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Life of Agony Bassist Alan Robert’s Crawl to Me Adaptation Finds Writers

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The search is over in terms of finding writers to adapt Life of Agony bassist Alan Robert’s graphic novel Crawl to Me. Read on to see who will be bringing the novel to life for the screen.

From the Press Release
The first printing of Alan Robert’s critically acclaimed horror graphic novel Crawl to Me (IDW Publishing) sold out within a week of its release, back in January 2012. As a result, the award-winning publisher will be pressing a special hardcover version this summer, titled Crawl to Me: Evil Edgar Edition (see the new artwork below).

As previously announced, director David A. Armstrong, cinematographer for the successful box-office hit franchise Saw, is attached to direct a live-action adaptation of Crawl to Me for the big screen. Additionally, screenwriters David White and T.J. Cimfel have recently signed on to pen the Crawl to Me screenplay. Robert will produce, alongside his partners Jeff Mazzola (Descent) and Christopher White (My Super Psycho Sweet 16 franchise).

“It’s exciting to watch this thing come to life by people who are super passionate about telling this story,” says creator Robert. “Over the last few months we’ve received about a dozen different treatments from various writers to adapt the property. I can safely say that T.J. and Dave’s unique take on the material definitely stood out from the rest. We’re extremely proud to announce that they’ve officially joined the team.”

David White and T.J. Cimfel wrote the contained thriller Shut In, which is currently under option at Ombra Films. Additionally, Cimfel’s supernatural thriller No Tell Motel was recently produced by Enderby Entertainment and is scheduled for release in late 2012.

“Crawl To Me really appeals to us because it builds a haunting story around an emotional and intelligent core. It has characters you can connect with, yet doesn’t sacrifice any of the visceral thrills you want from a good horror story. It’s the perfect combination for us to tackle,” says White and Cimfel. “The artwork really drew us in. It’s a dark story, but it’s told through these beautiful images that you can’t turn away from. And there’s a cinematic flow to the action—the story’s screaming to be put on the screen.”

The Crawl to Me graphic novel, written and illustrated by the Brooklyn-bred Life of Agony bassist, collected the original 2011 comic series with a painted cover by renowned Monocyte artist Menton3. The introduction for the book was written by Robert’s former cartooning teacher and legendary comics artist Walter Simonson (Thor).

Synopsis:
When husband and wife Ryan and Jessica move into their first home together, strange things begin to occur. Half-eaten animals and other remains are found inside the basement’s crawl space. Their family dog disappears within the house. Distant voices are heard from beneath the floorboards. The couple begins to think that an evil entity is living inside their walls and nothing can prepare them for what they’ll discover. Ryan and Jessica soon realize that they must set aside all they believe to be true in order to face their inevitable reality.

Life of Agony Bassist Alan Robert's Crawl to Me Adaptation Finds Writers

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HorrorPack Brings Soska Sisters’ Dead Hooker in a Trunk to Blu-ray!

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HorrorPack is finally bringing the Soska Sisters’ debut flick Dead Hooker in a Trunk to Blu-ray for the first time!

The exclusive release marks the nineteenth entry in the HorrorPack Limited Edition Blu-ray lineup and includes brand new cover art and an all-new commentary track by Jen and Sylvia Soska along with Kevvy from Fake Shark.

“This film is a miracle,” The Soska Sisters said about their debut film. “Its success is a huge leap of faith. The belief fans put in us and the way they rallied around us made our greatest dreams a reality. This film is proof that when you follow your stupid fucking dreams, great things happen.”

Special features:

  • Original Theatrical Version of the film
  • NEW audio commentary with Directors Jen and Sylvia Soska and frequent collaborator Kevvy
  • Behind the Scenes Featurette
  • Deleted and Alternate Scenes
  • Original Theatrical Trailer

Dead Hooker in a Trunk HorrorPack Limited Edition Blu-ray is available now as part of the February Blu-ray subscription pack.

BUY IT HERE!

Synopsis:

Set in beautiful Vancouver, four friends set out on an everyday errand and end up in a fight for their lives when they discover the body of a dead hooker left in their trunk.

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Contests

Contest: Win a Witchy Prize Pack Full of The Craft Goodies!

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It’s been a little bit since I’ve helped give something away and I’m in a rather generous frame of mind! To that end, we’ve teamed up with the fine folk over at Comet TV to give you a chance to win a prize pack full of The Craft goodies, such as a t-shirt, a clamshell box, and more!

The prize includes the following items:
1 – Limited Edition The Craft COMET TV T-shirt: This The Craft exclusive T-Shirt features all four witchy guardians of the watchtower on the front and a quote from the film on the back! Welcome to the Witching Hour!

1 – The Craft Exclusive Comet TV Clamshell Box: Talk about retro goodness! This The Craft exclusive clamshell box features exclusive throwback artwork and will immediately take you back to the days of waiting in line for new release movies at the video store!

1 – The Craft “Witching Hour Cleansing” Kit: Earth, Wind, Water, Fire! This kit will bring a little sage, crystal and spell scroll into your life. Perfect for getting in touch with your inner earth goddess!

2 – Exclusive The Craft Comet TV Tarot Cards: While you may not be able to tell your future with these two cards, they are exclusive to this set and feature The Craft artwork.

Comet TV has several great films playing on their station this month on top of The Craft, including Bubba Ho-Tep, Labyrinth and several Edgar Allan Poe double features with titles such as The Raven, Masque of the Red Death, The Oblong Box, and more! You can see their schedule right here.

To enter, all you have to do is fill out the form below!

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Editorials

What’s Next? 5 Horror Trends We Expect Within 5 Years

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Recently I penned an article based on the last Decade of Horror. In said post, I delved into the top three films of each year spanning 2010 – 2017 and attempted to decipher what the trends were throughout our decade thus far.

To say the least, the article was insightful to write up. Witnessing trends ebb and flow and analyzing what floats to the surface time and time again was a fascinating project to take on.

With that knowledge now in my big, bald noggin, I thought it would be interesting to dive a bit into what I believe will be the “Next Big Thing” in horror. We’ve seen found footage. We’ve seen 3-D. We’ve seen it all, right? Not so much.

So here are five trends I expect to see in horror over the next five years.

Enjoy!

***


Black & White & Red All Over

The resurgence of black & white films. This is the one I can all but guarantee is on the horizon and it is going to hit in a big, bad way in the very near future. Black and white creates atmosphere in spades, and it doesn’t cost any extra money.

With films like The Eyes of My Mother and A Girl Walks Home at Night bringing the “old-fashioned” technique back to the forefront of independent cinema – and the recent killer episode of “Black Mirror: Metalhead” directed by David Slade – I believe, like cinema tends to do, there will be a step back towards a more classic era of filmmaking. And black and white horror films will be at the head of that new reverse-renaissance. Mark my words.

Netflix of Horror

A horror streaming giant will rise. Bank on it. While Shudder appears to be the frontrunner, they have yet to become a household name. Unfortunately, I think this is due to too many obscure titles. I love Shudder don’t get me wrong – and I’ve kept my subscription going for several years (as I’m sure you have) – but that said, they seem to be too concerned with horror street cred than pulling in the mainstream crowd.

That’s, of course, not a bad thing, but throw some bullshit teen horror on there and get your subscription numbers up, and Shudder will become the top spot for horror (of all kinds) on these here internets… or continue to be cool and fade away. Make your choice. Again, nothing but love, Shudder. I’d just like to see you become the Netflix of Horror you deserve to be. Someone’s going to take the title soon. I only hope it’s you.

Drone Footage

This is just what it sounds like: movies shot almost exclusively with drones. More and more low-budget filmmakers are employing drones to stunning effect, and it is only a matter of time before someone says “F*ck it” and shoots a flick completely with a drone.

And I’m not talking about found footage here by the way. I’m talking about a movie that breaks down the walls of what we call typical coverage in a film – horror or not. But considering horror is always at the forefront of innovation in the world of cinema, I think drone movies will begin in the horror genre. No more steady-cams, no more cranes, tripods, helicopters, or dolly tracks. Imagine sweeping camera moves of not only landscapes but intimated conversations as well.

Imagine we’re close on someone’s eyes, then we pull out into an over-the-shoulder, then we begin to steady-cam around them as they kiss (or kill, whatever) and then we pull back higher and higher into a glorious wide of the sun setting behind the trees. Shots like this weren’t possible (on a low budget) before drones. Get creative. Forget the rules of coverage (other than the 180 rule) and push cinema to new heights.

That said, I concede that such dialogue scenes will need to be dubbed and shadows/reflections caused by the camera will need to be monitored closely, but these are already the issues any filmmaker takes on when making a flick. One day we will get epic drone films, and they are going to be low-budget stunning on the level of mega-budget movies ala Dunkirk. I cannot wait.

Fan Films

Sooner or later all of us fans are going to get sick and tired of waiting for someone at the major studios to get off the butts and make another entry in the TCM, Friday the 13th, NOES series. With technology what it is nowadays people are going to just start making them themselves. They’ll be putting real time and effort into these films as calling cards, and they might even break the studio system this way.

Hell, we’ve already seen the start with such quality flick as the Friday the 13th fan film Never Hike Alone. And I see no reason that the films couldn’t end up being ballsier and better than anything a studio could put out.

But they can’t make money. True. But again they will function as calling cards for future filmmakers. And have you ever seen how expensive film school is? Yikes. Better to slap a hockey mask and a GoPro to your dumbass friend Brian and have him chase your little sister around the backyard. Just work your way up from there.

One-Month Movies

One-Month Movies. Or Flash Flicks. Or something like that. It’s an appealing gimmick to be sure. Filmmakers will begin making movies for all intents and purposes as fast as they possibly can. Pure creativity without overthinking the final product.

Scary prospect. But a thrilling one as well. I know I’d be up for watching what filmmakers like Adam Wingard, Mike Flanagan, and hell maybe even John Carpenter could come up within one month’s time. It’s like DIY king Robert Rodriguez once said (and I’m paraphrasing here) digital filmmaking is like a painting; you can just begin and let the mood and inspiration take over.

These “One-Month Movies” will be exciting and fresh… or utter disasters. Either way, they will be worth watching. But these films will need a platform for their releases. And once the Netflix of Horror I described above comes to grandiose fruition, then we will be seeing these films more and more. At least I hope.

***

And those are the 5 horror trends I expect to see over the next 5 years. Do you agree? Is there something you think I’ve left out? Let us know below!

Until then give the video below a quick watch. It’s simple and amateur but the (no doubt kids) behind the video have the right idea. Drones plus black & white footage, plus the score to The Shining creates killer atmosphere. Just wish the framing was a bit better. All the same, there are moments in the video that will sell these ideas to you instantly.

Enjoy?

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