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Ryan Reynolds and Jeff Bridges Talk R.I.P.D.



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Ryan Reynolds and Jeff Bridges Talk  R.I.P.D.During a tightly packed press conference earlier this week, Ryan Reynolds (looking dapper and slightly bored) and Jeff Bridges (appearing relaxed and ever curious) delighted a crowd of journalists who were all probably a little more into the actors themselves than the movie they happened to be promoting – but that’s usually the case.

The proceedings were light-hearted with a few laughs as both actors seemed genuinely happy to be around each other again.

DC: Ryan, you’ve done a number comic book films now with Green Lantern, Blade: Trinity, X-Men: Origins, this one, hopefully Deadpool … Is there something about the genre that appeals to you? Do you find it more fun to act in films that aren’t necessarily grounded in reality? And Jeff, these are films that we don’t usually see you in. You’ve done Iron Man but comic films you really haven’t been a part of, so what appealed to you about this film in particular?

Jeff Bridges: I like bizarre movies, you know, ones that are surprising. I love to to see movies where the filmmakers are ahead of you and you don’t know what’s going to happen. And the premise of this one was so bizarre that I thought it could be interesting.

Ryan Reynolds: Comic books … I don’t read a lot of them. It’s such a huge part of the industry these days. It’s a legit genre unto itself. The same as most actors will end up in a drama at some point. At some point you’re going to end up in a comic book movie these days. I’ve been lucky enough to have been in a few of them. But this isn’t really a comic book, I mean it’s a graphic novel and I read that after I read the script. I just thought this world was really cool, these two lawmen from completely different eras and modalities of how they do things kind of coming together and clashing in this way I thought was kinda cool.

DC: So based on this law where you can’t come back as yourself, if you got to choose, what or who would your avatars look like?

JB: I’d come back as Ryan Reynolds.

RR: You’d probably make some better decisions than I did. I’d probably come back as … my dog has a very good life. It’d be cool to see what it would be like to be President for the day, to come back as Obama.

DC: Ryan, you strike me as a real gentleman but still you have to fear something on judgment day so what do you think the doorkeeper will say to you?

RR: Wow. When I was a kid around nine or ten I was a complete asshole! I would run around the neighborhood on Halloween throwing firecrackers into people’s mailboxes. We were just these little hellraisers. I’m so terrified that I’m going to have sons one day that behave this way. So, I’m sure I have a lot to atone for if there is a Judgement Day. It’s going to be a long list for me. It goes right up to when I was about eighteen and then I straightened out.

DC: Physically, how did you get prepared for the movie?

JB: Most of the stuff, physically, that was difficult for me was getting spun around in that car, you know, all that stuff. That was the biggest challenge.

RR: I think in movies like this you have to have some degree of toughness. You’re gonna get beat up a little but it’s not as bad as … I did a film two years ago called Safe House and my neck was killing me after the movie. After six or seven months I went and got an X-ray and the Doctor laughed and said, ‘You broke your neck.’ My C5 and 6 [vertebrates] were broken. Now it’s let the stunt guy do it.

DC: Jeff, you are a writer, a photographer, you draw, you’re a musician …

RR: Just a few of my qualities …

DC: Between all of these arts, which is the one you prefer to all of the others?

JB: They’re all kind of the same to me. I approach them all in the same way which is to kind of get out of the way and let the thing come through. So, they all relate to each other. I remember when I started writing songs, well, I guess I hadn’t started, but it was early in my career and I would be studying my script and all of a sudden I would think that would make a good song. Then I’d find myself with my guitar in my hand and I would get so angry with myself saying, ‘No! You’ve got to be studying.’ Now, I’ve come to find that they’re all interrelated and they inform each other. You know, that song will help my acting and sometimes I put it in the movies.

RR: It’s a great byproduct to work with Jeff because you get privy to this kind of stuff. You come to set and you never know what he’s going to be doing. He’ll have a squeezebox one minute, the next he’s playing guitar, the next minute he’s reading novels out loud.

DC: For Jeff, I wanted to know how you created this archetype of this western cowboy?

JB: What comes to mind is my Dad, Lloyd Bridges, who was in a lot of great Westerns. High Noon is an example of one. I remember as a kid him coming home in a cowboy hat and the boots and all that stuff and I would love to get those things on. Whenever I get a chance to play a cowboy, especially guys like … I remember playing Wild Bill Hickok. And the history, it’s such an amazing part of our history of our country that only existed for a very short time but some wild characters came out of that. It’s great to get into those guys. I love that.

R.I.P.D. is in theatres NOW.

Universal Pictures’ R.I.P.D. stars Ryan Reynolds, Jeff Bridges, Kevin Bacon, Stephanie Szostak, Mary-Louise Parker, Marisa Miller, Mike O’Malley, James Hong, Tobias Segal, and Robert Knepper.

Robert Schwentke directed the project, which follows a murdered cop (Reynolds) who is recruited to work in the Rest in Peace Department, a police force comprised of ghosts who battle spirits unready to depart this world. Jeff Bridges plays Reynolds’ ghostly partner.

Nick is dead — at least, that’s how he remembers it — and teams up with another deceased detective, a gunslinger from the Old West (played by Jeff Bridges), to work for an elite task force, the Rest In Peace Department (hence the title), to track down the dead on Earth. (Due to overpopulation, some unsettled spirits haven’t gone where they’re supposed to and are hiding out). Technically, R.I.P.D. officers (who are overseen by Mary-Louise Parker) aren’t allowed to kill anyone living and aren’t supposed to interact with anyone from their previous lives, but Nick is haunted by the fact that he was murdered by another cop (played by Kevin Bacon) and can’t let it go.


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Synapse’s Suspiria 4K Restoration Gets a Release Date



Earlier this year, we wrote about Synapse Films’ Suspiria 4K restoration and how it was available for pre-order. The weird catch was that there was no release date confirmed and that pre-orders would go out sometime in December 2017. Today that changes as we can confirm that the 3-disc special edition Blu-ray collection will come out December 19th, just in time for Christmas but a little late for Hanukkah. Any chance we can have one extra night this year?

Restored over three years, Synapse has been working tirelessly to create the ultimate version of Dario Argento’s 1977 classic supernatural horror film, which has since gone on to become one of the most recognized and lauded titles in the genre. This cut has been overseen and approved by Luciano Tovoli, the Director of Photography on the film.

Pre-orders are still available via Synapse Films’ website.

Special features:
*Limited edition of only 6000 units produced
*Exclusive Steelbook packaging and collector’s o-card sleeve, featuring artwork from Malleus, Van Orton Design, Juan José Saldarriaga & Chris MacGibbon
*Three disc [Two Blu-rays + One CD] limited collector’s edition (only 6000 units) containing a new 4K restoration of the original uncut, uncensored Italian 35mm camera negative exclusively done by Synapse Films, with color correction supervised and approved by SUSPIRIA Director of Photography, Luciano Tovoli
*Original 4.0 1977 English language LCRS sound mix not heard since the theatrical release in 1977, presented in high-resolution DTS-HD MA 96 Khz/24-bit audio
*Italian 5.1 surround sound mix
*Two audio commentaries by authors and Argento scholars, Derek Botelho, David Del Valle & Troy Howarth
*Do You Know Anything About Witches? – 30 minute SUSPIRIA visual essay written, edited and narrated by Michael Mackenzie
*Suzy in Nazi Germany – Featurette on the German locations from SUSPIRIA
*A Sigh from the Depths: 40 Years of SUSPIRIA – All-new anniversary retrospective on the making of the film and its influence on cinema
*Olga’s Story – Interview with star Barbara Magnolfi
*Original theatrical trailers, TV spots and radio spots
*Special Collector Edition Booklet containing an American Cinematographer interview with Luciano Tovoli, liner notes by Derek Botelho and restoration notes by Vincent Pereira & Don May, Jr. Cover artwork by Matthew Therrien Illustration
*“International Classics” English “Breathing Letters” opening credit sequence from U.S. release version
*Alternate All-English opening and closing credits sequences, playable via seamless branching
*Newly translated, removable English SDH subtitles for the English language version
*Newly translated, removable English subtitles for the Italian language version
*Exclusive CD remaster of Goblin’s SUSPIRIA motion picture soundtrack, containing additional tracks not included on the original 1977 soundtrack release

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Creep 2 Starring Mark Duplass Hits Netflix This December



Just the other day we shared with you guys an exclusive interview with Partick Brice, the director of the Mark Duplass-starring found footage flicks Creep and Creep 2.

Today we have the awesome news that the killer sequel Creep 2 (review) will be hitting Netflix streaming on December 23rd.

The original creeptastic motion picture is already streaming on Netflix so if you need to catch up – or just watch the original again – you can do so tonight and get ready for the sequel which, personally, I found to be superior (if even just slightly) to the original.

What did you think of the original film? Are you excited to check out the sequel? Or have you already seen it? Make sure to let us know in the comments below or on social media!

Creep 2 starring Mark Duplass and Desiree Akhavan hits Netflix December 23rd!


Desiree Akhavan (“Girls”, APPROPRIATE BEHAVIOR) stars as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass, reprising his role from the previous film). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on she discovers she may have dug herself into a hole she can’t escape.

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Waxwork Records Unveils Phenomenal 2018 Subscription Package



Our pals over at Waxwork Records have unveiled their 2018 subscription bundle and it’s packed to the brim with some absolutely fantastic titles! Horror fans who enjoy spinning their music on turntables can look forward to two Romero titles, Night of the Living Dead and Dawn of the Dead, Joe Dante’s The ‘Burbs, Sam Raimi’s Drag Me to Hell, and lastly they’ll have Jordan Peele’s smash success title Get Out. On top of getting those five records, those who join the subscription program will also receive a t-shirt, coffee mug, poster, notebook, magnet, enamel pin, calendar, and more.

For Night of the Living Dead, Waxwork Records worked closely with the film’s original creators, including Romero himself prior to his passing, the Museum of Modern Art, and The Criterion Collection so that they could source audio from the 4K restoration. It will be released as a 2xLP package.

Dawn of the Dead will also get a 2xLP release that will include brand new artwork, re-mastered audio, and more. The same kind of treatment is being given to The ‘Burbs. Christopher Young’s Drag Me to Hell soundtrack will be a single LP but will get the same level of attention and quality as the other titles.

As for Peele’s Get Out. Michael Abels; score will be released on a 2xLP vinyl set and will pay tribute to one of the most culturally significant movies of the past several years.

The Waxwork Records subscription package will be $250 ($285 in Canada) and will open up for sale this Friday, the 24th. More information can be found on Waxwork’s website.

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