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Hi-Resident Evil

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Remember when we told you about NECA‘s new Resident Evil line of action figures here and back here? Those pictures were great and all but they don’t hold a candle to the one’s we got fresh in the mail today. Below you’ll be able to check out several new high-res shots of the five new figures from the second series of the Resident Evil 10th Anniversy line!

NECA's Resident Evil Anniversary Series 2NECA's Resident Evil Anniversary Series 2NECA's Resident Evil Anniversary Series 2

NECA's Resident Evil Anniversary Series 2NECA's Resident Evil Anniversary Series 2

Kryten Syxx

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Why Brad Anderson’s Session 9 Scared the Hell Out of Me

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“Hello, Gordon.”

Invariably working for sites such as Dread Central I am always asked the question, “What is the scariest movie you have ever seen?” And, well, truth be told movies don’t tend to scare me that often. Sure there are my go-to flicks time and time again, such as The Blair Witch Project, Paranormal Activity, and Lake Mungo. But sure enough everytime I spout out that list to a fellow horror fan they always follow up with, “Well, what is the scariest movie you’ve ever seen that ISN’T found footage?” Fair enough question.

Now while I’m not going to go into what I consider to be the scariest non-found footage horror movies (we’ll get into all of that at some later date) I do want to point out a movie in particular here today. The way it goes is that when I tell people my list of scariest non-found footage films, they always nod in agreement. Until that is, I get to a film called Session 9. It is at that point that whomever I am talking to cocks their head to the side and says, “I’ve never heard of that one.” Which is a shame and it happens far too often. So today I want to, yet again, give any and everyone who’s willing to listen the recommend.

Let’s begin with a quick rundown of the film. Session 9 was written and directed by Brad Anderson, who is a name you might recognize as the creative force behind such films as The Vanishing on 7th Street, Transsiberian, and the “Christian Bale is as skinny as a skeleton” mindfuck The Machinist.

But as good as those film may (or may not) be, without a doubt Anderson’s masterpiece is Session 9. Written specifically to be filmed inside the Danvers State Mental Hospital, the film stars David Caruso (don’t let that stop you), Peter Mullan, Josh Lucas and a few other gents as a group of asbestos removal guys who are possibly haunted within the walls of the institute while on a job.

If that rundown isn’t the best, here is the film’s official synopsis: “A tale of terror when a group of asbestos removal workers starts work in an abandoned insane asylum. The complex of buildings looms up out of the woods like a dormant beast. Grand, imposing…abandoned, deteriorating. The residents of Danvers, Massachusetts steer well clear of the place. But Danvers State Mental Hospital closed down for 15 years is about to receive five new visitors…”

Brrr… freaky enough, right? Well, trust me, the actual film is leaps and bounds better than even that creeper synopsis lets on. And best of all, with all horror and terror aside, the film is a tight flick about a group of men and how they interact as a team. While that may not sound too appealing, the actors, yes, even David Caruso, make for a lovable group of grumps that I enjoyed spending 90 minutes with.

Let’s talk about the horror for a second. You have to wait until the end, but once it hits (full-force) it is well worth the wait. The first 2/3 of the film are creepy but are mostly about the men and the job. Horror looms in the background at all times, sure, but it isn’t until the final act that the shit really hits the fan. And boy, does it. The final act is as bloody as any slasher you could ever hope for and even features a fun, very cool cameo by Mr. Larry Fessenden himself. But it is the final, give or take, 30 seconds of the film that still haunts me to this day.

You see the film is constantly playing a game of “Is it ghosts? Is it all in your head? Or is there a human element to the horror?” And that game comes to nightmarish reality in the film’s final moments. I specifically remember having fun with the film until its last frames. That was when I needed to turn the lights on. But that still didn’t help. The horror that Session 9 presents in its final moments are horrors where there is nowhere to run, no way to prevent it from finding you in the darkness, and no way to save yourself, or your loved ones, if it finds you.

“I hide in the weak and the wounded.”

Being that I am prone to being one of those dudes that let’s shit bottle up inside until I explode (sad but true), this film is fu*king terrifying to me. I get it. I fear it. And I hope you will too. As kids, we need cautionary tales, and let’s not forget that we as adults do too sometimes. Session 9 is a warning for grown-ups. You almost deserve it to yourself and your loved ones to see this film and allow it sink in. Just don’t expect to sleep for a few nights…

In the end, why did Session 9 scare the hell out me so bad? Was it that voice that haunts my dreams to this day, or was it what the voice says? I’m still not sure. But trust me when I say that Brad Anderson’s Session 9 is one of the absolute scariest films I have ever seen. If you haven’t given the film its day in court yet, remedy that ASAP and thank me (or hate me) later.

You can buy Session 9 on Blu-ray HERE. And while you’re at it make sure to check out Villmark Asylum now on VOD.

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See the Zombies’ End Preview Released Today

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Do you have an idea about how a zombie apocalypse would end?

The standard story lines from movies, TV, and comics tell us defeating the zombie horde would take either guns and bombs or antidotes and vaccines.

How about a living head in a bucket that sinks deep within his own mind, talks to Death in a tuxedo, and uncovers an uncanny solution?

Zombies' End graphic novel by Gary Scott Beatty
If you’re reading Zombies’ End, the 56-page graphic novel I’m Kickstarting through February 16, 2018, you know the answer. I’m not known for telling simple stories.

We’ve just released a free preview of Zombies’ End that you can read or download here. You can look for the zombie solution there, there are clues, but I’m being tight-lipped about that detail. We’ll see how well I keep the secret through February 16th.

Zombies' End graphic novel by Gary Scott Beatty

Readers will recognize our hero from the Wounds graphic novel I released last year. That story took place inside the hero’s mind. Trauma and isolation caused him to construct different scenarios, and we readers were left to piece together the past and present — just like the hero was doing.

The format of Zombie’s End is meant to complement 2017’s Wounds graphic novel, but they don’t have to be read together. Both are stand-alone stories, but they read as Part 1 and Part 2.

Zombies’ End is in the real world, mostly. Just like in Wounds, the hero’s head holds answers.

Zombies' End graphic novel by Gary Scott Beatty

In Zombies’ End, a living head in a bucket and his zombie daughter, who are said to hold the key to mankind’s survival, are transported by three brave soldiers through the apocalypse.

As the head struggles to maintain sanity and focus, he realizes his disjointed visions are not entirely unreal and must convince mankind that the solution to this zombie horror will be more extraordinary than anyone imagines.

Zombies' End graphic novel by Gary Scott Beatty

The cover blurb reads, “Mankind forever changed.” I realize all zombie stories say that, but it’s an understatement for Wounds. There is absolutely no going back from the solution at the end of this book.

The Kickstarter for this graphic novel runs January 16 through February 16, 2018. Join us in this madness at ZombiesEnd.com. Bring imagination. It’s going to take both muscle and brainpower to take us to zombies’ end.

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More Horror TV in the Works: The Butcher on Crackle and The Demons of Dorian Gunn on Pop

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“TV” doesn’t just mean the typical broadcast networks we all grew up watching anymore; now there are outlets with snappy names like Crackle and Pop (sorry, couldn’t resist), and over the last couple of days both of them have announced new horror projects in the works.

Read on for the early details on Pop’s supernatural comedy pilot “The Demons of Dorian Gunn” and Crackle’s “The Butcher,” both of which were announced during the Television Critics Association’s Winter 2018 Press Tour and have some very familiar names behind them.

About “The Demons of Dorian Gunn”:
Pop’s new supernatural comedy pilot “The Demons of Dorian Gunn,” executive produced by Krysten Ritter (“Breaking Bad,” “Jessica Jones”) and JAX Media, will star Jeffery Self (“Search Party”), Chrissie Fit (Pitch Perfect 2/3), H. Jon Benjamin (“Archer”), Lateefah Holder (“Disjointed,” “Transparent”), and Kyle Harris (“Stitchers,” “High Maintenance”).

Written by Evan Greenspoon and Brandon Scott Jones (“Upright Citizens Brigade”), “The Demons of Dorian Gunn” follows disgraced New York socialite Dorian Gunn, who discovers he’s descended from a long line of demon hunters and is forced to abandon his life of leisure to protect humanity from monsters as they emerge from the gates of hell.

Pilot production for the series kicks off this month in New York City.

Jeffrey Self stars as antihero Dorian Gunn. After the mysterious death of his parents, Dorian’s gluttonous life as a celebutante has been in a downward spiral plagued with booze-filled antics that threaten his status with the family business. Although he desperately just wants to be a B-list celebrity, Dorian soon realizes his privileged life is going to become a bit more complicated by the fact he’s a Guardian destined to protect the world from demons.

Chrissie Fit stars as Leonie Crofton-Sears, Dorian’s mortal frenemy. Best friends since childhood, Leonie is the charming, trendy, and charismatic older sister Dorian wished he always had. She seems lovely until you remember those are also the traits of a sociopath. Leonie soon realizes she, too, comes from a magical linage – the cruel catch, she’s Dorian’s evil counterpart destined to bring demons through the Gate that Dorian is meant to defend.

H. Jon Benjamin plays Wormwood, a demon tasked with maintaining the balance of good and evil by overseeing the Guardians sworn to protect the living from demonic forces. Albeit begrudgingly, Wormwood serves as a guide to help Dorian and the other Guardians fulfill their destinies, proving good and evil are not always black and white.

Lateefah Holder stars as the straight shooter Amy Bugda, Dorian’s court-appointed addiction sponsor who quickly becomes his indispensable right-hand woman. Her moral compass rarely points in the wrong direction, so demon hunter or no, Dorian’s sobriety will not go unchecked. Her inability to stray from a righteous path can be frustrating at times, but her kind heart makes her a breath of fresh air.

Kyle Harris stars as Trip Chapman, the embodiment of white privilege. A filthy-rich, power-hungry 20-something-year-old, he was recently appointed acting executive director of the Greenwich Club by his ailing father. With this title, Trip is now guarding the one gate Dorian, Leonie, and their wealthy cohorts desperately want to enter.

“The Demons of Dorian Gunn” is written by Evan Greenspoon and Brandon Scott Jones and executive produced by Tony Hernandez and Lilly Burns of JAX Media, Kara Welker of Generate, and actor Krysten Ritter through her production company Silent Machine. John Skidmore serves as producer. Mike Poisson and Peggy Cheng from Silent Machine serve as co-executive producers. Pop is a joint venture of CBS Corporation and Lionsgate.

About “The Butcher”:
Crackle, Sony Pictures Television Networks’ free ad-supported streaming network, has announced plans to partner with award-winning producers Douglas Urbanski and Gary Oldman of Flying Studio Pictures on the original drama “The Butcher.”

Written by Charles Burmeister (Columbus Day), “The Butcher” is a modern story of one man’s epic investigation to find, hunt down, and kill a serial killer who lives among us — someone who is very human, but also beyond human. Along the way the story’s hero, a hardened Los Angeles homicide detective named Mitch Dixon, must uncover the mystery of who The Butcher is, how he operates, and come to terms with the unbelievable truth — that he has discovered the key to immortality, the price of which is consuming human flesh.

In a joint statement, Urbanski and Oldman said: “We are incredibly pleased to be working with the wonderful creative team at Crackle on this unusual and hopefully gripping and creepy show as part of our effort to expand our creative energies beyond motion pictures and into the land of streaming television. ‘The Butcher’ marks our first step in bringing entertainment directly into our homes, and we could not be happier with the collaboration.”

Eric Berger, GM of Crackle and CDO, Sony Pictures Television Networks, added: “Viewers are obsessed with the supernatural; and we see an opportunity, in partnership with Gary, Douglas, and Charles, to introduce fans to a new kind of narrative around the genre. It’s a privilege to work with some of the best in the business, and we look forward to working closely with such an incredibly talented team in the months ahead.”

The two also recently partnered on a series of vampire novels from Simon & Schuster/Atria.

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