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Drafthouse Films Firing Up Electric Boogaloo: The Wild, Untold Story of Cannon Films

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Drafthouse Films Firing Up Electric Boogaloo: The Wild, Untold Story of Cannon FilmsFor those of us who grew up during the decade of big hair and excess, just the mere sight of the Cannon Films logo is enough to conjure more than a boatload of nostalgia. Thanks to Drafthouse Films said boat is soon to be sailing our way!

From the Press Release
Drafthouse Films, the distribution arm of the world-famous Alamo Drafthouse Cinema, announced today the acquisition of all US rights to Electric Boogaloo: The Wild, Untold Story of Cannon Films from world-wide sales agent Celluloid Nightmares.

From acclaimed cult film documentarian Mark Hartley (Not Quite Hollywood, Machete Maidens Unleashed), the film centers on the story of two Israeli-born, movie-obsessed cousins, Menahem Golan and Yoram Globus, who in pursuit of the “American dream” launched an indie studio that would produce over 120 exploitation films from 1979-1989, turning a renegade outfit into the proclaimed “seventh Hollywood major.”

The film is currently in pre-production in Australia. A theatrical release is being planned for late 2012 to coincide with a traveling roadshow retrospective of Cannon’s seminal films.

While best known for their explosive ’80s action fare (MISSING IN ACTION, DEATH WISH sequels, Academy Award┬« Nominated RUNAWAY TRAIN), Cannon Films’ diverse and ambitious production output also included body-count slashers (TEXAS CHAINSAW MASSACRE 2), musicals and comedies (THE APPLE, BREAKIN’), science fiction and fantasy epics (MASTERS OF THE UNIVERSE, LIFEFORCE), martial arts classics (AMERICAN NINJA series, KICKBOXER), neo-noir crime thrillers (52 PICK-UP, 10 TO MIDNIGHT), art-house dramas (BARFLY, John Cassavetes’ LOVE STREAMS, Jean-Luc Godard’s KING LEAR), in addition to launching the careers of many future genre superstars like Chuck Norris and Jean-Claude Van Damme. “No other production organization in the world today,” proclaimed Roger Ebert in 1987, “has taken more chances with serious, marginal films than Cannon.”

“Cannon Films was an enterprise that in many ways defined exploitation cinema of the 1980s,” said Alamo Drafthouse Founder/CEO and Fantastic Fest Founder Tim League. “We are thrilled to share their untold legacy with movie fans around the country.” Drafthouse Films Director Evan Husney elaborated, “With director Mark Hartley at the helm, ELECTRIC BOOGALOO is sure to be a wildly entertaining, comprehensive and frenetic no-holds-barred dive into the world of perhaps the most infamous production company in film history.”

“I was lucky enough to have my first feature NOT QUITE HOLLYWOOD screen at Fantastic Fest in 2008 — and ever since then the chance to revisit the festival and the Alamo Drafthouse has been one of the principal motivations for me to get out of bed and make more movies!” says director Mark Hartley. “The news that Drafthouse Films has joined the ELECTRIC BOOGALOO party is beyond awesome. I know that Tim League and his team will find the most inventive, outrageous and ridiculously entertaining ways to roll the film out across America — and personally I can’t wait for the show to begin.”

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Steve Barton

You're such an inspiration for the ways that I will never, ever choose to be.

2 Comments

  1. YES! YES! YES!

    The Cannon Films logo (of 85 and onwards) was the very first thing I ever saw on the big screen.
    Guess this explains why there wasn’t any mention of any Cannon movies on Machete Maidens.
    Hope they also cover the deaths that happend on Missing in Action 3 and Delta Force 2.
    Golan is up for interviews these days, doubt they’ll get Globus though, maybe Avi Lerner and Boaz Davidson.

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