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Best Trailers for Bad Movies



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Best Trailers for Bad MoviesFirst impressions are everything, which is why the art of the movie trailer has become the most vital tool in the film industry. A bad trailer can sour you on the best movie, but most of the time it’s the other way around. If Hollywood does anything right, it’s selling us a slow-cooked turd as delicious chocolate.

So here are Dread Central’s picks for great horror movie trailers that overshadowed their lesser films:

The Hills Have Eyes 2
Exciting trailers for bad movies are a dime a dozen, but what about the ones that are shot just for marketing? You won’t find a better example of an ad eclipsing a film than the brilliant teaser for The Hills Have Eyes 2. Completely wordless with only the sounds of dragging bodies and Devendra Banhart’s “Insect Eyes,” the teaser showed more artistry and directorial flare than anything in the actual movie. To this day, I can’t recall a frame of the end product, but this haunting teaser will always stick with me.

Jaws 3-D
Trailer voice-over king Percy Rodriguez gave the kind of iconic narration that could strike fear into a Disney film. The man’s voice could sell you on a movie without ever showing you a frame – and that’s exactly what he did in this minimalist teaser for Jaws 3-D. These 80 seconds contain more dread than all 100 minutes of the actual film, and you can almost hear the excited hush of the audience when this premiered on screens in 1983.

The Texas Chainsaw Massacre (2003)
I’ll never understand why Platinum Dunes’ clichéd remake The Texas Chainsaw Massacre has fans, but I’ll be damned if the film’s trailer didn’t get me pumped up to see it back in the day. From the creepy production design to the haunting soundtrack and use of the original’s iconic flashbulb sound effect, it made the hairs stand up on even the most hardened purist. Unfortunately the actual film was devoid of any soul and set the tone for the rest of the company’s hollow music video remakes.

Hellraiser: Bloodline
Dimension Films loves to acquire properties they have no idea what to do with, and the Hellraiser franchise was one of their earliest and greatest casualties. There’s a good movie buried somewhere in the mess of Hellraiser: Bloodline (and it’s certainly better than the godawful Hellraiser III), but the studio’s notorious meddling more than earned this one its Alan Smithee credit. Slap on Clive Barker’s name and throw a bunch of evocative images together to “Mars, Bringer of War” and you have one epic looking theatrical send-off for the cenobites. The trailer also has two of Pinhead’s all-time best lines – neither of which are in the finished film.

Terminator Salvation
It was a shock to no one when a PG-13 Terminator film directed by McG turned out to be a complete waste of time, but the allure of a future-war movie and an incredibly slick marketing campaign momentarily raised expectations out of the gutter. With broody John Connor voice-over set to Nine Inch Nails’ “The Day the Whole World Went Away,” this trailer could almost convince you that Salvation was a pretty good movie you just happened to sleep through. It’s too bad the leaked audio of Christian Bale’s on-set meltdown proved far more entertaining than the end product.

Aliens vs Predator: Requiem
The most common movie complaint – aside from douchebags on their cellphones – is how today’s ads show only the best parts. Exhibit A: This red-band AVP: Requiem trailer composed entirely of money shots. Knowing full well they had another piece of shit on their hands, the Fox marketing department reacted to the fan backlash over Paul Anderson’s neutered first film by cramming every single kill from AVP-R into a fast-paced montage. And it worked. We all thought we were finally getting the balls-to-the-wall showdown the studio had promised for decades. Unfortunately that’s all we were able to see since the finished film looked like it was lit with a fucking Lite Brite.

Freddy’s Dead: The Final Nightmare
It wasn’t the last and it sure as hell wasn’t the best, but Rachel Talalay’s goofball Nightmare had enough wild imagery to form a memorable trailer. The promise of Freddy’s demise with the 3D gimmick made this film the buzz of every schoolyard in the country when it was released. Say what you will about the results, but event movies like this don’t happen too often.

Godzilla (1998)
Riding high off Stargate and Independence Day, the combo of disaster-king Roland Emmerich and Godzilla seemed like the perfect match. The numerous trailers and genius taglines teased a fun monster rampage through New York City’s many skyscrapers – something that feels downright ominous today. But all that hype and excitement turned into widespread booing when a giant iguana showed up onscreen instead of the Big G himself. In retrospect, the smartest move the studio ever made was to never show the imposter (better known as NotZilla) in its campaign. Here’s hoping the new incarnation won’t wind up on an updated version of this list.

The Village
Long before M. Night Shyamalan fancied himself a prophet, the man gave us a trio of solid films that catapulted him into the limelight and gave our genre a much-needed shot of maturity. The Village had all the makings of a new horror classic: a perfect concept, amazing cast and most of all, one damn foreboding trailer. It’s a shame the film squandered the premise and marked the beginning of Shyamalan’s downward spiral into masturbatory nonsense. I still want to see the movie promised in this teaser.

Maximum Overdrive
I just wanted someone to do Stephen King right.

King had to be coked out of his mind when he threw the gauntlet down in his trailer for Maximum Overdrive and inadvertently snubbed previous directors Brian De Palma, George A. Romero, David Cronenberg and Stanley Kubrick (okay, maybe the last one was on purpose). But it’s hard not to get a kick out of the man’s William Castle-esque theatrics, especially when they’re set to the Halloween III score. Of course, you know he’s lying when he says he “kind of enjoyed” making his self-described moron movie, which stands as an entertaining example of 80’s excess but sure as hell didn’t do any favors for King’s directing career.

Alien 3
To be fair, Alien 3 doesn’t deserve to be on any bad movie list. Time and a superior extended version have been pretty kind to David Fincher’s directorial debut, which fails as a sequel but succeeds as a brilliant and nuanced monster picture in its own right. Yet, for those of us who anticipated the film through the 80’s, it’s still hard not to feel jilted by 20th Century Fox’s original promise – which came in the form of this incredible trailer. The series always teased Earth as the big endgame (until the AVP films rendered it mute), and one can’t help but dream of a perfect trilogy ending with Ripley and her comrades battling it out on our planet.

What are some of your favorite trailers to films that left you cold? Sound off below!

Special thanks to Buz Danger Wallick for inspiring this list.

Best Trailers for Bad Movies

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Jordan Peele Is Open to the Idea of Get Out Sequel



Recently we shared the baffling news that this year, the Golden Globes were considering writer-director Jordan Peele’s psychological horror-thriller Get Out a comedy.

Hurm. While that bit of news still doesn’t make a bit of sense to me, today we have an update on Jordan Peele’s possible sequel Get Out 2. Which is always welcome.

Deadline was recently speaking with the filmmaker and Peele told them that although he still hasn’t cracked the sequel, if he comes up with a fresh spin he would have no problem revisiting the first film.

“I haven’t decided anything yet,” Peele told the site. “I am allowing the creative part to bubble up, and not force it. I know if a follow-up is meant to happen, it will. I’m open to figuring out what it is. But I also don’t want to let down the original and its fans. I simply would not do something like that for the cash.”

Good to hear!

I don’t know about you, but if Jordan Peele does decide to revisit the world of Get Out again in the future, I will be there. After reading these comments, I have faith the man will not return unless the story deserves it. Money be damned!

Unless… the sequel is called Sell Out… Ooohh. Snap. All jokes aside, in this world of sequels and remakes, it feels pretty damn good to hear a filmmaker talk this way.

What do you think of a Get Out sequel? Do you think the first film needs a continuation? Make sure to hit us up and let us know in the comments below or on social media!

You can buy Get Out on Blu-ray HERE.


Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

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Joe Dante’s Matinee Starring John Goodman Blu-ray Special Features Announced!



One of my favorite childhood movies was director Joe Dante’s Matinee starring John Goodman. I watched the flick all the time and still make sure to give it a peep as often as I can. In fact, I just rewatched the movie last month. Still holds up too!

As I’ve grown up and watched more horror movies, I have come to call this film “Popcorn for the whole family.” And visa versa, have labeled Popcorn as“Matinee for the 80’s slasher crowd.” Both of these statements as completely apt by the way.

It is with this love of the film in mind that I wanted to make sure to pass along the news that Shout! Factory is planning to release Matinee on Collector’s Edition Blu-ray January 9th, 2018. And it is a beauty.

You can check out the full list of special features below along with the Collector’s Edition cover art. Then make sure to let us know what you think of Matinee below!

Matinee hits Collector’s Edition Blu-ray via Shout! Factory January 9th, 2018!



John Goodman is at his uproarious best as the William Castle-inspired movie promoter Lawrence Woolsey, who brings his unique brand of flashy showmanship to the unsuspecting residents of Key West, Florida.

It’s 1962, and fifteen-year-old fan Gene Loomis (Simone Fenton) can’t wait for the arrival of Woolsey, who is in town to promote his latest offering of atomic power gone berserk, Mant! But the absurd vision of Woolsey’s tale takes on a sudden urgency as the Cuban Missile Crises places the real threat of atomic horror just 90 miles off the coast. With the help of Woolsey’s leading lady, Ruth (Cathy Moriarty), the master showman gives Key West a premiere they’ll never forget. Anything can happen in the movies, and everything does in this hilarious tribute to a more innocent (and outrageous) time in American cinema.

Bonus Features:

NEW Master Of The Matinee – An Interview With Director Joe Dante

NEW The Leading Lady – An Interview with Cathy Moriarty

NEW MANTastic! The Making Of A Mant

NEW Out Of The Bunker – An Interview With Actress Lisa Jakub

NEW Making A Monster Theatre – An Interview With Production Designer Steven Legler

NEW The Monster Mix – An Interview With Editor Marshall Harvey

NEW Lights! Camera! Reunion! – An Interview With Director Of Photography John Hora

Paranoia In Ant Vision – Joe Dante Discusses The Making Of The Film

MANT! – The Full-Length Version Of The Film With Introduction By Joe Dante

Vintage Making-Of Featurette

Behind The Scenes Footage Courtesy Of Joe Dante

Deleted And Extended Scenes Sourced From Joe Dante’s Workprint

Still Galleries

Theatrical Trailer

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Exclusive: P.J. Starks Talks Volumes of Blood 3



One of our favorite low-budget horror anthologies here at Dread Central is producer P.J. Stark’s Volumes of Blood (review). If you haven’t seen the film, get on it asap.

The film’s sequel Volumes of Blood: Horror Stories (review) was also good horror times, and we would recommend that flick as much as – if not more – than the original.

It is with this in mind, all of us here at Dread Central are counting down the days until the release of the third (and final?) entry in the series, which is currently going by the killer title Devil’s Knight: Volumes of Blood 3.

While the new film is still in the scripting stages, we had a chance to speak with creator and producer P.J. Starks this weekend, and he dropped all types of new info on the film, including how many stories the new film will present, and what we can expect.

Mainly that Devil’s Knight: Volumes of Blood 3 may very well be the final chapter in the series, but a host of spin-offs are still very much a possibility.

You can read our quick interview with Starks below and then make sure to let us know what you think of the Volumes of Blood series in the comments below!

Dread Central: What can we expect from the third entry?

P.J. Starks: Eric and I want the third film to be everything fans of the first two films appreciate and more. The set pieces are larger, the stories are even stronger than in the previous two installments and the body count is probably the largest I know for any independent production. We wanted to really go out with a bang and I feel the script we’ve collaborated on will make good on that.

DC: How many stories will be included in this installment?

Starks: We’re going back to the basics with five stories. We’ve tossed around the idea of doing a sixth possible story, but nothing is set in stone. We don’t want to bog down audiences with too much. There’s a progressive story unfolding over two films already, so we’re being careful not to convolute things. We’re working hard to bring, what I’ve been calling the “Volumes of Blood Anthrillogy” to a smart and entertaining finale.

DC: Is it actually the final chapter?

Starks: Never say never. Right? We do have potential spin-offs planned. As for this being the nail in the coffin of an ongoing story arch, absolutely. I think that’s what separates our series from so many other anthologies. It’s not just a series of random shorts plucked off YouTube with some loose connective tissue. It’s a fun ride, but you still have to pay attention to details and follow the larger narrative developing. Wrap around segments tend to be throw away material, but that was never the intention on VOB.

Nice! Again we are all looking forward to the third entry in the VOB series and any spin-offs that may occur. The possibilities are f*cking endless. Bring ’em on!

Until we have further info on just when Devil’s Night: Volumes of Blood 3 will hit, you can always buy the first two Volumes of Blood flicks on Blu-ray HERE and HERE.

Thanks for chatting with us, P.J.!

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