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San Diego Comic-Con 2011: Dread Central’s Exclusive First Look at Inversion



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Third- and first-person shooters seem to be coming out at a torrential pace this generation, and unless you’re one of the big boys (the Call of Duty, Gears of War, and Uncharteds of the world), it’s very easy to get lost in the shuffle. Does Namco-Bandi’s new gravity defying shooter Inversion have what it takes to break into the upper echelon of the genre?

Well, the jury is still out on that one, but I enjoyed my time with the game during the 2011 San Diego Comic-Con last month.

In Inversion you play as police officer Davis Russell. One day you and your partner, Leo Delgado, are on your way back to the station when suddenly and out of nowhere your city is invaded by an unknown and technologically superior force known as the Lutadore. They bring with them a weapon that allows you to control gravity itself, the Gravlink. During the initial invasion Russell’s wife is killed and his daughter is kidnapped, and now it’s up to Russell and Delgado to rescue the girl, discover exactly what the Lutadore are up to, and maybe even save the world.

I’m not going to beat around the bush here; the basic gameplay of Inversion feels similar to that found in Gears of War. The control scheme and cover system function almost identically to Epic’s blockbuster. The wrinkle in Inversion is the ability to manipulate gravity, and from what I’ve seen, that just may be enough for it to separate itself from the pack and carve its own little niche in an over-crowded genre.

San Diego Comic-Con 2011: Dread Central's Exclusive First Look at Inversion

In the demo I played, there were two different varieties of gravity powers available to the player- light and heavy. The light gravity makes everything in its impact radius weightless, allowing you to use the Gravlink to pick up and throw various items (rocks, exploding barrels, even enemies). The heavy gravity makes everything in its impact radius super dense, allowing you to pin enemies to the ground or pull down heavy objects to make new cover spots.

Using these two powers in conjunction opens up a lot of different and fun options while in combat. For example, let’s say there’s an enemy behind cover that you can’t quite get at. You can hit the cover with light gravity to pop him out and then you’re free to do with him what you will. You can pull him toward you and finish him with a brutal melee finisher, throw him at another enemy to take out two birds with one stone, or just toss him off a cliff; the choice is yours.

Then there’s the heavy gravity in Inversion, which may not seem quite as useful at first, but it proves itself invaluable in certain situations. If there’s a group of enemies giving you problems, hit them with a shot of heavy gravity to pin them down, and then toss a grenade toward them while they’re powerless to escape.

San Diego Comic-Con 2011: Dread Central's Exclusive First Look at Inversion

I think my favorite use of gravity powers that I’ve seen has to be when it’s used on liquids. Shoot light gravity at a liquid to gather it up in a ball to launch at the opposition. Now that may not sound very useful if you’re thinking “liquid” only means water, but when you realize you also have gasoline and lava at your disposal, it opens up all kinds of face-melting good times.

However, you have to be careful because your foes have the same gravity powers that you do. It’s fun to use your light gravity to float someone out of cover. It’s considerably less so when you think you’re safely behind cover and suddenly get hit the same power and are forced to float around until you’re out of the affected area.

There are also some destructible structures you can use to your advantage. Pick up and chuck something heavy (or even better, explosive) at a guard tower or bridge to take out anyone unfortunate enough to be standing on it. You can also take out bridges to cut off enemy reinforcements.

San Diego Comic-Con 2011: Dread Central's Exclusive First Look at Inversion

Combat takes place in 360 degrees in Inversion also. You can step into a “vector shift” to change gravity’s orientation, and using these shifts, what was once your floor can suddenly become a wall or a ceiling. This only affects you, though, so you can run into situations where you’re standing on solid ground shooting at enemies on the ceiling above you. It can put you in some “Where the hell am I getting shot from?!” moments, but it also leads to some hectic and fun scenarios that you can’t really get elsewhere.

The entire Inversion campaign is playable in co-op both online and offline. Along with that, they’re also offering up full-on 16-player online multi-player. While they haven’t announced any concrete details as of yet, it’s very easy to imagine how these gravity powers could be used in a deathmatch or capture the flag space.

San Diego Comic-Con 2011: Dread Central's Exclusive First Look at Inversion

I can’t help but root for games like Inversion. It’s the little guy just trying to find its foothold in a land of giants. While it doesn’t have the blockbuster name recognition of its contemporaries, it’s doing things just differently enough that if everything comes together, it could end up being something special. I’m not completely sold yet, but it’s shown enough to grab my attention. Everyone loves the underdog, right?

Inversion floats onto the Xbox 360 and PlayStation 3 on February 7th, 2012.

San Diego Comic-Con 2011: Dread Central's Exclusive First Look at Inversion

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Synapse’s Suspiria 4K Restoration Gets a Release Date



Earlier this year, we wrote about Synapse Films’ Suspiria 4K restoration and how it was available for pre-order. The weird catch was that there was no release date confirmed and that pre-orders would go out sometime in December 2017. Today that changes as we can confirm that the 3-disc special edition Blu-ray collection will come out December 19th, just in time for Christmas but a little late for Hanukkah. Any chance we can have one extra night this year?

Restored over three years, Synapse has been working tirelessly to create the ultimate version of Dario Argento’s 1977 classic supernatural horror film, which has since gone on to become one of the most recognized and lauded titles in the genre. This cut has been overseen and approved by Luciano Tovoli, the Director of Photography on the film.

Pre-orders are still available via Synapse Films’ website.

Special features:
*Limited edition of only 6000 units produced
*Exclusive Steelbook packaging and collector’s o-card sleeve, featuring artwork from Malleus, Van Orton Design, Juan José Saldarriaga & Chris MacGibbon
*Three disc [Two Blu-rays + One CD] limited collector’s edition (only 6000 units) containing a new 4K restoration of the original uncut, uncensored Italian 35mm camera negative exclusively done by Synapse Films, with color correction supervised and approved by SUSPIRIA Director of Photography, Luciano Tovoli
*Original 4.0 1977 English language LCRS sound mix not heard since the theatrical release in 1977, presented in high-resolution DTS-HD MA 96 Khz/24-bit audio
*Italian 5.1 surround sound mix
*Two audio commentaries by authors and Argento scholars, Derek Botelho, David Del Valle & Troy Howarth
*Do You Know Anything About Witches? – 30 minute SUSPIRIA visual essay written, edited and narrated by Michael Mackenzie
*Suzy in Nazi Germany – Featurette on the German locations from SUSPIRIA
*A Sigh from the Depths: 40 Years of SUSPIRIA – All-new anniversary retrospective on the making of the film and its influence on cinema
*Olga’s Story – Interview with star Barbara Magnolfi
*Original theatrical trailers, TV spots and radio spots
*Special Collector Edition Booklet containing an American Cinematographer interview with Luciano Tovoli, liner notes by Derek Botelho and restoration notes by Vincent Pereira & Don May, Jr. Cover artwork by Matthew Therrien Illustration
*“International Classics” English “Breathing Letters” opening credit sequence from U.S. release version
*Alternate All-English opening and closing credits sequences, playable via seamless branching
*Newly translated, removable English SDH subtitles for the English language version
*Newly translated, removable English subtitles for the Italian language version
*Exclusive CD remaster of Goblin’s SUSPIRIA motion picture soundtrack, containing additional tracks not included on the original 1977 soundtrack release

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Creep 2 Starring Mark Duplass Hits Netflix This December



Just the other day we shared with you guys an exclusive interview with Partick Brice, the director of the Mark Duplass-starring found footage flicks Creep and Creep 2.

Today we have the awesome news that the killer sequel Creep 2 (review) will be hitting Netflix streaming on December 23rd.

The original creeptastic motion picture is already streaming on Netflix so if you need to catch up – or just watch the original again – you can do so tonight and get ready for the sequel which, personally, I found to be superior (if even just slightly) to the original.

What did you think of the original film? Are you excited to check out the sequel? Or have you already seen it? Make sure to let us know in the comments below or on social media!

Creep 2 starring Mark Duplass and Desiree Akhavan hits Netflix December 23rd!


Desiree Akhavan (“Girls”, APPROPRIATE BEHAVIOR) stars as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass, reprising his role from the previous film). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on she discovers she may have dug herself into a hole she can’t escape.

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Waxwork Records Unveils Phenomenal 2018 Subscription Package



Our pals over at Waxwork Records have unveiled their 2018 subscription bundle and it’s packed to the brim with some absolutely fantastic titles! Horror fans who enjoy spinning their music on turntables can look forward to two Romero titles, Night of the Living Dead and Dawn of the Dead, Joe Dante’s The ‘Burbs, Sam Raimi’s Drag Me to Hell, and lastly they’ll have Jordan Peele’s smash success title Get Out. On top of getting those five records, those who join the subscription program will also receive a t-shirt, coffee mug, poster, notebook, magnet, enamel pin, calendar, and more.

For Night of the Living Dead, Waxwork Records worked closely with the film’s original creators, including Romero himself prior to his passing, the Museum of Modern Art, and The Criterion Collection so that they could source audio from the 4K restoration. It will be released as a 2xLP package.

Dawn of the Dead will also get a 2xLP release that will include brand new artwork, re-mastered audio, and more. The same kind of treatment is being given to The ‘Burbs. Christopher Young’s Drag Me to Hell soundtrack will be a single LP but will get the same level of attention and quality as the other titles.

As for Peele’s Get Out. Michael Abels; score will be released on a 2xLP vinyl set and will pay tribute to one of the most culturally significant movies of the past several years.

The Waxwork Records subscription package will be $250 ($285 in Canada) and will open up for sale this Friday, the 24th. More information can be found on Waxwork’s website.

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