Dan Aykroyd Wants to Dance or Get Off the Floor with Ghostbusters III - Dread Central
Connect with us

Dan Aykroyd Wants to Dance or Get Off the Floor with Ghostbusters III

Published

on

Source Name:

Esquire

Source Url:

http://www.esquire.com/blogs/culture/dan-aykroyd-interview-14813380

Post Thumb:

/aug11/gb3s.jpg

Dan Aykroyd Wants to Dance or Get Off the Floor with Ghostbusters IIIIt’s on again, it’s off again. Bill Murray is not in the cast, Bill Murray is in the cast, Bill Murray is out of the cast. Such has been the constant flux that is the making of Ghostbusters III, but star/producer Dan Aykroyd says it’s time to make it or move on.

In a recent interview with Esquire, Aykroyd was quite clear that if things don’t happen soon, he will be off the Sony project. He also included some comments about potential Ghostbusters III co-star Bill Murray that some might consider inflammatory. “Well, let me say this: Had Billy chosen to do the Eisenberg/Stupnitsky script of two years ago, it would be out this summer, and it would be a massive hit,” Aykroyd said. “If Billy had said yes, it would have satisfied his performance and what he wanted in the movie, it would have satisfied his performing skill and how he wanted to be depicted in the movie, it would have satisfied the studio, the writers who wrote it, everybody… Ivan (Reitman, director), me, Harold (Ramis), we were all happy with it. Then when he said, ‘Absolutely not, I’m not in this,’ we had to go and really rethink things. He abrogated his say in the project, abrogated his rights to have any say in it by refusing the third offer from the picture company, which his lawyer put before him, and Billy said, ‘No, I can’t respond.’ Now we have to move on, but we’ll always leave a hole for him. He’s always there. He can always come back at any time and be rebuilt into it, as far as I’m concerned. That’s up to his lawyer and the picture company to work out, but creatively, he will always be a part of it.”

Aykroyd made it quite clear that Sony would be missing out on a lucrative film if he and the other main players walk away. “Now, this would add quite a bump to Sony’s bottom line, quite a bump. If they make this movie, in its current shape, they would be looking at a pretty hefty, nine-figure return,” Aykroyd said. “So I’m hoping they get on to move it, but if they don’t, I have multiple trains. I’ve got tracks six, seven, and nine, and that’s four. I’ll be moving on to other things, as will Ivan, by the way. We can’t wait forever. And now’s the time to tell the picture company, and I’d say this quite publicly, it’s time now to sit down and make this movie, or you will lose your main principals, and you won’t be able to make it without us, because we have rights, and now is the time to make the movie…You don’t take advantage of that in the next three or four months, I’ll see you in Australia, where we’ll be selling Crystal Head.” That last bit is, of course, a reference to Aykroyd’s Crystal Head Vodka. Yummo!

Judging by the sound of things, a quality screenplay is done and ready to roll. “I’ve worked on every draft in the last three years, as Ivan has, and now we have a story and a draft that everybody seems to agree would make the third movie,” Aykroyd said. He also addressed a previous version which was written by Gene Stupnitsky and Lee Eisenberg (writers for “The Office”), “You know, they did great work. There will be arbitration on it. And I hope that the arbitration may yield some kind of credit for them, but I don’t know what the final, final draft is gonna be. That’s to be determined.” Okay, so maybe not exactly completely ready to roll.

And in true cart-before-the-horse Hollywood fashion, plans are already in place for sequels (that’s right…plural) should Ghostbusters III get done, one entitled Man-hell-ttan. “Man-hell-ttan, and the Ghostbusters in hell, would be so solid, but we gotta get maybe one or two made before that,” Aykroyd said. “But, oh wow, I wrote that with Tom Davis, my writing partner, recently deceased, who wrote Coneheads with me and stuff on “Saturday Night Live.” There’s classic Tom Davis lines and funny stuff in there, really it’s probably the most humorous of all the Ghostbusters scripts that have generated in that last little while. But we’ll put the humor into this next one. It’s gotta be funny, or it’s not worth doing. It can be scary, it can be Ghostbusters, it can be the new franchise, the new people, but if it’s not funny… Wait a minute, it started as a comedy. Let’s make sure there’s laughs and no laugh unturned and that we really make that our priority, to make it funny and exciting, but mainly funny.”

Time will tell if they’ll make it at all.

Dan Aykroyd Wants to Dance or Get Off the Floor with Ghostbusters III

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Feel good in the comments section below!

Image Type 1:

Continue Reading
Comments

News

Titan’s Gothic Horror Series Alisik Gets Animated with a New Trailer

Published

on

Back in October we told you about Alisik, a Gothic tale from Titan Comics’ Statix Press imprint that explores the afterlife; and now we’re back with a new trailer for the series to share along with another cover and a few interior pages.

From the Press Release:
Written by Hubertus Rufledt with haunting art by Helge Vogt, Alisik is a cross between Emily the Strange and Neil Gaiman’s The Graveyard Book – a beautiful dark and Gothic tale of mortality and what happens after death.

“Alisik started as a short animation I did during my time at Disney – something different, a bit darker, but not horror. Hubertus liked it so much that we wanted to make a comic series out of it,” said Alisik co-creator and artist Helge Vogt. “Alisik became a part of my life. It’s the best I’ve done so far, and I’m thrilled that it’s coming out in English!

Featuring an all-new cover by superstar artist Junko Mizuno (Ravina the Witch?), Alisik #1 will hit stores and digital devices on February 28, 2018.

Synopsis:
When Alisik wakes up alone in a cemetery, she thinks she’s in the middle of a nightmare. Terrified, she flees into the night but realizes she is invisible to everyone she meets. She really is dead, with no memory of how it happened… and only the ghostly residents of the graveyard can help her unravel the mystery of her afterlife.

Continue Reading

Reviews

Satan’s Cheerleaders Blu-ray Review – Sacrifice This Snoozer At The Altar!

Published

on

Starring Jack Kruschen, John Ireland, Yvonne De Carlo, Jacqueline Cole

Directed by Greydon Clark

Distributed by VCI


The ‘70s. Satanism. Sultry cheerleaders. Sex appeal. With these tools nearly any low-budget filmmaker should be able to turn out something that is, at the very least, entertaining. The last thing a viewer expects when tuning in to a film called Satan’s Cheerleaders (1977) is to be bored to tears. But that is exactly the reaction I had while watching director Greydon Clark’s wannabe cult comedy. Even on a visual level this film can’t be saved, and it was shot by Dean Cundey! No, unfortunately there isn’t a cinematic element in the world that can overcome a roster of bad actors and a storyline so poorly constructed it plays like it was written on the day. The only saving grace, minor as it may be, is the casting of John Ireland as Sheriff B.L. Bubb (cute), a hard-nosed shitkicker who adds all the gravitas he can muster. But a watchable feature cannot be built upon the back of a single co-star, as every grueling minute of Satan’s Cheerleaders proves.

The cheerleaders and jocks of Benedict High School rule the campus, doing what they want, when they want, with little else on their minds except for The Big Game. Their belittling attitudes rub school janitor (and stuttering dimwit) Billy (Jack Kruschen) the wrong way. What they don’t know is Billy is (somehow) the head of a local Satanic cult, and he plans to place a curse on the clothes (really) of the cheerleaders so they… suck at cheerleading? Maybe they’ll somehow cause the jocks to lose the big game? When Billy isn’t busy plotting his cursed plans, he spies on the girls in the locker room via a hidden grate in the wall. I guess he doesn’t think being a sexual “prevert” is fair trade enough; might as well damn them all, too. Billy has his own plans to kidnap the girls, for his Lord and Master Satan, and he succeeds with ease when the girls’ van breaks down on the highway; he simply offers them a ride and they all pile in. But when Ms. Johnson (Jacqueline Cole) gets hip to his plan the two tussle in the front seat and Billy winds up having a heart attack.

The squad runs off in search of help, coming across the office of Sheriff B.L. Bubb (John Ireland), who, as the name implies, may be a legit Satanist. Bubb invites the girls inside, where they meet his wife, Emmy (Yvonne De Carlo), High Priestess of their quaint little satanic chapter. While the girls get acquainted with Emmy, Bubb runs off to find Billy, who isn’t actually dead. Wait, scratch that, Bubb just killed him for… some reason. The girls figure out things aren’t so rosy here at the Bubb estate, so they hatch an escape plan and most make it to the forest. The few that are left behind just kinda hang out for the rest of the film. Very little of substance happens, and the pacing moves from “glacial” to “permafrost”, before a semi-psychedelic ending arrives way too late.

“Haphazard” is one of many damning terms I can think of when trying to make sense of this film. The poster says the film is “Funnier Than The Omen… Scarier Than Silent Movie” which, objectively, is a true statement, though this film couldn’t hope to be in the same league as any of the sequels to The Omen (1976) let alone the original. It is a terminal bore. Every attempt at humor is aimed at the lowest common denominator – and even those jokes miss by a wide berth. True horror doesn’t even exist in this universe. The best I can say is some of the sequences where Satan is supposedly present utilize a trippy color-filled psychedelic shooting style, but it isn’t anything novel enough to warrant a recommendation. Hell, it only happens, like, twice anyway. The rest of the film is spent listening to these simple-minded sideline sirens chirp away, dulling the enthusiasm of viewers with every word.

A twist ending that isn’t much of a twist at all is the final groan for this lukewarm love letter to Lucifer. None of the actors seem like they know what the hell to be doing, and who can blame them with material like this? I had hoped for some sort of fun romp with pompoms and pentagram, like Jack Hill’s Swinging Cheerleaders (1974) for the Satanic set, but Clark provides little more than workmanlike direction; even Cundey’s cinematography is nothing to want on a resume.

Viewers have the option of watching either a “Restored” or “Original Transfer” version of the 1.78:1 1080p picture. Honestly, I didn’t find a ton of difference between the two, though the edge likely goes to the restored version since the title implies work has been done to make it look better. Colors are accurate but a little bland, and definition just never rises above slightly average. Film grain starts off heavy but manages to smooth out later on. Very little about the picture is emblematic of HD but given the roots this is probably the best it could ever hope to look.

Audio comes in the form of an English LPCM 2.0 track. The soundtrack sounds like it was lifted from a porno, while other tracks are clearly library music. Dialogue never has any obvious issues and sounds clear throughout. Subtitles are available in English SDH.

There are two audio commentary tracks; one, with director Greydon Clark; two, with David De Cocteau and David Del Valle.

A photo gallery, with images in HD, is also included.

Special Features:

  • Audio commentary with director Greydon Clark
  • Audio commentary with filmmakers David De Cocteau & David Del Valle
  • Photo gallery
  • Satan's Cheerleaders
  • Special Features
1.3

Summary

Although the title is enough to reel in curious viewers, the reality is “Satan’s Cheerleaders” are a defunct bunch with little spirit and no excitement. The ’70s produced plenty of classic satanic cinema and this definitely ain’t it.

Sending
User Rating 0 (0 votes)
Comments Rating 0 (0 reviews)
Continue Reading

News

Friday the 13th Part 3: In Memoriam Documentary Now Available For Free!

Published

on

It’s been a while since we’ve brought you guys any news of the Friday the 13th Part III documentary Friday the 13th Part 3: In Memoriam.

But no worries as today’s news couldn’t get much better. Yes, the entire 36-minute documentary is now available in its entirety online for free!

I know that as soon as I sign off for the day I’m going to be watching this doc at least twice. It seems like I’ve been looking forward to this forever now and I’m a big fan of Part 3 so I can think of no better way to spend my Monday night.

You can watch the full doc below and then make sure to let us know what you think!

Synopsis:

This is a documentary featuring the last known footage of the set of Friday the 13th part 3 prior to its destruction. The plot involves what happened that fateful night in 2006 with additional stories from the cast members of Friday the 13th part 3 telling their memories of the production that took place in 1982.

Continue Reading

Recent Comments

Advertisement

Join the Box of Dread Mailing List

* indicates required

Go Ad Free!

Support Dread Central on Patreon!

Trending

Copyright © 2017 Dread Central Media LLC