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Kuso’s Flying Lotus to Embark on 3D Tour

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Hot off the release of his feature-length film Kuso, Flying Lotus (aka Steve Ellison) is embarking on a North American tour that kicks off October 14th in Los Angeles and wraps up November 22nd in Portland. What makes this tour special is that it will be a 3D experience. While that may seem ridiculous because, after all, seeing a concert already IS a 3D experience, Lotus’ concert will see each ticket holder get a pair of 3D glasses that should be worn during the show so as to combine projected visuals, bringing them out and over the crowd.

Related Story: Exclusive Kuso Clip + Interview With Steve, aka Flying Lotus

I’ve heard from people who saw the debut of this experience at FYF who said that it was one of the most incredible experiences they’ve ever had. If this tour comes to your neck of the woods, I HIGHLY recommend checking it out!

Make sure to follow Flying Lotus on Facebook and Twitter.

Tour dates:
10/14 – Los Angeles, CA @ Hollywood Forever*
10/15 – Los Angeles, CA @ Hollywood Forever*
10/26 – Las Vegas, NV @ Brooklyn Bowl
10/27 – San Diego, CA @ Observatory North Park
10/28 – Phoenix, AZ @ The Van Buren
10/30 – Houston, TX @ House Of Blues
10/31 – Austin, TX @ Emo’s
11/01 – New Orleans, LA @ The Joy Theatre
11/02 – Atlanta, GA @ Tabernacle
11/03 – Norfolk, VA @ Norva
11/04 – Philadelphia, PA @ Electric Factory
11/05 – Washington, DC @ Echostage
11/06 – New York, NY @ Brooklyn Steel
11/09 – Montreal, QC @ Metropolis
11/10 – Toronto, ON @ The Danforth Music Hall
11/11 – Cincinnati, OH @ Madison Theater
11/12 – Detroit, MI @ Royal Oak Music Hall
11/14 – Chicago, IL @ The Riviera Theatre
11/15 – Minneapolis, MN @ First Avenue
11/16 – Kansas City, Mo @ The Truman KC
11/17 – Denver, CO @ Exdo
11/18 – Salt Lake City, UT @ The Depot
11/20 – Vancouver, BC @ Vogue Theatre
11/21 – Seattle, WA @ The Paramount Theatre
11/22 – Portland, OR @ Roseland
*w/ Thundercat

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Watching A Quiet Place’s John Krasinski Get Scared by Freddy on Ellen Will Brighten Your Day

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I was just researching the new Platinum Dunes horror-thriller A Quiet Place and stumbled across this video. It features the film’s writer-director and star John Krasinski getting scared by a man dressed as Freddy Krueger on “Ellen.”

It’s as much fun as it sounds, and I’m sure it will make your day. It sure as hell just brightened mine.

Give it a watch below, and then let us know what you think!

John Krasinski directs the film, which will be the opening night entry at this year’s SXSW festival in Austin, TX. Emily Blunt stars alongside Krasinski, Noah Jupe, and Millicent Simmonds.

A Quiet Place will then open wide on April 6.

Synopsis:
In the modern horror thriller A Quiet Place, a family of four must navigate their lives in silence after mysterious creatures that hunt by sound threatens their survival. If they hear you, they hunt you.

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Interview: Director Jeff Burr Revisits Leatherface: The Texas Chainsaw Massacre III

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Director Jeff Burr was gracious enough to give us here at Dread Central a few minutes of his time to discuss the Blu-ray release of his 1990 film Leatherface: The Texas Chainsaw Massacre III. Recently dropped on 2/13, the movie has undergone the white-glove treatment, and he was all-too-happy to bring us back to when the film was being shot…and eventually diced thanks to the MPAA – so settle in, grab a cold slice of bloody meat, read on and enjoy!

DC: First off – congrats on seeing the film get the treatment it deserves on Blu-ray – you excited about it?

JB: Yeah, I’m really happy that it’s coming out on Blu-ray, especially since so many people bitch and moan about the death of physical media, and this thing made the cut, and it’s great for people to be able to see probably the best-looking version of it since we saw it in the lab back in 1989.

DC: Take us back to when you’d first gotten the news that you were tabbed to be the man to direct the third installment in this franchise – what was your first order of business?

JB: It was fairly condensed pre-production for me, and there really wasn’t a whole lot of time to think about the import or the greatness of it – it was basically just roll up your sleeves and go. It was a bit disappointing because a lot of times in pre-production you have the opportunity to dream what could be – casting had already been done, but certain decisions hadn’t been made yet. A very condensed pre-production, but exciting as hell, for sure! (laughs)

DC: R.A. Mihailoff in the role of Leatherface – was it the decision from the get-go to have him play the lead role?

JB: No – I totally had someone else in mind, even though R.A. had done a role in my student film about 7 years earlier, and we’d kept in touch, and I’d felt strongly because I’d gotten to know him a bit that Gunnar Hansen should have come back and played Leatherface, which would have given a bit more legitimacy to this third movie. He and I talked, and he had some issues with the direction that it was going – he really wanted to be involved, and it ended up boiling down to a financial thing, and it wasn’t outrageous at all – it wasn’t like he asked for the moon, but the problem was that New Line refused to pay it, categorically. I think the line producer at the time was more adamant about it than anyone, and Mike DeLuca was one of the executives on the movie, and he was really the guy that was running this, in a creative sense. I made my case for Gunner to both he and the line producer, and they flat out refused to pay him what he was asking, so after that was a done “no deal” I decided that R.A would be the right guy to step into the role. Since New Line was the arbiter of the film, he had to come in and audition for the part, and he impressed everyone and got the part. He did an absolutely fantastic job – such a joy to work with, and he was completely enthusiastic about everything.

DC: Let’s talk about Viggo Mortenson, and with this being one of his earliest roles – did you know you had something special with this guy on your set?

JB: Here’s the thing – you knew he was talented, and I’d seen him in the movie Prison way back in the early stages of development and was very impressed with him, and he was one of those guys that I think we were really lucky to get him on board with us. I really believe that The Indian Runner with he and directed by Sean Penn was the movie that truly made people stand up and notice his work. Every person in this cast was one hundred percent into this film and jumped in no questions asked when it was time to roll around in the body pits.

DC: It’s no secret about the amount of shit that the MPAA put you through in order to get this film released – can you expound on that for a minute?

JB: At the time, I believe it was a record amount of times we had to go back to the MPAA after re-cutting the film – I think it was 11 times that we went back. What a lot of people don’t realize is after Bob Shaye (President of New Line) had come into the editing room and he thought that it was very disturbing, and cut out some stuff himself. He thought that it would have been banned in every country, and it was banned in a lot of countries but so were the previous two. It was definitely on the verge of being emasculated before even being submitted to the MPAA, and I would have thought just a few adjustments here and there – maybe a couple of times to go back…but eleven? It was front-page news in the trade papers then, and I think that the overall tone of the film was looked at as being nasty. The previous film (Chainsaw 2) had actually gone out unrated, and with the first film being so notorious, I think it was a combination of all of that, and now even the most unrated version of this would be rated R – that’s how far the pendulum has swung in the other direction.

DC: Looking back at the film after all this time – what would be one thing that you’d change about the movie?

JB: Oh god – any film director worth his salt would look back at any of their films and want to change stuff up, and with this being 28 years old, I can look back and say “oh yeah, I’d change this, this and this!” You grow and learn over the course of your time directing, and this was my third movie and my first without producers that I had known, so the main thing that I’d do today would be to make it a bit more politically savvy. I had always thought that they wanted me to put my vision on this film, and that wasn’t necessarily the case, so maybe I’d navigate those political waters a little better.

DC: Last thing, Jeff – what’s keeping you busy these days? Any projects to speak of?

JB: Oh yeah, I’ve got a couple of movies that I’m working on – I’m prepping a horror movie right now, and then I’ve got a comedy film that I’m doing after that. You haven’t heard the last of me! I’ve had a real up and down (mostly down) career, but I still love it – it’s what I love to do, and it’s still great that after 28 years people still want to talk about this movie, and are still watching it – that’s the greatest gift you can get, and I thank everyone that’s seen it and talked about it over all these years.

BUY IT NOW!

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Werewolf Short Werehouse Coming this Halloween

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Director Daniel Mark Young, whom you may remember for the horror shorts Stranger, Night Terrors, and Run, is currently raising funds on Kickstarter to complete his latest ambitious project, the werewolf short Werehouse. Like most of Young’s films, it will be penned by his frequent writing partner James Craigie.

As its name suggests, Werehouse will be a werewolf tale set inside, you’ve guessed it, a warehouse. A group of students seek refuge in the storage facility to escape from a violent protest, but they find that they may be in even greater danger after discovering that a ravenous beast may be trapped inside with them.

The short will star Amy Tyger, Harriet Rees, Oliver Roy, and Derek Nelson.

Werehouse will be shot in black and white, although the filmmakers are using a special technique to isolate the color red in order to highlight the copious amounts of blood shown onscreen. Should the funding be successful, filming is expected to commence in April, and the film will be released on Amazon Instant Video this Halloween.

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