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Director Randy Moore Talks Escape From Tomorrow



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Director Randy Moore Talks Escape From TomorrowHaven’t checked out Escape from Tomorrow (review) yet? You should! Recently we had a chance to sit down with director Randy Moore and talk with him about making an undercover horror movie at both the happiest and scariest place on Earth… Disneyland!

DC: Do you feel like the circumstance of shooting Escape from Tomorrow on the sly as you did has stolen the thunder from other aspects of the film? I mean, it’s a neat and unusual feat, but is that all critics and audience talk about?

Randy Moore: Yeah, it took away from the story, but it’s also a double-edged sword. There’s just so many films out there now that without the “gimmick” you probably wouldn’t even be interviewing me. So I always knew it would be an issue to deal with, but I told everyone, cast and crew, on our very first day of shooting that if we can get past all the gimmick stuff and just make the best film possible, then we have a real opportunity to do something really special and unique. And going back to the whole gimmick thing, people said sound was gimmick and color and now 3D. Everything’s a gimmick to some degree. And isn’t paying someone 20 million dollars to act in your movie a gimmick because you’re banking on people to go out and see it just for that actor. So I don’t know, I wish people talked less about it, but I’ve learned to accept it, I guess.

DC: Where does the issue with Disney now stand? I read they’ve just chosen to ignore the film… is that true?

RM: We’ve never had any contact with them so I can only speculate. But we have a great fair use attorney on our side.

DC: Escape from Tomorrow has been described as “early David Lynch” in tone and feel. Is he an influence of yours, or were you surprised by that when you started seeing the reviews? What’s it been like, getting fan feedback and reading critiques?

RM: He was and remains a major influence. But I wasn’t exposed to him until college – same with Stanley Kubrick, although I clearly remember watching The Shining at birthday parties in junior high… Also, I grew up just going to the video store and renting pretty much whatever they had on the shelf – so I saw a lot of bad movies. Really terrible films, mostly B-movies distributed by Cannon.

The fan feedback certainly opened my eyes. Twitter is amazing and also completely evil. If you decide to read the critiques, that is. There’s really no difference in my head between getting slammed hard by a major critic or some kid in Iowa. It all hurts just the same. And, of course, those are the reviews you tend to remember the most, the ones that just tear out your heart. I had to stop reading them for a while. It got to be too much – and ruined a lot of family dinners.

DC: What’s the scariest thing about “Disneyland” – whether metaphorical, or actual?

RM: The scariest thing are the fanatics. The people who use their kids as walking fig leaves and berate them in public for not behaving (in a place for kids!). Also, I’ve recently read that they’re building another Disney-themed community in Orlando, like the failed town of “Celebration,” so people can now live out their dreams nestled safe and sound in the white-gloved hands of Mickey, where everything is always perfect! It’s just so scary – that this is what it’s all boiled down to — a literal Disney World. Imagine all the kids who will grow up there… the horror!

DC: What’s your favorite Disney film, and are you a fan in general – I mean of the old school Disney… Walt, Roy, the whole backstory and history, or was this just kind of a fluke to make a film that’s so specific to one iconic American dynasty?

RM: Without a doubt, my favorite Disney film is 20,000 Leagues Under the Sea. James Mason as Captain Nemo just dominates every scene, and I cried my eyes out at the end when he dies – and he’s a fucking murderer! I was probably six or seven when I first saw it, but it really got under my skin. It was the also the first film I ever saw where I wanted the bad guy to prevail. Peter Lorre’s pretty great in it, too.

Am I a fan of Disney? Yes and no. I loved going there as a child. And my kids enjoy going there. But I can’t stand the Disney channel, which my children are addicted to like crack. And I wonder if their constant fantasy to be a princess or, God forbid, Hanna Montana, will scar them for life, but hopefully it’s just a phase. Growing up, I liked EPCOT a lot – which was not cool to admit at the time – but now it’s really showing its age and kind of sad. But I think Walt was a visionary and not just someone who cared about the bottom line (he let his brother worry about that).

DC: Since we are a horror and suspense website, can you tell us a little bit about the more suspenseful and scary aspects of Escape From Tomorrow and what it was like to bring those to the fore?

RM: Well, just walking around the parks, especially in Orlando, you see some scary things – like once we saw this very large couple that had just decided to lie down and take a nap under the ball at EPCOT, wrapped in each other arms — and no one ever said or did anything. Park security walking past them, not batting an eye. Eventually we had to move on and get our next shot, but in my mind that couple will always be there, sleeping peacefully, under a giant testicle.

DC: Who are some of the your directorial influences?

RM: Hitchcock, Lynch, De Palma, Ridley Scott, Lars Von Trier and Guy Maddin. I’m probably forgetting a few, but those were the first that came to mind.

The most provocative film from the 2013 Sundance Film Festival, Escape from Tomorrow should not exist, and yet it does. Like nothing you’ve ever seen, Randy Moore’s directorial debut is a bold and ingenious trip into the happiest place on earth. An epic battle begins when a middle-aged American husband and father of two learns that he has lost his job. Keeping the news from his nagging wife and wound-up children, he packs up the family and embarks on a full day of park hopping amid enchanted castles and fairytale princesses.

Soon, the manufactured mirth of the fantasyland around him begins to haunt his subconscious. An idyllic family vacation quickly unravels into a surrealist nightmare of paranoid visions, bizarre encounters, and an obsessive pursuit of a pair of sexy teenage Parisians. Chillingly shot in black and white, Escape from Tomorrow dissects the mythology of artificial perfection while subversively attacking our culture’s obsession with mass entertainment.

Escape From Tomorrow

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Jamie Lee Curtis Says Blumhouse Halloween Will Make Us “Very Happy and VERY Scared”



Bring. It. On.

It was only last week that we let you guys know that Jamie Lee Curtis had wrapped filming on Blumhouse’s upcoming sequel to John Carpenter’s Halloween.

And today we have another Instagram post from the legendary scream queen where she not only shows us a creepy-ass painting of Michael Myers, but she lets us know that Blumhouse’s Halloween is going to make us all “very happy, and VERY scared.”


I don’t know about you, but I’m going to just go ahead and trust Jamie Lee Curtis on this one. She’s been around the Halloween block more than a few times and I trust her judgment… other than Halloween: Resurrection.

You can check out her post below and then let us know how excited you are for Laurie Strode’s return!

Halloween is directed by David Gordon Green based on a script he wrote with Danny McBride. Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as Michael “The Shape” Myers. They are joined by Will Patton, Andi Matichak, and Judy Greer. Halloween creator John Carpenter is on board as executive producer of the film as well as the composer.

The anticipated release date is October 19, 2018.


Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.


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Get a Behind-the-Scenes Peek at Pre-Production for Marcel Walz’s New Film



The Blood Feast remake directed by Marcel Walz has been generating quite a buzz (read our review here) so we’ve been wondering what’s next for him, and over the weekend Walz provided us with an answer… sort of.

He sent over the following photos for us to share with our readers, some of which also appeared on his social media accounts.  Marcel is in pre-production on a new film that will start shooting in Los Angeles next month.

Right now the title and primary cast members are being kept under wraps, but you can expect an official announcement soon.

In the meantime check out the images, and let the guessing games begin!


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Death House Theatrical Release Delayed One Week Due to Black Panther Success



Death House

If you were excited to see Death House this week, you’re going to have to pump your brakes as the film’s theatrical release has been postponed one week due to the success of Disney/Marvel’s Black Panther.

Eric Pakrinson, C.E.O. of Hannover House, who is distributing Death House in theaters, states, “Obviously, we are very disappointed to find such pressure from the exhibitors to hold-over multiple screens for ‘Black Panther’ but we are happy for the success that this film is providing to theatre owners, and we know that the slight delay we are implementing for ‘Death House’ will ultimately pay big dividends for the film.”

The plan is to now launch Death House on Friday, March 2nd, with a special media event and public opening at the Regency Plant 16 in Van Nuys, California, where 20 cast members, along with additional crew, will be present. From there, the film will spread to other markets on March 9th and March 16th. If performances are strong, additional markets will be added following those dates.

This shift in release also pushes back the home video and digital release dates to July, although no official date has been locked.

Director Harrison Smith recorded a video asking the horror community to turn out in droves when the film hits their market. You can see it below.


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