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New Dario Argento Book Takes an Analytical Look at the Master

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New Dario Argento Book Takes an Analytical Look at the MasterAnyone who reads this site is familiar with my love of Dario Argento – even some of his later stuff. So I’m very much looking forward to another thoughtful dissection of his work. So much has already been written on the subject, but I feel like there’s plenty more to talk about.

That’s why we at Dread Central are eagerly anticipating L. Andrew Cooper’s simply titled Dario Argento (Contemporary Film Directors) from University of Illinois Press.

From the Press Release
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess.

L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock. He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms.

L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture.

You can snag a copy by heading over to Amazon via the links below, and watch for a review from us soon!

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This Valentine’s Day Experience the Death of Love

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On the hunt for a new comic and like a bit of humor with your horror? Then the upcoming Death of Love from Image Comics should be right up your alley! Dealing with a broken heart? Even better!

Writer Justin Jordan (The Family Trade, Spread) teams up with artist Donal DeLay (You are Not Alone, My Geek Family), colorist Omar Estévez (Heavy Metal Magazine, Batman ‘66), and letterer Rachel Deering (In the Dark, Vertigo Quarterly) for the least romantic Valentine’s comic ever: Death of Love.

“Love is funny. Chainsaws are funny. Love AND chainsaws, therefore, is gonna be super funny,” says Jordan. “Basically, if you’ve ever wanted to see Cupid torn apart in increasingly hilarious ways, this is definitely the comic for you.”

“I just want everyone to laugh the same way they would watching Army of Darkness or This Is the End,” added DeLay.

Issue #1 arrives on Valentine’s Day (February 14th) next year, and we have a preview of several pages to share below.

Synopsis:
Love sucks. And Philo Harris is going to do something about it.

After a particularly bad, drunken decision, Philo gains the ability to see the Cupidae, the creatures responsible for all the love in the world, and declares war on love itself. With a chainsaw.

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Paramount’s Dating App Thriller Snags The Boy Next Door Screenwriter

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Are dating apps scary? Paramount sure hopes that’s the case as they have just hired screenwriter Barbara Curry (Blumhouse’s The Boy Next Door) to pen the upcoming “dramatic investigative thriller” Gasp.

Hiring Curry for this film makes a ton of sense being that before Curry was the screenwriter behind “dramatic investigative thrillers” she worked as a prosecutor in the U.S. Attorney’s office for ten years. Qualifications galore.

Deadline reports that Gasp is centered around a female detective investigating a killer who is targeting women via a dating app. Nice. Not only is that a super-timely and creepy plot for a flick, but the film is supposedly based on several true stories.

Heaven help us. I knew it. Stay away from those. Male or female. Nope. Nope. Nope.

Now while I’ve never had a bad experience (re: stalker) from a dating app that makes sense considering I never use them. Ever. I prefer the old-school method of sitting in my room alone typing horror news articles and letting the ladies come to me.

12% of the time, it works every time.

The film is based on a pitch by Mario Celaya and produced by Jennifer Gibgot and Adam Shankman. Jessica Sharzer (“American Horror Story”) is co-producing.

We’ll let you know when we hear more!

Synopsis:

A female detective goes undercover online to catch a killer who is murdering women he meets on a specific popular app. But when she starts to fall for one of the suspects who has been cleared, she discovers he may, in fact, be the killer.

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Alien: Covenant’s Carmen Ejogo Joins True Detective Season 3

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“From the dusty mesa her looming shadow grows…”

The first season of HBO’s “True Detective” was one of the best seasons ever put on a TV screen. Hands down. The second season was another story altogether. While not a complete waste of time (Colin Farrell owed) the season was basically merely ‘meh’.

But what about “True Detective” season 3?

Well, a few months back it was announced that the third season had been greenlit by HBO, with creator Nic Pizzolatto returning to pen the series and director Jeremy Saulnier (Green Room) taking the helm of the episodes.

Today we have news that Carmen Ejogo – who you may recognize Ejogo from such recent fright flicks as It Comes at Night, Alien: Covenant, and The Purge: Anarchy – will be joining the previously announced Mahershala Ali (Moonlight) for Season 3.

Ejogo will play the female lead, Amelia Reardon, who THR describes as “an Arkansas schoolteacher with a connection to two missing children in 1980.”

Nice Pizzolatto will serve as showrunner and direct alongside Jeremy Saulnier. Executive producers include Pizzolatto, Saulnier, Scott Stephens and season one stars Woody Harrelson and Matthew McConaughey as well as original director Cary Joji Fukunaga. Steve Golin, Bard Dorros and Richard Brown are also credited as exec producers.

Synopsis:

A macabre crime in the heart of the Ozarks and a mystery that deepens over decades and plays out in three separate time periods.

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