magazine FAMOUS MONSTERS OF FILMLAND and possibly the world’s most avid collector of fantasy books and cinema memorabilia. Their friendship evolved over seven decades, in which their affection for each other never diminished as they kept in touch and appeared in their later years at conventions, joyously sharing amazing stories with adoring fans young and old.

Through their work and energy, Harryhausen, Bradbury, and Ackerman have inspired many of the leading figures of genre cinema in recent decades, from George Lucas and Steven Spielberg to James Cameron, John Landis, Peter Jackson, Joe Dante, and Tim Burton. In 2005 Ray Harryhausen was the first recipient of Fantasia’s Lifetime Achievement Award.

The poster art is also inspired by an old legend from Québecois folklore — La Chasse Galerie (otherwise known as “the Bewitched Canoe”) — in which lumberjacks, far away from their loved ones on New Year’s Eve, struck a deal with the devil to provide them with a means of quick transport over a great distance to their families. The devil obliged in providing them with a flying canoe, which he himself piloted. In the background you can also see the festival’s black horse, itself inspired by another local folktale, the legend of the Cheval Noir. Fantasia has adopted the black horse as its emblematic symbol for the prize awarded by the main jury to the best film. We love the idea of fusing Québec folklore with the roots of modern genre creation and appreciation.

Fantasia’s 2014 poster art was created by award-winning Quebec illustrator Donald Caron.

Fantasia 2014: New Artwork; First Wave Titles Include Among the Living, Monsterz, Predestination, Cybernatural, The Harvest, Suburban Gothic, Killers, and More!

A LIFETIME ACHIEVEMENT AWARD FOR MAMORU OSHII
A towering and truly unique figure in Japanese animation, director Mamoru Oshii will be a recipient of Fantasia’s Lifetime Achievement Award. From pioneering OVAs DALLOS and the haunting ANGEL’S EGG, and of course the beloved PATLABOR series of the 1980s, through the dramatically influential global hit GHOST IN THE SHELL in the mid-’90s to its award-winning sequel and other powerful, pensive works in the new millennium (SKY CRAWLERS, AVALON), Oshii has consistently strived to bring new ideas and in fact a whole new attitude to anime. With his meticulous and idiosyncratic near-future thrillers and dramas, linked by persistent themes, motifs and concerns, Oshii asserts a complex, deeply thoughtful and decidedly adult sensibility — while maintaining the highest technical standards in the field (and hardly confining his efforts to animation). In seeking a path to call his own, Oshii has blazed a trail for fantastic entertainment worldwide to follow.

Mamoru Oshii will be receiving his award on our opening night, July 17, before a special screening of the new HD master of GHOST IN THE SHELL, being re-issued by Manga Entertainment and Anchor Bay Entertainment in celebration of the 25th Anniversary of the original manga’s publication. This will be the first time the GITS HD print has been made available outside of Japan, lovingly restored, unadulterated, and awe-inspiring in its beauty.

OPENING FILM: JACKY IN THE KINGDOM OF WOMEN (JACKY AU ROYAUME DES FILLES)
Fantasia 2014 will launch with the Canadian premiere of JACKY IN THE KINGDOM OF WOMEN (Jacky au royaume des filles), a sharp political satire from comic book genius Riad Sattouf (LES BEAUX GOSSES) that took the Rotterdam Film Festival by storm. Set in the Democratic Republic of Bubunne, where women lead and men are obligated to wear a veil and serve them, this subversive black comedy follows Jacky (Vincent Lacoste), a one-of-a-kind Cinderella, who wishes to marry the powerful and gorgeous Colonel (Charlotte Gainsbourg), daughter of the country’s leader (Anémone). You don’t think when you’re in love; you push on and sometimes accidentally set off a coup d’état. The provocative and smart JACKY IN THE KINGDOM OF WOMEN couldn’t be more timely, urgent, or funny.

CENTERPIECE PRESENTATION: GUARDIANS OF THE GALAXY
Fantasia will hold a special screening of the hotly anticipated new instalment in the Marvel Cinematic Universe, starring Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Vin Diesel and Bradley Cooper, directed by none other than James Gunn (SUPER, SLITHER) and presented in dazzling 3D.

ADDITIONAL FIRST WAVE ANNOUNCEMENTS INCLUDE:
AMONG THE LIVING

France Dir: Alexandre Bustillo, Julien Maury
Leave it to the makers of INSIDE and LIVID to rework STAND BY ME as the horror film Stephen King always knew it could be. A tribute to ’80s cinema turned completely on its head, then decapitated. A standout at SXSW and the Brussels Fantastic Film Festival. Canadian Premiere

ANGRY VIDEO GAME NERD: THE MOVIE
USA Dir: Kevin Finn, James D. Rolfe
He is the enemy of the weak and wasteful, of garbage gameplay and lousy graphics, the one and only Angry Video Game Nerd! James D. Rolfe’s longstanding hit web series powers up to its big-screen debut! International Premiere

BOYHOOD
USA Dir: Richard Linklater
Over a decade ago, Richard Linklater assembled a cast he would film over a dozen years to tell an utterly authentic tale of American childhood and adolescence. Many critics already call it one of the year’s best films, and so will you. Winner of the Silver Bear at the 2014 Berlin Film Festival and the Lone Star Award at SXSW 2014, this unique coming of age drama will launch the fifth edition of Fantasia’s Camera Lucida section. Quebec Premiere

BROS BEFORE HOS
Netherlands Dir: Steffen Haars, Flip Van der Kuil
Following the awful breakup of their parents’ marriage, two brothers seal a pact that neither shall ever enter into a serious relationship with a woman. The Netherland’s renegade NEW KIDS team returns, still riotous and right on the edge of good taste. International Premiere

CYBERNATURAL
USA Dir: Leo Gabriadze
On the anniversary of a teen’s suicide, the six cyberbullies responsible meet online for a group chat. A seventh, anonymous participant joins them. Told entirely by way of a character’s computer screen, CYBERNATURAL brilliantly nails the ways in which we communicate and present ourselves online, hitting hard with a new kind of horror for an increasingly connected-yet-disconnected world. Produced by Timur Bekmambetov (WANTED, NIGHTWATCH). World Premiere

CROWS EXPLODE
Japan Dir: Toshiaki Toyoda
Fists will fly and beatings will abound, but the greatest battles are always in the hearts of the sneering, delinquent punks of the notorious Suzuran All-Boys High School. After Takashi Miike, it’s now BLUE SPRING director Toshiaki Toyoda’s turn to make a knuckle mark on the CROWS ZERO franchise. North American Premiere

DEALER
France Dir: Jean Luc Herbulot
Directed with volcanic energy, DEALER is a sturdy thriller that drags its audience full-steam ahead through a Parisian underbelly filled with hoods and thugs, marking the powerful arrival of one of the most promising new voices in French genre cinema. A feature-film baptism filled with noise and fury. World Premiere

GIOVANNI’S ISLAND
Japan Dir: Mizuho Nishikubo
A gracefully executed anime from Production I.G, examining the struggles of the Japanese in the immediate aftermath of World War II from the perspective of a child. As beautiful as it is devastating, GIOVANNI’S ISLAND received a Jury Mention at the prestigious Annecy International Animation Film Festival. Canadian Premiere

THE HARVEST
USA Dir: John McNaughton
A surprising story told in twists, tears. and blood, maverick HENRY: PORTRAIT OF A SERIAL KILLER / WILD THINGS filmmaker John McNaughton’s long-awaited return stars Samantha Morton, Michael Shannon, Charlie Tahan, and Peter Fonda and exists in a disquieting median space between sinister fairy tale and shattering human horror. International Premiere

HAN GONG-JU
South Korea Dir: Lee Su-jin
A troubled teenage girl flees her past — is she guilty or a victim? A multiple prize winner, notably attaining the Silver Tiger Award at this year’s Rotterdam International Film Festival, HAN GONG-JU is a magnificent yet devastating debut feature of incredible narrative virtuosity. Canadian Premiere

THE HUNTRESSES
South Korea Dir: Park Jae-hyun
A trio of daring and dangerous bounty-hunting beauties find themselves in a high-risk, high-stakes game of subterfuge and swordplay in medieval Korea. A rousing and fast-paced action-adventure with a dash of romance and a barge-load of slapstick laughs! International Premiere

I ORIGINS
USA Dir: Mike Cahill
From the director and star (Brit Marling) of ANOTHER EARTH comes another science fiction drama about a molecular biologist and his partner, whose unique experiments may change the nature of society itself. Canadian Premiere

INTO THE STORM
USA Dir: Steven Quayle
In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot. Quebec Premiere

KILLERS
Indonesia/Japan Dir: The Mo Brothers
Two serial killers. One likes to kill, the other seeks justice. The problem is, the first one is mentoring the latter… Social media will bring a storm of blood over both Tokyo and Jakarta in this shocking yet incredibly smart horror thriller in the vein of THE CHASER and COLD FISH that floored audiences at Sundance. Canadian Premiere

KITE
USA/Mexico Dir: Ralph Ziman
The controversial and influential anime finally sees a live-action adaptation, stylishly directed by award-winning South African filmmaker Ralph Ziman (JERUSALEMA) and backed by a cast that features Samuel L. Jackson, Callan McAuliffe, and India Eisley. The film succeeds brilliantly in blending the elements that made the original material a mythical piece of art. International Premiere

LIVE
Japan Dir: Noboru Iguchi
When his mother is kidnapped and a stranger calls, Naoto is thrust into a public triathlon of death. DEAD SUSHI director Noboru Iguchi’s running go at the survival-race genre is loveably lurid, super-sanguinary fun. North American Premiere

THE MAN IN THE ORANGE JACKET
Latvia Dir: Aik Karapetian
A laid-off worker kills his ex-boss in cold blood and assumes his lifestyle. The good times will be short-lived, however, as things are about to take an unexpected turn. In a similar vein than Polanski’s THE TENANT, Armenian filmmaker Aik Karapetian’s audacious slasher is this year’s most groundbreaking work of dramatic horror. World Premiere

THE MIDNIGHT SWIM
USA Dir: Sarah Adina Smith
Spirit Lake is unusually deep. No diver has ever managed to find the bottom. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home. They find themselves unable to let go and become drawn into the mysteries of the lake. A phantasmagoric atmosphere reminiscent of PICNIC AT HANGING ROCK emanates from this brilliant debut feature debut. World Premiere

MISS GRANNY
South Korea Dir: Hwang Dong-hyeuk
74-Year-old grandmother Oh Mal-soon has been magically transported into the body of her 20-year-old self. Seizing the opportunity to relive a youth she sacrificed in the name of her child, she sets out to explore a world of new possibilities. And it includes K-Pop… Canadian Premiere

MONSTERZ
Japan Dir: Hideo Nakata
A sinister sociopath with psychic powers squares off against a cheerful everyman with a secret of his own. The 2010 South Korean superhero/horror hybrid HAUNTERS, remade by Japanese cult director Hideo Nakata (RINGU), with stars Tatsuya Fujiwara (SHIELD OF STRAW) and Takayuki Yamada (CROWS ZERO). Canadian Premiere

ONCE UPON A TIME IN SHANGHAI
Hong Kong Dir: Wong Ching-Po
Opium and kung fu! The glory days of old Shanghai — or are they? Two generations of true kung fu experts collide in the spectacular martial arts feast with breathtaking choreography by Yuen Woo-Ping and Yuen Cheung-Yan! Canadian Premiere

PREDESTINATION
Australia Dirs: Michael Spierig, Peter Spierig
Time, place, and identity get folded, spindled, and mutilated in the mind-bending new film from Australia’s Spierig Bros (UNDEAD, DAYBREAKERS), a noir-tinted sci-fi thriller with a soul, starring Ethan Hawke, Noah Taylor, and Sarah Snook. Canadian Premiere

PUZZLE
Japan Dir: Eisuke Naito
The staff and students at Noriaki Hill High School have been given a game to play, one in which mistakes can be fatal. A giddy, gory brain-twister of a teen survival thriller, in which vengeance is as much a first step as a final solution. North American Premiere

THE RECONSTRUCTION OF WILLIAM ZERO
USA Dir: Dan Bush
A scientist awakens from a coma in the care of his twin brother, but neither may be exactly who they first appear to be. A cinematic jigsaw puzzle that delves into the darker side of science fiction, THE RECONSTRUCTION… marks the return of Dan Bush (2008’s THE SIGNAL) and stars Conal Byrne, Amy Seimetz, and A.J. Bowen. World Premiere

THE RUN
Malaysia Dir: Ahmad Idham
A former soldier sets out to avenge his family in this slam-bang Malaysian effort, bursting with spectacular stunts and fights, showcasing Aaron Aziz. THE RUN is an action-packed gem that wants only one thing: to blow your face off. International Premiere

SUBURBAN GOTHIC
USA Dir: Richard Bates Jr
EXCISION director Richard Bates Jr is back with an eccentric comedy/horror that stars Matthew Gray Gubler, Kat Dennings, Ray Wise, Sally Kirkland, Jeffrey Combs, and John Waters and riffs on everything from classic supernatural horror and outsider teen comedies to the Hardy Boys and Scooby-Doo. World Premiere

THE SEARCH FOR WENG WENG
Australia/Philippines Dir: Andrew Leavold
Andrew Leavold documents his unrelenting six-year quest to discover ever more about the extraordinary 2-ft 9-in tall actor-stuntman Weng Weng and the weird and wonderful world of 1970s Filipino cinema. North American Premiere

SWEET POOLSIDE
Japan Dir: Daigo Matsui
Two swim-team members, a hairless boy and a hirsute girl, discover the pangs and tangles of first love in SWEET POOLSIDE, one of the most astute examination of adolescence to screen in a long time. North American Premiere

THE WHITE STORM
Hong Kong Dir: Benny Chan
Hopping from Hong Kong to Thailand to Macau, blending hard-hitting action with powerful drama, Benny Chan’s vividly stylish THE WHITE STORM is a sprawling, absorbing crime flick in the classic Hong Kong tradition. Canadian Premiere

YASMINE
Brunei Darussalam Dir: Siti Kamaluddin
YASMINE is a one-two combo of sports drama and coming of age story in the vein of THE KARATE KID. First time director Siti Kamaluddin, newcomer actress Liyana Yus, and veteran action choreographer Chan Man Ching form a winning team in this dynamic feel good film. The cinema of Brunei Darussalam makes a regal entry at Fantasia! North American Premiere

The festival’s full lineup of screenings and events will be announced on July 10. For more info in the meantime visit the official Fantasia 2014 website.

Fantasia 2014: New Artwork; First Wave Titles Include Among the Living, Monsterz, Predestination, Cybernatural, The Harvest, Suburban Gothic, Killers, and More!

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Check Out the Opening 2 Minutes of Another WolfCop

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It was just earlier today that we brought you guys The Dude Design’s the newest poster for writer-director Lowell Dean’s horror-comedy sequel Another WolfCop.

And now we have the movie’s opening 2 minutes!

The clip showcases the new flick’s villain trying to sell us on his “Chicken Milk Beer” before losing his cool and taking it out the commercial’s crew. We then cut to a ragtag group of criminals, dressed as homeless Santas trying to outrun the cops.

A fun two-minutes if you ask me!

You can check out Another WolfCop‘s opening scene below and then make sure to hit us up and let us know what you think in the comments below or on social media!

The film is written and directed by Lowell Dean, produced by Bernie Hernando, Deborah Marks, and Hugh Patterson, and distributed worldwide by Cineplex.

Another WolfCop co-stars Amy Matysio, Jonathan Cherry, and Serena Miller. The film also features special appearances from Canadian music icon Gowan and legendary filmmaker Kevin Smith. It was executive produced by Sean Buckley, J. Joly, Bill Marks, Brian Wideen, Michael Kennedy, and Michael Hirsch.

The film is slated for a wide Cineplex theatrical release on Friday, December 8, 2017, with the film seeing a Blu-ray/DVD/Digital home entertainment release through A71 and Black Fawn in 2018.

Synopsis:

A month has passed since the eclipse transformed hard-drinking Officer Lou Garou into the crime-fighting hellion WolfCop. Although the Shape Shifters controlling the town have been extinguished, Woodhaven is far from returning to normal. Lou’s liquor-fueled antics and full moon outbursts are seriously testing his relationship with Officer Tina Walsh – the new Chief of Police. An old friend has mysteriously reappeared with a truly bizarre secret to share, and a homicidal new villain has emerged from the shadows looking to finish what the Shape Shifters started. To defeat this lethal adversary, it will take more than a lone wolf packing a pistol.

Prepare for the next chapter of WolfCop that will be more dirty and hairy than the original! Consider yourself warned.

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The Axiom Review – A Stylish and Clever Slice of Independent Horror

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Starring Hattie Smith, Zac Titus, Nicole Dambro

Directed by Nicholas Woods


The Axiom is an ambitious, well directed, impressively acted and stunningly shot independent horror film that has just a few, teensy little flaws holding it back from greatness (and therefore will have to settle for just being really, really good, instead).

The first thing you realize when watching The Axiom is that this is a beautiful film. Everything is framed and shot in a lush and stylish manner, but one which is always tonally appropriate for the scene.

The second thing you’ll notice, and keep noticing as the film plays out, is that the movie really struck gold with this cast. Not only is there a total lack of the sort of stilted and unnatural acting seen in countless other microbudget horror affairs, but the performances are genuinely fantastic across the board. The main characters are believably chill and relatably normal in the early scenes, and the acting remains just as impressive once things start getting a bit more… intense. It’s not often that an independent horror film has so many good performances that it makes it hard to pick the movie’s acting VIP, but that is undeniably the case here. Taylor Flowers delivers what is probably the showiest performance (and does it very well, indeed), but the entire cast really is quite good.

The central premise of the film is both interesting and original, and touches upon the real life fact (given some recent attention in the ‘Missing 411’ books and documentary) that a lot more people sure seem to go missing out in the woods than seems reasonable, while simultaneously weaving all sorts of folklore, fairy tales and urban legends into the mix. It’s also clever in the way that it very naturally reveals aspects to the relationships between characters that serve to later – or sometimes retroactively – explain some of the more questionable decisions they make or attitudes they display. While that may sound like screenwriting 101, it’s surprising how many films fail to do this. The Axiom rewards the viewer’s attention in other ways as well, with many aspects of the movie that initially feel odd or unnatural receiving reasonable explanations (within the context of the movie) by the end. It’s not quite as challenging (or as rewarding) in this regard as, say, something like Session 9, but it does add a nice layer of complexity to the storytelling.

The film’s score, by Leo Kaliski, is also quite good. There may be a moment here or there where the music hits an overly familiar beat, but overall it not only fits the movie’s tone, but does quite a bit to help set that tone as well.

The only thing that I don’t feel the movie quite pulls off – and I’m trying to be vague here, because I feel like the less you know going into this film, the better – is some of the makeup effects work. The gore stuff is very well executed, but some of the other stuff feels like it was crafted with the intention of shooting it in a more… stylized manner. Instead, filmed as it is here, the result is sometimes less than impressive and can fail to make the impact that the movie seems to be implying that it should. And while some of what the makeup effects lack in execution is made up for with the ingenuity and creativity of their design, it’s still a bit of a shame when they don’t quite pull them off because, aside from a few niggles that I have with the writing, the effects are the only aspect of the film that occasionally fails to live up to the high level of technical proficiency that The Axiom otherwise demonstrates.

ADDITIONAL THOUGHTS:

  • Man, the acting in this movie is really good. The dialogue may stumble once or twice, but these actors always sell it anyway.
  • Give back Mia Sara’s DNA, Hattie Smith!
  • If you’re going to put your female lead in shorts this small, I hope you’re not sensitive to viewers unleashing a nonstop parade of “Has anyone seen my pants / OH GOD WHERE ARE MY PANTS!” jokes.
  • “You just pop this here ‘Blair Witch Stick Person / Anarchy sign’ sticker up on that there windshield of yours, and them park rangers? Well – heh heh – they won’t bother you none, no sir.” Hmmmmm…
  • The film really is shot amazingly well – better than a lot of mainstream releases. Cinematographer Sten Olson has a real future ahead of him.
  • As does writer / director Nicholas Woods, for that matter. Any director who can get this level of quality out of their cast and crew on their first ever film is someone to keep an eye on.
  • “I’ll make a run for it and get help,” says the female lead, and I’m like “Yeah, let her go – she has no pants to weigh her down.”
  • The gore effects in the movie are both realized and utilized very well.
  • Welcome back to horror movies, “I’ll be right back” dialogue spoken unironically by and/or to ill-fated characters.
  • The Axiom
4.0

Summary

In the end, The Axiom is a solid and entertaining flick that manages to wring a level of quality and originality out of the somewhat tired “Don’t Go in the Woods” horror subgenre not seen since 2012’s Cabin in the Woods. The cinematography and acting are hugely impressive, it features a nice, unnerving score, the premise is original and captivating, and the whole thing moves at a nice pace that helps keep the film’s flaws from dragging it down.

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User Rating 3.9 (10 votes)
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Hotel Transylvania 3: Summer Vacation – First Trailer and Artwork!

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As a fan of flicks like Mad Monster Party, I was surprisingly pleased with the last two Hotel Transylvania affairs. For my money you can put the classic monsters in just about anything, and I’ll watch it happily, and these animated features feel like a natural progression of the 1967 Rankin and Bass classic. Which is why I’m looking forward to Hotel Transylvania 3: Summer Vacation, and if you are too, check out the film’s new trailer and poster.

Directed by Genndy Tartakovsky, who co-wrote the film with Michael McCullers, Hotel Transylvania 3: Summer Vacation features the voices of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, Keegan-Michael Key, and Mel Brooks.

Look for it in theaters on July 13, 2018.

Synopsis:
In Sony Pictures Animation’s Hotel Transylvania 3: Summer Vacation, join our favorite monster family as they embark on a vacation on a luxury monster cruise ship so Drac can take a summer vacation from providing everyone else’s vacation at the hotel. It’s smooth sailing for Drac’s Pack as the monsters indulge in all of the shipboard fun the cruise has to offer, from monster volleyball to exotic excursions, and catching up on their moon tans.

But the dream vacation turns into a nightmare when Mavis realizes Drac has fallen for the mysterious captain of the ship, Ericka, who hides a dangerous secret that could destroy all of monsterkind.

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