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Halloween Horror Nights Hollywood Tickets ON SALE NOW!

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The time has come, kids! Reach deep into your wallet and immediately pull out your preferred method of payment because tickets for Universal Studios Hollywood’s yearly Halloween event, Halloween Horror Nights, are on sale right now! Get yours today!

From the Press Release
Tickets are now on sale for “Halloween Horror Nights®,” Southern California’s premier Halloween event, taking place at Universal Studios Hollywood on 19 select nights from September 21 through October 31, 2012.

Tickets to this year’s event are available for purchase here, including a Front of Line ticket option that enables guests to enjoy priority access at each maze and theme park attraction. Advance purchase is recommended as event nights will sell out. (If you’re on the East Coast, Orlando tickets have been on sale for a few weeks – get those here!)

“We’re thrilled to be working with today’s leading horror movie, television and gaming properties to bring another bone-chilling ‘Halloween Horror Nights’ to life at Universal Studios Hollywood,” said John Murdy, Creative Director, “Halloween Horror Nights.” “Our collaboration with renowned filmmakers, producers and artists contributes enormously to the event’s authenticity. The limited amount of Front of Line tickets we make available to our guests is really a great opportunity and we hope they take advantage of this exclusive benefit.”

This year’s “Halloween Horror Nights” at Universal Studios Hollywood brings together the sickest minds in horror to immerse guests in the living, breathing, three-dimensional world of the most notorious and terrifying creatures. Featuring a slate of unrivaled film production quality mazes, terror-filled Scare Zones and a new “Terror Tram” experience, uniquely themed to today’s most definitive horror properties, “Halloween Horror Nights” will taunt, terrorize and torment guests with incomparable spellbinding and spine-chilling haunted attractions.

AMC’s Golden Globe®-nominated and Emmy® Award-winning TV series will have a significant presence during “Halloween Horror Nights” when the critically-acclaimed hit takes center stage in a riveting new maze, “The Walking Dead: Dead Inside.” It will also headline the event’s signature backlot experience, “Terror Tram: Invaded by The Walking Dead” featuring hordes of roving, flesh-eating “walkers.”

Other haunted attractions will include “Welcome to Silent Hill,” based on the popular video games and film franchise; “Alice Cooper Goes to Hell 3D,” a new 3D maze inspired by the legendary shock rocker’s classic concept album; a fully-reimagined experience, “La Llorona: Cazadora de Niños,” based on the terrifying Mexican and Latin American legend that has terrified children for centuries; “The Texas Chainsaw Massacre: The Saw is The Law,” maze based on filmmaker Tobe Hooper’s notoriously unsettling 1974 horror film classic, and the “Universal Monsters Remix,” walk-through attraction featuring Universal’s legendary horror monsters of yesteryear, re-defined for the 21st century along with the pulse-pounding sounds of electronic-fusion music.

The ever-popular “Bill & Ted’s Excellent Halloween Adventure” will also add to the dynamic “Halloween Horror Nights” event, joining such theme park’s favorites scheduled to remain open throughout the course of the event as, “Transformers™: The Ride –3D,” “Jurassic Park® In the Dark,” “The Simpsons RideTM” and “Revenge of the MummySM – The Ride.”

Details on “Halloween Horror Nights” are available at Halloween Horror Nights.com. Updates from Creative Director John Murdy can be found on Twitter, as he reveals a running chronicle of exclusive information.

“Halloween Horror Nights” kicks off on Friday, September 21, 2012 and continues on select nights through Wednesday, October 31. Event dates are: September 21, 22, 28, 29 and October 5, 6, 7, 12, 13, 14, 18, 19, 20, 21, 25, 26, 27, 28 and 31.

Universal Studios Hollywood, The Entertainment Capital of L.A.SM, includes a full-day, movie-based theme park and Studio Tour; the CityWalk entertainment, shopping and dining complex, the Universal CityWalk Cinemas, the “5 Towers” state-of-the-art outdoor concert venue, and the Gibson Amphitheatre concert and special event arena. World-class rides and attractions include the critically-acclaimed mega-attraction, “Transformers™: The Ride—3D,” the intense, award-winning ride, “King Kong 360 3-D” on the famed behind-the-scenes Studio Tour, “The Simpsons RideTM,” “Revenge of the MummySM —The Ride” indoor roller coaster and “Jurassic Park® —The Ride.”

Halloween Horror Nights Tickets ON SALE NOW!

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Three 1970’s Horrors That Remind Us Why We Enjoy Getting Mental at the Movies

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Crazy is always creepy in horror movies, and it usually comes in two forms: insane escapees or the sane among the crazies.

It’s one storytelling technique when a mental patient escapes and enters our own ordered, peaceful world. It’s quite another when a film drops us in the middle of an asylum to cope with crazy people who, in those movies, always seem to want to stab us.

First off, let me say the mentally ill are one of the most misunderstood and scapegoated minorities in movie history. Other stereotypes have disappeared from the silver screen over the years, but it’s still convenient to blame a killing rampage on an escaped mental patient. We’ll just chalk this up to lazy writing and move on.

Yes, “mentally ill” has become shorthand for “bloodthirsty and lacking in social etiquette.” Kudos to “American Horror Story’s” second season, subtitled “Asylum,” for adding some subtlety to that convention. Seventies horror movies, though, were riddled with stereotypes, enough so that when we travel back to that groovy and dangerous time, we can merrily ignore them and enjoy the scare.

Silent Night, Bloody Night (1972) is a fairly standard who-is-the-killer flick that turns terrifying in the last 20 minutes, when all hell breaks loose and the inmates, quite literally, take over the asylum. There is a nice, icy buildup throughout.

The populace of a small town are suspiciously nervous when a local mansion that had once been a mental institution goes up for sale. Mary Woronov (Eating Raoul) plays it numbingly cool throughout, until the climax, adding punch to the big reveals.

Also known by Night of the Dark Full Moon and Death House, this film is directed by Theodore Gershuny and written by Gershuny, Jeffrey Konvitz and Ira Teller. It’s always a good sign for consistency of vision when the director is also a writer.

I don’t know a lot of people raving about this film. It’s certainly not perfect, but a solid effort in that ’70s B-movie category, seriously creepy, and worth watching. Recommended.

Asylum (1972) has everything I enjoy about well-done, early ’70s horror: a fairly simple premise, creepy sets, and solid acting. The anthology setup works well here, stringing four Robert Bloch stories together. Peter Cushing and Herbert Lom show up along with Britt Ekland and Barbara Parkins.

The effects are not at all bad. Hope you view a cut of this movie that shows a stagehand rather obviously moving a prop in the “Frozen Fear” segment because those kinds of mistakes are fun to see.

Directed by Roy Ward Baker, Asylum delivers like any of the Amicus horror movies: similar to Hammer in that you know you will be entertained. Recommended for classic pre-slasher horror movie fans.

Then there’s Don’t Look in the Basement (1973). I was smart enough to see this in a theater when it came out… but dumb enough to bring a date. What a terrible first date movie!

On the other hand, Don’t Look in the Basement is a very creepy horror film due to several elements that come together beautifully:

– First, it has that grainy, cheap look to it like many early ’70s B-movies that, for me, adds to the mood. That look tells me positively this is not a big studio production. “Oh, this is one of THOSE movies,” says my head. “Anything can happen!” Tension builds.

– Second, it has an obviousness to it that can be unnerving when filmed correctly. Hitchcock used to do this well: We in the audience know the danger, but the hero on screen is completely clueless. We know from the minute the blonde nurse accepts her new job she shouldn’t be there — heck, we knew she shouldn’t even have come into the house!

– Third, most all of the characters may be insane, but that doesn’t mean they don’t have their own distinct stories, personalities and phobias. Crazy is not random. As Grant Morrison wrote in Batman: Arkham Asylum, the thoughts of the insane are not unpatterned. Each person has his or her own complex view of reality, no matter how wrong that perception might be.

There’s also a good deal of blood. And a surprise reveal. Don’t Look in the Basement has been recognized as a B-movie classic, and I enthusiastically recommend it here.

Three 1972 to 1973 horror movies and all three recommended! You may or may not disagree, and if so, I want to hear why! What are your favorite asylum flicks? Comment below or on social media.

Gary Scott Beatty’s graphic novel Wounds is available on Amazon and Comixology. Is madness a way to survive the zombie apocalypse? The strangest zombie story ever written, Wounds throws us into a world where nothing is beyond doubt, except a father’s concern for his wife and daughter. If you enjoy that “What th-?” factor in graphic novels, you’ll enjoy Wounds.

For more from Gary Scott Beatty, visit him on Twitter and Facebook.

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Samuel L. Jackson Wraps on M. Night Shyamalan’s Glass

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That was fast. It was just two weeks ago that we shared your first on-set look at Samuel L. Jackson as Mr. Glass in M. Night Shyamalan’s upcoming Unbreakable/Split sequel, and today we have news that Jackson has wrapped his role.

The update comes to us directly from Shyamalan himself who took to Twitter to let us all know that not only has Sam Jackson wrapped his role in Glass, but there is only one week left of filming overall.

Here is his tweet:

Does this mean the crew has gathered up enough footage to give us all a teaser trailer in the near future? I would think so, so let’s not be too surprised if that’s just what we get before the end of the year.

Fingers crossed.

The film is written & directed by M. Night Shyamalan and stars Bruce Willis, James McAvoy, Anya-Taylor Joy, Sarah Paulson, Spencer Treat Clark, Charlayne Woodard, and Samuel L. Jackson as Mr. Glass.

Glass hits theaters January 18, 2019.

Synopsis:

Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

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Short Film: Tony Morales’ Hada Will Creep You Out

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Here at Dread Central, we are always on the lookout to peep and share cool new horror shorts from around the web. Case in point, director Tony Morales’ Hada.

The short film was selected for 260 festivals and received 50 awards, and you can now check it out in its entirety below.

I watched it this past weekend and there were more than a few shots contained within that chilled my bones. All about those feet moving up onto the bed. Brr. That’s all I’ll say.

Actually, I’ll say a (tiny) bit more: Someone needs to give Morales a shot at one of the new Conjuring-universe films. I think he’d knock it out of the park.

Watch the flick and you’ll see what I mean.

Again, you can check out the short below and then after giving the film a viewing, make sure to hit us up and let us know what you think in the comments below!

You can become a fan of the short film on Facebook HERE.

Synopsis:

Tonight Hada comes to visit Daniel because his last child tooth has fallen out. What Daniel doesn´t expect is that his worst enemy is the light.

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