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San Diego Comic-Con 2012: Exclusive First Look at Holliston and Lovely Molly Limited Edition One-Sheets

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San Diego Comic-Con 2012: Exclusive First Look at Holliston and Lovely Molly Limited Edition One--SheetsAn hour or so ago we revealed what Image Entertainment’s plans are for this year’s San Diego Comic-Con. Now we have an exclusive look at the limited edition “Holliston” and Lovely Molly one-sheets that you can have signed at the big dance! Dig it!

From the Press Release
WHAT: Image Entertainment events / titles at the 2012 San Diego Comic-Con International
WHEN: Thursday, July 12th through Sunday, July 15th
TIME: Events Thursday – Saturday (see schedule below)
WHERE: San Diego Convention Center, 111 W. Harbor Drive, San Diego, CA 92101

DETAILS: Image Entertainment takes the 2012 San Diego Comic-Con by storm with a host of events highlighting such upcoming titles as “Holliston: The Complete First Season” from genre favorites Adam Green (Hatchet I & II, Frozen, Chillerama) and Joe Lynch (Wrong Turn 2, Chillerama, the upcoming Knights of Badassdom); Lovely Molly from The Blair Witch Project director Eduardo Sanchez, The Tall Man starring Jessica Biel, the critically acclaimed “The Twilight Zone” Blu-ray sets and more…all during the San Diego Comic-Con – the world’s greatest pop culture convention!

Image Entertainment event schedule at the 2012 San Diego Comic-Com:

Thursday, July 12th

2:00 – 3:00pm “Holliston” poster signing at Section AA03
“Holliston” creator/star Adam Green and co-stars Joe Lynch, Dave Brockie (“Oderus Urungus”), Laura Ortiz and Corri English will sign the limited Comic-Con edition “Holliston” poster!

8:30 – 9:30pm “Holliston” Season 2 Panel at 24ABC
Holliston: Inside the Humor, the Horror, and the Geekery of the New “Great American Sitcom”— Join the cast of FEARnet’s hit television sitcom Holliston as they preview their upcoming second season, show outtakes and clips, and discuss their journey to bringing their outrageous comedy for true horror, sci-fi, and pop culture fans to mainstream cable television. Featuring creator/star Adam Green (the Hatchet franchise), Joe Lynch (Knights of Badassdom), Dave Brockie (alien lead singler “Oderus Urungus” of GWAR), Laura Ortiz (The Hills Have Eyes), Corri English (lead singer of Brokedown Cadillac), and a surprise celebrity moderator.

Saturday, July 14th

Noon – 1:00pm “Holliston” poster signing at Geekscape Booth #3919
“Holliston” creator/star Adam Green and co-stars Joe Lynch, Laura Ortiz and Corri English will sign the limited Comic-Con edition “Holliston” poster!

Noon – 4:00pm Lovely Molly poster signing at Fangoria Booth #4018
Star Gretchen Lodge and director Eduardo Sanchez (The Blair Witch Project) will be signing Lovely Molly theatrical posters at the Fangoria booth from 12 – 4 pm on Saturday.

San Diego Comic-Con 2012: Exclusive First Look at Holliston and Lovely Molly Limited Edition One-Sheets

San Diego Comic-Con 2012: Exclusive First Look at Holliston and Lovely Molly Limited Edition One-Sheets

San Diego Comic-Con 2012: Exclusive First Look at Holliston and Lovely Molly Limited Edition One-Sheets

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PG-13 or R? The Strangers: Prey at Night Gets Official MPAA Rating

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Earlier this week we let you guys know that there is a killer The Strangers: Prey at Night fan art competition going on and you can read all the details on that right HERE.

But today we have some cool (if expected) news that The Strangers: Prey At Night hs officially received an R-rating from the MPAA.

The sequel has been rated R for “horror violence and terror throughout, and for language” and I think that makes about as much sense as we could have expected.

For those who are interested in such bits of trivia, the original The Strangers was rated R for “violence/terror and language” so there you go! Impress your friends with MPAA trivia.

Would The Strangers: Prey at Night getting a PG-13 have affected your enthusiasm for the upcoming film? Let us know below!

The Stranger: Prey at Night is directed by Johannes Roberts (47 Meters Down) from a script by Bryan Bertino and Ben Ketai. It stars Martin Henderson, Christina Hendricks, Bailee Madison, and Lewis Pullman.

The film hits March 9, 2018.

Synopsis:
A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive. Johannes Roberts directs this horror film inspired by the 2008 smash hit The Strangers.

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Artist Reimagines Superheroes as Tim Burton Illustrations

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The world of Tim Burton has always been full of imagination and wonder built on a surreal and often horrific foundation. Films like Beetlejuice and Sleepy Hollow capture the imagination with stunning visuals, all based on the mind of the visionary director. Burton’s artwork was also featured in his illustrated poetry book The Melancholy Death of Oyster Boy & Other Stories.

Burton’s work has not only amazed viewers for over three decades, it’s also been an inspiration to countless artists and creators. Enter Los Angeles-by-way-of-Russia artist and animator Andrew Tarusov, whose work has been used by companies such as Cosmopolitan, Disney, 20th Century Fox, Maxim, and more. In a series he simply calls “Tim Burton’s Superheros”, Tarusov took 10 of the biggest comic book characters and gave them a dark twist that is 100% befitting of Burton’s style.

You can see a gallery of these images below. To see more of Tarusov’s work, head on over to his official website.

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Totem Review – It’s Not Always A Bad Thing To Look Up From The Bottom Level, If You Like That View

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Starring Kerris Dorsey, James Tupper, Ahna O’Reilly

Directed by Marcel Sarmiento


Following the untimely death of a family’s matriarchal figure, a young woman finds out that managing to hold all of the pieces in place becomes increasingly more difficult when otherworldly infiltrators make their presence felt. We’re going to have to work our way up this Totem, as

17 year old Kellie is the leading lady of the home following the passing of her mother Lexy, and with a needy father and tiny tot of a baby sister, she still keeps things in working order, regardless of the rather large hole that’s been left in the dynamic due to the death. Kellie’s dad after a while decides to ask his lady-friend to move in with the family, so that everyone can move onto a more peaceful existence…yeah, because those types of instances always seem to work seamlessly. As fate would have it, Kellie’s sense of pride is now taking a beating with the new woman in the mix, and her little sister’s new “visitor” is even more disturbed by this intruder – only question is, exactly who is this supernatural pal of sorts? Is it the spirit of their dead mother standing by to keep watch over the family, or is it something that’s found its way to this group, and has much more evil intentions at hand?

What works here is the context of something innately malicious that has found its way into the home – there are only a couple moments that come off as unsettling, but the notion of having to weave through more than half the film acting as a sullen-teen drama is rather painful. The presentation of the “broken family” is one that’s been done to death, and with better results overall, and that’s not to say that the movie is a complete loss, it just takes far too much weeding through at times stale performances and even more stagnant pacing to get to a moderately decent late-stage conclusion to the film. Under the direction of Marcel Sarmiento (Deadgirl), I’d truly hoped for something a bit more along the lines of a disturbing project such as that one, but the only thing disturbing was the time I’d invested in checking this one out. My best advice is to tune into the Lifetime channel if you want a sulky teen-melodrama with a tinge of horror, or you could simply jump into this one and work your way up…but it’s a LONG way to the top.

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Sulky, moody, and ridden with teen-angst buried in the middle of a supernatural mystery – SOUNDS like a decent premise, doesn’t it?

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