First Details and Teaser Art for The Crow: Pestilence from IDW - Dread Central
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First Details and Teaser Art for The Crow: Pestilence from IDW

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First Details and Teaser Art for The Crow: Pestilence from IDWThe spirits of vengeance are back with brutal force in The Crow: Pestilence, a new miniseries coming from IDW Publishing in early 2014 written by Frank Bill with art by Drew Moss and covers by Crow creator James O’Barr.

From the Press Release:
This new series marks the comic book debut of prose author Frank Bill, who first debuted on the scene with the acclaimed and brutally poetic short story collection Crimes in Southern Indiana. Bill followed that book with his even more raw debut novel, Donnybrook. On Pestilence, Bill, a longtime Crow fan, will be joined by artist Drew Moss (The Colonized), with Crow creator and vocal Bill fan James O’Barr supplying covers for the series.

Debuting in the spring of 2014, The Crow: Pestilence transplants the spirit of vengeance to the Southwest, introducing a brand-new cast of characters and exploring the grim underbelly of greed and betrayal in the deadly town of Juarez, Mexico.

“I’ve never seen lead characters take more brutally inventive abuse than the kind Frank Bill heaped on his characters in Crimes and Donnybrook. I’m excited to see Frank bring such a strong voice and visceral storytelling ability to comics, especially on something as well suited to his skills as The Crow,” said Chris Ryall, IDW’s Chief Creative Officer/Editor-in-Chief. “It was great to find out that James O’Barr was equally intrigued by Frank’s work, comparing him to Jim Thompson and other literary greats.”

“I’ve always been a big fan of James O’Barr’s The Crow and his artwork,” said Frank Bill, “so when I was offered the opportunity to write my own version, I was blown away. I wanted to place my best foot forward; I knew I had some big shoes to fill.”

About Frank Bill’s debut novel, musician Ray Wylie Hubbard said, “Frank Bill’s Donnybrook is Poe shooting heroin, Steinbeck freebasing cocaine, and Hemingway really drunk. It’s so great, I felt I had been throat-punched, kicked in the cojones, and was going to spit blood.” All of which applies to the story being told in The Crow: Pestilence as well, only here the visuals are brought to teeth-rattling life by Drew Moss.

Created by James O’Barr in 1989, The Crow flew to success in comics and on film. After a number of successful books and films spiraling out of the original graphic novel, The Crow landed at IDW in 2012 and has since appeared in three unique miniseries, two by O’Barr himself: Skinning the Wolves and Curare.

Edward R. Pressman, producer of the 1994 smash hit film The Crow, together with Relativity and Dimension Films, is currently in production on a reinvention of the original film, which explores its own unique storyline separate from the comic book. F. Javier Gutierrez (Before the Fall) will direct from a screenplay by Cliff Dorfman with Luke Evans (Fast and Furious 6) starring as ‘Eric Draven’. Pressman licensed the comic book rights to IDW. The deal was brokered by Dan Kletzky of Entertainment Licensing Associates.

The Crow: Pestilence is out in next spring, digitally and in print!

First Details and Teaser Art for The Crow: Pestilence from IDW

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Superheroes You Never Realized Battled Xenomorphs

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Though horror movie fans haven’t gotten an outstanding franchise crossover battle since 2003’s Freddy vs. Jason, superhero movies have been at the forefront of bringing disparate characters together for some serious carnage. Upcoming films like The New Mutants and Spawn are courting horror fans by promising suspense and violence (refusing to shy away from previously taboo R ratings), but many don’t realize comics have been delivering terrifying crossovers featuring some of our favorite villains for years.

With the pending sale of 20th Century Fox to Disney, the future of the Alien franchise has been called into question. Though we may never learn the fates of characters introduced in 2017’s Alien: Covenant, horror and sci-fi fans might want to explore the vast universe unfurled in numerous comics and graphic novels. Not only do they delve into the lives of characters only briefly seen in films, you can find some unexpected crossovers that make Alien vs. Predator seem uninspired.

Superman and Batman are just the two most famous superheroes who have gone toe-to-toe with Xenomorphs in comics. Keep reading for a detailed summary of Alien franchise crossovers in comics.


Superman vs. Aliens

The Man of Steel first crossed paths with Alien’s titular extraterrestrials in a 3-episode series from Dark Horse Comics. Written and illustrated by Dan Jurgens, Superman vs. Aliens ran from July through September 1995. The story found Superman lamenting his isolation when a signal from deep space renewed hopes that there may be other survivors of Krypton’s apocalypse.

His hopes are dashed, however, when he arrives at the decimated city of Argo, where a Xenomorph infestation has wiped out the once-thriving community. Deprived of the powers he receives from Earth’s yellow Sun, Superman must face the Alien Queen while seeking a cure for the Xenomorph embryo growing inside him!

The Kryptonian would battle these fearsome foes again in Superman vs. Aliens II: God War in 2002; the 4-episode series from Dark Horse was written by Chuck Dixon and illustrated Jon Bogdanove. This time, Superman comes to the rescue when a renegade ship full of Xenomorphs crashes into the homeworld of The New Gods. In this series, Superman’s commitment to protecting all life is challenged, as he contemplates finding a suitable planet for the Alien Queen.


Batman vs. Aliens

Dark Horse released Batman/Aliens as a 2-part series in 1997; it was written by Ron Marz and illustrated and inked by Bernie Wrightson. The Caped Crusader uncovers a Xenomorph threat while investigating Mayan ruins, leading to a confrontation unlike anything Batman’s ever faced before. The clash continued in 2002’s Batman/Aliens II, a 3-part series written by Ian Edginton and illustrated by Staz Johnson.

This time, the Xenomorph plague hits Gotham, when a sealed vault reveals unsettling artifacts from a doomed mission to the South Pole. Mayhem reigns when face-huggers invade Arkham Asylum, where Batman must contend with a shadowy black-ops agency in addition to the relentless decimation caused by the Aliens.


Green Lantern vs. Aliens

Green Lantern versus Aliens (2000) is actually a continuation of a series that saw several iconic superheroes battling Predator’s intergalactic bounty hunters—but that’s a story for another article! This 4-issues series (also from Dark Horse and written by Ron Marz and illustrated by Rick Leonardi) kicks off with a never-before-told chapter in the story of Hal Jordan, widely considered the greatest of those to have carried the Green Lantern mantle.

Jordan’s decision to contain rather than destroy the Xenomorph threat will haunt his predecessor, Kyle Rayner, who joins a group of former Green Lantern Corps members to rescue residents of a planet overrun by Aliens. Ultimately, he must face the Alien Queen while struggling with the ethical consequences of annihilating an entire species, no matter how insidious it is—the same conundrum that tortured Jordan.


Judge Dredd vs. Aliens

In 2003, the Xenomorph plague hit Mega-One City hard in the 4-issue series Judge Dredd versus Aliens: Incubus, a collaboration between Dark Horse and Rebellion Developments; it was written by John Wagner and Andy Diggle and illustrated and inked by Henry Flint.

When the Alien threat emerges, Dredd first suspects there’s a connection to an underground fighting circuit, but this case will force him to seek the very origins of the nefarious species. In addition to protecting the residents of Mega-One, Dredd must also contend with an embryo growing inside him.


Others vs. Aliens

Other unexpected Alien crossovers that took place in comics worth mentioning include Buffy the Vampire Slayer: In Space No One Can Hear You Slay! Courtesy of (you guessed it) Dark Horse and released in 2012, an ill-advised “spacecation” finds Sunnydale’s savior facing off against the galaxy’s greatest scourge. The species’ acid-blood makes Buffy’s usual method of dispatch uniquely problematic!

Back in 1998, the WildC.A.T.s crossed paths with horror fans’ favorite E.T.’s after an outer space escape pod crash lands in New York City. With StormWatch out of commission, the remaining team must rally all their resources to defeat an unprecedented threat in WildC.A.T.s/Aliens, a one-off first published by Image Comics, and later picked up by Dark Horse.

Perhaps the most bizarre matchup occurred in 2012 when Vampirella battled Xenomorphs in a whopping 6-episode series published simultaneously in digital format by Comixology, Dynamite Digital, iVerse and (of course) Dark Horse Digital. Aliens/Vampirella takes place on Mars and also includes an ancient race of Martian warriors.

As creative minds and artists continue to collaborate, we can expect many more unexpected crossovers in the years to come. Whether any of these comic book match-ups featuring Xenomorphs ever come to fruition in the form of feature films, however, remains to be seen (though it seems unlikely).

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Jesper Kyd Returning to Score Vermintide 2

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From the cover of Kyd's first Vermintide OST

Get your headphones ready, Warhammer fans because State of Decay and Darksiders 2 composer Jesper Kyd is back to score the upcoming Warhammer title Vermintide 2! The game will be coming to PC and consoles early this year.

Kyd was inspired by Norse mythology, utilizing ancient tribal music as well as dark fantastical elements to build upon the acoustic soundscapes he composed for the first Vermintide game. Channeling his own Scandinavian roots, Kyd will blend Viking and Norse-inspired vocals with ritualistic percussion styles to create a unique soundtrack experience.

Three tracks from the score can be heard below.

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Like Me – Will You Like This Dystopian Thriller?

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Starring Addison Timlin, Ian Nelson, Larry Fessenden

Directed by Robert Mockler


While Like Me is not dystopian in the classic science-fiction sense, it does aptly put the downer vibe across. If the present is abysmal, then the future is downright hopeless. We learn this as we follow an unhinged teenage loner called Kiya (Addison Timlin) on a hollow crime spree that she broadcasts on social media. At first the world “likes” her—with the exception of YouTube rival Burt (Ian Nelson), who disdainfully denounces her viral videos—but pride goes before the fall, and Kiya’s descent is spectacular.

If you’ve peeped the trailer for Like Me, then you’re probably expecting a horror movie. I mean, they’ve got the requisite menacing masked baddie and they’ve got genre icon Larry Fessenden in a major role—those are a couple of the key ingredients, right? Yes they are, but this simmering, shimmering stew of Natural Born Killers, Excision and King Kelly, it boils down to a whole lotta nothing. Like Me is sort of a drama, kind of a road trip flick, and almost a thriller. It succeeds at none yet does stand on its own as a compelling collection of cool visuals and pertinent performances. But is that enough?

While Kiya is a compelling character on the surface, there’s barebones beneath. Sure, she’s a Millennial mind-fed on random online clips and snappy soundbites—but what turned her into a psychopath? Was she born that way? Is social media to blame? We’ll never know, because not a hint is given. I don’t mind ambiguity, but even a morsel would have been welcome in this case. As Kiya ramps up her reckless exhibitionistic extremes, the stakes are never raised. In the end, who cares? Maybe that’s the point.

A word of warning: If you plan on watching this movie while chomping snacks…don’t. There is stomach-turning scene after vomit-inducing scene of orgiastic easting, binging, and the inevitable purging. I’m sure it’s all metaphorical mastication, a cutting comment on disposable consumption. I get it. But I don’t wanna look at it, again and again and again. Having said that, Like Me is an experimental film and in its presentation of such grotesquery, it’s quite accomplished. Montages, split-screens and jittered motions are scattered throughout, showing us all sorts of unpleasant things…Kudos to the editor.

I didn’t hate Like Me. But I do think one has to be in the mood for a movie such as this. It’s not an easy or entertaining watch, but it is a peculiar and thought-provoking one. There’s some style and mastery behind the camera, and I am curious to see what first-time writer-director Rob Mockler comes up with next.

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