Alamo Drafthouse Showcasing Three William Lustig Features and Amazing Artwork to Go Along with Them - Dread Central
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Alamo Drafthouse Showcasing Three William Lustig Features and Amazing Artwork to Go Along with Them



One of our favorite theatres is no doubt the Alamo Drafthouse in Austin, Texas. Seriously? It’s the coolest place in the world to watch a movie, and when they’re not engulfed by Fantastic Fest, they hold cool events all year. Such as this!

The Alamo Drafthouse is hosting three screenings this week with director William Lustig live — Maniac, Maniac Cop 2, and Vigilante. Click here for more information.

MANIAC @ Alamo Drafthouse (2/8)
William Lustig is easily one of our nation’s greatest living filmmakers. His savage action and horror films (VIGILANTE; MANIAC COP) tore through the screen to assault the audience with blood, bullets and sheer hatred burning through every frame. And with this – inarguably his exploitation masterpiece – he plumbs the depths of the cinematic sewers like never before. Also accountable for the film’s multiple offenses is its titular leading man(iac) Joe Spinell, a deeply talented character actor who makes this the role of his lifetime. If I was the type of guy who used the phrase “tour de force performance,” I’d do it here. His character is a self-loathing, seemingly rabid force of human extermination, a flesh-destroyer whose brain practically boils out of his skull with every human interaction. His world is drowned in perpetual darkness, and he lashes out at anything within reach. Really, REALLY strong stuff, and featuring the shockingly convincing effects work of Tom Savini…including a particular scene that – when watched on the big screen – will have people doing backflips and/or puking down the front of their shirts. (Zack Carlson)

MANIAC COP 2 @ Alamo Drafthouse (2/8)
Let’s look at the facts: MANIAC COP 2 is quite truly The Greatest ’80s Horror-Action Movie Ever Made. Violent, whiplash-paced, supernatural and completely insane. It was written by horror legend Larry Cohen and stars Robert Davi, Robert Z’Dar, Bruce Campbell and even the lady who played the indestructible dancer in THE HIDDEN. You don’t need to have seen the previous installment as the basics are quickly recapped and this film definitely stands on its own. I know it’s my job to tell you that movies are good, but this is coming from my heart: DO NOT MISS THIS. Especially because monumental director William Lustig (MANIAC, VIGILANTE) will be there to present it and he’s amazing himself. He told the funniest story I’ve ever heard about making a movie, involving a hospitalized cameraman and a stunt driver wearing blackface in Queens. But I digress. Here’s what I’m gonna do: If you somehow don’t LOVE LOVE LOVE this movie and feel like you got ten times your money’s worth in entertainment, I will personally refund your admission price from my own damn pocket. And I’m one broke-ass jerk. But I’m a broke-ass jerk with the ultimate confidence in MANIAC COP 2′s power to entertain you beyond all reason. This is for real. If you like horror movies or just enjoy having fun in any way, BE THERE. (Zack Carlson)

VIGILANTE @ Alamo Drafthouse (2/9)
Unfairly dismissed as a DEATH WISH ripoff by people who never got past the title and poster, VIGILANTE is a tremendous, gritty masterpiece of revenge cinema. When factory worker Robert Forster’s family is victimized by street criminals, he pursues the legal route through the justice system. But when a corrupt court turns the perpetrators loose he teams up with Fred Williamson’s de facto clean-up crew to drive the scum from the streets. Far more than just a button-pushing exercise in payback, VIGILANTE addresses the real issues, both social and personal, involved in taking the law in our own hands and Forster and Williamson give outstanding performances under the direction of William Lustig. Balance, pacing, action are all perfect here. If the climax of this movie doesn’t have you pumping your fist in excitement, you should see a fist doctor right away. (Lars Nilsen)

Each Mondo poster you see below will be available for attendees at the respective screenings. Remaining prints will be sold online at on Thursday, February 10th. Follow @MondoNews for announcements.

“Vigilante” by Alan Hynes
18″ x 24″ Screenprint with Metallic Inks, Edition of 100

Drafthouse Showcasing Three William Lustig Features and Amazing Artwork to Go Along with Them

“Maniac” by Ken Taylor
24″ x 36″ Screenprint, Edition of 200

Drafthouse Showcasing Three William Lustig Features and Amazing Artwork to Go Along with Them

“Maniac Cop 2″ by Jason Edmiston
18″ x 24” Screenprint, Edition of 125

Drafthouse Showcasing Three William Lustig Features and Amazing Artwork to Go Along with Them

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The Hatred Review – A History Lesson Dug Up From The Depths Of Hell



Starring Zelda Adams, Lulu Adams, John Law

Directed by John Law

I don’t know about the scholastic interests the masses had (or have) that read all of the killer nuggets that get cranked out on this site, but when I was an academic turd, one of my true passions was history, and it was one of the only subjects that managed to hold my interest, and when the opportunity arose to check out John Law’s ultra-nightmarish feature, The Hatred – I was ready to crack the books once again.

The setting is the Blackfoot Territory in the late 1800s, and the pains of a lengthy conflict have taken their toll on the remaining soldiers as food has become scarce, and the film picks up with soldiers on the march in the brutal cold and snow covered mountainside. In tow is a P.O.W. (Law), and the decision is made by the soldiers to execute him in earnest instead of having to shorten their rations by feeding him, so he is then hung (pretty harshly done), and left to rot as the uniformed men trudge along. A short time later the group encounters a small family on the fringes of the territory, and when the demands for food are rebuked, the slaughter is on and the only survivor is a young girl (Adams) who prays to an oblivious god that she can one day reap the seeds of revenge upon those who’ve murdered her family. We all know that there are usually two sides to any story, and when the good ear isn’t listening, the evil one turns its direction towards those who need it most, and that’s when the Devil obliges.

The answer to the young girl’s prayers comes in the resurrection of the prisoner that was hung a short time ago, and he has been dubbed “Vengeance” – together their goal will be achieved by harshly dishing out some retribution, and the way it’s presented is drawn-out, almost like you’re strapped into the front-row pew of a hellfire-cathedral and force-fed the sermon of an evil voice from the South side of the tracks. It’s vicious and beautiful all at once, Law’s direction gives this visually-striking presentation all the bells and whistles to please even the harshest of critics (hell, you’re reading the words of one right now). The performances, while a bit stoic in nature, still convey that overall perception of a wrong that demands to be righted, no matter how morally mishandled it might be. Overall, I can absolutely recommend The Hatred for not only those wanting a period-piece with ferocious-artistry, but for others who continue to pray with no response, and are curious to see what the other side can offer.

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The Hatred is a visually-appealing look into the eyes of animus, and all of the beauty of returning the harm to those who have awarded it to others.

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Exclusive Clip: Psychotic! A Brooklyn Slasher Film Gets High in the Shower



All right, you party hardy folks from Brooklyn… this one should speak volumes to you and your sinful, decadent, and raucous ways! Today we’ve got an exclusive clip from the upcoming psychedelic horror title Psychotic! A Brooklyn Slasher Film, which sees one of the characters getting high in a bathroom and then thinking he’ll pull a prank on his friends. However, it turns out that he’s never seen Psycho because we all know what happens when you’re in the shower and someone mysterious enters the bathroom! You can see the grisly action for yourself below.

There will be special screenings of Psychotic! at the Nitehawk Theater in Williamsburg on January 25th, Film Noir Cinema in Greenpoint on the 26th, and Videology on the 27th. The film will come to VOD platforms on January 26th.

Written and directed by Derek Gibbons and Maxwell Frey, Psychotic! A Brooklyn Slasher Film stars Kristen Martin, Clint Keepin, Cirocco Dunlap, Maria Wojciechowski, Dani Grace, Adam Maid, Rafael Cruz, Chris Prine, Aldous Davidson, and Rachel Laforest.

The rent is high, but the body count is higher in Psychotic!, the suspenseful psychedelic slasher that follows a group of hard-partying Brooklyn hipsters as they’re stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.

It’s up to struggling artists Tim and Stuart to figure out who keeps killing the life of the party. Blood-soaked mayhem ensues as our heroes barely make the rent on time, search for love (in all the wrong places), and try to salvage their friendship – all while trying to unravel the mystery and stay one step ahead of the next massacre.

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Witness the Evolution of Jason Voorhees in New Animated Video



I love Jason Voorhees.

And what makes Jason my favorite of all horror movie villains is that, unlike Freddy, Michael, and Leatherface, Jason has evolved a f*cking ton over his cinematic lifespan.

Changing from a bald kid in a lake, to a backwoods butcher with a love for potato sacks, to an unstoppable zombie force, Jason has come a long way, baby. And today’s animated video is all about celebrating Jason’s evolution in a fun, informative way.

Do you have any “non-horror” friends that are interested in the story of Jason but will never watch the films with you? Then here is the cute widdle video from Tell It Animated just for them. You’ll enjoy it too.

You can give the fun video a watch below and then let us know what you think!


Jason Voorhees has changed a lot since his first appearance in Friday the 13th. From skinny child to hockey mask slasher to rebuilt space Jason and back again, this video goes through his progression.

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