Exclusive: Co-Writer and Director Matt Mitchell Talks Gangsters, Guns and Zombies - Dread Central
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Exclusive: Co-Writer and Director Matt Mitchell Talks Gangsters, Guns and Zombies



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With a title offering up pretty much anything you could want out of a horror/comedy/crime thriller hybrid, Gangsters, Guns and Zombies is the feature film debut from UK director Matt Mitchell which recently bowed on VOD.

Look for the flick to be arriving on DVD shelves everywhere on December 11th courtesy of XLrator Media.

Recently Dread Central chatted with Mitchell about his directorial bow and how another indie film inspired the concept of Gangsters, Guns and Zombies originally. We also heard about the up-and-coming filmmaker’s experiences working on his no-budget horror comedy and more on his future projects as well.

Check out our exclusive interview with Mitchell below, and check out Gangsters, Guns and Zombies now that’s out on select VOD platforms.

Dread Central: I really enjoyed this movie; the humor was fun, and it was definitely an ambitious movie to say the least. Can you start off by discussing where the idea for the story came from?

Matt Mitchell: Wow, thanks so much. So, this story was born out of a few things; just before this all happened, I was trying to get another feature up and running and my producer approached me about doing a no-budget indie feature film which I thought could be fun, but we didn’t really know what we wanted to do a movie about at the time. Right around then, I was watching a featurette for another indie movie made over here [in the UK], and they said something like, “It was great to work on something that wasn’t about gangsters, guns or zombies,” and I just thought to myself, “Gangsters, guns and zombies? Now THAT sounds like a movie I’d want to watch.” I just loved the idea of it; how could you go wrong? (laughs)

Dread Central: Because you knew going into this that you weren’t going to have much of a budget, was that a huge consideration for you when you were writing the story? It still seems like you guys pulled off a lot for a little because of all the locales and everything.

Matt Mitchell: Well, I wrote it specifically for the budget, but of course there was a lot of crazy shit that got away from us, which makes things harder and can really screw up your budget, too. All I will say is that making this movie was a nightmare…or worse than that even, but regardless of what happens, you just have to keep going through all the bullshit. But I mean, for all the constant bullshit, we had so many people who just kept showing up every day because they were excited about getting this movie made.

We even had to do crowd-funding just to keep the movie going; it was so hard making this movie, man. But we used some of the footage we shot at the start to use as pitch videos for our campaign and we were really lucky because so many of our zombies on this were actually people who donated and wanted to come out and help us out even more. It was incredible, and the fact that every single person on this project was putting so much of themselves into it, I think that really elevated the end result. Everyone was so passionate about this movie, and that passion is what made this movie really work. I think I was just too dumb to realize when we started just how insane this shoot was going to be (laughs); I know now, though- especially for the next ones!

Dread Central: So were there things then that you had wanted in the movie but just never made it in because of budgetary constraints?

Matt Mitchell: Yeah, there were certain things we had to concede- for example, the scene with the knights in the woods was three days of shooting as it was written on the page, but because of what we could do logistically, we ended up shooting that scene in just a few hours, which meant we lost some stuff because of time. But overall I don’t think it really hurt anything because the scene still works really well.

But what was most important to me, even back when I was working on the script, was that this had to have some heart to it- it couldn’t just be another zombie movie; there had to be something more to it for this concept to work, and I think we deliver on that. My favorite movies are the ones that I can put on again and again and they have those golden moments of dialogue that makes it so fun for fans to watch again and again, and I think we have a few of those moments here.

Plus, having great actors always helps, and we had some truly great ones on this movie.

Dread Central: Let’s talk about your cast then- how was it working with them on the movie?

Matt Mitchell: You know, we got really lucky with our cast; not only are they all fantastic actors, but they were all good people to be around during what ended up being a rather shitty ride, if you get what I mean. When you’re making a movie like this, it’s really important to have the right kind of people- not just actors, but the right people who know what they’re getting into and they can hang, no matter what. Our actors really had to go the distance.

Dread Central: Looking back at your experiences making Gangsters, Guns and Zombies, what would you say is the biggest lesson you took away from it all?

Matt Mitchell: I would say- give yourself time and give everyone else time, too. Time is the essential element in making sure anything works the right way… the script, the performances, everything. If you plan for everything the right way and give everyone time to prepare the way they need to, it makes an insane shoot like ours go off with very few interruptions. Sure, we definitely faced our challenges, but preparation made all of us better equipped to handle those kinds of challenges.

My other advice would be always to write to your budget; we might have been a little too ambitious with the fights and action stuff we put into our script, and that’s a lot of the moments we had to lose along the way because we just didn’t have the budget to do those scenes the way we wanted to.

Dread Central: If this does well, would you like to do a follow-up to Gangsters, Guns and Zombies? Any projects coming up soon?

Matt Mitchell: I would love to do a sequel if we ever get the chance to; I would only hope that maybe we have a bit of a bigger budget the next time around, though, so that we can do a lot of the things we missed out on doing on this one. But right now I’m working on this horror comedy thriller project that’s hopefully going to get started next year. It’s going to be insane, and that’s all I can say for now- insane!

Gangsters, Guns and Zombies

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Synapse’s Suspiria 4K Restoration Gets a Release Date



Earlier this year, we wrote about Synapse Films’ Suspiria 4K restoration and how it was available for pre-order. The weird catch was that there was no release date confirmed and that pre-orders would go out sometime in December 2017. Today that changes as we can confirm that the 3-disc special edition Blu-ray collection will come out December 19th, just in time for Christmas but a little late for Hanukkah. Any chance we can have one extra night this year?

Restored over three years, Synapse has been working tirelessly to create the ultimate version of Dario Argento’s 1977 classic supernatural horror film, which has since gone on to become one of the most recognized and lauded titles in the genre. This cut has been overseen and approved by Luciano Tovoli, the Director of Photography on the film.

Pre-orders are still available via Synapse Films’ website.

Special features:
*Limited edition of only 6000 units produced
*Exclusive Steelbook packaging and collector’s o-card sleeve, featuring artwork from Malleus, Van Orton Design, Juan José Saldarriaga & Chris MacGibbon
*Three disc [Two Blu-rays + One CD] limited collector’s edition (only 6000 units) containing a new 4K restoration of the original uncut, uncensored Italian 35mm camera negative exclusively done by Synapse Films, with color correction supervised and approved by SUSPIRIA Director of Photography, Luciano Tovoli
*Original 4.0 1977 English language LCRS sound mix not heard since the theatrical release in 1977, presented in high-resolution DTS-HD MA 96 Khz/24-bit audio
*Italian 5.1 surround sound mix
*Two audio commentaries by authors and Argento scholars, Derek Botelho, David Del Valle & Troy Howarth
*Do You Know Anything About Witches? – 30 minute SUSPIRIA visual essay written, edited and narrated by Michael Mackenzie
*Suzy in Nazi Germany – Featurette on the German locations from SUSPIRIA
*A Sigh from the Depths: 40 Years of SUSPIRIA – All-new anniversary retrospective on the making of the film and its influence on cinema
*Olga’s Story – Interview with star Barbara Magnolfi
*Original theatrical trailers, TV spots and radio spots
*Special Collector Edition Booklet containing an American Cinematographer interview with Luciano Tovoli, liner notes by Derek Botelho and restoration notes by Vincent Pereira & Don May, Jr. Cover artwork by Matthew Therrien Illustration
*“International Classics” English “Breathing Letters” opening credit sequence from U.S. release version
*Alternate All-English opening and closing credits sequences, playable via seamless branching
*Newly translated, removable English SDH subtitles for the English language version
*Newly translated, removable English subtitles for the Italian language version
*Exclusive CD remaster of Goblin’s SUSPIRIA motion picture soundtrack, containing additional tracks not included on the original 1977 soundtrack release

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Creep 2 Starring Mark Duplass Hits Netflix This December



Just the other day we shared with you guys an exclusive interview with Partick Brice, the director of the Mark Duplass-starring found footage flicks Creep and Creep 2.

Today we have the awesome news that the killer sequel Creep 2 (review) will be hitting Netflix streaming on December 23rd.

The original creeptastic motion picture is already streaming on Netflix so if you need to catch up – or just watch the original again – you can do so tonight and get ready for the sequel which, personally, I found to be superior (if even just slightly) to the original.

What did you think of the original film? Are you excited to check out the sequel? Or have you already seen it? Make sure to let us know in the comments below or on social media!

Creep 2 starring Mark Duplass and Desiree Akhavan hits Netflix December 23rd!


Desiree Akhavan (“Girls”, APPROPRIATE BEHAVIOR) stars as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass, reprising his role from the previous film). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on she discovers she may have dug herself into a hole she can’t escape.

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Waxwork Records Unveils Phenomenal 2018 Subscription Package



Our pals over at Waxwork Records have unveiled their 2018 subscription bundle and it’s packed to the brim with some absolutely fantastic titles! Horror fans who enjoy spinning their music on turntables can look forward to two Romero titles, Night of the Living Dead and Dawn of the Dead, Joe Dante’s The ‘Burbs, Sam Raimi’s Drag Me to Hell, and lastly they’ll have Jordan Peele’s smash success title Get Out. On top of getting those five records, those who join the subscription program will also receive a t-shirt, coffee mug, poster, notebook, magnet, enamel pin, calendar, and more.

For Night of the Living Dead, Waxwork Records worked closely with the film’s original creators, including Romero himself prior to his passing, the Museum of Modern Art, and The Criterion Collection so that they could source audio from the 4K restoration. It will be released as a 2xLP package.

Dawn of the Dead will also get a 2xLP release that will include brand new artwork, re-mastered audio, and more. The same kind of treatment is being given to The ‘Burbs. Christopher Young’s Drag Me to Hell soundtrack will be a single LP but will get the same level of attention and quality as the other titles.

As for Peele’s Get Out. Michael Abels; score will be released on a 2xLP vinyl set and will pay tribute to one of the most culturally significant movies of the past several years.

The Waxwork Records subscription package will be $250 ($285 in Canada) and will open up for sale this Friday, the 24th. More information can be found on Waxwork’s website.

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