Go Inside the Asylum for a Recap of American Horror Story: Asylum - Episode 7: Dark Cousin - Dread Central
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Go Inside the Asylum for a Recap of American Horror Story: Asylum – Episode 7: Dark Cousin

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After a somewhat shaky start, we are now 100% on board with “American Horror Story: Asylum” and are devouring every bit of info we can, including this new “Inside the Asylum” video that recaps Episode 7, “Dark Cousin.”

“American Horror Story: Asylum – Episode 7: “Dark Cousin” (aired 11/28/12)
Sister Mary Eunice (Lily Rabe) is terrified to discover a dark angel (Frances Conroy) has descended on Briarcliff. Kit (Evan Peters) makes a bold move to be reunited with Grace (Lizzie Brocheré). Written by Tim Minear; directed by David Semel.

For more visit the show’s Facebook page along with “American Horror Story” on FX.

American Horror Story: Asylum

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The Strangers: Prey at Night Set Visit Part 2: Screams and Flames

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[SPOILERS] As mentioned in our earlier set visit story, The Strangers: Prey at Night maintains the same feeling of isolation as the original. Even though a full-fledged production was going on in Gatlin Lake Getaway, it is hard to shake that feeling of being totally alone once wandering away from the set lighting. The dark surround woods start to close in and threaten to swallow any who stray too close to the tree line. Then the silence is broken as a beat-up 1972 Ford Ranger’s engine revs and a scream slices through the night.

Back on the lit street, the familiar looking truck has collided head-on with the side Wagner County Sheriff’s SUV. At the driver’s seat of the Ford is a man sporting a white cloth bag as a mask. The Bagman has returned. His appearance has not changed. The empty sockets of the mask still glare ominously and the painted smile poorly hide the strangers murderous intend.

An air of frustration surrounds the Bagman as he attempts to free the truck the SUV. In vain, the Ford revs and struggles to no avail. Bad news for him, but good news for whomever the Bagman was pursuing. The law enforcement vehicle, with its lights flashing, had been driven by a young woman decked out in a black Ramones t-shirt and blood-splattered jeans. Her hair is jet black. The woman’s skin is streaked with dark blood and open slash wounds. The dark punk eye makeup is running, but the wearer is not.

It is obvious that this woman has been through a lot as she limps from the wreck. The context of her current state is not clear, but the shrieking that emanates from her as she produces a lighter and throws it to the ground under the collided vehicles speaks volumes. It can only be assumed that she has been chased, slashed, and emotionally beaten for hours. The scream is packed with emotions from fear to outright spite and rage. It is so powerful, in fact, that the crew members uttered stunned laudations.

As the gasoline ignites, the flames climb and spread of the mangled metal of the two collided vehicles. The Ford’s engine still violently revs as the Bagman emotionlessly tries to break free. The young woman is slowly backing away, unaware of the chain reaction occurring. The darkness of 1 AM is broken by two giant fireballs that erupt, engulfing the metal mayhem in the middle of the street. The surroundings fall silent, cut is called and the crew erupts in exclamations at the awesome spectacle.

This powerful moment was brought to us by Bailee Madison (Don’t Be Afraid of the Dark).

The Strangers: Prey at Night was now on its twenty-second day of shooting and only eight more days remained. The cast and crew are well accustomed to their routines and the late night shoots have become second nature. When asked if the constant schedule of night shoots had been difficult, Madison elicited some of the virtues that the darkness has to offer, “There’s something very vulnerable about night-shoots. You are emotionally in a different place then you’re awake and rested in the daytime. I think for something traumatic like this, you to be able to access different emotions; at night you’re a lot more capable.”

At this point in production, Bailee’s character has seen a lot of action. A heavy amount of blood adorns the actor’s arms and a think clotting mass of the red stuff covers most of her forehead. Keeping track of that damage for continuity from day to day looks like a grueling task, and makeup department head Jodi Byrne dropped some details about the process, “We have continuity photos and we take pictures of Bailee constantly throughout the day … We have to determine which takes are actually going to be used in the film and we move from that point.”

Synopsis:
A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive..

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Mom & Dad Review – When Parental Protection Goes Horribly Awry

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Starring Nicolas Cage, Selma Blair, Anne Winters

Written by Brian Taylor

Directed by Brian Taylor


The love of one’s parents is something that can propel an individual to not only personal, but professional heights as well, and that’s not to say that the aforementioned love should be taken for granted, either. The reason why I’m making this statement is that you never know when that love could turn to blind, unrestrained rage, and you as the child could be forced to save your own life from those very people who raised you – enter Brian Taylor’s ultra-black comedy, Mom & Dad.

Josh (Zachary Arthur) and his sister Carly (Winters) are your typical American children: generally oblivious to the life around them provided by their progenitors, and when a mysterious and unexplained virus causes all parents to turn violently towards their kids, it’s the youngins that are the ones being stalked, sometimes with horrific results. What gives this film a tremendous sense of “oomph” is the fact that there really isn’t a whole lot of time spend on useless build-up. Taylor’s style of balls-out direction is no truer on display here as the parental duo of Nicolas Cage and Selma Blair as Brent and Kendall Ryan is one of cinematic gold. Cage, who on the normal is an actor that harnesses his bat-shit nuts style of character portrayal until it’s time to fully unleash the beast – well, consider this performance off of the friggin’ chain! It’s clear from the get-go that the relationship between the folks and the kids isn’t entirely the most drama-free and devoid of subtle hostility.

Some of the scenes of various attacks are a bit tough to take at times, and although the film was created in jest, it’s still the shock factor that carries this one to the finish line with the audience kicking and screaming all the way. One scene inside a newborn delivery room had me shifting in my seat, and for that to happen is pretty damned impressive, and I’ve seen some rather demented shit over the course of my years. The film does get a bit disjointed at times, but order is restored when the mayhem returns in full-force, and Taylor’s action-film resume shows through with psychotic camera-angles and dizzying arrays of brute force from some characters. Blair and Cage didn’t exactly come off doubtless as a couple, and maybe they would have been better set as a separate-working tandem, but the two nevertheless provided some real entertainment once their switches got flipped (well, Cage’s switch never really has an “off” position in this movie). In the end of it all, Mom & Dad is the textbook definition of a “mindless movie,” and that’s not meant to be a negative in any fashion – I absolutely loved it from beginning to end, and this one is meant for a viewing with the kiddies to gently remind them what could happen if they ever get out of line (wink, wink).

BUY IT NOW!

  • Film
3.5

Summary

Ferocious, frenzied and ultimately fun, these parents certainly aren’t to be f**ked with!

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Breaking: Jurassic World 3 Stomps Into Theaters June 2021!

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J.A. Bayona’s Jurassic World: Fallen Kingdom doesn’t hit theaters until the June, but still, here comes Jurassic World 3!

Yes, Deadline just announced that the third entry in the massively successful Jurassic World series is going to be roaring into theaters come June 11, 2012.

Not only that but the film has already snagged a screenwriter in the form of Pacific Rim: Uprising co-writer Emily Carmichael, who will co-write along with Trevorrow.

The third entry’s script will be based off a story by Trevorrow and Derek Connolly, who wrote the first two Jurassic World films together, and Steven Spielberg and Trevorrow will return to executive produce, along with producers Frank Marshall and Pat Crowley.

“It’s important to this franchise that we welcome new creative voices to keep our storytelling fresh and alive,” said Trevorrow in a statement. “I’m thrilled with the tension and beauty J.A. has brought to Fallen Kingdom, and I know Emily will add another layer of emotion to the concluding chapter of our trilogy.”

There have been no casting confirmations just yet, but we will let you know as soon as we hear anything further! Are you excited for Jurassic World 3? Let us know below!

Directed by J.A. Bayona (The Impossible), the epic action-adventure is written by Jurassic World’s director, Trevorrow, and its co-writer, Derek Connolly. The film stars Chriss Pratt, Bryce Dallas Howard, James Cromwell, Ted Levine, Justice Smith, Geraldine Chaplin, Daniella Pineda, Toby Jones, Rafe Spall, and Isabella Sermon, while BD Wong and Jeff Goldblum reprise their roles.

Look for it in theaters on June 22, 2018.

Synopsis:

It’s been four years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island’s dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who’s still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission.

Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times.

With all of the wonder, adventure, and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs—along with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.

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