Vampire films have become tired and boring over the years, we must admit. But vampire films written and directed by Jim Jarmusch? Well, that’s an entirely different story!
Jamusch’s first horror film, Only Lovers Left Alive, premieres this coming May at the Cannes Film Festival, and we invite you to sink those pearly whites of yours into the brand new trailer for the flick!
Only Lovers Left Alive stars Tilda Swinton as Eve, a grungy but erudite vampire who’s married to a forlorn vampire musician, Adam, played by Tom Hiddleston. Several-hundred-year-old Adam (of Biblical fame) has been living quite happily ever since being expelled from the Garden of Eden–that is, until the 21st century came along with its excesses and greed and pushed him into a full-flung existential crisis. He cracks and orders a wooden bullet to kill himself.
Adam and Eve are not about blood-sucking and murder but are refined lovers of literature, science, music, and learning in general. When Eve’s estranged sister (Mia Wasikowska) “drinks” Ian, a friend, to death, Eve tells her off, saying that in the 21st century people won’t understand such barbarity. It’s not like they can just dump the bodies in the Thames with the tuberculosis sufferers like in old times, she says. Now, in the 21st century, they get their blood from the transfusion section of a hospital. Alongside this, John Hurt plays a vampire Christopher Marlowe, who’s still bitter that Shakespeare became more famous.
In the film vampires elegantly cover their mouths and have a strange ritual with gloves that goes unexplained, but at heart it’s the story of Adam and Eve, who try to rekindle their love despite living in different places, he in Detroit and she in Tangiers. It is as touching as it is odd. The love story between immortal beings also raised philosophical questions for leading man Hiddleston, who said playing Adam was a “fascinating prospect” — a chance to break away from his more conventional superhero roles like Loki in Marvel Studios’ Thor films. “The idea of exploring love in the context of immortality — is (it) a blessing because it recurs, and what does that do to your commitments?” he said.
It took Jarmusch seven years to find a backer, and he explains why: “I wanted to make a vampire love story… The reason it took so long was that no one wanted to give us the money. It’s getting more and more and more difficult for films that are maybe a little unusual or not predictable or not satisfying the expectations of everybody — which is the beauty of cinema, discovering new films of all forms.”
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