Attack the Block Wins 2011 SXSW Midnighter/SXFantastic Audience Award Amidst Remake Rumors - Dread Central
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Attack the Block Wins 2011 SXSW Midnighter/SXFantastic Audience Award Amidst Remake Rumors

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The SXSW Film Festival announced its final award winners Saturday morning, March 19th, all of which were selected by the films’ audiences, and as tabulated across both the official SXSW Midnighter section and the SXFantastic sidebar, the big genre winner was Joe Cornish’s Attack The Block.

Yet, despite all the acclaim the film received from both critics and fest attendees, one thing it didn’t find at the 2011 SXSW is distribution. According to THR’s Heat Vision Blog, the authenticity of its characters is partly to blame. There’s a great deal of heavily-accented slang from inner-city London incorporated into the dialogue, and subtitling can be expensive. Which means of course there’s always the alternative of just acquiring the movie’s remake rights and making a U.S. version of the film. Meanwhile THR’s comments have generated some heated online discussions and campaigns in behalf of releasing the film as-is.

IndieWire thinks people need to take a deep breath, and we agree: Attack The Block was always going to be a niche player. Featuring a no-name cast, no major studio or arthouse arm (except for Fox Searchlight, maybe) will likely be interested. Secondly, the subtitling-British-movies worry comes up every now and again, usually when there is a film generating some heat and there is some concern that the flyover states won’t understand the pic, [but] distributors hate spending money they don’t need to. No one picking up the movie is likely to want to spend more getting it subtitled.

As for a remake, [it’s doubtful] any plans on that front would preempt an American release of the original. And again, no contracts have been signed anyway. [It’s likely] a deal will close for the film with a genre-friendly distributor (IFC Midnight would be a good fit, Magnolia perhaps), and everyone will be happy.

Sounds like a good plan. For more check out the Attack the Block Facebook page, and keep your eye on the Attack the Block website.

Synopsis
Attack the Block is a fast, funny, frightening action adventure movie that pits a teen gang against an invasion of savage alien monsters. It turns a housing estate into a sci-fi playground. A tower block into a fortress under siege. And weapon-wielding teenage thugs into heroes. Think ASSAULT ON PRECINCT 13 only with monsters and a tower block. Or LA HAINE crossed with ALIENS. It’s inner city versus outer space.

Trainee nurse Sam is walking home to her flat in a scary South London tower block when she’s robbed by a gang of masked, hooded youths. She’s saved when the gang are distracted by a bright meteorite, which falls from the sky and hits a nearby parked car. Sam flees, just before the gang are attacked by a small alien creature that leaps from the wreckage. The gang chase the creature and kill it, dragging its ghoulish carcass to the top of the block, which they treat as their territory.

While Sam and the police hunt for the gang, a second wave of meteors falls. Confident of victory against such feeble invaders, the gang grab weapons, mount bikes and mopeds, and set out to defend their turf. But this time the creatures are bigger. Much bigger. Savage, shadowy and bestial, they are hunting their fallen comrade, and nothing will stand in their way. THE ESTATE IS ABOUT TO BECOME A BATTLEGROUND. And the bunch of no-hope kids who just attacked Sam are about to become her, and the block’s, only hope.

Click on the one-sheet below to read our Attack the Block review!

SXSW 2011: Review - Attack the Block

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House of the Dead: Scarlet Dawn Announced for Arcades

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Aside from various ports, the House of the Dead franchise has been dormant since the release of Overkill on the Wii back in 2009, so the news of a brand new entry in the series is a huge deal for us horror gamers. So we couldn’t be happier to learn that Sega have officially announced House of the Dead: Scarlet Dawn, which will take the franchise back to its arcade roots. According to Gematsu, the game will be undergoing preliminary location testing at Sega’s Tokyo headquarters from January 19 to 21, before launching in Japanese arcades at a later date.

House of the Dead: Scarlet Dawn will be powered by Unreal Engine 4, and will be capable of featuring more onscreen enemies than all previous House of the Dead games. The arcade cabinet will include air cannons, vibrating seat, and motion sensitive lights in an effort to create a full immersive experience, although there are currently no details on the game’s plot.

The House of the Dead franchise remains hugely popular around the world (even Uwe Boll couldn’t destroy its reputation), so it’s probably safe to assume that Scarlet Dawn will probably be making its way to US arcades at some point in the near future, with a console release also looking likely.

You can stay updated with House of the Dead: Scarlett Dawn on its official website, although you might want to learn Japanese first.

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Dread Central UK Enjoys a Box of IT

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One of the best things about writing for Dread Central is the cool gifts companies send us in exchange for covering their releases.

With Stephen King’s It now being available on DVD and Blu-ray in the UK, Warner Bros. were kind enough to send me an It-themed gift box absolutely free of charge. I collected this beautiful piece of merchandise from Organic Marketing’s London headquarters, and it is quite possibly my favorite thing in the world. And that’s not an exaggeration.

Inside this beautiful box were four Pennywise-themed cupcakes, a Pennywise Vinyl Pop figure in its original packaging, a laminated flyer, and of course, a copy of the film on Blu-ray. As you can see from the images below, a red balloon, just like the one held by Pennywise in the film, was attached to the box, although I’m sorry to say that it has now been burst (and I’m keeping the remains).

It, which now has the honor of being the highest-grossing R-rated horror film of all time, was directed by Andy Muschietti and stars Bill Skarsgård, Jaeden Lieberher, Wyatt Oleff, Jeremy Ray Taylor, Sophia Lillis, and Finn Wolfhard. With the film now being available on home video in the UK, you shouldn’t waste any time ordering your copy, especially since we gave it a perfect score in our review.

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Fearsome Facts – Dracula: Prince of Darkness (1966)

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Sir Christopher Lee returned to portray the charismatic count of Transylvania in Hammer’s Dracula: Prince of Darkness (1966) for the first time since taking on the iconic role in 1958’s Horror of Dracula – an eight year absence. 

And while Lee endured a love/hate relationship playing the Carpathian Count over the years, the actor reluctantly tackled the role a total of 10 times for the Silver Screen. Three of those performances came outside of the purview of Hammer Horror, but this list is dedicated to the first Hammer Dracula sequel to feature the return of Christopher Lee in the lead role.

Now, here are 5 Things You May Not Know About Dracula: Prince of Darkness.

5. Dracula: Speechless

Dialogue never played a crucial part in Christopher Lee’s portrayals as Count Dracula, but this film is the epitome of that contentious notion. Lee doesn’t utter a single word during Dracula: Prince of Darkness’ 90 minutes of run time. In interviews over the years, Lee said that he was so unhappy with his lines that he protested and refused to say them during the filming process. “Because I had read the script and refused to say any of the lines,” Lee said in an interview at the University College of Dublin.

However, screenwriter Jimmy Sangster insisted that the original script was written without any dialogue for Dracula. There was even a theory that circulated for a time which postulated that Hammer could not afford Lee’s growing salary, so the studio decided to limit the Count’s screen time. Did this lead to the demise of Dracula’s dialogue? Regardless of whom you want to believe, Dracula is the strong, silent type in Prince of Darkness. 

4. Double Duty for Drac

Hammer Film Productions doubled down, so to speak, on the production and post-production aspects of Dracula: Prince of Darkness. First, the studio filmed the vampire flick back-to-back with another project titled Rasputin: The Mad Monk (1966). In doing so, Hammer used many of the same sets, actors – including Francis Matthews and Suzan Farmer – and crew members to shoot both motion pictures.

Second, Dracula: Prince of Darkness was featured in a double billing alongside the film The Plague of the Zombies (1966) when it screened in London. Insert cheesy cliche: “Double your pleasure, double your fun with Doublemint Gum.” 

3. Stunt Double Nearly Drowned

Dracula: Prince of Darkness introduced a new weakness in the wicked baddie, but it nearly cost a stuntman his life. During the film, it was revealed that running water could destroy Dracula. Wait, what? Apparently, leaving the faucets on at night not only prevents frozen pipes, but blood-sucking vampires, too.

All kidding aside, it was during the climactic battle scene in which Christopher Lee’s stunt double almost succumb to the icy waters on set. Stuntman Eddie Powell stepped in as the Count during that pivotal moment, as Dracula slipped into the watery grave, but Powell was trapped under the water himself and almost died.

2. Lee Loathed What Hammer Did to Stoker’s Character

Christopher Lee’s return to Hammer’s Dracula franchise was a stroke of genius on the part of producers, but Lee was more than a little reticent when it came to initially voicing his dislike for playing the iconic role. As mentioned above, a lot of speculation swirled around the lack of dialogue given to Lee in the Prince of Darkness script. And if you don’t count the opening flashback sequence, which revisits the ending of Horror of Dracula (1958), Count Dracula doesn’t appear on screen until the 45-minute mark of the film.

Dracula’s lack of character, and presence, began to affect Lee particularly when it came to signing on to play the character in the three films following Prince of Darkness. Indeed, the lack of meaningful character development led to Lee initially turning down Dracula Has Risen From the Grave (1968), Taste the Blood of Dracula (1970) and Scars of Dracula (1970). Lee said in countless interviews that he never got to play the real version of Count Dracula created by Bram Stoker, at least via Hammer Studios. This was a true disappointment to the late actor.

But Hammer guilt Lee into taking on the role over and over again, because the studio claimed to have already sold the aforementioned films to the United States with Lee’s name attached to the projects. Hammer informed Lee that if he didn’t return the company would have to lay off many of their workers. The tactic worked, since Lee was friends with many of the Dracula crew members. Fortunately for fans, Lee kept coming back for blood.

1. Faux Pas

Outside of the character of Dracula only appearing on screen for the last half of the movie, Dracula: Prince of Darkness had even more pressing issues that unfortunately survived all the way to the final cut of the film. One of the most appalling of these occurrences happens during the picture’s climatic confrontation. Watch the skies above Dracula and you will see the trail of a jet-engine plane staining the sky.

Another faux pas occurs in this same sequence when Dracula succumbs to the icy waters. Watch closely as the camera’s long shot clearly reveals the pivots holding the ice up underneath Chris Lee. Finally, watch the dead girl who is being carried during the opening funeral sequence. She is clearly breathing and quite heavily at that.

***

Which Dracula: Prince of Darkness moments did you find the most interesting? Were there any obscure facts you would have enjoyed seeing make our list? Sound off on social media!

 

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