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Exclusive: Michelle Rodriguez on Returning for Resident Evil: Retribution and More

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Recently Dread Central had the chance to sit down one-on-one with one of our favorite lively and outspoken actresses – Michelle Rodriguez- during the press day for Paul W.S. Anderson’s upcoming sequel Resident Evil: Retribution.

Considering she’s a franchise veteran returning (from the dead, no less) to the world of Resident Evil after ten years away, we spoke with Rodriguez about the evolution of Rain Ocampo and how she changed things up with her character in this fifth installment. Rodriguez also discussed how Rain’s superhuman abilities were freeing for her as an actress in Retribution as well as her thoughts on reuniting with her Resident Evil family again.

Check out our exclusive chat with Rodriguez below, and look for more on Resident Evil: Retribution soon!

Exclusive: Michelle Rodriguez on Returning for Resident Evil: Retribution and More

Related Story: Exclusive: Paul W.S. Anderson Discusses Resident Evil: Retribution, Future Franchise Plans and More

Related Story: Exclusive: Milla Jovovich on Alice’s Evolution and More for Resident Evil: Retribution

Dread Central: We’ve seen you play badasses over the years, and very well I might add, but there was something a bit different about what you did with Rain in Retribution– was it kind of liberating to get to take on a bunch of dudes like that and just destroy them?

Michelle Rodriguez: Well, I can’t take all the credit- some of that goes to ‘Las Plagas’ (the strain of infection featured in the Resident Evil game series storylines) of course. It is a pretty amazing genetic mutation, and I had a lot of fun during those scenes with the guys- yes (laughs).

Dread Central: Because your character is a bit more complicated this time around, was that part of the appeal for you to return to the Resident Evil series?

Michelle Rodriguez: All that and the fact that for part of the movie I was almost like an Olympic athlete on the most extreme steroids you could ever imagine. You don’t get offered roles like that a lot, especially as a woman, so I just thought when I first read the script, “How fun! This could be really cool” and saw it as a chance to have more fun than I normally get to have.

And I totally loved that other side of my character, too- the Rain that drives a Prius, wears high heels, hates the NRA and doesn’t know how to defend herself- was so something not up my normal alley, but I still had fun playing it in a completely different way. And yeah, I don’t think I’ve ever played anyone so innocent before.

I have to say, though, that everyone only calls me to play these tough chicks so maybe it’s time to switch things up. In fact, that’s it; I’m doing a rom-com now (laughs). I’m going to show you all a totally different Michelle now after 13 years (laughs).

Dread Central: Do you feel like a lot of that is because you have a stronger personality, one that seems like you can take a lot of crap but give it out as well?

Michelle Rodriguez: For sure, of course. It’s all boiling down in there. In fact, a lot of times I have to keep it tamed down. You wouldn’t want to see what would happen if I didn’t (laughs).

Dread Central: Because you’re associated with several huge franchises, like Resident Evil and the Fast & Furious films or even now the Machete movies, do you always look forward more to projects like these because you are getting to reunite with the different movie families?

Michelle Rodriguez: Hell yeah; for all of them. And for this one in particular- coming back and seeing Milla (Jovovich) and Paul, now together, and everyone from the producers to the art department to the wardrobe department that have all been involved since the very beginning. It’s pretty amazing to come back after ten years and see everyone and just how loyal they all are to this franchise and this world. It’s great to get to come back again and hopefully come back again if we get to do another one.

It just kind of feels like my life is a comic book series, and it all seems to happen in “volumes,” whether it’s returning for a Resident Evil movie, a Machete movie or another Fast (& Furious) movie. I’ve been very lucky.

Written and directed by Paul Anderson, Resident Evil: Retribution stars Milla Jovovich, Boris Kodjoe, Li Bingbing, Kevin Durand, Shawn Roberts, Michelle Rodriguez, Sienna Guillory, Johann Urb, and Colin Salmon. Look for Resident Evil: Retribution in theatres on September 14, 2012, from Screen Gems.

Synopsis
The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, Alice, awakens in the heart of Umbrella’s most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by newfound allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.

Exclusive: Michelle Rodriguez on Returning for Resident Evil: Retribution and More

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The Crucifixion Review – Should’ve Left This One Nailed to the Cross

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Starring Sophie Cookson, Corneliu Ulici, Ada Lupu

Directed by Xavier Gens


Claiming to be inspired by actual events, director Xavier Gens’ The Crucifixion forgoes the affecting shocks and awes, and instead beats its audience into the ground with a laundry-list of ho-hum dialogue and lesser-than-stellar instances…forget the priest, I need a friggin’ Red Bull.

A 2005 case is spotlighted, and it revolves around a psychotically damaged woman of the cloth (nun for all you laymen) who priests believed was inhabited by ol’ Satan himself. With one rogue priest in command who firmly believed that this was the work of something satanic, the nun was subject to a horrific exorcism in which she was chained to a cross and basically left to die, which ultimately resulted in the priest being stripped of his collar and rosary…how tragic. Enter an overzealous New York reporter (Cookson) who is intently focused upon traveling to Romania to get the scoop on the botched undertaking. After her arrival, the only point of view that seems to keep sticking with interviewees is that the man who sat close to the lord killed a helpless, innocent and stricken woman, that is until she meets up with another nun and a village priest – and their claims are of something much more sinister.

From there, the battle between good and evil rages…well, let me rephrase that: it doesn’t exactly “rage” – instead, it simmers but never boils. Unfortunately for those who came looking for some serious Father Karras action will more than likely be disappointed. The performances border on labored with cursory characters, and outside of some beautiful cinematography, this one failed to chew out of its five-point restraints.

I’d normally prattle on and on about this and that, just to keep my word limit at a bit of a stretch, but with this particular presentation, there just isn’t much to bore you all with (see what I just did there). Gens certainly had the right idea when constructing this film according to blueprints…but it’s like one of those pieces of Wal-Mart furniture that when you open the box, all you can find are the instructions that aren’t in your language – wing and a prayer…but we all know what prayers get you, don’t we, Father?

My advice to all who come seeking some hellacious activity – stick to The Exorcist and you’ll never be let down.

  • Film
2

Summary

The Crucifixion is one of those films that needs the help of the man above in order to raise its faith, but I think he might have been out to lunch when this one came around.

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Giallo Makes A Comeback With Crystal Eyes

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The giallo genre has somewhat fallen off the radar in recent years, but that’s all about to change with the new Argentinian film Crystal Eyes (original title: Mirada de Cristal). Set in 1985, the film’s about a series of murders taking place in the glamorous and colorful fashion world, so it sounds like a true giallo throwback.

Crystal Eyes was directed by Ezequiel Endelman and Leandro Montejano, and stars Silvia Montanari, Anahí Politi, Erika Boveri, and Claudio Armesto. It screened at both the Mar del Plata International Film Festival and the Buenos Aires Rojo Sangre Film Festival, and received a great audience reception at both. We were sent the trailer for the film along with the poster and a bunch of lobby cards, which we proudly present below.

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Black Christmas Blu-ray Review – Making Its U.K. Debut From 101 Films

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Starring Keir Dullea, Olivia Hussey, John Saxon, Art Hindle

Directed by Bob Clark

Distributed by 101 Films


There is only one Bob Clark Christmas movie I watch each year and it doesn’t feature Ralphie and his Red Ryder fantasies.

The endurance of Clark’s 1974 legendary slasher, Black Christmas, can be chalked up to a number of factors but the greatest is this: it is a disturbing film. I frequently come across horror message board topics asking for genuinely scary titles devoid of jump scares and excessive gore, but oddly enough Black Christmas doesn’t get many mentions. Maybe because it has been relegated to the “seasonal viewing only” heap? Regardless, fans will agree that the unsettling events portrayed don’t diminish with repeat viewings; if anything, subsequent watching serves to reinforce that it is a standout among a sea of imitators. The film is also a noted influence on John Carpenter’s Halloween (1978) – arguably the granddaddy of slasher films – adding a bit of prestige to its legacy.

The girls of Pi Kappa Sig are throwing a holiday party before the Christmas break when, toward the end of the night, they receive a phone call from a man they’ve been calling “The Moaner”, who has a habit of calling and making unusual noises. Jess (Olivia Hussey) initially accepts the call but also allows her other sisters to listen in, prompting outspoken Barb (Margot Kidder) to jump on the line and goad this mystery man. She and Phyllis (Andrea Martin) argue over the possibility this guy may be more threatening than anyone realizes. Unbeknownst to the ladies partying downstairs, however, moments before the phone call came through an unidentified person (very likely this same caller) snuck up the side of the house and into the attic. And once the party wraps up that same person is found hiding in Claire’s (Lynne Griffin) closet, whereupon she is strangled and placed in a rocking chair in the attic.

The next day Claire’s father comes to the campus to meet her and is understandably stood up. He heads to the sorority house and reports her missing, at which point the girls and their housemother, Mrs. Mac (Marian Waldman), agree to help him locate her. The file a report with the police, led by Lt. Fuller (John Saxon), and Jess also wrangles in Claire’s semi-boyfriend, Chris (Art Hindle), who helps bolster the search by raising hell at the station. Jess, meanwhile, is having problems of her own after confessing to her boyfriend, Peter (Keir Dullea), she is pregnant. She wants an abortion; he is vehemently against it. Claire’s absence grows more concerning when another missing girl is found dead in a nearby park, prompting the cops to ramp up their efforts. The girls are being picked off one by one as the unseen assailant remains hidden in the attic, continuing his phone calls that come after each murder. The cops suspect Peter may be a person of interest, as his interactions with Jess have become increasingly aggressive, but everyone is in for a shock when a tap on the line reveals the true source of the calls – they are coming from within the house.

With the film having been around for over forty years, and fans having been sold one “upgraded” home video version after the next, I suspect most readers are more interested in how Scream Factory’s Blu-ray stacks up against similar editions – which is basically my way of saying this review is a bit glib. For the uninitiated, however, let me say that I cannot overstate how exceptional Clark’s film is – never giving the killer an identity, an entire subplot concerning abortion, a palpable sense of grief for Claire’s father, a cast of interesting, unique people who don’t ever feel like archetypes, and a potentially downer of an ending. Some of his moviemaking tricks are brilliant, like the decision to create Billy’s voice from a combination of three different people (one a woman) and using interchangeable actors to portray the killer so you’re never quite sure who is in the attic. Carl Zittrer’s score is disorienting and minimal, making use of odd instrumentation to add extra unease; it also appears infrequently, giving the movie more of a real life quality. Black Christmas was a reasonable success upon release, more so commercially than critically, but time has been kind to this old gem and many now view it as an outright horror classic.

Hell, it was Elvis’ favorite Christmas movie.

Cult label 101 Films is giving the film its U.K. debut, presenting a transfer that is nearly identical to the remastered version Scream Factory released last year in North America. That 1.85:1 1080p picture is very likely the best this film can and will ever look. Black Christmas has a long home video history of looking very grainy, murky, dulled, and soft. I can’t say the new disc’s results are far off that mark but there are clear improvements. For one, grain has been resolved in a tighter field that looks less “noisy” and more “grindhouse-y”; do not expect an image clear as a crystal unicorn by any means. There is still softness to many faces and objects though detail looks far better here than it ever has before. Colors are more vibrant, too. Black levels run on the hazy side but they’re more stable than ever. The only noticeable difference between the Scream Factory and 101 Films versions are the latter is a touch brighter, allowing for a little more detail to filter through.

Audio is available via an English LPCM 5.1 surround sound track or a 2.0 stereo option. The multi-channel effort grants the unsettling soundtrack and Billy’s insane vocalizations more room to breathe, ratcheting up the creepiness thanks to the sense of immersion. Unlike the Scream Factory edition, the original mono track is not included.

Only a handful of extra features have been included, all of which can be found on the Scream Factory edition, too.

“Film and Furs: Remembering Black Christmas with Art Hindle” – Hindle, who still owns that jacket, talks about being a working actor in Canada when there wasn’t much work, as well as how he wound up auditioning for Clark for a different role.

“Victims and Virgins: Remembering Black Christmas with Lynne Griffin” – The actress who is most famous for having a plastic bag over her head tells a few tales from the set.

“Black Christmas Legacy” – This is a lot of interviews from the film’s actors and notable fans. I found it to be a bit tedious.

A handful of original TV and radio spots have been included, along with the “40th Anniversary Reunion Panel: Fan Expo Canada 2014”.

The package also includes a fold-out poster, reversible cover art, and a DVD copy.

Special Features:

  • Film and Furs: Remembering Black Christmas with Art Hindle
  • Victims and Virgins: Remembering Black Christmas with Lynne Griffin
  • Black Christmas Legacy
  • Original TV and Radio spots
  • 40th Anniversary Reunion Panel: Fan Expo Canada 2014
  • Black Christmas
  • Special Features
4.0

Summary

This is an easy recommendation for purchase if you live in the U.K., since this is the film’s Blu-ray debut. Stateside readers may find this region-free version attractive due to the price, but know that it does contain significantly fewer extras than the in-print Scream Factory release. Either way, fans on both sides of the Atlantic have a version worth buying.

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