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Ghost Brothers of Darkland County Embarking on a Cross-Country Tour This Fall

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Ghost Brothers of Darkland County Embarking on a Cross-Country Tour This FallThe Southern Gothic, supernatural musical Ghost Brothers of Darkland County, written by Stephen King with music and musical direction by John Mellencamp and T Bone Burnett, respectively, will tour across North America this fall.

The tour kicks off right outside Bangor at the Collins Center for the Arts in Orono, Maine, on November 8, traveling through cities such as Toronto, Chicago, New York, and Los Angeles before wrapping in San Francisco on December 5.

Tickets for the performances go on sale June 20 at AXS.com unless otherwise noted.

From the Press Release:
This extraordinary collaboration 16 years in the making is a haunting tale of fraternal love, lust, jealousy, and revenge, performed by an ensemble cast of 15 actors and a four-piece live band, comprised of members of John Mellencamp’s band. The staging of Ghost Brothers is an amalgam of different styles – both old fashioned, resembling an old-style radio show, and yet, modern and unique in its interactive use of storytelling, music, and singing to move the macabre Ghost Brothers story forward.

The story goes that Joe McCandless saw his two older brothers battle over a girl, which ended in the unfortunate deaths of all three. Now, with Joe as an adult and two boys of his own, he’s watching an all too familiar scenario play out before his eyes. As the story continues, a malevolent Shape circles the stage, singing about heaven and hell. Joe McCandless lingers in the dream-land café, remembering the events of his life, and is urged to action by the friendly bartender.

In 2007 he goes to his family cabin in Darkland County, Mississippi, where his brothers died in 1967, to tell his own sons, Frank and Drake, his tale of brotherly love gone sour. With his sons at each other’s throats, Joe’s story will either save or destroy the McCandless family. Will Joe bring himself to tell the truth in time to save his own sons? Find out whether the ghosts left behind will help him—or tear the McCandless family apart forever.

After Mellencamp brought the story idea to King and the musical developed, it became clear to the collaborators that Ghost Brothers had taken them into unfamiliar territory — and they liked it that way. “John can make rock & roll records and I can write books for the rest of our lives,” says King, “but that’s the safe way to do it, and that’s no way to live if you want to stay creative. We were willing to be educated, and at our age that’s an accomplishment.” Eventually they enlisted T Bone Burnett, who produced Mellencamp’s last two albums as well as Grammy-winning albums like “O Brother, Where Art Thou?” and the Robert Plant-Alison Krauss collaboration “Raising Sand”, to bring his signature shadowy ambience to the music.

Throughout the production the eerie blues ‘n roots music reveals the inner workings of the characters as opposed to just propelling the play’s narrative, with only a few songs directly advancing the plot. Acclaimed director Susan Booth, the Jennings Hertz Artistic Director, who calls the musical “a kind of new age traveling medicine show,” explains, “I want the emphasis to be on this fantastic score and our great singers and how the story advances us from song to song. In most musicals the songs advance the narrative. With Ghost Brothers, the story will advance the songs.”

Below are the dates and locations; for more info visit the official Ghost Brothers of Darkland County website.

Nov 8 – Orono, ME – Collins Center for the Arts
Nov 9 – Orono, ME – Collins Center for the Arts
Nov 11 – Toronto, ON – Massey Hall
Nov 13 – Philadelphia, PA – Merriam Theatre*
Nov 14 – Durham, NC – Durham Performing Arts Center
Nov 15 – Washington, DC – Warner Theatre
Nov 16 – Baltimore, MD – The Modell Performing Arts Center at the LYRIC
Nov 18 – Red Bank, NJ – Count Basie Theatre
Nov 20 – Portland, ME – Merrill Auditorium
Nov 21 – Boston, MA – Emerson Colonial Theatre
Nov 22 – Providence, RI – The VETS**
Nov 24 – New York, NY – Beacon Theatre
Nov 26 – Detroit, MI – Fisher Theatre
Nov 28 – Chicago, IL – Broadway in Chicago’s Oriental Theatre
Nov 29 – St. Louis, MO – Peabody Opera House
Dec 1 – Denver, CO – Temple Hoyne Buell Theatre
Dec 3 – Phoenix, AZ – Orpheum Theatre
Dec 4 – Los Angeles, CA – Saban Theatre
Dec 5 – San Francisco, CA – SHN Curran Theatre

*Philadelphia goes on sale June 27
**Providence goes on sale June 19

Ghost Brothers of Darkland County

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Check Out the Opening 2 Minutes of Another WolfCop

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It was just earlier today that we brought you guys The Dude Design’s the newest poster for writer-director Lowell Dean’s horror-comedy sequel Another WolfCop.

And now we have the movie’s opening 2 minutes!

The clip showcases the new flick’s villain trying to sell us on his “Chicken Milk Beer” before losing his cool and taking it out the commercial’s crew. We then cut to a ragtag group of criminals, dressed as homeless Santas trying to outrun the cops.

A fun two-minutes if you ask me!

You can check out Another WolfCop‘s opening scene below and then make sure to hit us up and let us know what you think in the comments below or on social media!

The film is written and directed by Lowell Dean, produced by Bernie Hernando, Deborah Marks, and Hugh Patterson, and distributed worldwide by Cineplex.

Another WolfCop co-stars Amy Matysio, Jonathan Cherry, and Serena Miller. The film also features special appearances from Canadian music icon Gowan and legendary filmmaker Kevin Smith. It was executive produced by Sean Buckley, J. Joly, Bill Marks, Brian Wideen, Michael Kennedy, and Michael Hirsch.

The film is slated for a wide Cineplex theatrical release on Friday, December 8, 2017, with the film seeing a Blu-ray/DVD/Digital home entertainment release through A71 and Black Fawn in 2018.

Synopsis:

A month has passed since the eclipse transformed hard-drinking Officer Lou Garou into the crime-fighting hellion WolfCop. Although the Shape Shifters controlling the town have been extinguished, Woodhaven is far from returning to normal. Lou’s liquor-fueled antics and full moon outbursts are seriously testing his relationship with Officer Tina Walsh – the new Chief of Police. An old friend has mysteriously reappeared with a truly bizarre secret to share, and a homicidal new villain has emerged from the shadows looking to finish what the Shape Shifters started. To defeat this lethal adversary, it will take more than a lone wolf packing a pistol.

Prepare for the next chapter of WolfCop that will be more dirty and hairy than the original! Consider yourself warned.

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The Axiom Review – A Stylish and Clever Slice of Independent Horror

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Starring Hattie Smith, Zac Titus, Nicole Dambro

Directed by Nicholas Woods


The Axiom is an ambitious, well directed, impressively acted and stunningly shot independent horror film that has just a few, teensy little flaws holding it back from greatness (and therefore will have to settle for just being really, really good, instead).

The first thing you realize when watching The Axiom is that this is a beautiful film. Everything is framed and shot in a lush and stylish manner, but one which is always tonally appropriate for the scene.

The second thing you’ll notice, and keep noticing as the film plays out, is that the movie really struck gold with this cast. Not only is there a total lack of the sort of stilted and unnatural acting seen in countless other microbudget horror affairs, but the performances are genuinely fantastic across the board. The main characters are believably chill and relatably normal in the early scenes, and the acting remains just as impressive once things start getting a bit more… intense. It’s not often that an independent horror film has so many good performances that it makes it hard to pick the movie’s acting VIP, but that is undeniably the case here. Taylor Flowers delivers what is probably the showiest performance (and does it very well, indeed), but the entire cast really is quite good.

The central premise of the film is both interesting and original, and touches upon the real life fact (given some recent attention in the ‘Missing 411’ books and documentary) that a lot more people sure seem to go missing out in the woods than seems reasonable, while simultaneously weaving all sorts of folklore, fairy tales and urban legends into the mix. It’s also clever in the way that it very naturally reveals aspects to the relationships between characters that serve to later – or sometimes retroactively – explain some of the more questionable decisions they make or attitudes they display. While that may sound like screenwriting 101, it’s surprising how many films fail to do this. The Axiom rewards the viewer’s attention in other ways as well, with many aspects of the movie that initially feel odd or unnatural receiving reasonable explanations (within the context of the movie) by the end. It’s not quite as challenging (or as rewarding) in this regard as, say, something like Session 9, but it does add a nice layer of complexity to the storytelling.

The film’s score, by Leo Kaliski, is also quite good. There may be a moment here or there where the music hits an overly familiar beat, but overall it not only fits the movie’s tone, but does quite a bit to help set that tone as well.

The only thing that I don’t feel the movie quite pulls off – and I’m trying to be vague here, because I feel like the less you know going into this film, the better – is some of the makeup effects work. The gore stuff is very well executed, but some of the other stuff feels like it was crafted with the intention of shooting it in a more… stylized manner. Instead, filmed as it is here, the result is sometimes less than impressive and can fail to make the impact that the movie seems to be implying that it should. And while some of what the makeup effects lack in execution is made up for with the ingenuity and creativity of their design, it’s still a bit of a shame when they don’t quite pull them off because, aside from a few niggles that I have with the writing, the effects are the only aspect of the film that occasionally fails to live up to the high level of technical proficiency that The Axiom otherwise demonstrates.

ADDITIONAL THOUGHTS:

  • Man, the acting in this movie is really good. The dialogue may stumble once or twice, but these actors always sell it anyway.
  • Give back Mia Sara’s DNA, Hattie Smith!
  • If you’re going to put your female lead in shorts this small, I hope you’re not sensitive to viewers unleashing a nonstop parade of “Has anyone seen my pants / OH GOD WHERE ARE MY PANTS!” jokes.
  • “You just pop this here ‘Blair Witch Stick Person / Anarchy sign’ sticker up on that there windshield of yours, and them park rangers? Well – heh heh – they won’t bother you none, no sir.” Hmmmmm…
  • The film really is shot amazingly well – better than a lot of mainstream releases. Cinematographer Sten Olson has a real future ahead of him.
  • As does writer / director Nicholas Woods, for that matter. Any director who can get this level of quality out of their cast and crew on their first ever film is someone to keep an eye on.
  • “I’ll make a run for it and get help,” says the female lead, and I’m like “Yeah, let her go – she has no pants to weigh her down.”
  • The gore effects in the movie are both realized and utilized very well.
  • Welcome back to horror movies, “I’ll be right back” dialogue spoken unironically by and/or to ill-fated characters.
  • The Axiom
4.0

Summary

In the end, The Axiom is a solid and entertaining flick that manages to wring a level of quality and originality out of the somewhat tired “Don’t Go in the Woods” horror subgenre not seen since 2012’s Cabin in the Woods. The cinematography and acting are hugely impressive, it features a nice, unnerving score, the premise is original and captivating, and the whole thing moves at a nice pace that helps keep the film’s flaws from dragging it down.

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User Rating 3.9 (10 votes)
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Hotel Transylvania 3: Summer Vacation – First Trailer and Artwork!

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As a fan of flicks like Mad Monster Party, I was surprisingly pleased with the last two Hotel Transylvania affairs. For my money you can put the classic monsters in just about anything, and I’ll watch it happily, and these animated features feel like a natural progression of the 1967 Rankin and Bass classic. Which is why I’m looking forward to Hotel Transylvania 3: Summer Vacation, and if you are too, check out the film’s new trailer and poster.

Directed by Genndy Tartakovsky, who co-wrote the film with Michael McCullers, Hotel Transylvania 3: Summer Vacation features the voices of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, Keegan-Michael Key, and Mel Brooks.

Look for it in theaters on July 13, 2018.

Synopsis:
In Sony Pictures Animation’s Hotel Transylvania 3: Summer Vacation, join our favorite monster family as they embark on a vacation on a luxury monster cruise ship so Drac can take a summer vacation from providing everyone else’s vacation at the hotel. It’s smooth sailing for Drac’s Pack as the monsters indulge in all of the shipboard fun the cruise has to offer, from monster volleyball to exotic excursions, and catching up on their moon tans.

But the dream vacation turns into a nightmare when Mavis realizes Drac has fallen for the mysterious captain of the ship, Ericka, who hides a dangerous secret that could destroy all of monsterkind.

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