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Event Report: Warner Bros. Studio Tour Horror Made Here a Festival of Frights

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With the Warner Bros. Studio Tour expanding this Halloween season with an all new immersive experience designed just for horror fans, we hit the WB lot in Burbank, CA, yesterday to check out what lay in wait for us at Horror Made Here (running six nights from 10/19 to 10/21 and 10/26 to 10/28), and brought back a slew of photos. Read on.

After a tour of Stage 48: Script to Screen where we took a look at original costumes, props and set pieces from the feature films IT, The Conjuring 2 and Annabelle: Creation, just to name a few, it was off to the backlot, where Warner Bros. has relocated (from its Hollywood Blvd. run earlier this year) the haunted walk-through The Neibolt House from IT (check out our previous review here).

Guided through the attraction by an engaging guide portraying the character of “Georgie,” we were thoroughly impressed by some of the recreations of moments from the film, as well as some of the visual gags employed to deliver them. The Neibolt House, as an attraction, is a unique animal, and while shorter in length than the mazes it’s down the street competitor offers (Halloween Horror Nights), its two-story and guided tour design, coupled with some astounding visuals and a particularly unsettling Pennywise animatronic, raises the bar. There’s a new addition within the attraction as well, so guests who visited during its earlier run should be pleased.

Following that, it was off to the town square, which contains another similarly guided attraction, The Conjuring, which also delivered (particularly in a final, jaw-dropping gag of which I’m still attempting to assess the mechanics), and A Nightmare on Elm Street (a convincing, albeit rather short, walk-through recreation of the bloody halls of Springwood High School), which culminates with an opportunity to get your photo snapped with the character of Freddy Krueger. To bad Warner Bros. charges for those photos if you’d like them; you’d think paying the ticket price to attend Horror Made Here would suffice.

In addition to these attractions, the evening offered up Halloween-themed activities, music (spun by a DJ in the town square’s gazebo, although I’m not sure what 50 Cent has to do with the holiday), food trucks, exclusive nighttime studio tours, a Pennywise who leered at guests from within a storm drain (wonderful touch, that), and a chance to “float” in the IT VR experience, located in the Pennywise bus that’s been making the rounds of Los Angeles haunt conventions since earlier this summer. Overall, a fun experience, and we enjoyed the Smalltown, USA vibe which the Warner Bros. backlot lent the attraction. It’s a great space, and we’re eager to see what they (hopefully) come up with for 2018.

Tickets are on sale now starting from $69 per person at wbstudiotour.com. The Horror Made Here experience is designed for guests 18 years of age and over. Valid ID will be required upon entry to the tour.

For tix and more information, visit Horror Made Here at Warner Bros.’ official site here , “like” them on Facebook here, and follow them on Twitter and on Instagram.

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Whatever Happened to John Gulager’s Children of the Corn: Runaway?

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Sometimes a movie goes into production and then seemingly disappears from the world altogether. It doesn’t happen often, but it does happen. Usually, Dimension is involved.

Ouch. But true.

Such as Amityville: The Awakening which was filmed in 2014 but didn’t get released until recently this year (3 years). And All the Boys Love Mandy Lane which was completed in 2006 but didn’t see release until September of 2013 – a whopping 7 years!

Another such movie you may not have even heard about – or more specifically – may not remember hearing about is the lost Children of the Corn sequel from Feast-director John Gulager called Children of the Corn: Runaway.

What follows is the history of the film as best as we could piece together, along with a possible update on just when we might expect to see this missing sequel.

It’s worth noting right off the top that this film is closely linked to yet another Dimension film which still has yet to see the light of day, Hellraiser: Judgment. Both films were produced around the same time, in the same area, under producer Michael Leahy.

Anyhow, the first word we heard on the production of Children of the Corn: Runaway came on March 21, 2016, when it was merely rumored that there was a new Children of the Corn movie secretly being filmed in Oklahoma City, OK.

It was thought at the time (and most likely true) that Dimension was rushing out a sequel so they could keep the rights to the franchise, regardless if they had a release plan or not.

That same day we learned that the new film was directed by John Gulager and was going by the title Children of the Corn: Runaway. We also learned the film was currently shooting in Oklahoma City, OK and the surrounding area including Luther and Coyle and that filming would wrap on April 2nd of that year.

Joel Soisson was rumored as the screenwriter for the new film, and Gatlin Returns, Inc. (natch) was producing with Mike Leahy, Joel Soisson, and Sean Patrick Eaton.

At the time, the plot of the movie was rumored to be:
A young pregnant Ruth who escapes a murderous child cult in a small Midwestern town. She spends the next decade living anonymously in an attempt to spare her son the horrors that she experienced as a child. She lands in the small Oklahoma town, but something is following her. Now, she must confront this evil or lose her child.

Then all of this info was confirmed the very next day by press release.

A month later on April 13, 2016, we got a bevy of behind the scenes pics via News OK – all courtesy of Nathan Poppe – and you can check all of those out below.

After that? Nada. Total silence for 19 months. Children of the Corn: Runaway seemed to fall off the edge of the world. Just like Hellraiser: Judgment.

But unlike Judgment, which gets fairly regular updates via new Pinhead Paul T. Taylor and director Gary J. Tunnicliffe, no one seems to be talking about Runaway. At all.

What’s the deal?

Truthfully, we’re still not sure. In the researching of this article, we reached out to director John Gulager, writer Joel Soisson, producer Michael Leahy, and new Malachi actor Blaine Maye. But all of these leads came up fruitless.

That is until I attempted to contact lead actress Marci Miller.

While I was unable to contact her directly, I did take a look at her Instagram, where I was able to confirm that the film is currently doing some ADR and will be shooting for a February/March release date.

Here is her post:

Children of the Corn #ComingSoon

A post shared by Marci Miller (@_marcimiller_) on

And if you look closely, you can see that a fan asked (and I’m paraphrasing):

“When will the movie be released?”

And below you will see Miller’s reply:

“February/March.”

For now, that is all the new info we can find on Children of the Corn: Runaway.

That said, with Dimension and the Weinstein Company going under recently, maybe another top horror producer (You listening, Jason Blum?) will snatch up the rights to this and Hellraiser: Judgement and we will finally see the films released.

After all, in the above-mentioned set-visit from NEW OK, producer Michael Leahy said this about Children of the Corn: Runaway and Hellraiser: Judgment:

“We’ve had a lot of fun,” Leahy told the site back in 2016. “Blood has been flowing here in Oklahoma City. These are two horror films that are going to be seen by a core audience.”

Yeah, we’ll see about that…

We’re not trying to be pessimistic here, but really this is getting ridiculous at this point. Will we ever see Children of the Corn: Runaway and/or Hellraiser: Judgment? Your guess is, unfortunately, as good as mine.

Fingers crossed. We’ll let you know when we hear more.

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Synapse’s Suspiria 4K Restoration Gets a Release Date

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Earlier this year, we wrote about Synapse Films’ Suspiria 4K restoration and how it was available for pre-order. The weird catch was that there was no release date confirmed and that pre-orders would go out sometime in December 2017. Today that changes as we can confirm that the 3-disc special edition Blu-ray collection will come out December 19th, just in time for Christmas but a little late for Hanukkah. Any chance we can have one extra night this year?

Restored over three years, Synapse has been working tirelessly to create the ultimate version of Dario Argento’s 1977 classic supernatural horror film, which has since gone on to become one of the most recognized and lauded titles in the genre. This cut has been overseen and approved by Luciano Tovoli, the Director of Photography on the film.

Pre-orders are still available via Synapse Films’ website.

Special features:
*Limited edition of only 6000 units produced
*Exclusive Steelbook packaging and collector’s o-card sleeve, featuring artwork from Malleus, Van Orton Design, Juan José Saldarriaga & Chris MacGibbon
*Three disc [Two Blu-rays + One CD] limited collector’s edition (only 6000 units) containing a new 4K restoration of the original uncut, uncensored Italian 35mm camera negative exclusively done by Synapse Films, with color correction supervised and approved by SUSPIRIA Director of Photography, Luciano Tovoli
*Original 4.0 1977 English language LCRS sound mix not heard since the theatrical release in 1977, presented in high-resolution DTS-HD MA 96 Khz/24-bit audio
*Italian 5.1 surround sound mix
*Two audio commentaries by authors and Argento scholars, Derek Botelho, David Del Valle & Troy Howarth
*Do You Know Anything About Witches? – 30 minute SUSPIRIA visual essay written, edited and narrated by Michael Mackenzie
*Suzy in Nazi Germany – Featurette on the German locations from SUSPIRIA
*A Sigh from the Depths: 40 Years of SUSPIRIA – All-new anniversary retrospective on the making of the film and its influence on cinema
*Olga’s Story – Interview with star Barbara Magnolfi
*Original theatrical trailers, TV spots and radio spots
*Special Collector Edition Booklet containing an American Cinematographer interview with Luciano Tovoli, liner notes by Derek Botelho and restoration notes by Vincent Pereira & Don May, Jr. Cover artwork by Matthew Therrien Illustration
*“International Classics” English “Breathing Letters” opening credit sequence from U.S. release version
*Alternate All-English opening and closing credits sequences, playable via seamless branching
*Newly translated, removable English SDH subtitles for the English language version
*Newly translated, removable English subtitles for the Italian language version
*Exclusive CD remaster of Goblin’s SUSPIRIA motion picture soundtrack, containing additional tracks not included on the original 1977 soundtrack release

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Creep 2 Starring Mark Duplass Hits Netflix This December

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Just the other day we shared with you guys an exclusive interview with Partick Brice, the director of the Mark Duplass-starring found footage flicks Creep and Creep 2.

Today we have the awesome news that the killer sequel Creep 2 (review) will be hitting Netflix streaming on December 23rd.

The original creeptastic motion picture is already streaming on Netflix so if you need to catch up – or just watch the original again – you can do so tonight and get ready for the sequel which, personally, I found to be superior (if even just slightly) to the original.

What did you think of the original film? Are you excited to check out the sequel? Or have you already seen it? Make sure to let us know in the comments below or on social media!

Creep 2 starring Mark Duplass and Desiree Akhavan hits Netflix December 23rd!

Synopsis:

Desiree Akhavan (“Girls”, APPROPRIATE BEHAVIOR) stars as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass, reprising his role from the previous film). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on she discovers she may have dug herself into a hole she can’t escape.

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