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Akira Writer Ready to Tell The Strange Case of Mr. Hyde

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The Wrap

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http://www.thewrap.com/movies/column-post/dark-horse-graphic-novel-feature-adaptation-strange-case-hyde-finds-new-writer-excluive-

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Another day, another adaptation. Next on tap is a cinematic retelling of the Dark Horse graphic novel The Strange Case of Mr. Hyde. Read on for all the details regarding who will be drinking Jekyll’s concoction next.

According to The Wrap, screenwriter Albert Torres (Akira) has come on board to re-write the script for a feature film adaptation based on the graphic novel of the same name, which was written by Cole Haddon and published in 2011.

The Strange Case of Mr. Hyde follows Dr. Jekyll after he is allegedly rehabilitated and released from prison to help hunt a new monster who appears to be using an improved version of the infamous Hyde serum.

The film is being produced by Dark Horse Entertainment, Skydance Productions, and the Mark Gordon Company. The now classic characters Dr. Jekyll and Mr. Hyde first appeared in a novella by Robert Louis Stevenson in 1886.

Akira Writer Ready to Tell The Strange Case of Mr. Hyde

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Brainwaves

#Brainwaves Episode 86: Darin Scott – Director of DEEP BLUE SEA 2, Producer of TALES FROM THE HOOD, and Lots More! LISTEN NOW!

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For the 86th episode of Brainwaves: Horror and Paranormal Talk Radio, we went deep… deep into… well, trouble, per usual; but aside from that, filmmaker Darin Scott, whose latest film, Deep Blue Sea 2, is currently taking a shark-sized bite out of home video, joined us for some talk about that flick, Tales from the Hood, working with Spike Lee, and a whole lot more!

It’s radio without a safety net, kids. It’s Brainwaves: Horror and Paranormal Talk Radio.

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Spooky, funny, touching, honest, offensive, and at times completely random, Brainwaves airs live every Wednesday evening beginning at 8:00 PM Pacific Time (11:00 midnight Eastern Time) and runs about 3 hours per episode.

Knetter and Creepy will be taking your calls LIVE and unscreened via Skype, so let your freak flags fly! Feel free to add BrainWavesTalk to your Skype account so you can reach us, or call in from a landline or cellphone – 858 480 7789. The duo also take questions via Twitter; you can reach us at @BrainwavesRadio or @UncleCreepy, @JoeKnetter, or @MrDarkDC using the hashtag #BrainWaves. You can also check us out on our Brainwaves Discord channel!

Have a ghost story or a paranormal story but can’t call in? Feel free to email it to me directly at UncleCreepy@dreadcentral.com with “Brainwaves Story” in your subject line. You can now become a fan of the show via the official… BRAINWAVES FACEBOOK PAGE!

Brainwaves: Horror and Paranormal Talk Radio is hosted live (with shows to be archived as they progress) right here on Dread Central. You can tune in and listen via the FREE TuneIn Radio app or listen to TuneIn right through the website!

For more information and to listen live independent of TuneIn, visit the Deep Talk Radio Network website, “like” Deep Talk Radio on Facebook, and follow Deep Talk Radio on Twitter. And don’t forget to subscribe to Brainwaves on iTunes.

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THE STRANGERS Blu-ray Review – Let This Stellar Release From Scream Factory Sneak Into Your Home

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Starring Liv Tyler, Scott Speedman, Man in the Mask, Dollface, Pin-up

Directed by Bryan Bertino

Distributed by Scream Factory


It’s a bit odd – though somewhat fitting, given the number of waited-too-long sequels being produced these days – The Strangers (2008) finally got a follow-up after a lengthy ten-year gap. The original is a fine example of a home invasion picture done right, or at least well enough, but, as anyone who has seen the film knows, the leads probably won’t be returning and the killers have the personalities of dime store Halloween masks. The Strangers is a disturbing film in the sense the events seem like they “could happen to you” – it is, after all, “based on a true story” (not really). Plus, the situations our leads find themselves in are exactly the sort people still freak themselves out, like whenever someone enters a room with large windows at night – let’s all be honest here. The only thing scarier than things that go bump in the night is the thought those things are just out of eyesight, waiting to scare you. With the exception of a few “wait, why are you doing that?” moments The Strangers manages to activate certain primal responses to being stalked and frightened. It’s creepy.

Not-newly-engaged couple James (Scott Speedman) and Kristen (Liv Tyler) have returned to James’ childhood summer home after a day spent at a wedding, where James’ proposal to Kristen was sadly declined. They go through some awkward motions back at home, trying to figure out where their relationship stands, when there’s a sudden KNOCK at the door. James answers and finds a young girl asking for a person who has never lived there. She leaves, cryptically mumbling she’ll “see them later”. She does, along with two other “friends” – the Man in the Mask and another girl in a pin-up mask – who proceed to stalk, taunt, tease, and terrorize both Kristen and James until the morning light breaks.

There aren’t many huge surprises in this film but the less you know about how the night plays out, the better. This isn’t to suggest the main characters make smart decisions viewers aren’t expecting, though. James is initially dismissive of a series of terrorizing occurrences Kirsten experiences when he goes out to get her a pack of smokes, brushing all of it off like she has an overactive imagination; this after the weird situation with the girl moments before. And expectedly, once James is finally on board with believing something sinister is afoot it’s already too late to do much about it. Past that point he and Kristen do act like rational people (mostly) and their plight gains a little more sympathy because of their noble efforts.

I hate the scene where James’ friend, Mike (Glenn Howerton), shows up, though. Spoiler alert: any viewer can see his accidental death coming from a mile away. Since it’s established early on James has called Mike to pick him up, what would have worked better would be if all the footage of Mike’s arrival and inspection of the house was cut. That way, his reveal at James and Kristen’s makeshift stronghold in the back bedroom would have been a major surprise. Instead, it plays out so obviously the intended impact is completely muted.

While the film falters in a few areas, it manages to make up for those gaffes by stepping outside the norm. One thing is does incredibly right is refusing to give the trio of terrorizers any personality or backstory or motivation. Viewers are left just as cold once the credits roll as they were upon being introduced to these faceless miscreants. This feels especially refreshing when watching the movie today because lately it seems so many horror films have been yanking the mystique out of things; between prequels and reboots and lengthy exposition it’s rare when a film chooses to eschew all of that. The film is also dire and dour, leaving little room for hope aside from a tiny tidbit that occurs at the very end. There are no white knights; the cavalry isn’t coming – and when you are staying at a house with weak security, near the woods, with no neighbors close by, don’t expect a deus ex machina to save the day.

Universal previously issued The Strangers on Blu-ray, though it featured both cuts on a single BD-25 and used an outdated codec. This new release from Scream Factory spreads the goods out onto two discs, giving each cut a full BD-50 to maximize bit rate. As a result, the 2.35:1 1080p image looks much more refined, smoothing out past compression issues and tightening up both contrast and definition. The lion’s share of this film was shot at night and black levels maintain a rich consistency throughout, while still allowing for details to remain apparent. Nothing is lost to the shadows, which frequently bathe the actors and environments. Scream Factory touts a new 2K scan of the intermediate and the results are nearly flawless.

As viewers might expect, sound design plays a crucial role in this film and the audio options ensure they’ll be immersed in subtle and not-so-subtle sounds from every direction. Both cuts feature an English DTS-HD Master Audio track in both 2.0 and 5.1 options. As expected, the multi-channel track offers a more discreet experience, spreading out the spooky sound design to fully envelope listeners. Thuds, knocks, voices, and footsteps creep from unexpected corners of the room, placing viewers right in the action and heightening the tension. The soundtrack goes a bit overboard on the jump scares stingers but since the whole point of this film is a couple being jolt scared over and over they seem fitting. Subtitles are included in English SDH.

Just as buyers should rightfully expect, Scream Factory has included all of the previous extra features found on Universal’s release and then some.

DISC ONE: Theatrical Cut

“The Element of Terror” – This is a routine EPK, filled with behind-the-scenes footage and interviews with the cast & crew.

“Strangers at the Door” – This piece covers the film’s initial concept and shows off some of the cast & crew working on set, with a few being interviewed, too.

A reel of deleted scenes, three TV spots, and a theatrical trailer, which is quite effective, can also be found on this disc.

DISC TWO: Unrated Cut

“Defining Moments – Interview with writer/director Bryan Bertino” – This is a newly recorded chat with the director, who discusses not only the making of the film but its legacy now that so much time has passed since release.

“All the Right Movies – Interview with actor Kip Weeks (Man in the Mask) – Here, the actor discusses how he got the role and what kind of direction was given to him for the character.

“Brains and Brawn – Interview with actress Laura Margolis (Pin-up Girl) – Just as with Kip Weeks, Margolis talks about playing such a quiet character as well as discussing some changes to the trio that were made during production.

“Deep Cuts – Interview with editor Kevin Greutert” – Learn about how the film took shape, the reasoning behind cuts and sequencing, and what changes were made right up until the theatrical release date.

A still gallery is also included.

The cover art is reversible and there is a slipcover included on first pressings featuring newly commissioned artwork.

Special Features:

  • NEW 2K REMASTER of the Theatrical Version of the film
  • NEW 2K REMASTER of the Unrated Version of the film
  • NEW Defining Moments – An Interview With Writer/Director Bryan Bertino
  • NEW All The Right Moves – An Interview With Actor Kip Weeks (Man In The Mask)
  • NEW Brains And Brawn – An Interview With Actress Laura Margolis (Pin Up Girl)
  • NEW Deep Cuts – An Interview With Editor Kevin Greutert
  • The Element of Terror – Interviews With The Cast And Crew
  • Strangers At The Door – Interviews With Writer/Director Bryan Bertino And The Cast
  • Deleted Scenes
  • TV Spots
  • The Strangers
  • Special Features
3.8

Summary

Still effective only with only a modicum of true stupidity, “The Strangers” might not be the classic it’s been called in more than a few recent retrospective pieces but it does occupy a cushy spot near the top of the contemporary home invasion film list. Scream Factory’s release offers up excellent A/V quality and all the bonus features anyone could want (barring an audio commentary).

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Exclusive: Concept Art and Video From Tim Burton’s Cancelled SUPERMAN Plus Art From Clive Barker’s MUMMY Project

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Special FX artist Steve Johnson has a long and storied career in Hollywood. From working on films such as Predator, A Nightmare on Elm Street 4: The Dream Master, Lord of Illusions, and more, to to makeup on Return of the Living Dead III, Nightwatch, and Night of the Demons 2, his work has been seen in a swath of films that genre fans know and love. Hell, the guy even created Slimer from Ghostbusters! If that doesn’t make him Hollywood royalty, I honestly don’t know what does.

Right now, Johnson has a Kickstarter going for Rubberhead Volume 2: Sex, Drugs, and Special Effects, the second book in a five volume series that chronicles the work he’s done over the years. Included in this particular book is a section called “The Ones That Got Away”. That’s what brings us to today and to this particular article.

We were absolutely fascinated with some of the films that Johnson got to work on that never ended up seeing the light of day and we managed to get our hands on some exclusive concept art from both Tim Burton’s cancelled Superman and Clive Barker’s Mummy project. We also have a suit test video from the former, which features Danny Elfman’s music from Batman, so it’s extra thrilling.

You can read about both projects and see the concept art below (the Superman suit video is above). Also, click on the Kickstarter link above if you want to help make Johnson’s second book a reality!


Tim Burton’s Superman:

For the ill-fated Tim Burton Superman movie, Johnson was contracted to craft all manner of elaborate costumes, props, puppets, and prosthetics for a project that was to be doomed by an overextended budget.

It was absolutely massive because not only were we working on these Superman suits, we were doing Doomsday, we were doing a Menagerie, a Brainiac and an entire spaceship that was literally filled with creatures. It looked like the Star Wars cantina on steroids,” Steve Johnson exclaims.

Of the standout pieces were multiple bioluminescent Superman regeneration suits, all of which glowed purely by way of practical effects. The effect was created using cyalume, the active liquid in glow sticks, strategically pumped through a series of elaborate tubing patterns which gave the appearance of glowing blood pumping through veins.

Other suits were powered by a fiber-optic light setup informed heavily by Johnson’s groundbreaking work on James Cameron’s The Abyss, a creation he claims pleased him more than any other in his entire career.


Clive Barker’s Mummy:

Clive Barker had teamed up with Mick Garris (Critters 2, Psycho IV) on a brand new Mummy concept that the two pitched to Universal. The hyper erotic plot involved a transsexual occultist protagonist who attempted to reanimate mummies within a prestigious museum setting.

Shortly after collaborating with Barker on Lord of Illusions, Steve Johnson signed up to help him create a visual proof-of-concept in order to help Barker pitch the project which had not yet been greenlit. Johnson signed on and even built proof-of-concept creatures, funding the endeavor entirely out of his own pocket to help Barker sell it in to Universal.

For inspiration, Barker and Johnson exhaustively researched museums, Egyptian sculptures, statues and artifacts to ensure historical accuracy while imbuing the mummies with a heavy dose of classic sadomasochistic Clive Barker style.

Johnson explained, “If you do your research on real mummies in Egypt they look nothing like Boris Karloff mummies or mummies in the new mummy movies. The goal was to include all of the realistic detail and adornment in a way that was accurate to real Egyptian mummies which had never been done before. We were going to make them fascinating, cenobite-like creatures but based entirely in reality and history.

Unfortunately, the project was never greenlit by Universal. Clive Barker told Fangoria, “Looking back, our version of The Mummy was precisely what the powers that were at Universal did not want.


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