Exclusive Interview and Photos: Tim Sullivan, Adam Rifkin and Anton Troy on the Chillerama Road Tour This Week in Hollywood and Chicago! - Dread Central
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Exclusive Interview and Photos: Tim Sullivan, Adam Rifkin and Anton Troy on the Chillerama Road Tour This Week in Hollywood and Chicago!



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This week the balls-out horror anthology Chillerama, which revels in all the things we love about b-grade genre movies, celebrates two big stops on its 2011 Road Tour- on September 15, the filmmakers and cast head to the world famous Hollywood Forever Cemetery for the Los Angeles premiere of the film. Fans in attendance will not only have the chance to see the highly anticipated horror anthology film before its release but will see the film projected on the wall of an actual mausoleum. In addition, attendees can win special Chillerama souvenirs at the event and will have their choice of some of LA’s most renowned food trucks for refreshments as well.

Then, just a few days later on September 17, directors Tim Sullivan and Adam Rifkin will be joined by I Was a Teenage Werebear star Anton Troy at the Midway Drive-In in Sterling, Illinois for the Midwest premiere of the flick as part of Midway’s “Dusk to Dawn HorrorFest”, which also includes screenings of Sullivan’s 2001 Maniacs, Joe Dante’s classic The Howling and the 1987 cult classic Blood Diner.

Dread Central recently caught up with Sullivan, Rifkin and Troy to chat about all things Chillerama Road Tour-related and get the skinny from the trio on what kind of madness is in store for fans at both of this week’s screenings.

For both Sullivan and Rifkin the idea of taking Chillerama on a world-wide road tour (the flick has screened already in places like San Diego to London over the last few weeks) was pretty much a given from the start. “The whole idea behind Chillerama was to pay tribute to the experience and event of going to the movies, something that I truly believe has been lost in this era where people can download anything and then watch it on their cell phone,” said Sullivan. “Going to the movies, especially horror movies, was always a communal event for me. So it’s great to be able to actually take this movie on the road and literally bring it to the fans. Nothing beats a jacked up audience screaming and yelling and talking back to the screen.”

Rifkin said, “It’s always way more fun to see a movie in a packed house of cheering fans than it is to hear second-hand that they laughed at the jokes. There’s a palpable and contagious energy to seeing a movie with a large group. The laughs are always funnier, and the screams are always scarier. To be able to go from concept to script to production to seeing what we shot playing for a group of enthusiastic movie lovers is always a real thrill for me. We made this movie because we are all fans ourselves as much as we are filmmakers. This movie really is for the fans, by the fans,” added Rifkin.

Sullivan went on to discuss his excitement over sharing the anthology with eager horror fans at two very distinct venues- the Hollywood Forever cemetery and the Midway Drive-In, which is one of the few remaining drive-ins still running in the country. “This week we are showing Chillerama at both a cemetery and then at a drive-in. I mean, only if Brad Pitt were watching it with me could it get any better than that! I have heard so many amazing things about the Midway Drive-In and Flashback Weekend, and both Mike and Mia (Kerz) are the real deal, keeping it alive for those who remember and those who have yet to experience what it’s like to see blood and guts and tits and ass on an outdoor movie screen. I’m getting ‘excited’ just thinking about it!”

“What’s even cooler is that at the Midway this upcoming weekend we are also showing a super rare 35mm screening of 2001 Maniacs, which to my knowledge is the first time that the movie has ever been shown at a drive-in! How cool is that?” added Sullivan.

“Once you see Chillerama, you’ll agree- this movie could never play in a mall multiplex,” explained Rifkin. “It’s impossible- the film is just too outrageous and too offensive. It would be picketed before the end of the first reel. The plan from the very beginning was always to release the film in a fun and creative way, and the fact that two of our stops on the road tour are the Hollywood Forever Cemetery and the Midway Drive-In is just perfect.”

“The Hollywood Cemetery is a piece of genuine Hollywood history, which means we’re going to be watching Chillerama with Bela Lugosi and Marilyn Monroe when you think about it! And as far as the Midway Drive-In goes, it’s one of the last great monuments to showmanship cinema left in the country. These kinds of movies are meant to be played at a retro drive-in, and you just can’t find them anymore so thank god for people like Mike and Mia, who fight to keep those kinds of venues alive,” added Rifkin.

Troy, who grew up after the “drive-in generation”, discussed how the throwback feel of Chillerama lends itself exceptionally well to experiencing the flick under the stars. “After being Chilleramafied by these evil geniuses, I have to keep reminding myself what decade I’m in! I think it sucks that my generation largely missed out on the magic that is the drive-in. I was fortunate enough to go to a drive-in as a kid, and I think it’s just a way cooler experience to see movies like that. So I am very excited to head to the Midway Drive-In as some of my best friends are from Chicago, and I have heard all about the infamous Svengoolie, too. But to also see a monster movie like Chillerama at a cemetery? That is just awesome, too!”

So what kind of madness are Rifkin, Sullivan and Troy planning for fans in attendance beyond screening Chillerama? Rifkin offers up what he’s planning for his hilarious contribution to the Road Tour experience. “I probably shouldn’t reveal this here, but for every Road Tour stop I’m able to attend, I plan on force-feeding myself multiple gallons of spoiled egg salad until my stomach bursts, spraying egg salad all over the screaming crowd (this being an act I perfected when I was performing ‘extreme mime’ while living on the streets of Vienna in the 90s), all to the accompaniment of Yo-Yo Ma’s kid brother Ho-Ho Ma on the Kazoozaphone. But beyond that, I can say no more!”

“Not really sure I can compete with what Rifkin has planned, but for all those still wanting dessert after dinner- I will be singing a couple of newly coined classic doo wop numbers in Chicago that I did in the I Was a Teenage Werebear segment of the film live. Oh, and there may be some groovy signings, too, for fans,” added Troy.

With the 12-year-long journey to getting Chillerama made behind them, we asked both Sullivan and Rifkin to reflect on what this entire experience has been like for them.

“When making any movie, you are always faced with a multitude of challenges that all conspire to try and compromise your vision- from budget issues to weather issues to technical issues, making movies is tough even when everything is going right,” said Rifkin. “That being said, making Chillerama was by far the most fun any of us has ever had shooting a film. Bringing this insane reality to the screen just had us all giddy with delight and disbelief the whole time- we still can’t believe someone let us make it! And I truly believe the best is yet to come.”

Sullivan added, “When you have four very distinct personalities, you of course have four very different viewpoints on everything. That can be a bit of a challenge in a democracy, but the good news is, unlike our government, me, Rifkin, Adam Green and Joe Lynch always found a way to work together; and that’s a good thing because by challenging each other, I believe we ultimately brought out the creative best in each of us.”

Look for Chillerama and the whole crazy gang behind the flick at the Hollywood Forever Cemetery on September 15th. For those of you in the Midwest, look for Sullivan, Rifkin and Troy at the Midway Drive-In on September 17th as part of the “Dusk to Dawn HorrorFest” which runs from 8pm until 5am.

Exclusive Interview and Photos: Tim Sullivan, Adam Rifkin and Anton Troy on the Chillerama Road Tour this Week in Hollywood and Chicago! (click for larger image)

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We Need to Stop Our Alarming Obsession With Child Actors



On Sunday, January 21, Buzzfeed tweeted an article with the byline “Millie Bobby Brown just Insta-confirmed her relationship with Jacob Sartorius and I have butterflies”. Quite quickly, the tweet was met with a barrage of comments, ranging from mild tuts that it was in poor taste to extreme condemnations of pedophilia and sexualization of a minor (Brown is 13-years-old as of this post). I personally weighed in on the matter.

Earlier that day, CNN ran a video and story where actress/director/producer Natalie Portman opened up about her own experiences being a young girl in Hollywood. Portman’s breakout role was at 12-years-old in The Professional, a movie that celebrated her phenomenal acting abilities. Per CNN, she received her first fan letter a year later, after the film had come out. In it was a rape fantasy. Her local radio show began counting down the time until her 18th birthday, when she would be of legal age. Mind you, she was 13 when all of this was happening, the same age as Millie Bobby Brown.

The parallels between these two stories should immediately be understood and seen. The sexualization and fanatical obsession with children, much less celebrities, is a plague that can only cause damage and harm to those who are on the receiving end. It is time that we recognize that this practice needs to stop. It is time that we all held ourselves accountable.

A cursory search of Browns’ name on Buzzfeed will bring up at least 50 separate articles, on top of the one previously mentioned. These include what was said between “Stranger Things” co-star Finn Wolfhard and herself before their kiss in the second season. There’s a strange obsession with Brown’s instagram account and the conversations between her and other celebrities. There’s even one that states Brown looks like a young Natalie Portman. The irony here is undeniable and it seems very difficult to say that the site doesn’t have an obsession with the young actress.

Hollywood is under a great deal of pressure, rightfully so, from the #MeToo movement as well as Corey Feldman’s pursuit of revealing the truth about widespread pedophilia in that world (watch as he’s shut down by Barbara Walters). His claims have been echoed by Elijah Wood, although he himself states he did not suffer at the hands of any abusers.

Eliza Dushku’s alleged abuser Joel Kramer was recently let go from his agency twenty years after supposed events took place. When those who wonder why the actress didn’t come forward sooner, they overlook the fact that she went to authorities at that time. She details everything in an emotional post on her Facebook page.

The issue, however, does not just lie within those who create in Hollywood. It is exacerbated and pushed on by those who report on Hollywood’s actions and those that read it, lapping up the non-news proclamations with unabashed glee, not recognizing that they are feeding the same system that many are fighting against. Then, even more worrying, is that these “fans” feel entitled to these children, as though they are objects for their pleasure at any time, puppets that need to dance when beckoned.

Sophie Turner weighed in with her thoughts on the matter:

Wolfhard himself has asked that the infatuation and near assault of him and his co-workers come to an end:

And yet even on that particular tweet, Wolfhard’s fans responded with, “Ma babe trust no body“, “I love the right person bixo ♡“, “Love you finn“, and more. “Fans” are declaring their love for a 14-year-old boy that they’ve never met, a person that they’ve only really seen playing someone other than himself.

A culture has been established and reinforced that celebrities are somehow open for our sycophantic obsessions. This needs to stop. We need only to remember our own experiences as children so that we can apply them to these kids today. As Kevin Brown so wonderfully put it on Twitter:

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Ruby Blu-ray Review – ’70s Drive-In Psychic Shocker From VCI



Starrign Piper Laurie, Janit Baldwin, Stuart Whitman, Roger Davis

Written by George Edwards and Barry Schneider

Directed by Curtis Harrington

Distributed by VCI Entertainment

Imitation is the sincerest form of flattery, and director Curtis Harrington’s Ruby (1977) is paying it to a few of the ‘70s most notable horror films. Cribbing liberally from such better pictures as The Exorcist (1973) and Carrie (1976), this is a picture that could have worked well despite being a pastiche because it begins with a decent setup and the elements for something interesting are present. Unfortunately, nothing ever gels like it has to and Ruby loses focus early on, dashing from one death scene to the next and allowing for little salient connective tissue to tie it all together. The big mystery presented early on should be easy enough for horror fans to deduce, and the film never brings the scare factor. A few of the deaths are novel in their inventiveness, especially the use of the drive-in theater surroundings, but a couple kills do not a movie make and Ruby spends too much time middling and being weird to be of any note.

Florida, 1935. Low level mobster Nicky Rocco (Sal Vacchio) is gunned down by a lake as his pregnant girlfriend Ruby watches on in horror. Just before dying, Nicky swears vengeance on whoever did this to him. Cut to sixteen years later and Ruby (Piper Laurie) runs a drive-in movie theater and lives in a home nearby with her daughter, Leslie (Janit Baldwin). Ruby is a tough broad, quick-witted and foul-mouthed; able to hold her own with the guys. But those guys are beginning to vanish one by one as the bodies start piling up at the theater. Ruby suspects there’s something off with Leslie, so she brings in her own psychic doctor, Dr. Paul Keller (Roger Davis), to examine her daughter. Leslie, as it turns out, is acting as a conduit for the wayward soul of Nicky, who blames Ruby for his ultimate demise. Possessed and programmed for vengeance, Leslie and Ruby have an all-out battle in a search for the truth.

The second half of this film is where things go right off the rails, with scenes aping The Exorcist so much it feels like a knock-off. This isn’t always such a bad thing because knock-offs of better films can always turn out great (see: most of the post-Gremlins little creature features), but Ruby never makes a clear case for introducing these fantastical elements in the third act. This is a story that could have worked better by exercising restraint, playing closer to something like J.D.’s Revenge (1976), a similar gangster-soul-out-for-justice film, than a wild, possessed ride.

What does work, for me, are the drive-in theater setting (I’m a sucker for movies that also involve the craft of film in some way) and the kills, a few of which make great use of the theatrical setting to deliver fitting fatalities. One employee winds up stuffed into a soda machine, with his blood getting pumped into a dark, syrupy drink and served up to guests. Another meets his end on the screen, impaled by the pole on which car speakers are kept. Harrington does inject this picture with a strong sense of atmosphere, too. The locale is woodsy and feels remote; the countryside is dark and foggy, the perfect setting for something grim to occur. None of these elements are enough to fully save the feature, though they do bring enough production value to ease to burden of a poor script.

Personally, I’m a sucker for almost any horror from bygone eras – especially the ‘70s and ‘80s – so, deficiencies aside, Ruby is still worth a spin if you enjoy reveling in this particular era. This is far from an unheralded gem or little-seen treasure, but it does, at the least, rip-off good pictures in spectacularly bad fashion.

This is a rough film and every bit of work done for the 2K restoration still can’t do much to polish it up any better. First, a note: there is a video drop-out for approximately ten seconds around the 21-minute mark. VCI is offering replacement discs via their Facebook page, so check there for further details. Future copies will be corrected, and those should already be on “shelves” now, so consider this an FYI. The 1.85:1 1080p image is frequently soft and murky, darkly shot and poorly lit. Shadow detail is virtually non-existent. The color temperature looks a bit on the warm side. Film grain is noisy and occasionally problematic.

An English LPCM 2.0 track carries a clean & balanced audio experience. Voices sound a touch muffled at times, though nothing too severe. The murders scenes are accompanied by creepy ambient sounds, adding a slight chill. The film’s closing theme song is awesome cheese that must be heard. Subtitles are available in English SDH.

There are two audio commentary tracks; the first, with David Del Valle and Nathaniel Bell; the second, with Curtis Harrington and Piper Laurie.

The film’s original trailer is included in HD.

Also included are a few interviews with Harrington, conducted by David Del Valle, including “2001 David Del Valle Interview with Curtis Harrington”, and “Sinister Image Episode Vol. 1 & Vol. 2: David Del Valle Archival Interview with Curtis Harrington”.

Special Features:

  • NEW 2K RESTORATION from the original camera negative
  • Original theatrical trailer
  • Audio Commentary with Director Curtis Harrington & Actress Piper Laurie
  • New Audio Commentary with David Del Valle and Curtis Harrington historian Nate Bell
  • Two Interviews with Curtis Harrington by Film Critic David Del Valle
  • Photo Gallery
  • Optional English SDH subtitles
  • Ruby
  • Special Features


A simple plot becomes wildly unfocused but Ruby does have intermittent camp value fans of ’70s horror cinema should dig. VCI’s Blu-ray is no beauty by any means, though it’s likely to be the best this poorly-shot feature will get.

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DVD and Blu-ray Releases: January 23, 2018



After a few weeks of smaller lists, this week should be a welcome breath of fresh air, with 12 pretty solid releases.  There are mainly recent films this week, but there are a couple of classics thrown in the mix as well.

Probably our top release of the week, Jigsaw will be hitting shelves on DVD, Blu-ray and 4K Ultra HD.  I found myself wondering recently if they will still be making films from this franchise when my son (who is a toddler now) is able to get into R-rated movies.

Up next is The Killing Of A Sacred Deer.  If you didn’t get your fill of Christmas last year, you can check out this clip for one last holiday hoorah.

In terms of classics, Dario Argento’s Opera will be heading our way as a Blu-ray release from Scorpion Releasing.  Additionally, you can check out Robert Englund in 1992’s Dance Macabre, brought to us as part of the Scream Factory collection.  Lastly, if you’re a Linda Blair fan, 1987’s Grotesque will be available on DVD this week as well.

I also have to give a nod to Let Sleeping Corpses Lie.  I’m not going to say it’s the best zombie movie ever created, but a few years back I happened upon a used DVD copy at a cool book store/café in New Haven, CT.  I didn’t go into it expecting anything miraculous, but for a very dated living dead movie it was worth the three dollars it cost me.

Keep checking back each week.  We’re going to be seeing an uptick in the quantity of release listings over the next month at least so you won’t want to miss a thing.  Pleasant viewing.


Dance Macabre (1992)


Robert Englund


A dance instructor brings his dance troupe to Russia for training. What his dancers don’t know, however, is that he has a dual personality–and his hidden personality is a serial killer.


Devil’s Well, The (2017)


Bryan Manley Davis, Chris Viemeister, David Alexander, Kristen Seavey, Anne-Marie Mueschke


Karla Marks mysteriously vanishes while conducting a paranormal investigation with her husband into the Devil’s Well, an underground location reported to be a gateway straight into hell, and the site of ongoing strange phenomenon. A year after her disappearance, a group of investigators go back to uncover the truth about Karla, and are faced with evil forces greater than they ever imagined.


Grotesque (1987)


Linda Blair, Tab Hunter, Donna Wilkes


A gang of crazed punks breaks into a typical American family’s vacation home in the mountains and slaughters the entire family, except for one daughter who gets away in nothing but her pajamas. As the gang pursues the girl through the outside elements, they slowly realize that a murderous creature is chasing them all!


Hot Tub Party Massacre (2016)


Chrissy Cooke


The sisters of the Delta Omega sorority won a free weekend at a luxurious hotel & spa. They planned on having a fun and steamy weekend. However, things go from steamy to bloody when an escaped serial killer checks in to the hotel and crashes their party. The heat will be on at the Hot Tub Party Massacre!!!


Jigsaw (2017) (Blu-ray + 4K)


Hannah Anderson, Laura Vandervoort, Mandela Van Peebles, Tobin Bell, Brittany Allen


Bodies continue to turn up when the notorious Jigsaw killer returns for the eighth installment of one of the most successful horror franchises in history!

In the latest terrifying installment of the legendary SAW series, law enforcement finds itself chasing the ghost of a man dead for over a decade, embroiled in a diabolical new game that’s only just begun. Has John Kramer, the infamous Jigsaw Killer, returned from the dead to commit a series of murders and remind the world to be grateful for the gift of life? Or is this a trap set by a different killer with designs of their own?


Killing of a Sacred Deer, The (2017)


Nicole Kidman, Colin Farrell, Alicia Silverstone


Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister.


Let Sleeping Corpses Lie (1974)


Cristina Galbo, Ray Lovelock, Arthur Kennedy


A young couple in love is travelling along the English countryside. While they plan their next stop, a man who has been dead for several days attacks, to be followed shortly thereafter by a full-scale zombie invasion which could very well be a result of the agriculturist’s distribution of ultrasonic radiation. In the end, a cop figures out the countless murders are not the work of the young couple, but the living dead.


Lost Tree, The (2017)


Thomas Ian Nicholas, Michael Madsen, Lacey Chabert, Scott Grimes, Clare Kramer


The Lost Tree is centered around Noah (Nicholas), who is guilt-ridden for the death of his wife. He travels to an isolated cabin in search of peace and isolation. But he soon learns of the dangerous surroundings of the area.


Opera (1987)


Cristina Marsillach, Ian Charleson, Urbano Barberini, William McNamara, Antonella Vitale


When young opera singer Betty takes over the leading role in an avant-garde presentation of Verdi’s Macbeth, she triggers the madness of a crazed fan who repeatedly forces her to watch the brutal murders of her friends. Will her recurring childhood nightmare hold the key to the identity of this psychopath, or does an even more horrific evil lay waiting in the wings? Legendary horror maestro Dario Argento delivers a savagely stunning thriller featuring some of the most shocking sequences of his entire career.


Planet Dead (2017)


Charles Adames, Joe Debartolo, Raven Oscar Flores, Larry Greene, Emilie Jolie


The world falls into chaos after a rogue scientist unleashes a virus that turns the living and the dead into flesh eating monsters. A Special Forces Team is sent into a growing danger zone to recover the cure from the scientist, but as they enter the hot zone they must seek refuge in a nearby nightclub with a few civilians as they wait for the rescue chopper to arrive. Armed with limited ammo they must battle the ever growing number of once human monsters. Mankind will pay for the nastiness of it’s inhabitance.


Punk Fu Zombie (2017)


Stephane Messier, Xavier Dumontier, Tommy Gaudet, Caroline Danserau-Loiselle, Jonathan Simon


In 2028 a zombie invasion, coupled with a thermonuclear war, plunges the world into a new darkness. Now, in 2048, the so called leader of the original movement has a new nemesis: his son Zack. Trained in kung-fu since his childhood by his robot friend, nothing could prepare the young Zack for the political adventure waiting for him, filled with trials, love, politics and ultra-violence.


Red Krokodil (2012) (Director’s Cut)


Brock Madson, Valerio Cassa, Viktor Karam


Red Krokodil is the story of a man (Brock Madon) addicted to mind numbing drug, Krokodil. He suddenly finds himself alone in a post-nuclear city similar to Chernobyl. His physical decay, caused by the massive intake of drugs, is mirrored in his inner world, as reality mixes with hallucinations. The breakup of the body that this drug causes, is sever in it’s graphic and yet, slow destruction while he is slowly falling into madness as his addictions to the drug, runs out of control. This movie deals with many themes, from the environment to the use of drugs, but the story is just an excuse that director Domiziano Cristopharo uses to focus on a psychological condition that brings a total detachment from oneself and from the surrounding world. A dark trip that shows no way out.


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