Exclusive: Jordan Gavaris Discusses BBC America's Orphan Black, Clones and Much More - Dread Central
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Exclusive: Jordan Gavaris Discusses BBC America’s Orphan Black, Clones and Much More



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Exclusive: Jordan Gavaris Discusses BBC America's Orphan Black, Clones and Much MoreBBC America’s conspiracy clone thriller Orphan Black was renewed for a second season, and we recently chatted with Jordan Gavaris about his character Felix, how he got involved on the show and much more.

Read on to check out the full interview, and catch an all new episode of Orphan Black on May 18th.

AMANDA DYAR: Can you tell us how your career in acting got started and how long you have been doing it?

JORDAN GAVARIS: I started acting in my senior year in high school. I was working at a local video store and, at the time, was fascinated by counter-culture directors like Terrence Malick, Robert Altman, and Brian De Palma (even though, at 17, I didn’t fully understand their work). I was convinced I was going to be a director. I wanted to learn more about an actor’s process, so I enrolled in a local acting studio. There was a sense-memory exercise and scene-study component to the class, and while I couldn’t make heads or tails of sense memory, the instructor approached me after I put up my first scene in front of the class. “Why are you here?” she asked. I told her I wanted to be a director and was already working on my first script. “No, no,” she said. “You’re not a director. You’re an actor.” Well, the woman was so sure of herself that I guess I believed her too. Six months later, I was standing in the middle of the Qu’Appelle Valley, Saskatchewan, shooting my first feature film.

AMANDA: How did you become involved with Orphan Black and what inspired you to audition for this particular role?

JORDAN: My agent sent me the material for Orphan Black; I had a conniption. I wanted it. I could taste it. I even started to daydream about the part. The audition process lasted nearly two months; there were multiple rounds of pre-reads, a session with John Fawcett, a test with the network executives, and finally, a chemistry-test with Tatiana Maslany.

AMANDA: What are some of the biggest challenges in becoming Felix and do you have any peculiar/funny/favorite moments from those experiences?

JORDAN: Felix is anything but bland, and I knew if I was given the opportunity to play him, I couldn’t chicken out; I couldn’t play it safe. Felix is a showman. It’s even fair to say he’s over the top, but he’s not a cartoon; he’s still a human being. When I was working through the audition material, I understood Felix’s relationship with Sarah, and I got that the hair, make-up, clothing, and attitude are all part of an armored defense for him, but something was still missing. So I asked myself, “How does he walk across the room? How does he butter his toast? How does he load the dishwasher?” (For the record, you can tell a lot about a person by the way they load a dishwasher). I decided to combine the physicality of a feline with some of the loose hip work of Mick Jagger. Unfortunately, I decided to practice in front of a bay window in my parents’ house and didn’t see that the pool company was there to remove the winter cover. I must’ve been quite a sight, strutting around my kitchen and crawling on the furniture like a house cat. When I finally turned around, they were kind enough to pretend they hadn’t caught the show.

AMANDA: How do you and Tatiana Maslany get along on set? Tatiana plays A LOT of characters on the show. Are there any of her characters in particular that you like or dislike?

JORDAN: Tat is an exceptional artist and an extraordinary human being. She was as gracious, warm, and hard-working from the day we met to the day we wrapped; the spiritualist in me likes to believe we were family in a past life. Pretending you’ve known somebody for twenty years when you only met last Tuesday can be challenging, but Tat made it easy- she was so open, and that made me feel like I could do the same. Needless to say, we got on from the start and have been great friends since. As for the other “Tatianas,” that’s easy: I’d kick it with Cosima anytime and would happily taste-test anything out of Alison’s kitchen, but if I ever bumped into Helena, I’d probably run as fast as I could in the opposite direction, or at the very least, try and find some rebar.

Exclusive: Jordan Gavaris Discusses BBC America's Orphan Black, Clones and Much More

AMANDA: The budget for Felix’s wardrobe has to be huge. What do you think about all of his outfits and what does this add to the character?

JORDAN: The running joke on set was that Felix’s make-up bag was so big and his wardrobe so extensive that’s why we could only afford a ten-episode season. Our costume designer, Laurie Drew, put a great deal of thought into Felix’s wardrobe. When I went in for my initial fitting, she had pages and pages of tear-sheets from European fashion magazines and old portraits of 70’s glam-rockers. Part of the gag is that, like any good entertainer, Felix has an outfit for every occasion. This makes the rare moments when Felix is grounded and stripped down more impactful. With any luck, the audience will see an evolution in the character as the season progresses and this is reflected in his wardrobe- it’s slow-going, but it’s there.

AMANDA: In regards to horror, what has been the scariest moment of the show?

JORDAN: I think so far the scariest moment was the Helena “reveal”. She’s a wild card; that volatility is exciting- it’s also frightening. The first scene in episode four where a young boy comes down the stairs of his home and stumbles onto a bloodied Helena performing self-surgery in the bathroom. She has that haunting Cheshire grin and she quietly brings the kid into the bathroom and locks the door. My stomach dropped ten stories.

AMANDA: For those who haven’t watched Orphan Black, what makes it a must-watch above all the other shows on TV right now?

JORDAN: Orphan Black is high-concept and fast paced and the storyline is fully developed. John and Graeme had work-shopped their idea over and over again until they had their endgame. The writers know how the story ends and I think that sets us apart from a lot of other shows with big concepts. And if that’s not enough, two words: Tatiana Maslany. ‘nough said.

AMANDA: Do you enjoy scary movies/TV shows, and if so what are some of your favorites?

JORDAN: I’m a horror nut! It all started with a neighbor’s Halloween display when I was a kid- he loved monster movies, and each year he would rig his parents’ house to look like something out of a Tom Savini flick (coincidentally, that neighbor was Geoff Scott, who is part of the special effects team on Orphan Black). Carrie ranks at the top of my list; both Brian De Palma and Sissy Spacek are major influences of mine. I also admire Dario Argento, and I think Suspiria is one of the most operatic and artistic horror films in history (opera and horror have a lot in common). As for the films that kept me up at night, The Exorcist is an easy choice, and probably the greatest horror movie ever made. Scream was a precisely balanced, highly intelligent slasher film, and that’s no easy feat. Child’s Play is, by far, one of the most inventive horror movie concepts, and the clever tongue-in-cheek sequels spawned by Don Mancini are some of my favorites. Honorable mentions go to: The Thing, Halloween, Ginger Snaps (Fawcett & Walton rule!!!), Black Christmas, High Tension, House of 1000 Corpses, and the supremely atmospheric Audition.

AMANDA: If you could have a clone, would you? And why?

JORDAN: A clone? No way. I don’t think I’d like me very much if I met me. In fact I’ve heard that nobody would like themselves if they met themselves- save for a narcissist.

AMANDA: What does the future hold for Felix and is there anything in particular that you hope happens with your character?

JORDAN: I’ve heard faint whispers from the writers’ room about where Felix may be headed for season two but nothing concrete, and I like that. Generally speaking, our characters know about as much as we do; which means that when Felix makes discoveries on screen, that’s really just me amplifying whatever reaction I had to reading that section of the script a few days prior.

Now, I’ve never played anybody so clearly delineated from myself, and it was challenging at first. I so relished the scenes between Sarah and Felix where their sibling dynamic shines because that was a strong access point for me, and I made many a discovery about who Felix is in those scenes. That said, I’d like to explore his personal life more- I’d like to learn what a romance looks like to him, and if he’s capable of being vulnerable with someone other than Sarah. I’d also like to know where he came from- what his roots are, if he has any. More than anything, I’m ready for whatever the writers throw my way; even a clone or two.

To learn more, visit the official Orphan Black website. Also, make sure to “Follow” Orphan Black on Twitter and “Like” the official Orphan Black Facebook page.

Orphan Black Episode 1.08 – Entangled Bank – Airs 5/18/13
Sarah’s actions pit the Orphans against each other as she tries to plan her next move. As Paul tries desperately to cover up Sarah’s existence, Alison takes vengeance on her suspected monitor, which could cost her everything she holds dear.

Orphan Black

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Poster Debut: Nicolas Pesce’s Piercing Starring Mia Wasikowska and Christopher Abbott



One of the films that I’m most interested in hearing the feedback about during this year’s Sundance film festival is director Nicolas Pesce’s psychological horror-comedy Piercing.

Not only did Pesce’s last flick The Eyes of My Mother impress the hell out of me but his new film boasts a killer premise and cast including Mia Wasikowska (Stoker) and Christopher Abbott (It Comes at Night).

The movie will be premiering at Sundance this weekend and today we have the film’s poster to share with you guys. You can click on the poster to the right for a higher-res version.

After checking it out let us know what you think!

Piercing is based on the critically acclaimed cult novel by Ryu Murakami and directed by Nicolas Pesce (The Eyes of My Mother) and stars Mia Wasikowska (Stoker) and Christopher Abbott (It Comes at Night).

The film hosts its World Premiere at the Sundance Film Festival Saturday, January 20th.


Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood.

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First Details on Eduardo Sanchez-Directed Supernatural Episode 13.13 – Devil’s Bargain



The upcoming 13th episode of the 13th season of “Supernatural,” titled “Devil’s Bargain,” is notable for two reasons: (1) it’s directed by none other than Eduardo Sanchez (The Blair Witch Project, Lovely Molly), and (2) it features a guest appearance by series star Jensen Ackles’ wife, Danneel Ackles (“One Tree Hill,” The Roommate).

The CW has released the official synopsis for the ep, which you’ll find below.

Are you still a fan of the show after all these years? Looking forward to seeing how Sanchez leaves his mark on the Winchesters? Sound off in the comments section or on social media!

“Supernatural” Episode 13.13 – “Devil’s Bargain” (airs 2/8/18)
Sam (Jared Padalecki), Dean (Jensen Ackles), and Castiel (Misha Collins) search for Lucifer (Mark Pellegrino), who, meanwhile, strikes an unlikely deal with a local faith healer named Sister Jo (guest star Danneel Ackles). Asmodeus (guest star Jeffrey Vincent Parise) inches closer to finding Jack (Alexander Calvert). Eduardo Sanchez directed the episode written by Eugenie Ross-Leming & Brad Buckner.

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George A. Romero’s Daughter, Tina, Wrote a Script For Queens of the Dead




The loss last year of director George A. Romero was a huge blow to the horror community, as well as the filmmaking community at large. The passing of the man responsible for creating the modern day zombie and whose work influenced “The Walking Dead”, Dead Alive, 28 Days Later, and Jordan Peele’s Get Out was felt far and wide but we take solace knowing that his work and legacy will live on forever.

Something that brings a smile to my face is hearing that his daughter, Tina, who DJ’s under the name DJ TRx, has written a screenplay for a zombie film that is called Queens of the Dead. And yes, it’s very gay! Romero has not only written the script but also plans on directing the film herself.

Romero tells The Saunder Blog about the film, saying, “Queens of the Dead is a fusion of two huge parts of my world: zombies and Gay nightlife. It’s a tribute to my father as well as my entrée into the genre he grandfathered. I can’t say too much yet, but what I can tell you is that this film will have all the hallmarks of a George A. Romero classic: farce, politics, heroes, assholes, and most importantly, herds of silly and slow moving walkers that you can’t help but love. But I’m doing it Tina-style, and bringing the glitter, choreography, queers & queens.

Romero’s father always brought some sort of social message into his work, so to hear that she will continue that tradition is inspiring, especially since it comes on a topic that is so discussed and topical.

If you want to read more about Romero and her DJ career, click on the link above.

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