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Stop Reading This and Go to the Movies!

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Stop Reading This and Go to the Movies!This past week the cinema-loving world suffered a completely senseless and vicious tragedy. To lots of people, including myself, the movie theatre is a sacred place. Hallowed ground. We go there to escape the horrors of the real world, and now is a very important time to do just that.

In the days following the tragic shooting that took place in Aurora, Colorado, in which an absolutely insane cretin took the lives of several people and injured dozens more, it seems as if everyone has gone wild. People are afraid of going to the movies for fear of copycats. The usual vultures are looking to politicize the situation and point fingers, as if doing so could somehow start healing the wound left by this terrible incident. This has to stop.

The person who committed these heinous crimes didn’t do so for any reason other than he’s a mentally unstable and sick individual. Trying to blame things like The Dark Knight Rises, horror movies, heavy metal, or video games is pointless and in the end really doesn’t accomplish anything or matter. We’ll never know the genesis of this man’s lunacy. So let’s move past that and concentrate on realizing how fragile life truly is and make every day count.

I was in Manhattan at the time of 9/11. I had to walk from the city to my home in Brooklyn. For all the horrors that I witnessed on that day, I also saw a lot of beauty. Everyone seemed to have shed their skin of hatred, bias, and baggage. Everyone the whole walk home was just trying to help each other. Black, white, Hispanic, gay, straight – it just didn’t matter. We were all looking out for one another every step of the way, and that’s something I consider myself lucky to have witnessed. We need more times like this independent of tragedy.

People who commit crimes like this thrive on causing people to live in fear, and every second that we spend doing so contributes to their twisted cause… whatever that cause may be. They don’t ever think about the possibility that the repercussions of their actions could serve the opposite purpose of what they were intending. It’s time once again to let go of yourself and your ideals. Time to just be human and have compassion for one another. We’re all the same. Movie lovers. Don’t let this son of a bitch take that away from you. Go out. Head to the theatre. Be safe, and have a great time.

“Only love can conquer hate” – Marvin Gaye

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Todd and The Book of Pure Evil: The End of The End Coming to Blu-ray

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If you were a fan of the kickass Canadian series “Todd and The Book of Pure Evil,” then you’re in for a real treat as the final chapter of the terrifyingly funny series, Todd and The Book of Pure Evil: The End of The End, is coming home.

Continuing where the critically acclaimed cult TV series left off, Todd & The Book of Pure Evil: The End of The End (review) returns to Crowley Heights to find Todd, Jenny and Curtis grieving the loss of their dear friend Hannah, whose death may or may not have been caused by Todd’s banishing of the Book. The three must reunite to fight evil when the Book of Pure Evil returns to Crowley High, bringing with it some familiar faces (Guidance Counselor Atticus Murphy Jr., Jimmy the Janitor, and The Metal Dudes) as well as some new foes, such as the Sweater Vest Beast and an Acidic Acne-Faced Teen. But these enemies are merely warm-ups to the final battle with their greatest nemesis yet: The New Pure Evil One, whose intimate knowledge of our heroes may ultimately lead to their destruction! Todd & The Book of Pure Evil: The End of The End is loaded with the same juvenile jokes, gore gags, and satanic sing-alongs that made the original TV series a world-wide hit.

Featuring the original award-winning cast providing their voices – Alex House, Maggie Castle, Bill Turnbull, Melanie Leishman, Chris Leavins and Jason Mewes, among others. The animated flick is directed by Craig David Wallace (co-creator and showrunner of the live action series) and Richard Duhaney, with a script by Wallace and co-creator Charles Picco, and original music by Shawn Pierce.

Raven Banner’s limited edition includes a 3-disc Blu-ray/DVD/CD combo of the feature film (all region), a “Mini Book of Pure Evil” 20-page colour limited edition “making of” booklet, English commentary, never-before-seen artwork, exclusive special features, bonus CD soundtrack, and more!

Order your copy here!

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Metro Exodus Gets a Haunting New Cinematic Trailer

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One of the biggest horror games of 2018 is Metro Exodus, the third installment in the critically acclaimed post-apocalyptic first-person franchise based on the novel by Dmitry Glukhovsky. We haven’t heard much about the game since it was announced at E3, although a brand new cinematic trailer debuted at the Game Awards ceremony. And while it didn’t show any actual gameplay footage, it did give us a look at some of the hideous monsters we can expect to encounter in the Russian wasteland when Metro Exodus launches on PS4, Xbox One, and PC late next year.

Like the previous entries in the franchise, Metro Exodus will be developed by Maltese developer 4A Games and published by Deep Silver.

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Children of the Fall Review – This Israeli Slasher Gets Political

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Starring Noa Maiman, Aki Avni, Yafit Shalev, Iftach Ophir, Michael Ironside

Directed by Eitan Gafny

Reviewed out of Utopia 2017


Slashers are a subgenre of horror that are often looked down upon. After all, what can a movie about a killer slaughtering multiple people have to say about, well…anything. Those of us in the community know full well that this is nonsense and that any kind of horror movie can be a jabbing (no pun intended) commentary on society, culture, politics, art, etc… And that’s precisely what Eitan Gafny aims to do with Children of the Fall, one of the few Israeli slashers ever created.

Set on the eve of the Yom Kippur war, the film follows Rachel (Maiman), a young American woman who comes to Israel to join a kibbutz after suffering some serious personal tragedies. Her goal to make aliyah (the return of Jews to Israel) is however hampered by some rather unpleasant encounters with local IDF soldiers and members of the kibbutz. Pushing through, she makes friends with others in the commune and her Zionistic views are only strengthened, although they do not go untested. Once Yom Kippur, one of the holiest holidays in Jewish culture, begins, a killer begins picking off the kibbutz workers one by one in violent and gruesome ways.

Let’s start with what Children of the Fall gets right, okay? As slashers go, it’s actually quite beautiful. There are wonderfully expansive shots that make use of the size and diversity of the kibbutz. The film opens with a beautiful shot of a cow stable, barn, water towers, and miscellaneous outbuildings, all set against a dark and stormy night. The lighting of this scene, and throughout the film, is also very good. I found myself darting my eyes across the screen multiple times throughout the film thinking I’d seen something lurking in the shadows.

The kills, while unoriginal, are very satisfying. Each death is meaty, bloody, and doesn’t feel rushed. In fact, the camera has no problems lingering during each kill, allowing us to appreciate the practical FX and copious amounts of blood used. And if you believe that a slasher needs to have nudity, you won’t be disappointed.

The acting is middle of the road. Maiman is serviceable as Rachel but the real star of the film is Yafit Shalev as “Yaron”. His range of emotion is fantastic, from warm and welcoming to Rachel when she arrives to emoting grief and pain during his Yom Kippur announcement where we learn that he was a child in a concentration camp. The rest of the cast are perfectly acceptable as fodder for the killer.

So where does Children of the Fall stray? Let’s start with the most obvious part: the runtime. Clocking in at nearly two hours, that’s about 30 minutes too much. The film could easily have gone through some hefty editing without affecting the final product. Instead, we have a movie that feels elongated when unnecessary.

Additionally, the societal and political commentary is very in-your-face but the film can’t seem to make up its mind as to what it’s trying to get across. Natalia, a Belarussian kibbutz worker, raises the concept of Israeli racism, misogyny, and xenophobia, her hostility unabashedly pouring out in the midst of IDF soldiers, locals, other kibbutz members, and more. Is there validity to what she’s saying? Undoubtedly. But there is also validity to Rachel’s retorts, which include calling this woman out on her own vitriolic views. This back-and-forth mentality frustratingly prevails throughout the film, as though Gafny was unwilling to just commit.

The dialogue is also quite painful at times, although I attribute this to difficulties with translating from Hebrew to English. Even the best English speakers in Israel don’t get everything perfect and the little quirks here and there, while charming, are quite detracting. Also, why is this movie trying to tell me that Robert Smith of The Cure is a character here? While amusing, it makes absolutely no sense nor does it fit in Smith’s own timeline.

Had this film gone through a couple rounds of editing, I feel like we’d have gotten something really great. Eitan Gafny is definitely someone that we need to be watching very closely.

  • Children of the Fall
2.5

Summary

While Children of the Fall has a lot going for it, it has just as much working against it. Overly long, you’ll get a really great slasher that is bogged down by uneven social and political commentary.

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